Showing posts with label George Harrison. Show all posts
Showing posts with label George Harrison. Show all posts

Thursday, 22 October 2026

It's All Too Much

Trust me #124
It's All Too Much by The Beatles

With your long blonde hair and your eyes of blue

You're too much

Tucked away on the second side of The Beatles Yellow Submarine soundtrack, It's All Too Much is six minutes of psychedelic bliss. It is the sound of George Harrison tripping off his nut, hopelessly in love with his wife Pattie. Intoxicated, overwhelmed by the drug and Boyd's incredible beauty. What a trip to be on! It grooves and drones, there is uplifting brass that cuts through and above everything else, while George Harrison sounds like the happiest guy on the planet, loved up in more ways than one.

No wonder! Pattie Boyd was absolutely knockout stunning. The pair met in March 1964 while filming It's A Hard Days Night in 1964 and were married by January 1966. George would go on to write Something about Boyd, and his great friend Eric Clapton wrote Layla while falling for Boyd and later 'stole/won' Boyd, subsequently writing the beautiful Wonderful Tonight. George, amazingly, never held a grudge and even attended their wedding.

Harrison described taking acid as like a light bulb going on in my head. Was he the most psychedelic of The Beatles? Quite possibly! Although I'm sure a case could be made for all 3 of the main songwriters. 

George was famously introduced to the drug in the spring of 1965 when a London dentist secretly spiked his and John’s coffee. While terrifying initially, Harrison later recalled that the experience fundamentally altered his perception of reality, opening his mind to a sense of universal oneness and spiritual presence.

Written in 1967, the summer of love, It's All Too Much, the song wasn't released until 1969 on the Yellow Submarine album. It had been considered as a stand alone single and was muted for the Magical Mystery Tour album and film. Somehow, it was overlooked. Or, maybe it just didn't fit with the vibe. It's something I don't understand as its an incredible song.

Maybe the song found its rightful home in the animated world of Pepperland! In the Yellow Submarine movie, it serves as the ecstatic climax. An edited version plays during the sequence where the Fab Four finally liberate Pepperland from the Chief Blue Meanie, turning a grey wasteland back into a technicolour paradise. Pure psychedelia, the height of the trip.

George and Pattie in Haight Ashbury
Ironically, this turned George away from LSD

George Martin, correctly, gets a lot of credit when it comes to Beatles arrangements and production. However, It's All Too Much was largely self produced by the Fab Four at De Lane Lea Studios in London on 25th and 26th May 1967. Incredibly, the latter date is the day that Sergeant Pepper was released! The Beatles were not a band to hang around! Martin assisted with additional music and arrangements in early June.

Later that summer, at the start of August, Harrison and Boyd traveled to San Francisco to the so called heart of the hippy scene in Haight Ashbury. The two of them look sensational, walking through the crowd in shades, the scene within the scene. George was handed a guitar and played a few chords, but was apparently unable to play any more than that due to the strength of the LSD he was on. There are also several photos of Harrison smoking a large joint.

However, the trip actually turned Harrison off acid. He thought Haight Ashbury was full of bums and lost souls who'd come looking for an answer and just dropped out. On return to the UK, George threw himself into meditation, introducing The Beatles to the Maharishi who was lecturing in London. Impressed, The Beatles then booked to go to a seminar in Wales. 

These few months in the life of Harrison and Boyd are a film in the making - It's All Too Much - the drugs, the scene, Sgt Peppers, It's All Too Much, the summer of love, Haigh Ashbury and the Maharishi.

Back to the song, while nowhere near as famous as Something, Wonderful Tonight or Layla  Harrison's psychedelic gem is just as beautiful as the former two, just as (maybe even more) powerful than the latter, in its own unique way. 

The intro is glorious, Lennon spitting to your Mother, then 16 seconds of fuzzy feedback, followed by a beautiful and soothing organ sound, a superb Ringo drum roll and then huge beats, handclaps, a hammering organ and a wall of brass. It's All Too Much finds a groove and marches like Sgt Pepper leading a psychedelic parade with Harrison chanting the title. It's heavy, droning, relentless and a sensory explosion for a full 60-seconds. 

Part of me wishes it went on longer, but then we are into the song, with George singing about gazing into the eyes of his love, sounding head over heels, walking on air and into the sunshine. 

When I look into your eyes, your love is there for me

And the more I go inside, the more there is to see

The Beatles tumble and flow straight into the chorus with Harrison nailing his colours to the mast. It's joyous, a celebration of love and the times ... even if it was 2-years too late. Imagine if this had been released in the summer of 67! It would have been perfect. 

It's all too much, for me to take

The love that's shining all around you

Everywhere, it's what you make

For us to take, it's all too much

Floating down the stream of time, of life to life with me

Makes no difference where you are, or where you'd like to be

Harrison is in the psychedelic zone with his writing and sounds, George Martin (who allegedly never took LSD) creates all kinds of wonderous sounds over The Beatles groove. The chorus sounds bigger every time it arrives, McCartney's bass flourishes at times, Ringo is on fire and Harrison is firing off delicious riffs and guitar sounds. Does it get any better than this?!

There is a long instrumental with Paul and Ringo locked in a groove, horns and more delicious feedback that is extended into the next verse and the final double chorus simply explodes.

Harrison and The Beatles aren't finished though, there is a long and beautiful 2-minutes and 45 seconds outro. It grooves, horns soars and a mantra is introduced. I adore when George comes in with his simple declaration and then admission. 

With your long blonde hair and your eyes of blue

You're too much

What a glorious technicolour delight! I've listened to It's All Too Much a fair bit in the last couple of weeks while researching the song and events around it. And I haven't tired of it! The Beatles sound like they are having loads of fun - again, why the hell was this not released as a single? OK, The Beatles were in sensational form in 67, releasing Sgt Peppers but also the singles -  Strawberry Fields / Penny Lane (February) , All You Need Is Love / Baby You're A Rich Man (July) and Hello Goodbye / I Am The Walrus (November). Wouldn't it have been the perfect double a-side for All You Need Is Love?

It's All Too Much is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
103. Life Is Sweet by The Chemical Brothers 
105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish
108. Cobra by Geese
109. All I Have To Do Is Dream by The Everly Brothers
110. Vapour Trail by Ride
111. Teardrop by Massive Attack
112. Since I Left You by The Avalanches
113. Good Dancers by The Sleepy Jackson
114. Kiss My Love Goodbye by Bettye Swann
116. Get Out Of My Dream by The Clouds
117. Sundress by Ben Kweller
118. I Love You by Primal Scream
119. Calico Skies by Paul McCartney 
120. Lay This Burden Down by Mary Love
121. Primitive Painters by Felt w/ Elizabeth Fraser
122. Like A Motorway by Saint Etienne
123. F.E.A.R. by Ian Brown



Tuesday, 8 September 2026

What Is Life?

Cover version(s) of the month #123
Olivia Newton John covers George Harrison 

Bonus covers
George Harrison and Olivia Newton-John cover Bob Dylan's If Not For You

I recently bought a 7-inch of Paul McCartney's Coming Up on Discogs and was pleasantly surprised when Olivia Newton-John's version of George Harrison's What Is Life? (a record/cover I didn't know existed) was flagged up as another record I might be interested in. I absolutely was! Especially at the bargain price of £3. This is the modern day equivalent of finding a hidden gem in a dusty record crate. Not quite as much fun, but still pretty thrilling!

What Is Life? from George Harrison's majestic All Things Must Pass album, also released as a single in February 1971, is one of my favourite George songs. I get a lift every single time I hear it and adore the incredible guitar sounds that feature throughout.

Released a year later in 1972, Newton-John's version remains true to the original, but it doesn't have the power of George's wall of sound, the Phil Spector produced gem that has roaring brass and rippling reverb. Olivia's voice is beautiful, all sunny, light and country-tinged, super melodic and pure.

I subsequently discovered that Newton-John had also recorded Bob Dylan's If Not For You, a song that the author released in October 1970 on his New Morning album. Dylan is at his poetic best, singing beautiful lyrics in a simple and catchy melody. There is an urgency to it, and also a gentleness, especially with the xylophone played beautifully alongside the acoustic shuffle groove.

If not for you my sky would fall

Rain would gather too

Without your love I'd be nowhere at all

I'd be lost, if not for you

Dylan and Harrison recorded a version together back in May 1970. This would later be released in 1991 as part of Dylan's bootleg series. This is absolutely brilliant, all rustic and organic, Harrison's guitar sliding and piercing in all the right places, sounding utterly sublime against the acoustic groove and Dylan's harmonica. Harrison and Dylan met, jammed and wrote together. I wonder if recordings are lurking somewhere in Dylan's vaults ...

Harrison released his slide guitar infused version a month after Dylan's original on All Things Must Pass. Like many of the recordings on that wonderful album, Harrison sounds positive, hopeful and hopelessly in love. There is a playfulness to the guitars and a lovely nod to Dylan with the harmonica. 

Newton-John's version is more akin to George's. She clearly loved his own songs, and his taste in, and arrangement of, others. Her voice is beautifully pure and clear - gorgeous.

What about the original What Is Life? 

Opening with a glorious soaring Harrison fuzztone descending guitar riff the song also features Motown-esque beats and ecstatic horns. It's joyous pop music, Harrison sounds head over heels in love and happy to shout it to the world.

What I feel, I can't say

But my love is there for you any time of day

Spread across 4 minutes 24 seconds, there is plenty of time for Harrison to declare how helpless he is/would be without this incredible love he has. The drums pound, horns soar and guitars sound utterly incredible. Everything is super positive and upbeat.

Tell me, what is my life, without your love?

Tell me, who am I, without you, by my side?

Olivia Newton-John's cover version and George's original, plus their takes on Dylan and his original are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
101. Shout!




Thursday, 12 March 2026

Good Dancers

Good Dancers by The Sleepy Jackson
Trust me #113


A recent conversation with my good friend Emma swiftly veered from Tom Gray of Gomez being a touring member of Luke Steele's Empire of the Sun, to Steele's old band, The Sleepy Jackson, their 2003 debut album Lovers, and their sublime psychedelic pop song Good Dancers.

Don't always dream for what you want

But I love to watch good dancers talk

What a song! The production is lush and layered, all kinds of dreamy cosmic goodness. Opening with melodic slide guitar, with clear echoes of George Harrison in his All Things Must Pass era, alongside a dash of Lennon's No.9 Dream, Good Dancers is a song that instantly demands attention and tugs on your heart strings. Listening back (a good few times in a row) it feels like waking up to blue skies, morning sunshine on your face, fresh air and you just breathe it all in. 


Steele's voice is soaked in reverb and the whole song somehow manages to feel both big and bold, yet intimate and personal. The Sleepy Jackson definitely captured something quite special on the recording.  

My heart is stronger than you all

But I love to watch good dancers talk

The Sleepy Jackson released 2 albums, Lovers in 2003 and the bonkers-ly named Personality - One Was a Spider, One Was a Bird in 2006. After their 3rd was heard and rejected by the bands label, Steele focused all of his attention on side project Empire of the Sun ... and they took off big time! In a 2013 interview, Steele stated that he intended to release the 3rd Sleep Jackson album in 2023, but that never happened and it possibly never will.

Empire of the Sun added a synth pop sheen to Steele's natural feel and taste for psychedelic pop and gained international success with 2008's debut album Walking On A Dream. They have released a further 3 and will be touring later this year.

Good Dancers is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
103. Life Is Sweet by The Chemical Brothers 
104. How Can I Tell You (To Love Me More) by Brooke Coombe
105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish
108. Cobra by Geese
109. All I Have To Do Is Dream by The Everly Brothers
110. Vapour Trail by Ride
111. Teardrop by Massive Attack
112. Since I Left You by The Avalanches


Monday, 28 April 2025

Marianne Faithfull covers Lennon, McCartney and Harrison

Cover version of the month # 108-110

Marianne Faithfull covers Lennon, McCartney and Harrison

I took a bit of a dive into Marianne Faithfull's back catalogue following her death at the end of January and discovered some wonderful songs I had never heard before, including LOADS of brilliant cover versions.

Marianne's version of Dylan's It's All Over Now Baby Blue is really cool, but this blog is going to focus on 3 covers of songs written by John Lennon, Paul McCartney and George Harrison.

But before I start, I'd never seen the photograph above before! I discovered it while looking for an image to head this blog. What a super cool, utterly gorgeous woman Marianne Faithfull was! Effortless! Her hair, eyes, style, face ... stunning!

I'm A Loser 

Written in the whirlwind of Beatlemania but dripping with self-doubt and introspection, I’m a Loser was one of the first hints that The Beatles were evolving beyond simple love songs. Lennon, clearly inspired by Dylan, delivers a folk-tinged lament on failure and regret, wrapped in the kind of catchy melody that The Beatles had long since perfected. Were the lyrics about his marriage/relationship with Cynthia?

The harmonies are tight, there is a country tinge and twinge to the song and groove that you can imagine Ringo in particular being fond of. In fact, I would say that upon revisiting this song, it is probably more suited to Ringo. However, perhaps it was just too personal for John to give away. 

George picks a neat guitar solo and Lennon plays harmonica to help the groove. Lennon, it could be said, sounds perhaps a little too jovial whilst singing this song.

I'm a loser

And I lost someone who's near to me

I'm a loser

And I'm not what I appear to be

Originally released on Beatles for Sale in 1964, I’m a Loser would swiftly be followed by a more stark confession from Lennon with the single and title track of the next album - Help! This time, Lennon leaves the listener in no doubt that he means it.

A year on from The Beatles version, in 1965, Marianne Faithfull took I’m a Loser and turned it into something completely different. Faithfull's voice is firm, yet delicate and melancholic, full of heartbreak. There is more of a zip to the song, indeed this cover shaves 15-seconds off the already short (2.5 minutes) original.

Faithfull was only 18 at the time of recording her version, but already her voice carried a wisdom beyond her years. Her cover hints at the kind of raw emotion she would later become known for. 

Reading back through her tough life in the aftermath of her break up with Jagger, when she was living on the streets of London and addicted to heroin, the lyrics become a little haunting. Yet, as with everything Marianne Faithfull seemed to touch, there is beauty. You feel every word.

Yesterday

So much has been written about Paul McCartney's Yesterday that I'm really not sure if I can add anything helpful in this blog. But I'll give it a go!

Quite simply, it's a masterpiece! Paul singing over an acoustic and a string arrangement seemingly played on heart strings. McCartney is heartbroken, pining for his love and yesterday when, love was such an easy game to play.

Marianne Faithfull takes Paul's poetry and portrays the heartbreak and heartache perfectly. Released on her 1967 album Love In A Mist, Faithfull's voice is angelic, backed by gentle piano and a choir who sound heaven sent. Quite simply, this is as good as it gets. Sublime. 2-minutes 15 seconds of perfection.

Beware of Darkness - George Harrison

Written by George Harrison and released on his stunning 1970 album All Things Must Pass, Beware of Darkness beautifully captures Harrison's spiritual energy and empathy, the lyrics are both deeply personal and universally resonant.

George's delivery is gentle but urgent, his voice full of quiet authority. You believe him. The song, like much of All Things Must Pass, is awash in Phil Spector’s signature production—big, spacious, reverb-heavy—but at its core, it remains an intimate, almost prayer-like composition. Beware of Darkness has a really beautiful and pure feeling to it.

Where Harrison’s version warns you about darkness, Marianne Faithfull sounds like she’s already deep inside it. Faithfull recorded the song back in 1971 for an album Masques, but this sat unreleased until 1985 when it was released as part of compilation album called Rich Kid Blues. 

Faithfull strips away the warmth of Harrison’s original and replaces it with something raw and fragile. Spector's rich production is replaced by something sparse, stark, almost ghostly. The lead guitar is exquisite.

I get a little chill listening to Faithfull's cover. Marianne's voice, weathered and worn by experience, carries a depth that makes every word feel lived-in. She doesn’t just sing the warning—she has lived through it. Faithfull was only 25 when she recorded the song, but was struggling with addictions. Following her break up with Jagger, Marianne lost custody of her son, attempted suicide and was living on the streets of London. Masques was recorded to try and help her, the record label rejected it.

Faithfull's cover versions and The Beatles and George Harrison originals are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!