Showing posts with label The Rolling Stones. Show all posts
Showing posts with label The Rolling Stones. Show all posts

Tuesday, 7 July 2026

Just My Imagination

Cover version of the month #122
The Rolling Stones cover The Temptations

I stumbled across The Rolling Stones 1978 album called Some Girls in a lovely bar in the old town section of Malia while on holiday with my wife (then girlfriend) back in 2003. The guy serving behind the bar was also DJ-ing and he played a song that captured my attention.

Me - Who is that?

Barman - The Rolling Stones.

Me - No way?

He passed the CD case across the bar. The song was Miss You, the lead song on (and single from) the album. Kind of disco, kind of soulful, kind of dirty - most definitely cool. I asked him to play it again as soon as it finished.

My wife and I ended up in this wee bar every night. The strip was most definitely not for us, while the old town had quaint little restaurants and bars to chill in. The barman played Miss You every time we went in and often just let the album run on. I bought a copy as soon as I got back to Scotland.

While I most definitely fell for Miss You and the groove of Beast of Burden,  I was also captivated by the Stones cover version of Just My Imagination (Running Away With Me), a song I knew from a soul compilation album I had. 

The Stones are in the zone, they are in absolutely no rush, beautifully lazily loose. Charlie Watts gets a delicious crack from his snare, Keith Richards sounds like he is in love with his phaser pedal and the way his guitar gels with Ronnie Wood is utterly sublime. The Stones sound like the best band in the world - just jamming on a song they love.

The soul of the song is there, but the Stones take it from Motown to a place that maybe only the Stones know how to get to. They throw it under a new light ... or maybe they take it into the shadows, into the darkness. You can just imagine them playing in a dive bar down a gritty side street. 

Many cite the Stones Some Girls album as something of a rebirth, given that it was released in a world of punk and disco. Perhaps that inspired Jagger and co. Miss You definitely has a dirty disco groove and beat, while closing track Shattered is new wave before new wave. 

Setting up camp at Pathé Marconi studios in Paris, the Stones recorded on a 16-track and cut their band back to the bones with no session musicians. This was Jagger, Richards, Wood, Wyman and Watts. Richards felt that session musicians took the band away from their natural sound. As a result Some Girls was a lean, hungry and remarkably aggressive record, returning the band to a tight, street-wise, bar band. And that really comes across on their cover of Just My Imagination.

Jagger sneers and swaggers through the lyrics that sound so innocent in the original. Behind him, his band sound a few beers and smokes in, you can easily imagine bottle resting on amps and fags hanging from mouths as they play. Maybe in New York City, as Jagger changes the words in the final verse from The Temptations of all the fellows in the world, she belongs to me to and of all the girls in New York, she loves me true.

Jagger also ad libs in the second verse and sounds true to himself, rather than The Temptations.

I say I am just a fellow, with a one track mind

Whatever it is I want baby, I seek and I shall find

Listen to him harmonise with Richards on the chorus - ooft. What a band!

Richards fell for a MXR Phase 100 pedal that you can hear across the album. It creates a swirly, dreamy psychedelic effect, though through the interplay with Ronnie Wood and with Charlie Watts crack beat, the the Stones kick up the tempo. The little instrumental after the second chorus is stunning.

Respecting the melody (and band - they previously covered The Temptations Ain't Too Proud To Beg and My Girl), The Stones didn't quite run away with their imagination, but they definitely allowed it to drift enough to put their own stamp on the song. This is a magical cover version, for me, one of the bands finest covers in their massive catalogue.


The original is a Motown masterpiece - one of many!

Released in 1971, The Temptations' original version of Just My Imagination (Running Away With Me) was written by the legendary powerhouse duo of Norman Whitfield and Barrett Strong, it is a masterclass in sweet, symphonic soul. A beautiful, fragile orchestral piece of Detroit Motor City magic

Driven by the breathtaking, delicate falsetto of Eddie Kendricks, the track captures the ultimate bittersweet daydream. Lush, cinematic strings and a gently weeping French horn back a daydream of love, a relationship and marriage. It all seems so real that the author/singer is caught up in the romantic fantasy, before realising it is just his imagination.

I tell you, I can visualise it all you see
This couldn't be a dream, far too real it all seems

But it was just my imagination (once again)
Running away with me 

The bridge sees Kendrick lost in his fantasy and praying to the Lord not to take his love away from him, only to snap out of it before he hits the chorus again.

Ooh, her love is heavenly

When her arms enfold me, I hear a tender rhapsody

But in reality, she doesn't even know me 

While The Temptations original is a fantastic song and recording, The Stones version is my favourite. It just oozes cool and they really seem to be in the zone.

The Temptations original and The Rolling Stones cover version are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
101. Shout!


Monday, 28 April 2025

Marianne Faithfull covers Lennon, McCartney and Harrison

Cover version of the month # 108-110

Marianne Faithfull covers Lennon, McCartney and Harrison

I took a bit of a dive into Marianne Faithfull's back catalogue following her death at the end of January and discovered some wonderful songs I had never heard before, including LOADS of brilliant cover versions.

Marianne's version of Dylan's It's All Over Now Baby Blue is really cool, but this blog is going to focus on 3 covers of songs written by John Lennon, Paul McCartney and George Harrison.

But before I start, I'd never seen the photograph above before! I discovered it while looking for an image to head this blog. What a super cool, utterly gorgeous woman Marianne Faithfull was! Effortless! Her hair, eyes, style, face ... stunning!

I'm A Loser 

Written in the whirlwind of Beatlemania but dripping with self-doubt and introspection, I’m a Loser was one of the first hints that The Beatles were evolving beyond simple love songs. Lennon, clearly inspired by Dylan, delivers a folk-tinged lament on failure and regret, wrapped in the kind of catchy melody that The Beatles had long since perfected. Were the lyrics about his marriage/relationship with Cynthia?

The harmonies are tight, there is a country tinge and twinge to the song and groove that you can imagine Ringo in particular being fond of. In fact, I would say that upon revisiting this song, it is probably more suited to Ringo. However, perhaps it was just too personal for John to give away. 

George picks a neat guitar solo and Lennon plays harmonica to help the groove. Lennon, it could be said, sounds perhaps a little too jovial whilst singing this song.

I'm a loser

And I lost someone who's near to me

I'm a loser

And I'm not what I appear to be

Originally released on Beatles for Sale in 1964, I’m a Loser would swiftly be followed by a more stark confession from Lennon with the single and title track of the next album - Help! This time, Lennon leaves the listener in no doubt that he means it.

A year on from The Beatles version, in 1965, Marianne Faithfull took I’m a Loser and turned it into something completely different. Faithfull's voice is firm, yet delicate and melancholic, full of heartbreak. There is more of a zip to the song, indeed this cover shaves 15-seconds off the already short (2.5 minutes) original.

Faithfull was only 18 at the time of recording her version, but already her voice carried a wisdom beyond her years. Her cover hints at the kind of raw emotion she would later become known for. 

Reading back through her tough life in the aftermath of her break up with Jagger, when she was living on the streets of London and addicted to heroin, the lyrics become a little haunting. Yet, as with everything Marianne Faithfull seemed to touch, there is beauty. You feel every word.

Yesterday

So much has been written about Paul McCartney's Yesterday that I'm really not sure if I can add anything helpful in this blog. But I'll give it a go!

Quite simply, it's a masterpiece! Paul singing over an acoustic and a string arrangement seemingly played on heart strings. McCartney is heartbroken, pining for his love and yesterday when, love was such an easy game to play.

Marianne Faithfull takes Paul's poetry and portrays the heartbreak and heartache perfectly. Released on her 1967 album Love In A Mist, Faithfull's voice is angelic, backed by gentle piano and a choir who sound heaven sent. Quite simply, this is as good as it gets. Sublime. 2-minutes 15 seconds of perfection.

Beware of Darkness - George Harrison

Written by George Harrison and released on his stunning 1970 album All Things Must PassBeware of Darkness beautifully captures Harrison's spiritual energy and empathy, the lyrics are both deeply personal and universally resonant.

George's delivery is gentle but urgent, his voice full of quiet authority. You believe him. The song, like much of All Things Must Pass, is awash in Phil Spector’s signature production—big, spacious, reverb-heavy—but at its core, it remains an intimate, almost prayer-like composition. Beware of Darkness has a really beautiful and pure feeling to it.

Where Harrison’s version warns you about darkness, Marianne Faithfull sounds like she’s already deep inside it. Faithfull recorded the song back in 1971 for an album Masques, but this sat unreleased until 1985 when it was released as part of compilation album called Rich Kid Blues

Faithfull strips away the warmth of Harrison’s original and replaces it with something raw and fragile. Spector's rich production is replaced by something sparse, stark, almost ghostly. The lead guitar is exquisite.

I get a little chill listening to Faithfull's cover. Marianne's voice, weathered and worn by experience, carries a depth that makes every word feel lived-in. She doesn’t just sing the warning—she has lived through it. Faithfull was only 25 when she recorded the song, but was struggling with addictions. Following her break up with Jagger, Marianne lost custody of her son, attempted suicide and was living on the streets of London. Masques was recorded to try and help her, the record label rejected it.

Faithfull's cover versions and The Beatles and George Harrison originals are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!

Friday, 27 December 2024

The Last Time

Cover version of the month #103
The Andrew Oldham Orchestra covers The Rolling Stones

I consider The Andrew Loog Oldham Orchestra cover version of The Last Time by The Rolling Stones to be a complete re-imagination of the song rather than a cover. I just don't hear anything remotely familiar to The Stones version.

Andrew Loog Oldham was (and no doubt is still) a creative soul, bursting with ideas and energy. Loog Oldham was still a teenager when he offered to manage The Stones after seeing them in 1963. When Andrew wasn't managing/producing The Rolling Stones, he was busy crafting marketing campaigns, setting up Immediate Records, producing, guiding and also forming his own 'orchestra'.

One story that I love is how Loog Oldham locked Mick Jagger and Keith Richards in a room together until they had written a song of their own. The Stones, like many bands of that era, started as a covers band. That song they wrote was As Tears Go By, which became a hit for Marianne Faithful. 

John Lennon also recounted a tale of taking the riff of I Wanna Be Your Man to Jagger and Richards and they liked it. Lennon and McCartney then went off to the corner of a room to dash the song off. The Glimmer Twins were amazed - a lightbulb moment! The song would become The Rolling Stones second single.

Although The Last Time was classed as an original composition, the song lifts the melody and lyrics from The Staple Singers This May Be The Last Time. Jagger adds a couple of verses, while Richards and Brian Jones bring a wall of sound rhythm and a distinctive piercing guitar riff to the party.

Everything rides on the riff, the groove behind it, Jagger singing along on top. 

Well I told you once and I told you twice
But you never listen to my advice
You don't try very hard to please me
With what you know, it should be easy

Well this could be the last time
This could be the last time
Maybe the last time, I don't know
Oh no, oh no

After two verses and choruses there is an instrumental, still based around the lead riff, into the chorus and another verse. One final chorus then lead into  50-second outro, Jagger ad-libbing and screaming over his band singing maybe the last time. It sounds incredible, Jagger let loose and going for it. The song fades out, I wonder how long it went on for.


The Andrew Loog Oldham Orchestra version completely reimagines The Last Time, to the extent that you wonder if it is actually a cover version at all. There is no raw guitar riff, there is no sneering Jagger or a version of him, there is no dirty groove and rhythm. Instead, we have a sprawling, symphonic statement; layers of lush strings that sound timeless, cinematic and melancholic. 

The arrangement is sublime, this isn't a song anymore, it's a soundscape, an orchestral piece of music that flow, glides and soars effortlessly. If this is the first time you have heard this, it sure won't be the last time. I always have to listen to this 2 or 3 times if I play it. Once is never enough.

3 decades later, Richard Ashcroft and The Verve discovered the Loog Oldham version and were inspired, especially the section from 1-minute 37 seconds, to write and create Bittersweet Symphony. I'll maybe write about that incredible song another time.

The Rolling Stones original and the sensational Andrew Loog Oldham Orchestra cover version of The Last Time are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!

Wednesday, 1 September 2021

Anything Goes & Everything Flows DJ mix 4

 

Photo by Gered Mankowitz

In memory of Charlie Watts, this months Anything Goes & Everything Flows DJ mix kicks off with the outstanding Happy from The Stones epic Exile On Main Street album. Blasting out one of my favourite Stones songs led me to creating a rock n roll  style mix, the kind of tunes that would blast out in McChuills on High Street. A lot of the artists that feature in this mix have record sleeves adorning the walls in my favourite pub.

This mix would soundtrack a great night! Raw guitars, dirty grooves, cool hooks, vocals, soul and attitude dripping out of each and every song.

Enjoy. You can find this mix on Spotify by searching for Everything Flows DJ mix 4 

or by CLICKING HERE

Tracklist

Happy - Rolling Stones

Have Love Will Travel - The Sonics

Green Onions - Booker T and the M.G.'s

Baby, Please Don't Go - Them

Subterranean Homesick Blues - Bob Dylan

Louie Louie - The Kingsmen

Crosstown Traffic - Jimi Hendrix

Wild Thing - The Troggs

I Wanna Be Your Dog - The Stooges

My Generation - The Who

My Little Red Book - Love

I'm Waiting For The Man - The Velvet Underground

L.A. Woman - The Doors

Roadrunner - The Modern Lovers

The Jean Genie - David Bowie

Personality Crisis - New York Dolls

Tin Soldier - Small Faces

Till The End Of The Day - The Kinks


Tuesday, 20 November 2018

Jumpin' Jack Flash


Called supernatural Delta Blues by way of swinging London by Rolling Stone magazine, Jumpin' Jack Flash was released by The Rolling Stones 50-years ago back in 1968.

It still sounds absolutely incredible. The guitars crash and collide, sounding raw and vital, the beat kicks in and so does Jagger.

I was born in a cross-fire hurricane
And I howled at the morning driving rain
But it's all right, now, in fact it's  gas
But it's all right, I'm Jumpin' Jack Flash
It's a gas, gas, gas

The line in the second verse I was schooled with a strap right across my back is brilliant, the riffing and grooving is relentless and the whole song and performance just oozes cool.

Here are the Stones getting it on in Texas in 1972 and click here for the original. 


How on earth do you even dare to cover so thrilling?!


Well it has been covered well over 1,000 times! However, if you are someone called Ananda Shankar you turn it into a largely instrumental psychedelic sitar infused jam with soaring backing vocals for the hooks. This version was released on an album of covers back in 1970. I first heard this a long, long time ago in one of my best friends bedrooms. We'd meet up on Friday and Saturday nights and play each other the latest records/cd's we'd bought and discuss the music news from the NME and Melody Maker - simpler times!

Reddy had stumbled across a David Holmes mix/compilation and this was on it. It blew our minds and was yet further evidence of Holmes impeccable taste and crate digging credentials.

It is very different, yet it keeps the groove you can feel the energy from the song, just like the Stones. With a song like this I don't think you could contain the energy from the lyrics and groove.

Enjoy.


Previous covers of the month


Wednesday, 23 May 2018

Never Ending Mixtape Part 24


My Never Ending Mixtape now has over 600 songs! Welcome to the 24th installment.

Welcome to the latest additions where we kick off with a euphoric house/trance remix of Moby, I discover songs from Pan Amsterdam, King Khan and the Shrines, a new one by Eleanor Friedberger and dig into Norman Blake's extra curricular activities from Teenage Fanclub with some beautiful tunes from Jonny and a great song with Jad Fair.

Elsewhere we have two psychedelic classics from The Beatles, Stuart David's post Belle and Sebastian outfit Looper with the glorious Mondo 77, there is plenty of soul including the euphoric Higher and Higher, a brilliant pop single from Shocking Blue and glorious 90's indie from Madder Rose. Oh and what about Prince with Nothing Compares To You!? Not to mention Wichita Lineman!

Search for Everything Flows Never Ending Mixtape on Spotify and dig in to some of my favourite songs and tunes and artists I discover as I go. Or CLICK HERE.

I hope you find something you haven't heard before that you love.

This Wild Darkness (CYA remix) - Moby
The Lotion Song - Pan Amsterdam
Nothing Compares To You - Prince
Mondo 77 - Looper
I Want To Be Around You - Jonny
Never Alone - Jonny
Add Your Name - Jad Fair and Norman Blake
Is It Like Today - World Party
Welfare Bread - King Khan and the Shrines
Make Me A Song - Eleanor Friedberger
Time Is Tight - Booker T and the M.G's
I Am The Walrus - The Beatles
Respect Yourself - The Staple Singers
Israelites - Desmond Dekker and the Aces
The Clapping Song - Shirley Ellis
My World Is Empty Without You - The Supremes
A Horse with No Name - America
Mellow Yellow - Donovan
Venus - Shocking Blue
Tumbling Dice - The Rolling Stones
Band On The Run - Paul McCartney
(Your Love Keeps Lifting Me) Higher and Higher - Jackie Wilson
Wichita Lineman - Gen Campbell
Ain't Got No Life - Nina Simone
Love's Theme - The Love Unlimited Orchestra
Stronger Than Her Love - The Flirtations
Swim - Madder Rose
What Holly Sees - Madder Rose
When Your Smile - Madder Rose
For What It's Worth - Buffalo Springfield
A Day In The Life - The Beatles