Saturday, 7 February 2026

Imagining BBC Radio Scotland Music

The 2025 end of year shake up of BBC Radio Scotland that led to the axing of shows by Billy Sloan, Natasha Raskin, Iain Sharp and Roddy Hart (who now has a new show) stirred an incredible response within the Scottish music community. 

Much of it seemed to centre around these shows seemingly playing a lot of new Scottish music. Something I found puzzling. Whenever I listened to those shows, I didn't hear a lot of Scottish music at all. There certainly wasn't a focus on new and emerging artists.

However, Stephen McCall (AKA Constant Follower), who has been one of the most vocal artists about the changes on Radio Scotland, has conducted a comparative analysis of playlists between early 2025 and 2026, revealing the following, staggering, impact:

  • New Music Plays: Down 69% (a massive blow to the discovery pipeline).

  • Independent Scottish Music: Down 67% (representing a near-total collapse in national airplay for artists without major label backing).

  • Overall Scottish Music: Down 26% (showing that even established local acts are being displaced).

  • The Shift: A move away from curated, specialist programming toward a playlist-led "easy listening" format that favors older catalogue music from the 1970s onward.

You can read the full report and an interview at the SMIA website. But finish my blog first! :-)


When it comes to radio, I mainly listen to 6Music in the car (now we have one with a digital radio!) or at home. However, I do sometimes tune in to BBC Radio Scotland if there is a particular news story of interest, or certain guests on in the afternoon. 

Whenever I have tuned in to Radio Scotland in the morning, I have found the content to be largely either (a) drawn out, or (b) repetitive.

Does BBC Radio Scotland accurately reflect the people of Scotland? 

A SNACK Magazine podcast We Need To Talk About BBC Radio Scotland that featured my sister Carla prompted me to write this blog. It's well worth a listen and I'm sure it could have gone on longer!

I think a shake up of BBC Radio Scotland is long overdue. It happens at big companies all the time. People come and people go. There are redundancies - it's happened to me before. It can hurt, there will be a lot of debate ... but change is part of life and it is good to freshen things up.

Regardless of your opinions on the shake up, I think everyone can agree on the fact that BBC Radio Scotland did not play enough music (Scottish or otherwise), or focus/report on the incredible concerts, gigs and club nights taking place in the country on a daily basis. 

Scotland is ripe for musical and creative content! That is not displayed by BBC Radio Scotland, or indeed, their TV/online coverage.  

  • Why are there not more interviews with musicians playing in Scotland? There are amazing gigs every week. Incredible bands and artists are in our city every day! Glasgow is a small place! It's pretty easy for presenters to get out to venues, or for artists to visit the studios. Or phone in!
  • Why does Ireland have a Late Show focusing on music, culture and art, attracting guests like Noel Gallagher and Roy Keane ... and Scotland doesn't? 
  • Why does BBC Radio Manchester have more time devoted to their Introducing show than us?

My solution ... BBC Radio Scotland Music ... or ... BBC Scotland Music (on digital radio, BBC Sounds ... maybe even our own version of The Late Show on TV!). I'll save the TV idea for another blog though!

IMAGINING BBC SCOTLAND MUSIC


We have some of the best labels, clubs, venues and musicians in the world, yet our national radio station, more often than not, feels a world away from what is happening out there. 

Jesus, I have found myself cringing when after listening to Sportsound on a Saturday afternoon, the radio cuts to old school Scottish accordion music! Taking the Floor! Does this represent a nation getting ready for a Saturday night out?!

So ... what if we had a dedicated BBC Scotland Music channel? A station that didn’t just play the hits, but acted as a living, breathing archive and a forward-looking curator of Scottish culture. A station where there was plenty of scope (every day) for Scottish artists and labels to get their songs on the radio

Imagine a station running 8am to midnight, where the presenters are people who live and breathe music. People who are in or around the scene. People who made the scene. Lived and living experience.

Imagine some of the biggest music fans around digging into their collections ... imagine our artists hosting shows ... imagine some of our amazing DJ's mixing live on air ... imagine visiting artists coming on to chat about playing in Scotland ... imagine community radio stations taking over this one for a few hours ...

Surely BBC Scotland could allocate some money to this - even for a 6-12 month pilot?

Here (in my mind) is what BBC Radio Scotland Music could look like.

NOTE(s)

  • In my younger days, I'd write down my dream festival line-up. This is my dream BBC Scotland Music line-up! If such a station ever came to fruition, I imagine that it would need some shows dedicated to certain genres. So just take my own line-up as a draft and idea. 
  • Why not draft your own?! You might enjoy it as much as I have.
  • This station would be playing all kinds of music from all over, but could adopt the Canadian rule where their popular music programming must have a minimum of 35% Canadian content.
  • Disclaimer - I'm 50. So this really reflects my taste and knowledge! A BBC Radio Scotland Music should be inclusive and diverse. I totally get that mine is very middle-age and white but then, so is 6Music. If this station actually had the chance of becoming a reality, then it would require a lot debate and discussion. Consider this the start of the debate. 

The Weekday Flow

08:00 – 11:30: Breakfast with Nicola Meighan 

Forget traffic reports, or recycled and drawn out news stories every 15-minutes. We start with Nicola Meighan, the undisputed (certainly in my eyes) gold standard of Scottish music journalism. Expect a mix of Postcard Records classics, new Scottish indie-pop, and thoughtful interviews with the artists actually making waves in the 2020's. Not just Scottish music (but plenty of it). But features on, and interviews with, the bands and artists playing in our country every single week.

11:30 – 14:30: The Monthly Residents 

A rotating midday slot where a different artist takes the reigns for a day, (ideally) a week (or more) to showcase their influences and taste. Imagine a week of Barry Can't Swim (Joshua Mainnie), Rebecca Vasmant, KT Tunstall or Alex Kapranos talking about their love of music and playing some of their favourite songs - new, breaking and underground, old favourites from their youth and inviting peers on for a chat.

14:30 – 18:00: Afternoon Drive with Manda Rin (Bis) 

The afternoon anchor. The high-energy bridge to the evening. Manda brings her infectious enthusiasm and spirit to the airwaves. It’s bubbly, chaotic, and packed with all kinds of music, guests and chat. The perfect antidote to the afternoon slump. 

Manda's lived (and living) experience of DIY culture, independent labels, festivals, tours, Top of the Pops and big support slots would ensure she can effortlessly talk to anyone on any level.

18:00 – 20:30: The Evening Session with guest presenters

A different presenter each week, to bring encyclopedic knowledge of music and passion for supporting new Scottish music to the airwaves. The perfect sunset soundtrack, or winter warmers.

You could have known and established artists like Stuart Murdoch / Lewis Capaldi / Natasha Raskin / Paolo Nutini / The Hen Hoose Collective / Clare Grogan / Stephen Pastel / Lauren Mayberry 

And it could be a platform for new and breaking acts like The Cords and Kerr Mercer to talk about what they are doing and what they are listening to.

Perhaps some of these presenters could be locked in to host for a week, while others could guest for a night. We could even have guests from outwith Scotland doing a guest night/mix with their favourite Scottish music.

20:30 – 22:00: Tenement Trail 

Imagine a daily show where the team behind Tenement Trail can highlight what is going on across the scene, as well as casting an eye (and ear) towards up and coming bands venturing to Scotland at the start of their career. Giving them a warm welcome on air, as well as the one they experience in person in our small venues like Tuts, the Old Hairdressers and Sneaky Pete's. 

This could include guest presenters, like Jim Gellatly who has decades of experience of playing new bands from Scotland and beyond. His passion for music (and radio) shines.

22:00 - 00:00: Late Night Record Shopping

A regular rotation of Record Shop hosts from Monorail, Mixed Up Records, Love Music (and other record shops from across our nation)... playing and talking about what is coming out, re-issues, records they love to play in the shop. 

Imagine those amazing discussions between record shop staff that you might have been fortunate to hear while browsing, actually coming to the radio! Sometimes weird, almost always wonderful. 

Through the night?

If the station was 24-hours (I don't think there is a need for that), then playlists could be curated to keep the music going non-stop.

The Weekend

The station is handed over to DJ's and taste makers from across Scotland. Some of Scotland's biggest record collectors, music lovers who have a record of getting people dancing ... take over the airwaves!

Imagine giving these DJ's free reign to play music and chat for 3-4 hours at a time! Think Community Radio on a national level with the BBC behind it.

Saturday 

08:00 - 11:00: Eyes Wide Open with Holly Calder and friends
Holly's club name (one of them!) lends itself perfectly to a morning slot. Deep-dive garage rock and psych sets that would make your speakers rattle, as well as blissed out gems to chill and sip your coffee to. Holly might need to pre-record this show if she is out on the Friday night!

11:00 - 14:00: Divine!
Andrew Divine is one of the most respected DJ's and record collectors in Scotland. Allowing him to showcase his knowledge, collection and taste on air would be incredible. Other collectors and DJ's could join him for chats.

14:00 - 17:00 - Saturday Social
Former ABC resident Gerry Lyons plays anything and everything ... from Scotland, or with a Scottish connection. Deep dives into labels, album tracks and b-sides, as well as anthems from the 60's to present day. Also chat and guests. And maybe a little update on football scores! 

17:00 - 20:00: Melting Pot DJ's
Bringing the Queen’s Park disco heat to the whole country. High-end soul, disco rarities, and the sound of the Southside. I'm sure they could also invite some of the incredible DJ's who come up to play their nights and festivals to come on for a blether and record a mix.

20:00 - 23:00: Harri and Domenic (Sub Club) 
The longest-running residency in house music history moves to the radio. It’s the sound of the Subby, deep, soulful and impeccably mixed. They could have guests coming on to talk about records and clubs from all over the world.

23:00 - 00:00: The 60-minute guest mix
DJ's from Scotland, and maybe those coming up to play our clubs are invited to create a 60-minute mix to close the night.

Sunday

08:00 - 11:00: Sunday Morning with Duglas T. Stewart
Imagine waking up to the lead Bandit playing 60s French pop, The Beach Boys, Jonathan Richman, and sunshine soul. Think Guy Garvey's show on 6Music.

11:00 - 14:00: Sunday Community Choir
An opportunity for presenters from community radio stations like Clyde Built, Camglen Radio to come on to BBC Scotland Music to highlight music from different regions across Scotland. As well as music they love from across the world.

14:00 - 16:00: Sunday Soul Sessions
Stephen Watt and Paul Molloy from McChuill's High Street Funk n Soul and regular guests from soul nights across Scotland.

16:00 - 18:00: FFS (for folk's sake)
The Scottish folk scene show, with guest presenters.

18:00 - 20:00 - Anything Goes & Everything Flows
Yeah I am giving myself a show! This is my imaginary radio station after all! And I have loads of content pre-prepared from my blog! Expect regular guests from the Scottish scene - fans, singers, guitarists, drummers, record store owners, DIY labels, bookers, promoters, venue owners ... Friendly chat and music.

20:00 - 23:00 -Sunday Evening with Optimo (Espacio)
Jonnie Wilkes and friends take us into the night with the most eclectically brilliant selection on the planet. Optimo is recognised and celebrated across the world. It's about time they had a radio show. Live / pre-recorded, mixes and discussion.

23:00 - 00:00: The 60-minute guest mix
DJ's and musicians from Scotland, and maybe those coming up to play our clubs are invited to create a 60-minute mix to close the night.

Thursday, 5 February 2026

Since I Left You

 

Trust me #112
Since I Left You by The Avalanches

This wonderful song was released on 5th February 2001. While this makes it 25-years old, Since I Left You still sounds as supremely fresh, sunshine-y and vital as it did the first time I heard it. 

Although I can't remember where or when that was. Maybe it was on MTV, or maybe I tracked it down after reading a review, or hearing the song on the radio. I can't recall. All I remember is being transfixed by everything I heard and saw by The Avalanches - the singles, their sensational album, a live performance at The Arches, the GIMIX mixtape (blog coming soon on this) I bought that night and then a trip to Manchester to see them DJ. 

They were cool, their musical taste was exceptional, their ear for melodies was off the charts and the way they created their own songs from samples was like nothing I had ever heard before.

Samples .... you can't really talk about The Avalanches without discussing samples. Armed with Yamaha Promix 01 and Akai S2000 samplers and stacks of "dollar-bin" vinyl that nobody else wanted, Robbie Chater and Darren Seltmann stitched together an estimated 3,500 samples into a seamless album.

Check this incredible YouTube documentary that attempts to track all of the samples. The fact is, even The Avalanches don't have a record of all the sample they used!


Since I Left You
, the opening song and title track of their debut album, is not just a breath of fresh air. It's like inhaling pure oxygen and riding the rush. Nothing else matters for a glorious few minutes. 

Despite being built entirely from other people's voices, the song feels personal. The central hook is a pitched up slice of The Main Attraction's Everyday, capturing, creating something pure and euphoric.

Twenty five years since release, Since I Left You still hits me like warm rays of sunshine. This is pure escapism, merging from the sounds of a party the vocals are a burst of unadulterated joy and escapism.

Since I left you

I found the world so new

Timeless pop perfection. The Avalanches created a true work of art with this song and album. They took 16 years to release a follow up!

Since I Left You is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
103. Life Is Sweet by The Chemical Brothers 
104. How Can I Tell You (To Love Me More) by Brooke Coombe
105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish
108. Cobra by Geese
109. All I Have To Do Is Dream by The Everly Brothers
110. Vapour Trail by Ride
111. Teardrop by Massive Attack







Tuesday, 3 February 2026

Hen Hoose at Celtic Connections

Photo - Hannah Brodie

Last year, 12 members of the Hen Hoose collective travelled to the Isle of Lewis to write and record an album ... in 6-days ... from scratch. Staying at Black Bay residential studio, the members were directed by Hen Hoose leader, Tamara Schlesinger who split them into songwriting teams and within 3-days they had the 9-songs that make up The Twelve, their new album released on 23rd January. 

The Twelve is a wonderful album. I love compilation albums that display a wide variety of talent and taste. This feels like that ... but with an added sense of friendship and community. The album feels fresh, full of vibrancy and energy. Artists collaborating, pushing each other, being lifted by each other ... you can feel it and sense it.

And on Friday night, it was on display. To celebrate the release, Hen Hoose Collective played a sold out show in the beautiful Tramway Theatre in the Southside of Glasgow. And this really did feel like a celebration - it was euphoric and emotional, bristling with energy and intent. Artists who have been brought together through music, artists who have become friends. Artists performing their new work live for the first time. 

The energy and freshness of the album was transferred to a live show. The stage floor was set up almost like a large living room or rehearsal studio. Two sofa's flanked the microphones and the impeccable 'hoose' band. Singers and musicians chilled and watched on when they didn't need to get up to perform. Everyone was in it together, supporting each other, cheering for each other, laughing and smiling. A simple but beautiful set up.

SHEARS, AMUNDA, Malka & Emma Pollock on the sofa
the supremely talented Cariss Crosbie on keyboards
Photo by Hannah Brodie

The Hen Hoose band definitely deserve a mention! Cariss Crosbie (synths/keys and vocals), Inge Thomson (flutes, synths and percussion), Sarah Hayes (synths/keys and flute), Suse Bear (bass and synths), Lauren MacDonald (drums) and Jill Lorean (guitar and vocals).

The Hen's that went up to Lewis were Tamara Schlesinger (AKA Malka), Suse Bear, Ray Aggs, Inge Thomson, Frances McKee, Carla J Easton, AMUNDA, SHEARS, Cariss Crosbie, Emma Pollock Djana Gabrielle and Jill Lorean.

Where to start?! I think I'll combine an album and live review!

Malka started things off, flanked by a beaming Ray Aggs (who has the most delightful smile) with opening song Wipe Out. The song veers off into a sublime melodic breakdown. Gorgeous. 

Photo by Hannah Brodie

Next up, my sister Carla with her song Rich (Katy's In Space) about the crazy news story that broke around the time of recording in Lewis - Katy Perry hanging with Elon Musk and taking a trip to space! Loads of fun on record, the hooks were even more infectious when performed live - rammed home an extra few times for good measure.

Photo by Hannah Brodie

I was at the show with my daughter Rosie and she was particularly taken by songs involving AMUNDA and SHEARS. They have an ear for pop! Just like Rosie! Out My Mind is full of fast paced melodies and like the opening song it has a gorgeous break that builds back up. Euphoric! SHEARS had a lot of fun as the beat kicked in and she stretched her vocals. Like Ariana Grande according to Rosie.

Sirens Call My Name has been receiving a lot of love on 6 Music. A synth-y bass is broken by Emma Pollock urging us to hold on, hold on. The burst and lift into the chorus is glorious.

And I just love the way that I feel when I hear the song

Djana Gabrielle and Ray Aggs sing the deeply moody disco number Promise, an early favourite of mine.

I promised myself, I'll never fall for you

Here we are again

Photo by Hannah Brodie

Game of 2 had loads of hens on stage, exchanging vocals for different sections, AMUNDA and Carla with some pop moments, Djana Gabrielle with the breathy and sexy French(?) vocal section.

Frances McKee was typically self effacing when introducing Ego Trip, highlighting the talent on stage and that she had experienced in Lewis, wondering why she was with them.

Well, Frances quickly showed why, with her autobiographical lyrics, about the 90's and then to present day.

No drugs since 1995

I'm alright now, made it out alive

I love the lines that Cariss sings;

I forgot who I was 

And I don't know who I am

Then Emma Pollock comes in with an outstanding chorus. It's so uplifting!

Standing on an island with no lifeboat

And I don't need pills to teach me how to swim

In Control with lead vocals by SHEARS and Jill Lorean was outstanding! My daughter Rosie's favourite! This is powerful pop, with a samba-esque breakdown. Live at Celtic Connections, SHEARS and Jill Lorean came out in front of the stage floor and danced around looking super cool.

I'm in control

You're not at all

So back it off

I'm showing up

Stop showing off

Cause I'm the boss

The Twelve ends with the beautiful Blessings On The Day, it's like a psychedelic nursery rhyme full of observations.

Everybody does what they do

Nobody is judging you

Follow the herd

Don't be heard

Should any promoters be reading this - an all-ages Hen Hoose event at the Kelvingrove Bandstand this summer would be an absolute winner... or the Barrowland, I'm not too fussy!

Well done to all the artists involved in the album and the live show - wonderful!

Photo by Hannah Brodie


Friday, 30 January 2026

Teardrop

Trust me #111
Teardrop by Massive Attack with Elizabeth Fraser

Released in 1998 as part of their Mezzanine album, Teardrop is one of many masterpieces in the Massive Attack catalogue. Quietly and confidently powerful, utterly sublime from start to finish. 

Ah... the start, a heartbeat kick-drum, a hypnotic harpsichord loop, liquid bass, piano chord and then, just after 1-minute, Elizabeth Fraser’s crystal clear voice. Ethereal. Haunting. Perfect.

Love, love is a verb

Love is a doing word

Fearless on my breath

Every time I listen to Teardrop, I find myself waiting for the song to explode. The power that Massive Attack build through restraint is incredible. Just when it finally threatens to blow, as Fraser sings you're stumbling down, everything cuts to the harpsichord, then it is only the beats before the loop returns. Wow! 

One of the things I enjoy about writing blogs like this is spending some time listening to a song a few times in a row and researching it. As I'm doing so, I very often discover something I didn't know about the band, songwriter or the song. That is definitely the case here!

Teardrop was written by Mushroom from Massive Attack and he sent a demo to Madonna, who was keen. But his band mates, 3D and Daddy G, voted against him as they favoured Fraser. It's quite a story! While it would have fitted in perfectly with Madonna's 1998 change of direction and image with the superb Ray of Light album (think Frozen), no-one on earth can sing like Liz Fraser. 

Teardrop on the fire

Fearless on my breath

You hang on every note as Fraser has a voice like no other. Angelic, yet haunting. Sheer melancholic beauty. She sings not just words, but emotions. Fraser recorded her vocals just after learning of her partner Jeff Buckley’s passing, meaning it all hits even harder. 

Check this previous blog on Buckley and Fraser's outstanding All Flowers In Time Bend Towards The Sun.

The video (see below) for Teardrop, directed by Walter Stern is a pioneering, surreal, weirdly comforting vision of a foetus in the womb, lip-syncing to Fraser’s voice. Although after watching it back a couple of times, I found the end to be slightly unsettling. Light appears, as if the baby is moving to birth, then as the music slows, things get darker and the baby slows in time with the music. Does the baby make it?

Dreamy, mesmerising ... unique. Massive Attack pushed and broke boundaries with their music and art. 

Teardrop is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
103. Life Is Sweet by The Chemical Brothers 
104. How Can I Tell You (To Love Me More) by Brooke Coombe
105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish
108. Cobra by Geese
109. All I Have To Do Is Dream by The Everly Brothers
110. Vapour Trail by Ride



Sunday, 25 January 2026

Never Ending Mixtape part 106

Welcome to part 106 of my Never Ending Mixtape!

I started this blog/playlist/mixtape back in October 2016 with the simple intention of creating a playlist that I would add songs to on a regular basis and then blog about the latest additions every month.

There would be no thought to the structure of the playlist, unlike the mixtapes and CD's I would make in my younger days. I'd just add songs when I felt like it, depending on what I was listening to.

As a result, my Never Ending Mixtape jumps from 4,718 to 4,759 with the addition of Truck of Touble by i wanna be a truck driver - a bedroom lofi indie pop band from Glasgow. Do I detect a hint of The Pastels in there?

You'll find a few of the additions listed below. 

Search for Everything Flows Never Ending Mixtape on Spotify or CLICK

Recent discoveries

Born to Live with Heartache by Mary Love

Jazz Club After Hours by Barry Can't Swim

Weak Become Heroes (Ashley Beedle mix) - The Streets

Soshu Night Serenade by Martin Denny

Day In - Day Out by Frank Sinatra

All You Children by Jamie xx and The Avalanches

Big Time by Rudi

Truck of Trouble by i wanna be a truck driver


New releases

The House That Doesn't Exist by Melody's Echo Chamber

Heaven Has No Wings by Dove Ellis

Love Is by Dove Ellis


Old favourites

Superstition by Stevie Wonder

Gimme Shelter by Ruth Copeland

California Stars by Billy Bragg & Wilco

It's Just About The Weather by Alfie

Because I'm Me by The Avalanches

Paid In Full by Eric B & Rakim

He's on the Phone by Saint Etienne


Tuesday, 20 January 2026

Vapour Trail

Photo by Joe Dilworth

Cover version of the month #116
Trespassers William covers Ride's Vapour Trail

Trust me #110 - Vapour Trail by Ride

I started revisiting, reading and writing about Ride's blissful Vapour Trail for my Trust Me series and playlist. I'm still going to add it to that playlist. However, while researching the song, I discovered a gorgeous slow burning cover by a band called Trespassers Williams, hence, Vapour Trail is added to my cover version of the month series and playlist. Read on!

Ride burst on to the independent music scene in 1990 with a trilogy of EP's and debut album Nowhere. Aged between 18-20, the band seemed to be in their own world. Andy Bell, Mark Gardner (guitars and vocals), Steve Queralt (bass) and Loz Colbert (drums) looked fantastic, like a real gang and the four friends had a clear vision for their sound and values. 

Many labels were in the race to sign Ride from early doors, but Creation Records was the label Ride wanted - The Mary Chain and My Bloody Valentine being crucial factors. There is a great section on Creation chasing and getting Ride in the magnificent Creation book My Magpie Eyes Are Hungry For The Prize by David Cavanagh.

Vapour Trail, the closing song on Nowhere, seems so perfectly formed. Magical. If Ride's EP's and much of their debut album had a wall of noise that marked them as shoegazers, Vapour Trail had more space, a string quartet and a crystaline, chiming 12-string riff that really highlighted the bands development and maturity.

The song rides in on warm chords and Andy Bell singing the first line before the band fall in behind him.

First you look so strong, then you fade away

The sun will blind my eyes, I'll love you anyway

Thirsty for your smile, I watch you for a while

You are a vapour trail, in a deep blue sky

There are only 2 verses, with Bell singing about a love that seems to be fleeting (like a vapour trail), while he wants more. Each verse is followed by a la, la, la, la, la refrain. i particularly like the third line in the second verse - Bell is all in.

Tremble with a sigh, glitter in your eye

You seem to come and go, I never seem to know

And all my time is yours as much mine

We never have enough time to show our love

"I remember writing the riff in a hotel room on a very early Ride tour. We were in a bed and breakfast type scenario, and I was sitting on a bed with an acoustic to get that four-chord pattern which is really very simple. It’s played on two 12-strings. People seem to be quite interested with the guitar sound on this record, if there are fades or effects, but there’s not; it’s just two 12-strings. It’s just one of those magical songs. That’s the one that everyone talks about on the album in my experience. These songs are the easiest to write and the ones that you don’t really think about at the time. It came out so easily and it has that effortless feel to it. I guess it is the one I’m most proud of from that era." Andy Bell, MTV Hive, 2011

The second refrain finishes just before the 2-minute mark and everything cuts to leave the guitars before the drums come crashing back in, bass underpinning everything. Then comes the gorgeous string quartet over the top, the guitars continue to chime, the drums are cool and the bass is holding it all. 

Ride are lost in the music and invite the listener to do the same, letting things flow for almost 2-minutes before the guitars and Loz's ferocious drumming cut to leave the string quartet to play the song out. Sublime! Heart-achingly beautiful.

As mentioned above, I've recently discovered a gorgeous slow burning cover of Vapour Trail by Trespassers William who released their version as a single in 2003. The song also featured on the Bella Union UK version of second album Different Stars, that was initially a self release in 2002.

Anna-Lynne Williams and Matt Brown are the two constant members in the band, who released three albums between 1999 and 2006. Cast, a compilation album of b-sides and rarities came out in 2012.

How on earth do you cover Vapour Trail?!

Well, Trespassers William don't just show their love for the song by playing and replicating it. Instead, they slow the whole thing down, it's a dreamy swoon. Anna-Lynne Williams has a voice that sounds like a secret being whispered in your ear. It’s fragile, melancholic, and utterly captivating. You can tell they've spent a lot of time with this song. 

Gentle and persistent piano, reverb-drenched vocals, distant echoes of slide(?) guitar, then a little jangle, before a solo is introduced over the top. Oooft this gives me the tingles.

If Ride's version is a teenage Andy Bell writing about the excitement of new love and infatuation, the Trespassers William cover is like a heart-aching reflection of a love that's long gone, but fondly remembered.

Utterly gorgeous. Enjoy.

Ride's original and the Trespassers William cover of Vapour Trail are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE I've also added it to my Trust Me playlist.

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!