Trust me #111
Teardrop by Massive Attack with Elizabeth Fraser
Released in 1998 as part of their Mezzanine album, Teardrop is one of many masterpieces in the Massive Attack catalogue. Quietly and confidently powerful, utterly sublime from start to finish.
Ah... the start, a heartbeat kick-drum, a hypnotic harpsichord loop, liquid bass, piano chord and then, just after 1-minute, Elizabeth Fraser’s crystal clear voice. Ethereal. Haunting. Perfect.
Love, love is a verb
Love is a doing word
Fearless on my breath
Every time I listen to Teardrop, I find myself waiting for the song to explode. The power that Massive Attack build through restraint is incredible. Just when it finally threatens to blow, as Fraser sings you're stumbling down, everything cuts to the harpsichord, then it is only the beats before the loop returns. Wow!
One of the things I enjoy about writing blogs like this is spending some time listening to a song a few times in a row and researching it. As I'm doing so, I very often discover something I didn't know about the band, songwriter or the song. That is definitely the case here!
Teardrop was written by Mushroom from Massive Attack and he sent a demo to Madonna, who was keen. But his band mates, 3D and Daddy G, voted against him as they favoured Fraser. It's quite a story! While it would have fitted in perfectly with Madonna's 1998 change of direction and image with the superb Ray of Light album (think Frozen), no-one on earth can sing like Liz Fraser.
Teardrop on the fire
Fearless on my breath
You hang on every note as Fraser has a voice like no other. Angelic, yet haunting. Sheer melancholic beauty. She sings not just words, but emotions. Fraser recorded her vocals just after learning of her partner Jeff Buckley’s passing, meaning it all hits even harder.
Check this previous blog on Buckley and Fraser's outstanding All Flowers In Time Bend Towards The Sun.
The video (see below) for Teardrop, directed by Walter Stern is a pioneering, surreal, weirdly comforting vision of a foetus in the womb, lip-syncing to Fraser’s voice. Although after watching it back a couple of times, I found the end to be slightly unsettling. Light appears, as if the baby is moving to birth, then as the music slows, things get darker and the baby slows in time with the music. Does the baby make it?
Dreamy, mesmerising ... unique. Massive Attack pushed and broke boundaries with their music and art.
Teardrop is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

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