Friday, 23 October 2026

Dub Be Good To Me

Cover version of the month #124
Beats International cover The S.O.S. Band

Love is a game of chances

So I'll take my chance with you

Earlier this year I started a new night / club/ event / community called Uddingston Vinyl Lovers Club (find us on Facebook/Insta). The first night was held at The Rowantree Inn on a Saturday back in May, and then returned for a Sunday Social, afternoon into evening in August.  September saw an incredible night of music and dancing in the Cricket Club with Gerard Love and Mark McAvoy as guest DJ's playing some incredible records. All three events wildly exceeded my expectations and we have already formed a friendly, supportive and passionate wee community which is amazing. 

Towards the end of the first night I found myself flicking through my box of 7-inches in search of something to keep people dancing. I pulled out Dub Be Good To Me by Beats International, stuck it on and it went down a storm! Whether with people of a similar vintage to myself, or younger people in the crowd who may well have been hearing it for the first time. It sounded fresh, cool, fun and vital. I started this blog shortly afterwards and have finally finished it!

Speaking of fresh and fun, the opening section, a sample from the 1983 Johnny Dynell single Jam Hot,  GRABS attention. When the Beats International single came out, everyone was mimicking/singing this in school playgrounds across the country. And people at Uddingston Vinyl Lovers Club (of a certain vintage) were singing it with glee. 

Tank fly boss walk jam nitty gritty

You're listening to the boy from the big bad city

This is jam hot, this is jam hot

Beats International was formed by Norman Cook, fresh from The Housemartins and years before he became known worldwide as Fatboy Slim. Dub Be Good To Me was released as a single in February 1990. I had just turned 14 and I remember thinking it was super cool. The video was all over TV, with singer Lindy Layton looking and sounding incredible, delivering absolute street sass attitude.

Friends tell me I am crazy

That I'm wasting time with you

You'll never be mine

Beats International on Top of the Pops

Cook's ear for riffs, hooks, groove and beats (that he took to the next level as Fatboy Slim) is all over Dub Be Good To Me. Cook samples and layers Paul Simonon's bassline from The Clash's Guns of Brixton over the break from God Make Me Funky by The Headhunters. 

It's all very well to have an ear for cool sounds, but the imagination and skill to splice them together is extraordinary. Punk-dub basslines, spaghetti Western film scores, funk beats, 80's singles ... Cook would go on to do so much more with samples as Fatboy Slim. 

Less than a decade earlier, S.O.S. Band released the original, titled Just Be Good To Me, written and produced by Jimmy Jam and Terry Lewis. This is pure mid-80's electro soul, synth stabs and slick drum machine beats. 

Over 9-minutes long, there is plenty of time for the S.O.S. Band to stretch out and enjoy the groove. Mary Davis is on lead vocals, in the spell of her lover, regardless of his reputation or if he is seeing other girls. The production is sublime - squelchy bass, crystal clear vocals, drum machine beats ... the song has a really cool groove and feel to it. 

People always talking 'bout, reputation

I don't care about your other girls

Just be good to me

Friends are always telling me, you're a loser

I don't care what you do to them

Just be good to me

After the second verse and chorus, things break down, there is a classic 80's 'thumbed' elastic bass solo over the groove. That third verse when Davis sings and you, I won't try to change gets me every time. Davis follows it up with the incredible admission.

We've talked about it, and

I'd rather have a piece of you

Than to have all of nothing

The third chorus hits harder, it's just straight to the refrain just be good to me, with the added in the morning and in the afternoon and evening afterwards. Davis is off on one, I'll be good to you, you'll be good to me and her voice soars. Beautiful. What a song. What a groove.

The S.O.S. Band original and the Beats International cover version are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
101. Shout!
123. What Is Life + bonus If Not For You


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