Thursday, 12 March 2026

Good Dancers

Good Dancers by The Sleepy Jackson
Trust me #113


A recent conversation with my good friend Emma swiftly veered from Tom Gray of Gomez being a touring member of Luke Steele's Empire of the Sun, to Steele's old band, The Sleepy Jackson, their 2003 debut album Lovers, and their sublime psychedelic pop song Good Dancers.

Don't always dream for what you want

But I love to watch good dancers talk

What a song! The production is lush and layered, all kinds of dreamy cosmic goodness. Opening with melodic slide guitar, with clear echoes of George Harrison in his All Things Must Pass era, alongside a dash of Lennon's No.9 DreamGood Dancers is a song that instantly demands attention and tugs on your heart strings. Listening back (a good few times in a row) it feels like waking up to blue skies, morning sunshine on your face, fresh air and you just breathe it all in. 


Steele's voice is soaked in reverb and the whole song somehow manages to feel both big and bold, yet intimate and personal. The Sleepy Jackson definitely captured something quite special on the recording.  

My heart is stronger than you all

But I love to watch good dancers talk

The Sleepy Jackson released 2 albums, Lovers in 2003 and the bonkers-ly named Personality - One Was a Spider, One Was a Bird in 2006. After their 3rd was heard and rejected by the bands label, Steele focused all of his attention on side project Empire of the Sun ... and they took off big time! In a 2013 interview, Steele stated that he intended to release the 3rd Sleep Jackson album in 2023, but that never happened and it possibly never will.

Empire of the Sun added a synth pop sheen to Steele's natural feel and taste for psychedelic pop and gained international success with 2008's debut album Walking On A Dream. They have released a further 3 and will be touring later this year.

Good Dancers is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
103. Life Is Sweet by The Chemical Brothers 
104. How Can I Tell You (To Love Me More) by Brooke Coombe
105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish
108. Cobra by Geese
109. All I Have To Do Is Dream by The Everly Brothers
110. Vapour Trail by Ride
111. Teardrop by Massive Attack
112. Since I Left You by The Avalanches


Monday, 9 March 2026

Fatale at McChuills - March 2026

Fatale l-r James, Euan, Oscar (top), Ben, Chris

Saturday nights in McChuills have been the source of much pleasure for me over the years. Old Nick DJ-ing behind the bar early on, DJ's taking to the decks later, playing (or attempting to play in a busy area!) pool, meeting friends, ending the night there after a gig at the Barrowland Ballroom ... It's a wonderful pub full of characters, behind the bar and on the other side. McChuills has soul and strong values. They know what is right and what is wrong. And they love music! Lots of old faces still regularly frequent the bar and the decks. 

McChuills the kind of pub you fall for, dream of and pine for. These days, visiting is more of a treat, but every time I visit I think of my old flat in Dennistoun and times where I'd wander in for a pint after work and stay for a few, or ... wilder weekends.

It's great to see that McChuills still attracts a variety of subcultures of all ages. I mentioned Old Nick (who was DJ-ing before Andrew Divine last night) above and his son young Nick has done a grand job of changing things just ever so slightly, to put on bands and club nights in the side room ... or Acid Arch. Wet Leg (old blog here) and David Holmes are just 2 of the names to have graced the stage through there.

Fatale were back to the venue where they played their first gig in May 2025 - still less than a year ago! The band hang out in McChuills regularly and both are a perfect fit for each other. Fresh/recovered from 3-date tour of Aberdeen, Dundee and Inverness with The Cords and a show with Warren McIntyre and James Kirk in Edinburgh the previous night, the 5-piece were gig fit. 

Taking to the stage at 10pm, Fatale blitzed straight into Moves You, their traditional set closer. It was a bold move and it worked a treat, the place was bouncing. This is a fuzzy punky pop gem with a glorious breakdown, before zipping back to full throttle. Exhilarating!

Fatale have improved every time I've caught them live since last summer; sound, performance and songs. New song Sugar Bowl was melodic with the duelling guitars sounding sublime. Own Embrace and Another Sunrise sound like old friends. I find myself half singing a-long, even though I've only ever heard them live.

A cover version of Buttermilk by Eugenius fitted like a glove. That guitar riff never got the credit it deserves. Winged HorseBy The Tide and September kept things going while allowing Fatale to show different sides to their natural instinct for melodies, guitar sounds and hooks. 

The rhythm section of Oscar (bass) and James (drums) keep things tight, while also driving the sound along, while the guitars of Euan and Chris (also backing vocals) carry the joy of youthful enthusiasm through chords, riffs, solos and the effects they use. Ben Robertson was born to be a front man - conducting band mates and crowd with his on stage moves. All have fantastic hair! 

Wired sounds like a potential single. While Jesus Christ most definitely will be at some point. Beginning with a warm Big Star-esque riff, the song then explodes into life and is like one big chorus, full of infectious energy.

Fatale seem to have a natural feel for songwriting. Their musical knowledge and taste comes across in the songs they have covered since I first caught them last summer. The confidence that comes from playing gigs and generating a buzz from them seems to be lifting them to new levels. Building on the solid foundation they had from the off with early songs like Moves You, Jesus Christ and Another Sunrise.


Speaking of which, the band are clearly taken by new song Saint Mungo - named after the patron saint and founder of the City of Glasgow. It's the title track of their debut EP that is coming out on a limited edition 12-inch. ORDER HERE

Coming on for an encore, Ben announced that this would be the last time they played their cover of The Velvets Femme Fatale, however given the reaction, I'd be surprised if that's the case! They should definitely keep it up their sleeves for their adventures outwith Glasgow.

The band ended as they began, with an even more super charged version of Moves You, starting with Ben crowd surfing, before their good friend Ben Brown took over and somehow managed to stay aloft! Great fun.

Keep an eye on Fatale's Instagram page for news of up coming shows.

Next up is a gig at The Art School as part of the multi-venue House Guest festival on 4th April. The festival also takes in Sleazys and The 1990 (formerly Broadcast).




Wednesday, 4 March 2026

Femme Fatale

Cover version of the month #111
Big Star cover The Velvet Underground

The Velvet Underground and Big Star are two majestical, mythical and magical bands that have influenced (and have been consistently highlighted by) Scottish bands like Orange Juice and Teenage Fanclub through to bands bursting on to the scene at present. 

Art-rock NYC cool, melodic vulnerability, quintessential guitar power pop and vocal harmonies. You could easily argue that the two bands stand as the ultimate patron saints to the Glasgow independent guitar pop scene. Throw in Love, The Byrds, punk bands like Buzzcocks, The Clash and Subway Sect and that's the bones of your top 10.

One song that links both of these legendary bands is Femme Fatale, written by Lou Reed and inspired by a throwaway Andy Warhol comment about Factory 'it-girl' Edie Sedgwick. New info for me - I always thought it was about (and for) Nico!

"Oh, don't you think she's a Femme Fatale, Lou?"

The Velvets recorded the song in 1966 and it was released as the b-side to Sunday Morning in December of that year and then as the third track on their debut album, the mind blowing The Velvet Underground & Nico in March 1967. It's an album that everyone with a vested interest in the history of guitar music seems to be magnetically drawn to as a teenager.

It's well documented that the album was a flop, entering the charts at number 199 upon release and then leaving the month afterwards. Check this excellent feature article by Scottish writer Grant McPhee for Into Creative.

McPhee takes a deep dive into the myth of The Velvet Underground and Nico, particularly around the sales figures, stemming from a famous quote by Brian Eno about the album only selling 30,000 copies in its first five years.

... everyone who bought one of those 30,000 copies started a band. Brian Eno

Enjoy Grant's blog. But back to Femme Fatale. Listening again, I can't help but wonder who (if anyone) Nico was thinking of whilst singing the song. Edie? Or herself? 

Here she comes

You'd better watch your step

She's going to break your heart in two

It's true

The Velvets recording is icy cool. Nico’s vocals are famously flat, off-key and the way she pronounces clown as clun at the end of the second verse is quite funny. Funny, but ridiculously cool!

She'll build you up just to put you down

What a clown

Almost 60-years on and The Velvet Underground remain a blueprint for independent guitar music. Femme Fatale is a prime example why. Short (2-minutes 39 seconds), seemingly simple, impossibly cool and utterly beautiful. Pop music can be both a hook and a heartbreak simultaneously.

Lou Reed's NYC drawl in response to Nico's rise for the chorus is sublime.

Cause everybody knows, (She's a femme fatale)

The things she does to me, (She's a femme fatale)

She's just a little tease, (She's a femme fatale)

The closing two lines of the chorus are left to Nico, over the chiming guitar riff. They are, for me, the two coolest lines of the song, sung as if Nico is in admiration of the girl she is singing of.

See the way she walks

Hear the way she talks

In the next verses, Nico (using Lou's words of course) is clearer about her warning. The guy is merely number thirty-seven in her book. She's from the street, so already has all the guys beat and is going to play you for a fool.

Alex Chilton recorded his version for the legendary Third/Sister Lovers album sessions. The Big Star version is stripped back and fragile. Chilton sounds like he is singing from the experience of having his heart broken by the femme fatale, warning others, yet still infatuated.

Big Star are in no rush here, everything is slow, the intro longer, it all feels darker, as if Chilton is barely holding it together. It's beautiful.

Others have covered this gem of a song too. Among them - I've just found the Duran Duran version ... and ... I'm not a fan! Teenage Fanclub covered it with tender care on the b-side of Ain't That Enough. And Fatale, who I have written about a number of times over the last 6-months or so, took their name from the song and recorded it as their first demo. The way the crowd sing-a-long with Lou's she's a femme fatale line at the Fatale gigs is incredible - like they are breathing new life into the song and turning it into an anthem.

Fatale - Femme Fatale (demo)

The Velvet Underground & Nico original and the Big Star cover of Femme Fatale are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!
116. Vapour Trail


Sunday, 1 March 2026

Kerr Mercer - Terrified and live at The Attic

Kerr Mercer, a young Scottish singer-songwriter who is a real favourite of mine, played 3 sold out shows in the intimate setting of The Attic (upstairs in The Garage) at the end of last week. After a couple of years of solid touring; opening slots, support slots and his own headline shows, Kerr's been pretty quiet on the gig front for the last 6-months. 

The focus has been on writing and recording. Mercer released debut single Alcohol in November 2025. In a January blog I wrote; Alcohol is a belter of a debut. Stripped back, leaving plenty of room for Mercer's rich and soulful voice, telling the teenage tale of going out drinking and falling for someone.

Kerr has swiftly followed that with Terrified, that came out on Friday, hence he was determined to celebrate with these shows. Check the live performance video below. 

The way Kerr's voice rises for the chorus is spine tingling. It's quite something to see and hear this in person, when he leans back from the mic, eyes closed and just goes for it, lost in the moment. Beautiful. 

No-one loves me like you do

If perfect's real then you're the proof

I'm doing all I can to hide the truth

That I'm so terrified ... 

I enjoy following Kerr's progress on his Insta page, although keeping up with his stories can be hard at times! His humour and love for music, playing and writing comes across in every post. One story I was particularly struck by was a recent writing session with Max Martin in Sweden. Yes, that Max Martin - the songwriter/producer who has penned/co-penned hits for Taylor Swift, Kate Perry, The Weeknd ... 

Given the number of songs Kerr has been writing, I only recognised one (not including the singles) from the previous times I have caught him live. Opening One in a Million which contains this beautiful heartfelt hook.

Cause this thing about love, my love, it only has to work once

This thing about love, my love, it only has to hurt once

Terrified is set to be swiftly followed by Kerr's third single. One that has been doing well on TikTok after Kerr posted a video of him singing it in the shower, clearly loving the melodic and soulful chorus he has just written. Love Me Twice is set to come out this month. 2026 is set to be Kerr's break out year. 

Oh I'd go anywhere you are, so that you're not alone

We got something different and it just needs time

We can make this right

If you love me once, you can love me twice

There was a moving and also funny moment during the matinee show I attended on Friday (early shows are brilliant!) when Kerr asked the song to sing-a-long 'like this' and then sang. I laughed as I think I speak for most (if not all the crowd) when I say - we can't sing like that! But we sang-a-long regardless!

Mercer flirted between guitar and piano with ease, constantly thanked people for support and displayed a grounded humour that will stand him in good stead. Asking people how they found out about him, one said TikTok, another said 'yer Maw!' Brilliant Scottish humour that Kerr loved.

One song with Elton John-esque piano flourishes sounded excellent, while the trilogy of Love Me Twice, Terrified and Alcohol showed that people are really falling for Mercer and his songs. I look forward to seeing Kerr playing live again soon.



Tuesday, 24 February 2026

Never Ending Mixtape part 107

Welcome to part 107 of my Never Ending Mixtape!

The mixtape is hurtling towards the 5,000 landmark. I add songs regularly, with no thought to the flow or structure, unlike the mixtapes and CD's I would make in my younger days. 

As a result, my Never Ending Mixtape jumps from 4,759 to 4,802 with the addition of Oh Yeah by my sister - Carla J Easton. It's a burst of indie guitar pop in under 2-minutes, the first taster of her forthcoming album I Think That I Might Love YouPreorder a special Monorail edition with exclusive fanzine and bookmark. They describe it as ... a record of communal heart and power, cherry-red and glowing with life

I just noted that my Never Ending Mixtape is 10-years old in October! Should I put on a night to celebrate? My blog might reach 3,000,000 views around that time which is amazing.

Thanks if you are one of the 375 who follow the playlist, or if you check in on it (and my blog) from time to time. And welcome if you have just discovered both. I play my Never Ending Mixtape on shuffle regularly. 

As always, I hope you find something wonderful that you've never heard before, or that you rediscover an old favourite song.

You'll find a few of the additions listed below. 

Search for Everything Flows Never Ending Mixtape on Spotify or CLICK

Recent discoveries

Golden Hair by Slowdive

I Follow You by Melody's Echo Chamber

Faith/Void by Bill Callahan

Choose Drugs by Juliana Hatfield

Among the Leave by Sun Kil Moon

New releases

Starry Eyes by Radhika

Sirens Call My Name by Hen Hoose

Out of Control by Hen Hoose

Oh Yeah by Carla J Easton

Old favourites

Feel Flows by The Beach Boys

Northern Sky by Nick Drake

Skinny Love by Bon Iver

For Emma by Bon Iver

Start Choppin' by Dinosaur Jr

Nothing Really Matters by Madonna

Drowned World/Substitute for Love by Madonna

Lullaby by Carla J Easton

Talisman by Air


Sunday, 22 February 2026

Jonny and BMX Bandits at FRETS

Friday 20th February saw me head through to the beautiful town of Strathaven to see Norman Blake and Euros Childs play a rare show as their side project Jonny. With Stu Kidd on drums, the trio released a self-titled album back in 2011, full of improvised stoned humour, gorgeous harmonies and melodies, and some genius songwriting.

6-years previously, I'd caught Norman and Euros play the Strathaven Hotel (blog here) under their own names, one of the last shows I caught pre-lockdown.  

FRETS has grown from strength to strength since then and Norman has a particularly strong affiliation and association with them, after all, FRETS founder Douglas McIntyre was responsible for forming Butler, Blake and Grant - who now have a second album coming out and they have toured all over.

Before Jonny, we had the joy of a stripped back BMX Bandits set. Duglas T Stewart on vocals and kazoo and Rory on guitar and harmonies. Joined by long term friend and collaborator Stu Kidd on drums and backing vocals for a couple of tracks.


Duglas was in fine form, mixing humour with emotional stories about wellbeing and the importance of friends. The set was largely similar to the Mono show they played earlier in the month, although the addition of Little Hands was one to warm hearts throughout the room. What a song! I appreciated it all the more after Duglas' warm reflection on the inspiration for the song. 

The Bandits were playing a show in Japan and Duglas was very taken by a girl dancing down the front. He turned to Francis on drums and said 'I'm going to marry that girl'. And he did! Duglas spoke very fondly about writing the song and how his wife Midori made such a positive impression on everyone she met upon moving to Scotland.  Sadly Midori passed away and Duglas highlighted how important it is have to places, items or songs to remind us of people.  

I hope Duglas and the current incarnation of BMX Bandits can play some full band shows this year. He has a fine catalogue of songs to dig into. The Sailor's Song was a stunning opener, the closing refrain of I could watch you dancing all night gets me every time.


Jonny were also full of humour with Euros cracking everyone up when saying that a mis-print on the dressing room sign (Jonny spelt with an 'h' - "Jonny don't do drugs, Jonny don't do H") nearly caused them to cancel the show. He then talked of steel drums going missing on the motorway.  

Elsewhere, their cover of Bert Jansch's Baby Blue was absolutely gorgeous, even if the complex chord changes required a restart - with Euros, Norman and Stu all buckled over laughing!

The trio played virtually the whole of their 2011 album, sadly missing Norman's exquisite Never Alone.

Highlights? Circling The Sun was beautiful, the joy of Euros and Norman singing and harmonising effortlessly is something I could listen to for hours on end. Stu also joined in on a lot of the songs, so we had 3 part harmonies - glorious!

Bread was gooey and warm, with Euros really going for it. Blake's Dark Clouds from the Fanclub's Shadows album was lovely, while my out and out favourite was Cave Dance. A fun rock n roll number that morphs into a psychedelic synth jam. I don't think FRETS had heard anything like that before!

Norman highlighted that they still intend to bring out their Joe Meek covers album and played Summer Without Sun, recorded by The Charles Kinglsey Creation, featuring one of the owners of the fabled Rockfield Studio where the Fanclub have recorded. 

Dep from Monorail was in the audience. I hope his ears pricked up as Norman highlighted that this mixed album is sitting unreleased and that they would love to bring it out...


Monday, 16 February 2026

Fools Creation launch at Mono

Fool Creations sell-out launch - photo by Mours (@visualsbymours)

Fool Creations is a new events and promotions company set up in Glasgow, with a focus championing music and art, merging legends with rising stars. Fool Creations is run and led by young Adam Graham, who I mentioned in a January blog where I introduced his band Supersun

Graham has an infectious energy and a desire to make things happen. Good qualities for an event organiser and every band needs someone with that kind of drive. His Cabbage nights at The Doublet are selling out in 10-minutes and I was delighted for Adam that his launch night for Fool Creations at Mono was a sell out. Thank you to the photographers for their wonderful photos.

The step up from The Doublet to Mono is significant. From 45 to 300! Adam put together an excellent 3 band bill - The Cords, BMX Bandits (acoustic) and Supersun, also choosing super cool DJ Holly Calder to spin records before, in between and after the bands.

Supersun by Div Barrett (@div_barrett)

Supersun's debut gig at The Doublet left a very positive impression, so much that I've been checking in on their Instagram page to see what they have been up to. The band were recently down in London recording demos (in Jack's studio), which, Adam highlighted to me in a chat, have turned out to be better than demos. I look forward to hearing them. 

While their Doublet show was a stripped back affair to suit the venue, last night saw the addition of a drummer and their sound flourished with that back beat and the larger PA that Mono offers. Their sound? Two chiming and jangling 12-string guitars, effortless and gorgeous family harmonies from Adam, brother Jack and sister Julia (also playing some great keys and string effects), cool bass lines from cousin Chris (definitely some McCartney-esque stuff in there) and cool beats by Harvey Haldane to back them up.

Supersun by Div Barrett (@div_barrett)

I mentioned a couple of Liverpool bands in my January blog on Supersun, and the pop and psychedelic qualities of Shack, The Coral and Cast came to mind again at Mono. Interestingly, while speaking to friends at the show, they felt the same. I look forward to seeing them again.

 Citrus Sun sounds like a natural single, while I'm a pure sucker for a song called Shine On. All of their songs are full of melodies and harmonies. The two 12-string guitars sound heavenly together.

Supersun setlist - Forever, Cream Tangerine, Citrus Sun, Go Up, Shine On, Boy and a Girl, Coco's Song.

Keep an eye on their Instagram as they might be releasing their London recordings in the next month or so.

Photo by Mours (@visualsbymours)

Duglas T Stewart is looking well. Accompanied by a guitarist (Rory), this was a super stripped back BMX Bandits set, although Duglas was quick to assure us that they would be playing full band sets later this year. 

Whether with a full band, or stripped to the bones, Stewart's charm and his ear for melody shine. Whether thanking someone for a funky and cosy pair of knitted slippers, or introducing each song with a little story, Duglas' love for music and people brings a warm glow wherever he goes.

Duglas T Stewart by Mours (@visualsbymours)

Bandits classics like The Sailor's Songs and Serious Drugs were welcomed by the crowd, however their song Foggy was possibly my favourite in their set on the night. Hopefully this stays in their set for full band shows. I'll be catching Duglas again very soon at their FRETS show with Jonny (Norman & Euros).

Could it really be

There'll never be a we

And I'm just kidding, myself on?

The Cords have had an incredible couple of years that led to the release of their eponymous debut album in September 2025. After a run of February shows with Fatale, they then head out on tour with The Charlatans in April. A great support slot and a huge opportunity to win new fans.

The Cords by Mours (@visualsbymours)

Eva and Grace have a natural feel for music; Eva's voice is super melodic and pure, her guitar playing is pop punk - three, four or maybe five chords, finding rhythm and riffs almost by instinct. Grace's drums can be primal at times, while there are plenty of colourful rolls at others to fill out the sound. Last night was the best I have heard Grace on drums.

With loads of songs under 3-minutes long (many hovering around the 2-minute mark), The Cords can fairly zip through a set. October is actually under 2-minutes in length, and the sisters might have raced through it in record time. The thrashy 3 chord punk guitar has a lovely innocent freshness to it. 

I'm Not Sad has a beautiful vocal melody through the verses, the chorus (at first) is simple and catchy ba, ba, ba, ba's and finally the title is sung a few times towards the end. Glorious.

I think I tried

But the time went by

And I, won't remember a thing

Well done to Adam for launching Fool Creations with such a busy, buzzy and brilliant night.

The next Fool Creations night is a Vinyl Party at The Rum Shack on Friday 27th March. Spinning records are Chris Geddes (Belle & Sebastian), Holly Calder, The Cords and Adam will also be DJ-ing. TICKETS

And hot off the press, their next night at Mono has Lung Leg, with support from Homework and Angel Face. TICKETS

The Cords at Fool Creation, Mono, by Mours (@visualsbymours)