Wednesday, 14 October 2026

Tenement Trail 2026 review

Ben Robertson, Fatale

Tenement Trail has become an annual event for my friend Joe and I. This can be quite tricky as the event falls at the start of the October schools week off, so we need to manage family expectations for a holiday to ensure that nothing is booked until after Tenement Trail!

Expectations were heightened this year by the fact that a number of bands we have been following were on the bill. Two of whom, Ferguson HiFi and Fatale played the Pretty Green TT pre-party at Tuts the night before, along with Little Grandad who we had already seen earlier in the week when they supported the magnificent Madra Salach at Saint Luke's. I never quite got round to writing a blog on that, all I'll say is that Madra Salach were beautifully powerful and soulful. Next stop The Barrowland for them! King Tuts was remarkable value for money, £4 a ticket! More about Ferguson HiFi and Fatale later ...

The sun was shining as Joe and I headed into BAaD to collect our wristbands for the day. We popped into Ho Lee Fook on London Road and were delighted to be seated immediately. The food was super fresh, tasty and had just the right level of kick. We were fueled for the day ahead.

After bumping into and enjoying a great chat with Robert from Paninaro / Social Recludse and the great Brian Sweeney, we also caught up with our mate Robbie and headed into Saint Luke's. A friend had recommended checking out Compost Compost Compost and said they were generating considerable interest. 

Compost Compost Compost

Now, I've got to admit, I'm a bit of a band name snob. I make no apologies for that! So, while I'll never like their name, I have to say that the band themselves were super talented, going for a post OK Computer Radiohead sound. Loads of effects on guitar, distinctive bass sounds, epic vocals and cool synth effects and sounds. Not really my thing, but I could totally hear why people are talking about them.

We then had a little spare time to wander round, first stopping into the Van Winkle where a soundcheck was on, but then deciding to head over to the 228 where we caught a few songs from Dan Parks, a young Scottish singer-songwriter armed only with an acoustic guitar. That can be difficult for a young artist, holding your own in a busy bar where people are talking, but Parks held his own. A song about a school race as a child was a metaphor for life, there was a choice cover of California Dreaming and I heard some echoes of Paolo Nutini. Parks appears to be doing well and is headlining Tuts on 20th December.

Paulie Swan

Out one door, a few steps along, up the stairs and we were into Barras 2 (the venue and bar on the same floor as the merch, toilets and cloackroom) for Paulie Swan who I featured in my preview blog. Swan's online releases feature a full band and cinematic strings. For TT, it was just American (now living in Edinburgh) Swan with his guitar and his soulful and distinctive voice. With lyrics seeming like a spew of self-consciousness, thoughts and observations, Swan played jazzy, bluesy guitar, with what sounded like the occasional CHIC riff thrown in at times. There are no choruses, at least none that I detected, but Swan is one cool customer and has the style and talent to do his own thing. Definite echoes of Cameron Winter, maybe even a nod to Hendrix in his delivery. My friends and I unanimously declared that we could absolutely see him on Later with Jools.

Maicin, Van Winkle, Tenement Trail 2026

We had a quick detour to The Gate and then split up, with Joe and Robbie heading to the Van Winkle for Maicin, while I headed back to Barras 2 for Angelface. Robbie declared Maicin his band of the day, with Joe saying they reminded him a little of Pavement at times.

Angelface

Meanwhile, Angelface played a beautifully, swirly and dreamy set that included covers of Mazzy Star's Fade Into You and Vampire Empire by Big Thief. Closing song Think Twice sounds like a future single to me. Think The Sundays, lots of reverb, harmonies to melt your heart and glorious lead vocals. Angelface play Mono for Hogmanay. 

Supersun

Supersun have featured in this blog a few times over the last year. Led by the energetic Adam Graham who also runs The Cabbage nights, the band has released Shine On as a limited edition flexi disc. I think this is an utterly brilliant song and it sounded fantastic in the Barrowland Ballroom, as did the psychedelic pop tinge Citrus Sunshine. Supersun drew a large crowd and are about to play a few dates on tour with The Bluetones. 

The following month, Supersun headline Stereo on 12th November for the first anniversary of their Cabbage nights and also plan to release a magazine to document the times. Adam Graham and his band are definitely bringing a fresh energy to the Glasgow scene.

Peter - Ferguson Hi-Fi

I was keen to catch Ferguson Hi-Fi, having fallen for the pure punk pop perfection of their debut single Get Over It and seeing them absolutely smash King Tuts at the Pretty Green sponsored Tenement Trail pre party the night before. Their blistering set was full of delicious hooks, choruses and riffs and songs that sound like future singles. 

So I headed swiftly back downstairs as Supersun were drawing to a close. Back in Barras 2, Ferguson Hi-Fi were having sound problems. Previously, Angelface had also faced issues, but it was evident that this was more serious. Guitarist Darren McCaughey ran back and forth from the stage to the sound-desk / sound-engineer - something wasn't going to plan. Around 10-minutes late, Ferguson Hi-Fi burst into life and after a song the sound seemed to come together. Thankfully! 

Peter Ferguson sings of life's challenges and beauty, backed by lead (played brilliantly by McCaughey) and rhythm guitars, a bass player who also sings beautiful harmonies at times and a cracking drummer. Clearly well rehearsed, the band zipped through a short set due to the sound issues (such a shame) but I saw enough at Tenement Trail and Tuts the previous night to easily spot a band on the rise.

Ferguson Hi-Fi have just released Little Things (There's Nothing Bigger) as their second single and their first headline show at McChuills on 19th November. TICKETS HERE. Look out for a feature on Ferguson Hi-Fi soon.

With Fatale coming on at 7.30pm, we had to decided whether or not to risk leaving the venue or not. So we decided to head upstairs to the Ballroom to catch some of Cliffords. I can't say I was aware of this band but they impressed. Tight, powerful and confident, singer Iona Lynch was soon commanding the attention of the sizeable (and filling fast) crowd with her impressive voice and stage presence. 

Fatale - Tenement Trail 2026

However, we only caught half of Cliffords set as we headed back down to Barras 2. I've caught Fatale a number of times in the last 16-months or so and this was the best I've seen them. They gave it absolutely everything. Their energy was incredible, drummer James Lindsay was in sensational form - driving everything along. The whole band vibed off the packed room and gave it back out times 10, lifting the room. Opener September was warm, Winged Horse was beautiful, Moves You was glorious - like Teenage Fanclub in that glorious phase between Catholic Education and Bandwagonesque. Video single Jesus Christ was a riot, new song Superstar was ... super! 

Ben Robertson was on top form, dancing, at the barrier, on the barrier, egging the crowd on, getting the place bouncing. Ahead of Another Sunrise, Robertson asked the crowd if they were going out tonight, going on to whip them into a frenzy with the hook I'm going out tonight. New song Bride closed the set, with a slightly heavier sound at times, though still super catchy. Fatale have been growing from strength to strength and I'm very excited to see them continue to develop through 2027.

King Tuts (for the third time this year) the previous night was good, but Fatale seemed to find another gear at Tenement Trail. It's such a great festival for new and breaking bands to play. It's one thing playing for your friends and fans, but another thing playing to festivals in front of strangers, drawn in by what they have seen, read or heard online, or simply because they have a space in their schedule. Judging by the fact there was one out and one in, I don't think too many people had simply stumbled across Fatale. This is a band on the rise.

With rumbling bellies, we walked round to Saint Luke's reminiscing about the burgers we'd had at the Guinness Bar and BBQ the previous year. And it was shutting down! Joe suggested heading to West Brewery and that was the end of our Tenement Trail. Yet another year where we haven't lasted until the headliners! Although we do tend to go for the discovery side of Tenement Trail. I guess some of the crowd do last the full day, while others come later on, and then there will be some like us who come early and don't quite last the distance. And this was me driving on and on Guinness zero!

Tenement Trail 2027 tickets are on sale now.


Wednesday, 7 October 2026

Without You

Cover version of the month #124

Harry Nilsson covers Badfinger ... and so does Mariah Carey

I always thought that Without You was a Harry Nilsson song, and ... it kind of is. I guess I came to this conclusion because his name was mentioned regularly back in 1994 when Mariah Carey took the song to number 1. In fact, the song was written by Pete Ham and Tom Evans of the Welsh band Badfinger who released albums via Apple and received huge support from Paul McCartney.  Macca wrote Come And Get It for Badfinger in 1969. It's worth checking Paul's demo, where he played all the instruments, that came out Anthology 3. Remarkably, McCartney recorded it all in just 1-hour.

McCartney once described Without You as the killer song of all-time, high praise indeed. The song itself came together in a Beatles-y way, think of Lennon and McCartney merging two songs together for A Day In the Life. That's, kind of, what happened with Badfinger.

Ham wrote a song called If It's Love containing the heartbreaking lyrics

Well I can't forget tomorrow, when I think of all my sorrow

I had you there, but then I let you go

And now it's only fair, that I should let you know ... it it's love

However, Ham wasn't happy with the chorus. 

Meanwhile, Evans was besotted with a girl called Marianne who he would go on to marry. However, the relationship wasn't without its challenge. One night Evans was searching for his girlfriend and poured his heart out to her friend Karen, telling her - She's left me. I need her back. I can't live without her. Evans went on to write a song called I Can't Live with the emotional and soulful chorus;

I can't live, if living is without you

I can't give, I can't give any more

Tom Evans and Pete Ham

And so, the two songs became one. And this was just the start of the story for this particular song!

History shows that Ham and Evans are on record as saying that they didn't consider the song to be particularly strong at the time Badfinger recorded it. So, Without You was slotted to close the first side of their 1970 album No Dice. It wasn't a single and probably didn't receive that much attention in the studio.

The guitar, bass and drums are all fine, but did the band and producer (Geoff Emerick) not hear the potential for strings as the band hit the long chorus outro/mantra? Organ is introduced towards the end, over the top of the Harrison-esque guitar riff. Indeed, the song has a Harrison feel to it, you can only imagine what he could have done with it around this time when he was working on All Things Must Pass!

Badfinger's recording of the song, in comparison to Harry Nilsson's 1971 cover, sounds like a demo. It's still really good, the vocal for the chorus is beautifully stretched, however, it does feel like it's missing something - I guess it is easy to say this having originally heard the song via Mariah Carey! It's a shame that their producer Geoff Emerick didn't hear the potential that other artists, musicians or producers heard. 

Listen to this and then play Harry Nilsson's version immediately afterwards. 


Nilsson's version, released as a single in October 71 and also included on his outstanding album Nilsson Schmilsson,  is over a minute shorter than the Badfinger original. He makes the most of every single second, beginning over sparse piano, strings are introduced for the second verse, his voice is heartachingly beautiful. When he hits the chorus, the drums come in, the strings become more orchestral and Nilsson sings with all his soul. 

Well I can't forget this evening, or you face as you were leaving

But I guess that's just the way the story goes

You always smile, but in your eyes your sorrow shows

Yes it shows

And then ......Nilsson hits the chorus for the second time and it is skyscrapingly epic. There is no need to revisit it like Badfinger do for their long outro. Nilsson has said his piece, he has nothing more to say and most likely, nothing more to give after that performance! 

Pete Ham and Tom Evans received an Ivor Novello song for  Best Song Musically and Lyrically in 1972. Tragically, both songwriters committed suicide. Ham, aged just 27 and only 3-years after the Novello award. 

Badfinger, like many 60's artists, had been poorly managed, disgracefully advised and were taken advantage of financially. 'Manager' Stan Polley channelled millions into his personal control. Ham died in 1975, penniless, despite the huge success of Without You through Nilsson that should have earned him hundred of thousands, if not millions. His suicide note called Polley a soulless bastard. 

Evans continued to fight for royalties and he toured as Badfinger, however he too hanged himself in 1983 following a sad, bitter challenge from bandmate Joey Molland who contested the songwriting royalties.

Two years later, frozen royalties were paid to the surviving family of Ham and Evans. Both had died believing they would never receive them. 

Without You would go on to earn even more in publishing royalties following a cover version by Mariah Carey, originally released on her 1993 album Music Box, and then as a single in February 1994. Carey decided to cover the song after hearing Nilsson's version in a restaurant and coming to the immediate conclusion that it could be a smash hit. Mariah was right. The emotion contained in Nilsson's version was absolutely perfect for her. Carey's cover was a monumental hit, spending 21 weeks in the US Billboard Top 40 and hitting number one in dozens of countries worldwide.


Carey, with her extraordinary five octave vocal range, really goes for it at the end of the first chorus, but jeez, she really goes for it on the second chorus over pounding 80's drums before a gospel choir comes in with Carey ad libbing over the top to conclusion. 

Written with heartache at the fore, Without You has broken hearts throughout its rollercoaster history, reaching huge peaks with Nilsson and Carey, but tragically its authors were not able to benefit from the songs success. At the time of writing, Nilsson's version has been streamed 205 million times, while  Carey's version has been streamed a colossal 373,918,083 times! Incidentally, the song has been covered by over 180 artists.

Badfinger's original and the covers by Harry Nilsson and Mariah Carey are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
101. Shout!
123. What Is Life? + bonus If Not For You

Friday, 2 October 2026

Never Ending Mixtape part 113

 


Welcome to part 110 of my Never Ending Mixtape where the latest additions take us from 5,139 songs to 5,213 with the addition of the utterly sublime Love Me by Arnelle Ramsey that I recently discovered via a Rare Soul & Disco compilation album. This was on the back of discovering my current favourite song Takin' My Time With You by Maureen Bailey via Glasgow disco lover and edit king Al Kent. What a tune! I've just ordered his re-edit on 7-inch.

My Never Ending Mixtape is pretty eclectic - I add songs in no particular order, with no thought behind the song, artist, genre ... or anything. The complete opposite of the old days when I would make mixtapes or mix CD's! 

The result is pretty eclectic!

Thanks so much if you are one of the 386 people who follow the playlist, also if you visit from time to time and welcome if you have just discovered the blog and playlist!

Check out some of the latest additions below.

As always, I hope you find something wonderful that you've never heard before, or that you rediscover an old favourite song. I personally play my Never Ending Mixtape on shuffle, but play from the start, the middle, or scroll down (could take a while!) to the latest additions. 

Search for Everything Flows Never Ending Mixtape on Spotify or CLICK

Recent discoveries

Takin' My Time With You by Maureen Bailey

Love Me by Arnelle Ramsey 

One Way Glass by Manfred Mann Chapter Three

Inflation by Chocolate Snow

Filthy by Saint Etienne

Man of Value by Tyrone Bailey

New releases

Get Over It by Ferguson Hi-Fi

Old favourites

The Staunton Lick by Lemon Jelly

Caravan by Inspiral Carpets

The Shining by Badly Drawn Boy

Young Americans by David Bowie

Revolutionary by Primal Scream

Free To Go by Folk Implosion

Close Your Eyes by The Chemical Brothers

Only With You by The Beach Boys

Baby Blue by Badfinger


Wednesday, 23 September 2026

Tenement Trail 2026 preview

Tenement Trail 2026 could easily be the best yet. Headliners Brogeal are riding that 'word of mouth' wave that even the best marketing teams can't buy, while old Glasgow favourites Baby Strange are set to reunite for the 10th anniversary of their debut album Want It Need It.

I love how the area around The Barrowland Ballroom has developed over time. It's still got that gritty edge, but there are now super cool pubs and additional music and arts venues that have created a fantastic vibe and buzz. It's a super cool area to hang out. Joining The Barrowland to host bands and artists for Tenement Trail 2026 are; Barras Art and Design, Saint Lukes, McChuills, Van Winkle and 226 Gallowgate. There might even be some secret shows elsewhere if previous years are anything to go by.

Read on for my 5 Top Tenement Trail Tips and 10 acts to look out for.

TTTT Top Tenement Trail Tips

1. Go early

In recent years I've caught Kerr Mercer playing first on the bill. Kerr has since gone on to release a string of singles and tour with ... well loads of people, including huge shows with Lewis Capaldi. It's just a matter of time before this young Scottish singer-songwriter breaks through. Kerr's voice is extraordinary. Super soulful.

I'd especially recommend looking out for last minute additions to the bill. They are likely to be on early and be bands/artists that are generating a new buzz and that industry types are keen to see. Tenement Trail attracts labels and agents, it's a great festival for young acts to play.

2. Plan for food

Last year my friend Joe and I parked up at the Guinness BBQ outside Saint Luke's for delicious burgers and pints of the black stuff. The previous year we had street food from the wonderful Ho Lee Fook. This year - well we might head in for lunch, but we want to book a table so I'll keep the venue quiet until my review so we can get a space! The area is awash with funky bars, cafes and stalls to cater for your needs. 

3. Research

Not my strong point! Thankfully my friend Joe is bang into researching the acts playing and last year led us to Van Winkle for Madra Salach (pictured above) who absolutely blew us away. They have gone on to great things and are growing from strength to strength. So check out all the acts online in advance - or get a friend to help!

NOTE - My research has improved for this year, as evidenced below!

4. Pace yourself!

I need to take my own recommendation. Last year I was home for 10pm! I had a fantastic day though and caught some brilliant acts. For me, the best part of the festival is ducking and diving between venues to catch lots of bands I haven't seen before. So, if I'm in for the kick off, I'm usually pretty knackered by 8 or 9pm. This year, I am intending to stay sober ... but if the outdoor Guinness bar at Saint Luke's is on again, that will be put to the test!

5. Keep your eyes and ears open

Who will be the secret midnight headline act at McChuills? Will there be an secret acoustic sets in The Gate? Regardless, I'd recommend a visit to this gem of a pub across the road from the Barrowland. 

10 acts to look out for

I'm hoping that the Tenement Trail schedule is kind to me and allows me to zip around the Gallowgate to catch the following bands and artists. Hopefully there are no clashes!

Fatale

My favourite new band are riding the buzz of releasing their debut vinyl only EP, radio airplay and a string of cool support shows. Fatale's development over the last year or so has been really exciting to witness. Christopher Jollie's songs naturally find hooks and choruses, while Ben Robertson has really found his voice on record and come into his own on stage through lots of live shows and regular rehearsals. Euan Corrigan's lead guitar gels effortlessly with Christopher's rhythm, while Oscar Tighe on bass and James Lindsay on drums create beautifully tight but loose grooves to keep it all going. Fatale love playing live and if you like a lot of the music I write about in this blog, I think you'll love Fatale.


Paulie Swan

20-year old Edinburgh singer-songwriter. Cameron Winters vibes. Stoned. Strings. Crooning. Soulful. Could be pretty special. Swan released his beautiful, near 7-minute, debut single Me vs. Mothra back in January and then followed it with his 4-track Swans Today EP in the summer. Instagram

Ferguson Hi-Fi

 

Ferguson Hi-Fi released their outrageously catchy debut single Get Over It in the summer and it immediately caught the attention of Steve Lamaq and 6Music. No wonder. This is high energy garage guitar punk pop. The verses immediately command attention, singer-songwriter Pete Ferguson screams the bridge to the chorus, then rams the chorus home time and time again. There is a gorgeous breakdown with Pete just letting out an ooh as if in love with the sound of the guitar riff, then it's back into the chorus one final time. Look out for a future introducing blog on this band.

Supersun

Supersun have had a super productive 2026, releasing a limited edition 7-inch flexi single Shine On for Record Store Day and playing regularly in all the right places across Glasgow. Mono for RSD, Old Hairdressers for Freakender, headlining McChuills and also running their own night The Cabbage. Oh and they produce a fanzine! Two twelve string guitars are central to their melodic sound. Supersun play 3-dates with The Bluetones later in October and should win plenty of new fans. 

Maicin

Imagine the lovechild of Billy Bragg and Jarvis Cocker ... now get your head out of the gutter and picture Maicin - so says the bands Bandcamp page. Maicin (pronounced Mackeen) are playing some dates with The Pogues later this year. Hailing from Cork in Ireland, their name comes from the nickname bestowed on frontman Matt by his Nan. Maicin means 'little man'. Described as punk with dirt under its nails and poetry in its back pocket - I'm planning to check them out.

Angelface

Despite blogging about Angelface back in January, I have yet to see them live. I can't wait to experience their glorious harmonies in person. Describing themselves as indie-folk / dream-pop, they've posted a series of cover versions and originals on their social channels, generating a lot of interest as a result.

The Paris Match

I caught The Paris Match playing McChuills last year. Their Libertines-y guitar pop and high energy antics won a lot of fans that day. I expect many of them will be heading out to see them again and this time they will bring their pals. Instagram

Tom A Smith

I heard about this young guy via Rowetta from Happy Mondays Instagram after she guested on vocals at one of Tom’s live shows. Hailing from Sunderland, Smith has already released his debut album. it's a mix of beats, grooves and kind of Baxter Dury / Yard Act style vocals. Check I Don't Blame You - all kinds of edgy catchy cool. Instagram

The Orielles

Signed to Heavenly Recordings, I was shocked to learn that The Orielles released their 4th album earlier this year! So I've not been keeping up with them! I got Silver Dollar Moment, their debut, back in 2018 and caught them in Mono around that time. The Orielles are fiercely independent and are capable of finding cool grooves and having fun with them, while having a pop mindset.

Oedipus & The Mamas Boys

Edinburgh 8-piece who have released 3 singles to date. They are quite eclectic. Bleed isn't really my thing, it's a bit too heavy. But Stretched/Kitchen is tender and lush, building to a dramatic conclusion, while A Daisy for You, John reminds me of a whole mix of bands like Admiral Fallow and Idlewild. Instruments include saxaphone, violin and trumpet. Website


1:49 of LCD Soundsystem mixes edits and remixes

I recently played the Tom Sharkett Edit of LCD Soundsystem's beautiful Home. I ended up playing it several times and dancing around my living room. This then sent me on a bit of a trip down the rabbit hole of LCD alternative mixes, edits, remixes and also Franz Ferdinand covering All My Friends. I'll definitely need to feature this as a cover version of the month in the future.

As I listened I made a playlist of my favourites. Expect radical reworkings, prepare to get lost in the music, marvel at analogue synth sounds, get ready to dance to funky beats and grooves, throw your hands in the air and have fun.

Search for 1:49 of LCD Soundsystem mixes, edits and remixes on Spotify or CLICK HERE

You might also be interested in an old blog I published on 10 of my favourite LCD Soundsystem songs back in May 2024.

North American Scum (Kris Menace Remix)

All My Friends (Franz Ferdinand Version)

Get Innoculous (Soulwax remix)

Sound of Silver (C2 Rmx Rev 3)

Us V Them (Any Color U Like remix)

45:33 (Prince Language Remix)

I Can Change (Stereogamous Remix)

Drunk Girls (Holy Ghost Remix)

oh baby (lovefingers remix)

Pow Pow (Idjut Boys Remix)

Home (Tom Sharkett Edit)

Yeah (Pretentious Mix)

Tribulations (Lindstrom Mix)



Monday, 21 September 2026

Saint Etienne and The Pastels at the Barrowland Ballroom

Saint Etienne and The Pastels at the Barrowland was an enticing prospect to warm the hearts of fans of independent pop music. It showed, the famous ballroom was sold out and packed out. Saint Etienne are on their final UK tour, but have highlighted that they will continue to play festivals and one-off events. So, who knows when they will be back in Scotland?

Has The Pastels ever played the Barrowland before? That was the question on the lips of music fans climbing the stairs to the hallowed ballroom in time for Saint Etienne's special guest support act. A quick google highlighted that they had supported Teenage Fanclub back in 1995. I might even have been there! I imagine I probably was but I can't remember.

The Pastels formed back in 1981 and released their debut single Songs for Children on Whaam! Records the following year. Remarkably, it is approaching 50-years since they formed. Stephen Pastel and his band remain shining lights, guiding lights for independent music in Scotland and beyond. The 6-piece Pastels shuffled on to the Barrowland stage at 8pm sharp and Stephen was quick to thank their friends Saint Etienne for inviting them to play.

This was a beautiful set by The Pastels. Stephen also thanked Kenny on sound, and he was right to do so. The melancholic grooves that the band got into, aided by some sublime trumpet, were lovingly warm, dreamy and soothing.

The Pastels opened with Basement Scam. Stephen crooning, playing a gorgeous chord sequence, the 6-piece Pastels creating a wonderfully warm sound. Summer Rain conjures all kinds of imagery and emotions, Check My Heart is glorious upbeat sunshine pop, while Baby Honey is Velvets-y, garage coolness personified. 

Stephen's humour was also on display as he addressed the crowd; 'Most of the songs we've played are from our most recent record. Which isn't that recent ... but we are The Pastels.' 

Thankfully it won't be long before I see The Pastels again as they play The Glad Cafe in November as part of the annual Tiny Changes series of shows.

Saint Etienne came on stage to the sound of one of their own songs - Filthy, from the deluxe edition of Fox Base Alpha. It is tres cool. Check it out.

Pete, Bob and Sarah were joined by long term collaborator (essentially the fourth member) Debs Wykes on vocals and Loz Colbert from Ride on drums. Also a bass/violin player that I didn't catch the name of.

They were on it from the start. Tonight opened proceedings, with Sarah waltzing in wearing a sparkly jacket, later ditched due to the heart in the room and allow freedom to dance. Like A Motorway (check this recent blog) was next up and the synth bass groove was glorious.

Bob and Pete were on a raised platform behind the rest of the band, like a pair of Chris Lowe fans (slightly less eccentric fashion style!), and they created pop perfection, just like Chris and Neil. Cool 808 beats, funky bass grooves, cheesey keyboards and then Sarah and Debs sang gorgeous melodies and hooks over the top.

You're In A Bad Way was my introduction to the band and I sang along heartily. Only Love Can Break Your Heart generated a Barrowland roar, that would have gone on longer and louder had the band not moved on swiftly to DJ and then the superbly titled Stormtrooper In Drag.

Then it really was pop perfection with a euphoric He's On The Phone resulting in an audience sing-song and huge shouts of YES. Pete and Bob mixed in Seven Ways To Love (their song as Cola Boy), before going back into He's On The Phone for a few more epic choruses.

Nothing Can Stop Us Now sounded utterly timeless and super powerful as an encore, before Saint Etienne ended with The Last Time, the final song on their final album.

There were no emotional or extended goodbyes with the band departing the stage (too?) quickly. It is goodbye, but not, as the tour title suggests, farewell. Saint Etienne will continue to play festivals and one-off shows.  


Thursday, 17 September 2026

F.E.A.R.

Trust me #123
F.E.A.R. by Ian Brown

When The Stone Roses broke up in 1996, things didn't exactly go quiet. By that time, the band had left a huge legacy through their music, art, personalities and style. Post 1996, there is plenty to discuss and debate around; drugs, guitars, vocals, Mani joining Primal Scream, Squire at Knebworth, Reni's brief flirtation with The Rub, the sad fact that Reni hasn't drummed on enough recorded and released music, Brown's solo work and collaborations (especially Be There with UNKLE), Squire's solo work, the band reforming - touring the world and releasing 2 new singles, Squire's album with Liam ...

I really loved Ian Brown's burst of solo output post Roses. Three albums and a steady stream of singles from 1998-2001 evidenced a creative energy that had been built up over the years and was now exploding into life with a huge sense of freedom. It was cool, different, but still Ian Brown. Check my 2024 blog on Ian's debut solo album, 1998's Unfinished Monkey Business. 

Thirty years ago, on 17th September 2001, Ian Brown released F.E.A.R. , an absolute gem. Unique and cool, drenched in cinematic strings and a lesson in lyrical architecture. 

Released as the lead single from his third solo album, Music of the Spheres, F.E.A.R. is, at least for me, the pinnacle of Brown’s solo output. Inspired by his reading of The Autobiography of Malcolm X, specifically the study of etymology and how language can be used to control or empower, Brown set out to reclaim the word "fear."

The result is a song where every single verse is an acrostic. It’s a brilliant piece of wordplay that manages to feel effortless. Although listening back, I do wonder how long Brown had to spend piecing them all together! The end result flows beautifully.

For each a road

For every man a religion

The production on F.E.A.R. is beautifully lush, a super cool trip-hop groove with gorgeous sweeping orchestral strings over the top. The video, directed by Ian himself, features Brown cycling backwards through the streets of Soho, London, in the rain, looking moody and cool. The Roses experimented with backwards tapes through their career, now Brown was doing it with film.


Forget everything and remember
For everything a reason

Brown hasn't released an album since 2019's Ripples, although he did release a single, Rules, in 2023. It's probably safe to say that the world isn't waiting for new Ian Brown material, but listening back to his early solo albums and looking at his singles discography, maybe it is time for a few live dates.

Of course Brown is perfectly entitled to just chill and is certainly able to do so on the back of the hugely successful Stone Roses reunion shows. This is an artist who once described the music business as the filthiest business in the universe. Whether he ever releases anything again or not, Brown has produced a beautifully eclectic discography.

F.E.A.R. is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
103. Life Is Sweet by The Chemical Brothers 
105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish
108. Cobra by Geese
109. All I Have To Do Is Dream by The Everly Brothers
110. Vapour Trail by Ride
111. Teardrop by Massive Attack
112. Since I Left You by The Avalanches
113. Good Dancers by The Sleepy Jackson
114. Kiss My Love Goodbye by Bettye Swann
116. Get Out Of My Dream by The Clouds
117. Sundress by Ben Kweller
118. I Love You by Primal Scream
119. Calico Skies by Paul McCartney 
120. Lay This Burden Down by Mary Love
121. Primitive Painters by Felt w/ Elizabeth Fraser
122. Like A Motorway by Saint Etienne