Thursday, 5 November 2026

Hang On Sloopy


Cover version of the month #126 

The McCoys cover The Vibrations

I was planning to feature Hang On Sloopy by The McCoys in my regular Trust Me feature ... then I found out that it is a cover version! This classic song was written by Bert Russell and Wes Farrell, and originally performed and released as My Girl Sloopy by The Vibrations in 1964, reaching number 26 on the Billboard charts.

The Vibrations original live recording still has the same riff and groove that The McCoys would amplify, speed up and transform, but The Vibrations version is slower, souful and sultry. They throw in a nod to The Beatles version of Twist and Shout, there are horns, percussion and enough there for the song to become a staple for garage bands in America and beyond.

In 1965 The Yardbirds, featuring Jeff Beck, recorded and released a 5 minute 36 seconds version, keeping the song title. They stretch out the groove, add in the Twist and Shout build up and mini freak out, before sliding back into the groove. 

Meanwhile, and I think most people would agree with me that The McCoys recorded the definitive version. Previously known as Rick & The Raiders, the young group changed their name to record Hang On Sloopy after a band called The Strangeloves decided against releasing it as a follow up to their smash hit I Want Candy. They had heard that The Dave Clark Five (who they were touring with them) were also going to record it and feared that they would have the greater success.

Young Rick Zehringer was flown in to record his vocals over The Strangelove backing tracks. As it turns our, The Dave Clark Five version has never been released! Talk about a Sliding Doors moment for Zehringer!

The McCoys summer 65 release has got that special kind of raw, unpolished energy that stands the test of time. The opening primal beat is followed quickly with a simple yet super cool guitar riff, creating a real groove, something instantly recogniseable. Then it's straight into the chorus within 8 seconds. The McCoys voices and harmonies sound incredible.

Rick Derringer's (his new stage name) vocals, recorded at the tender age of just 17, stretch beautifully when he sings everybody in the second line of the first verse, and then he keeps it all measured before he rises for the and so I say now line into the chorus.

Sloopy lives in a very bad part of town

And everybody, yeah, tries to put my Sloopy down

Sloopy, I don't care what your daddy do

'cause you know, Sloopy, girl, I'm in love with you

And so I say now

The chorus is ridiculously simple and even cooler than the guitar riff. Just three words, the order changed, then repeated. The first hang in each line rings out as haaaaang. It sounds super exciting and completely universal, Sloopy could be anyone.

Hang on Sloopy, Sloopy hang on

Hang on Sloopy, Sloopy hang on

Shouts of yeah, yeah, yeah, yeah are traded and then Derringer demands give it to me and then The Strangeloves guitarist (I just like to think it is Derringer) lets rip with a soaring electric guitar solo over the cool groove that remains constant throughout. 

The shorter third verse is probably my favourite:

Sloopy let your hair down, girl

Let it hang down on me

Sloopy let your hair down, girl

Let it hang down on me, yeah 

Things break down and build as Derringer urges come on Sloopy and his band mates respond with come on, come on backing vocals. Derringer then talks about how it feels so good, then shake it shake it Sloopy before a primal scream into a final chorus and plenty of yeah, yeah, yeah, yeah shouts of encouragement and excitement. This is a garage band sounding cool, thrilling and full of teenage lust, the energy is extraordinary. The song, the recording and performance easily stands the test of time.

My Girl Sloopy by The Vibrations, The Yardbirds version and the Hang On Sloopy version by The McCoys are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
101. Shout!
123. What Is Life? plus bonus If Not For You




Monday, 2 November 2026

Never Ending Mixtape part 114

 

Welcome to part 114 of my Never Ending Mixtape where the latest additions take us from 5,213 songs to 5,237 with the addition I Am Your Season by The Womack Sisters. Their debut album might well be my album of 2026.

My Never Ending Mixtape is pretty eclectic - I add songs in no particular order, with no thought behind the song, artist, genre ... or anything. The complete opposite of the old days when I would make mixtapes or mix CD's! 

Thanks so much if you are one of the 388 people who follow the playlist, also if you visit from time to time and welcome if you have just discovered the blog and playlist!

Check out some of the latest additions below. There are songs from newly (or relatively new) released albums by - Teenage Fanclub, The Avalanches, The Womack Sisters and Michael Kiwanuka. And singles from Ferguson Hi-Fi (again) and long term favourite Stephen Solo.

As always, I hope you find something wonderful that you've never heard before, or that you rediscover an old favourite song. I personally play my Never Ending Mixtape on shuffle, but play from the start, the middle, or scroll down (could take a while!) to the latest additions. 

Search for Everything Flows Never Ending Mixtape on Spotify or CLICK

Recent discoveries

Dominoes by Donald Byrd
Promised Land by The Style Council (expect this to feature in a future cover version of the month blog)
Hits Me Like A Rock by CSS with Bobby Gillespie
Touch Me In The Morning by Marlena Shaw
Blender by The Flying Hats

New releases

Over and Over by Teenage Fanclub

The Same Air by Teenage Fanclub

Little Things by Ferguson Hi-Fi

How Love Can by Stephen Solo

Can't Get Over Losing by The Avalanches ft. Portraits of Tracy

Just Another Moment by Michael Kiwanuka

Move In My Direction by Michael Kiwanuka

Sing by Michael Kiwanuka

I Am Your Season by The Womack Sisters

Old favourites

Dub Be Good To Me by Beats International

Time Stops by Teenage Fanclub

Friday, 23 October 2026

Dub Be Good To Me

Cover version of the month #125
Beats International cover The S.O.S. Band

Love is a game of chances

So I'll take my chance with you

Earlier this year I started a new night / club/ event / community called Uddingston Vinyl Lovers Club (find us on Facebook/Insta). The first night was held at The Rowantree Inn on a Saturday back in May, and then returned for a Sunday Social, afternoon into evening in August.  September saw an incredible night of music and dancing in the Cricket Club with Gerard Love and Mark McAvoy as guest DJ's playing some incredible records. All three events wildly exceeded my expectations and we have already formed a friendly, supportive and passionate wee community which is amazing. 

Towards the end of the first night I found myself flicking through my box of 7-inches in search of something to keep people dancing. I pulled out Dub Be Good To Me by Beats International, stuck it on and it went down a storm! Whether with people of a similar vintage to myself, or younger people in the crowd who may well have been hearing it for the first time. It sounded fresh, cool, fun and vital. I started this blog shortly afterwards and have finally finished it!

Speaking of fresh and fun, the opening section, a sample from the 1983 Johnny Dynell single Jam Hot,  GRABS attention. When the Beats International single came out, everyone was mimicking/singing this in school playgrounds across the country. And people at Uddingston Vinyl Lovers Club (of a certain vintage) were singing it with glee. 

Tank fly boss walk jam nitty gritty

You're listening to the boy from the big bad city

This is jam hot, this is jam hot

Beats International was formed by Norman Cook, fresh from The Housemartins and years before he became known worldwide as Fatboy Slim. Dub Be Good To Me was released as a single in February 1990. I had just turned 14 and I remember thinking it was super cool. The video was all over TV, with singer Lindy Layton looking and sounding incredible, delivering absolute street sass attitude.

Friends tell me I am crazy

That I'm wasting time with you

You'll never be mine

Beats International on Top of the Pops

Cook's ear for riffs, hooks, groove and beats (that he took to the next level as Fatboy Slim) is all over Dub Be Good To Me. Cook samples and layers Paul Simonon's bassline from The Clash's Guns of Brixton over the break from God Make Me Funky by The Headhunters. 

It's all very well to have an ear for cool sounds, but the imagination and skill to splice them together is extraordinary. Punk-dub basslines, spaghetti Western film scores, funk beats, 80's singles ... Cook would go on to do so much more with samples as Fatboy Slim. 

Less than a decade earlier, S.O.S. Band released the original, titled Just Be Good To Me, written and produced by Jimmy Jam and Terry Lewis. This is pure mid-80's electro soul, synth stabs and slick drum machine beats. 

Over 9-minutes long, there is plenty of time for the S.O.S. Band to stretch out and enjoy the groove. Mary Davis is on lead vocals, in the spell of her lover, regardless of his reputation or if he is seeing other girls. The production is sublime - squelchy bass, crystal clear vocals, drum machine beats ... the song has a really cool groove and feel to it. 

People always talking 'bout, reputation

I don't care about your other girls

Just be good to me

Friends are always telling me, you're a loser

I don't care what you do to them

Just be good to me

After the second verse and chorus, things break down, there is a classic 80's 'thumbed' elastic bass solo over the groove. That third verse when Davis sings and you, I won't try to change gets me every time. Davis follows it up with the incredible admission.

We've talked about it, and

I'd rather have a piece of you

Than to have all of nothing

The third chorus hits harder, it's just straight to the refrain just be good to me, with the added in the morning and in the afternoon and evening afterwards. Davis is off on one, I'll be good to you, you'll be good to me and her voice soars. Beautiful. What a song. What a groove.

The S.O.S. Band original and the Beats International cover version are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
101. Shout!
123. What Is Life + bonus If Not For You


Thursday, 22 October 2026

It's All Too Much

Trust me #124
It's All Too Much by The Beatles

With your long blonde hair and your eyes of blue

You're too much

Tucked away on the second side of The Beatles Yellow Submarine soundtrack, It's All Too Much is six minutes of psychedelic bliss. It is the sound of George Harrison tripping off his nut, hopelessly in love with his wife Pattie. Intoxicated, overwhelmed by the drug and Boyd's incredible beauty. What a trip to be on! It grooves and drones, there is uplifting brass that cuts through and above everything else, while George Harrison sounds like the happiest guy on the planet, loved up in more ways than one.

No wonder! Pattie Boyd was absolutely knockout stunning. The pair met in March 1964 while filming It's A Hard Days Night in 1964 and were married by January 1966. George would go on to write Something about Boyd, and his great friend Eric Clapton wrote Layla while falling for Boyd and later 'stole/won' Boyd, subsequently writing the beautiful Wonderful Tonight. George, amazingly, never held a grudge and even attended their wedding.

Harrison described taking acid as like a light bulb going on in my head. Was he the most psychedelic of The Beatles? Quite possibly! Although I'm sure a case could be made for all 3 of the main songwriters. 

George was famously introduced to the drug in the spring of 1965 when a London dentist secretly spiked his and John’s coffee. While terrifying initially, Harrison later recalled that the experience fundamentally altered his perception of reality, opening his mind to a sense of universal oneness and spiritual presence.

Written in 1967, the summer of love, It's All Too Much, the song wasn't released until 1969 on the Yellow Submarine album. It had been considered as a stand alone single and was muted for the Magical Mystery Tour album and film. Somehow, it was overlooked. Or, maybe it just didn't fit with the vibe. It's something I don't understand as its an incredible song.

Maybe the song found its rightful home in the animated world of Pepperland! In the Yellow Submarine movie, it serves as the ecstatic climax. An edited version plays during the sequence where the Fab Four finally liberate Pepperland from the Chief Blue Meanie, turning a grey wasteland back into a technicolour paradise. Pure psychedelia, the height of the trip.

George and Pattie in Haight Ashbury
Ironically, this turned George away from LSD

George Martin, correctly, gets a lot of credit when it comes to Beatles arrangements and production. However, It's All Too Much was largely self produced by the Fab Four at De Lane Lea Studios in London on 25th and 26th May 1967. Incredibly, the latter date is the day that Sergeant Pepper was released! The Beatles were not a band to hang around! Martin assisted with additional music and arrangements in early June.

Later that summer, at the start of August, Harrison and Boyd traveled to San Francisco to the so called heart of the hippy scene in Haight Ashbury. The two of them look sensational, walking through the crowd in shades, the scene within the scene. George was handed a guitar and played a few chords, but was apparently unable to play any more than that due to the strength of the LSD he was on. There are also several photos of Harrison smoking a large joint.

However, the trip actually turned Harrison off acid. He thought Haight Ashbury was full of bums and lost souls who'd come looking for an answer and just dropped out. On return to the UK, George threw himself into meditation, introducing The Beatles to the Maharishi who was lecturing in London. Impressed, The Beatles then booked to go to a seminar in Wales. 

These few months in the life of Harrison and Boyd are a film in the making - It's All Too Much - the drugs, the scene, Sgt Peppers, It's All Too Much, the summer of love, Haigh Ashbury and the Maharishi.

Back to the song, while nowhere near as famous as Something, Wonderful Tonight or Layla  Harrison's psychedelic gem is just as beautiful as the former two, just as (maybe even more) powerful than the latter, in its own unique way. 

The intro is glorious, Lennon spitting to your Mother, then 16 seconds of fuzzy feedback, followed by a beautiful and soothing organ sound, a superb Ringo drum roll and then huge beats, handclaps, a hammering organ and a wall of brass. It's All Too Much finds a groove and marches like Sgt Pepper leading a psychedelic parade with Harrison chanting the title. It's heavy, droning, relentless and a sensory explosion for a full 60-seconds. 

Part of me wishes it went on longer, but then we are into the song, with George singing about gazing into the eyes of his love, sounding head over heels, walking on air and into the sunshine. 

When I look into your eyes, your love is there for me

And the more I go inside, the more there is to see

The Beatles tumble and flow straight into the chorus with Harrison nailing his colours to the mast. It's joyous, a celebration of love and the times ... even if it was 2-years too late. Imagine if this had been released in the summer of 67! It would have been perfect. 

It's all too much, for me to take

The love that's shining all around you

Everywhere, it's what you make

For us to take, it's all too much

Floating down the stream of time, of life to life with me

Makes no difference where you are, or where you'd like to be

Harrison is in the psychedelic zone with his writing and sounds, George Martin (who allegedly never took LSD) creates all kinds of wonderous sounds over The Beatles groove. The chorus sounds bigger every time it arrives, McCartney's bass flourishes at times, Ringo is on fire and Harrison is firing off delicious riffs and guitar sounds. Does it get any better than this?!

There is a long instrumental with Paul and Ringo locked in a groove, horns and more delicious feedback that is extended into the next verse and the final double chorus simply explodes.

Harrison and The Beatles aren't finished though, there is a long and beautiful 2-minutes and 45 seconds outro. It grooves, horns soars and a mantra is introduced. I adore when George comes in with his simple declaration and then admission. 

With your long blonde hair and your eyes of blue

You're too much

What a glorious technicolour delight! I've listened to It's All Too Much a fair bit in the last couple of weeks while researching the song and events around it. And I haven't tired of it! The Beatles sound like they are having loads of fun - again, why the hell was this not released as a single? OK, The Beatles were in sensational form in 67, releasing Sgt Peppers but also the singles -  Strawberry Fields / Penny Lane (February) , All You Need Is Love / Baby You're A Rich Man (July) and Hello Goodbye / I Am The Walrus (November). Wouldn't it have been the perfect double a-side for All You Need Is Love?

It's All Too Much is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
103. Life Is Sweet by The Chemical Brothers 
105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish
108. Cobra by Geese
109. All I Have To Do Is Dream by The Everly Brothers
110. Vapour Trail by Ride
111. Teardrop by Massive Attack
112. Since I Left You by The Avalanches
113. Good Dancers by The Sleepy Jackson
114. Kiss My Love Goodbye by Bettye Swann
116. Get Out Of My Dream by The Clouds
117. Sundress by Ben Kweller
118. I Love You by Primal Scream
119. Calico Skies by Paul McCartney 
120. Lay This Burden Down by Mary Love
121. Primitive Painters by Felt w/ Elizabeth Fraser
122. Like A Motorway by Saint Etienne
123. F.E.A.R. by Ian Brown



Friday, 16 October 2026

INTERVIEW - Duglas T Stewart

I can still remember buying my first BMX Bandits record, 1993's Kylie's Got A Crush On Us, from Impulse Records in Motherwell. I bought the 7-inch and CD single. I was already aware of the band through my religious reading of both the NME and Melody Maker every week. Also from homemade cassettes that would get passed around. The Bellshill Beat TV show was broadcast the same year,  presented by Duglas and featuring the Bandits, Fanclub, Vaselines, Pastels, Superstar and The Soup Dragons. It was like the show had been made specifically for me. 

All of this music seemed very real, pure and honest. Especially because it was local to me. The music weeklies were fixated on Manchester, Seattle or London. BMX Bandits and Teenage Fanclub in Bellshill were just a few train stops along the Glasgow line from me in Carluke.

Over the years I'd get to know Duglas a little and eventually become friends as we would always bump into each other at shows in Glasgow, whether his own, or bands/artists that Duglas was keen to catch live and support.   

Lynn and I would go and see his latest incarnation of BMX Bandits, or Duglas guesting with bands, playing stripped back shows and at special gigs, like the Bandits 30th anniversary show at Oran Mor with Sean and Norman among the guests. One of my favourite shows was Duglas playing a tiny acoustic show with his friends The Wellgreen in The Lismore bar. Stu and Marco also had someone playing French Horn and it was just gorgeous. Duglas brings warmth and energy to every gig he plays, no matter the size. He loves to sing, perform, share stories and also play cover versions to show his love and taste for music, and turn people on to music they might not have heard before. 

Duglas and BMX Bandits have featured in my blog regularly over the years. I also recorded a podcast with Duglas back in 2016 for his bands 30th anniversary! It's a fond memory. We sat on a bench in Glasgow Green, eating ice cream in glorious sunshine discussing music and Duglas chose some songs to play. Check it out.

I was delighted to learn that a new BMX Bandits compilation album, 15 Big Ones, is being released to mark 40-years since they launched into the world with debut single E102 on Stephen Pastel's 53rd & 3rd Records. Doesn't time fly?! 

15 Big Ones is out on 27th November, as a single LP, or you can get your hands on a limited edition double vinyl version with bonus songs. ORDER from Monorail BMX Bandits have also announced a full band matinee show at The Hug & Pint on Saturday 14th November. TICKETS HERE

Duglas very kindly answered some questions and created a wonderful playlist. Oh ... and there might even be a couple of exclusives on what is coming up next for BMX Bandits ...

If you could go back in time to one moment or show in BMX Bandits history, what would it be, and why?

To quote one of our songs, "Go back, I can't go back. Go forward, I must go forward." I don't know if I want to go back, I think it would be too painful to find myself younger and full of hope with endless possibilities in front of me. But not wanting to be a spoilsport I'll play along with the idea and choose our first full band show in Tokyo at the club Antiknock in Shibuya. Looking out at the audience and seeing love there.

You have an incredible knowledge of music and superb taste. Could you create a tracklist for a 15-song compilation album of your favourite music? What would you call it?

I would call it 15 Loved Ones. I think of songs as being like friends that I can turn to when I need them to make the world feel better or to understand how I am feeling or soundtrack the good times and difficult days. So they feel like loved ones, that are precious to me. I’ve made you my 15 Loved Ones playlist and made it a selection of songs that have been important to me personally and also massively influential on BMX Bandits music over the last 40 years. Of course there are many others that I could have included.

On Spotify : On Apple Music: 

1. The Adventures of Robinson Crusoe by Robert Mellin and Gian Piero Reverberi

2. I Saw The Light by Todd Rundgren

3. I Never Dreamed by The Cookies

4. Break Away by The Beach Boys

5. Watch What Happens by Chris Montez

6. Who Do You Think You Are by Jigsaw

7. Storm in a Teacup by Lynsey De Paul

8. The Sunshine After The Rain by Ellie Greenwich

9. Someday Man by Paul Williams

10. Baiba Bimba by Tenniscoats

11. Schweden Espresso by Sofie Royer

12. Bye Bye Barbie by Daniel Johnston

13. Casaco Marron (Bye, Bye, Ceci) by Evinha

14. Metti una sera a cena by Enrico Morricone

15. Something Big by Burt Bacharach

How do you feel when new bands coming through (like The Cords / Fatale) cover your songs, come to your shows and highlight how much they love your music?

It means a lot of course. I think of it being similar to when we got to meet people like Alex Chilton or Evie Sands or Chip Taylor and became friends. Of course the gap between us in the 1980s was just around 20 years,,which felt a huge length of time to us then. The gap between us and Supersun, The Cords and Fatale is almost double that in time. It’s a bit like us doing Mills Brothers or Bing Crosby stuff, rather than The Velvet Underground and Bacharach & David songs. I remember seeing The Cords perform the BMX Bandits song I Wanna Fall in Love when I first met them and it sounded so beautiful to me. It was very emotional for me thinking that this song Francis Macdonald and I had written years before they were born had made a connection with them and that they would want to perform it. Since then we’ve actually had Eva perform it live with us a couple of times. She sings it so beautifully.

Francis and Duglas

BMX Bandits has featured many members over the years. Is there anyone you would have liked to join (or guest with) the band for a while?

BMX Bandits and me out with BMX Bandits have been lucky enough to work with people who would have been on that list. I got to co-produce Alex Chilton,with David Scott and his widow said it was one of her favourite recordings by him ( a cover of the Beach Boys song I Wanna Pick You Up). We had Evie Sands in the studio doing backing vocals on a track on our album Bee Stings and we got to be her backing band for a live show and a radio session. One of my more contemporary musical heroes Saya from Tenniscoats produced a BMX Bandits track that I recorded at her home in Tokyo. Jowe Head from Swell Maps and the TVPs was one of the people who inspired us to start making music and we've collaborated several times. So a lot of musicians that I would have otherwise said have already done it. So I am now thinking fantasy and both of these people are sadly dead and so these choices will have to remain in the realms of fantasy. 

Chloe and Duglas

A key part of so many of the records that I love are the arrangements and I've always paid great attention to what's going on with that aspect of pop music, paying attention to the choices of instruments and sounds in a recording, strings, woodwind, brass and other stuff. A lot of these records are from the 1960s and '70s. 

There are two arrangers that I wish that I could have had the chance for them to work on some of my music and they are Arthur Greenslade and Nick De Caro. Arthur did the arrangements on some of my favourite recordings by artists including Serge Gainsbourg, Rod McKuen, Vashti Bunyan, Twice As Much, Del Shannon and my favourite 1967 David Bowie stuff like When I Live My Dream and Love You Till Tuesday. Nick De Caro was involved in a lot of those early mellow pop records on the A&M records for artists like Chris Montez. Harpers Bizarre, Claudine Longet, Roger Nichols & The Small Circle of Friends. He also worked on Here You Come Again for Dolly Parton and Andy Williams hits like I Can't Take My Eyes Off Of You and Music To Watch Games By. 

If I was out buying second hand record shopping or buying cool sixties and seventies CD reissues in Japan one of the first things I'd be looking at was who was the arranger on the albums and if I saw Nick De Caro or Arthur Greenslade's name on there I would probably take a chance on it. So those are the guys I wish I could have worked with. There is also a beautiful Nick De Caro album called Italian Graffiti. where he sings and arranged the tracks and also go find his solo recording of Caroline No. I think it's greater than The Beach Boys version from Pet Sounds.

What has it been like to reflect on your 40-year discography? Did you 'rediscover' any songs that you hadn't listened to or played live for a while? (or forgotten about!)

Some of the songs have very strong emotional ties to people, times in my life and places that are gone now and it can sometimes feel a little raw hearing some songs for that reason. But unlike some of my friends who are in bands, I generally really enjoy listening to my own records. I don't do it all the time but I have friends who would never listen to their own work, they hate hearing it. I find that odd. Sometimes I will hear a track and I am surprised by it and it can sound better to me than I remembered it. I hadn't listened to some of the Creation Years stuff for a while and hearing Gettin' Dirty and our version of Jonathan Richman's That Summer Feeling again felt very pleasing. 

Norman and Duglas

On most of our albums the tracks that ended up being singles aren't my personal favourites and due to the nature of this release there's some of the tracks that I am proudest of in our history that couldn't be included here. For instance, I think Still from BMX Bandits in Space, How Not To Care from BMX Bandits Forever and A Missing Front Tooth from My Chain are among our very best work but they didn't seem to fit in with this release ...but hopefully listening to our 15 Big Ones will encourage people to dig deeper.

What next for BMX Bandits?

We plan to release a new album in 2027 and have already one track recorded for that. I don't have a title for it yet, which is unusual for me. There's been a few albums that the first thing I've had before any songs is the album title and the title has helped steer the direction/ narrative of the album. 

I am doing a book that should be out hopefully around late Summer 2027. It's not an autobiography, it's a collection of essays about writing and recording some key BMX bandits tracks over the last 40 years. There is also a BMX Bandits stage musical in the works, it's not about BMX Bandits but it was inspired by our music and features a bunch of our songs. I went to the first read through a few months ago in my old home town of Bellshill and that was a lovely experience.

Chloe, Finlay and Duglas