Showing posts with label Sergeant Peppers Lonely Hearts Club Band. Show all posts
Showing posts with label Sergeant Peppers Lonely Hearts Club Band. Show all posts

Thursday, 22 October 2026

It's All Too Much

Trust me #124
It's All Too Much by The Beatles

With your long blonde hair and your eyes of blue

You're too much

Tucked away on the second side of The Beatles Yellow Submarine soundtrack, It's All Too Much is six minutes of psychedelic bliss. It is the sound of George Harrison tripping off his nut, hopelessly in love with his wife Pattie. Intoxicated, overwhelmed by the drug and Boyd's incredible beauty. What a trip to be on! It grooves and drones, there is uplifting brass that cuts through and above everything else, while George Harrison sounds like the happiest guy on the planet, loved up in more ways than one.

No wonder! Pattie Boyd was absolutely knockout stunning. The pair met in March 1964 while filming It's A Hard Days Night in 1964 and were married by January 1966. George would go on to write Something about Boyd, and his great friend Eric Clapton wrote Layla while falling for Boyd and later 'stole/won' Boyd, subsequently writing the beautiful Wonderful Tonight. George, amazingly, never held a grudge and even attended their wedding.

Harrison described taking acid as like a light bulb going on in my head. Was he the most psychedelic of The Beatles? Quite possibly! Although I'm sure a case could be made for all 3 of the main songwriters. 

George was famously introduced to the drug in the spring of 1965 when a London dentist secretly spiked his and John’s coffee. While terrifying initially, Harrison later recalled that the experience fundamentally altered his perception of reality, opening his mind to a sense of universal oneness and spiritual presence.

Written in 1967, the summer of love, It's All Too Much, the song wasn't released until 1969 on the Yellow Submarine album. It had been considered as a stand alone single and was muted for the Magical Mystery Tour album and film. Somehow, it was overlooked. Or, maybe it just didn't fit with the vibe. It's something I don't understand as its an incredible song.

Maybe the song found its rightful home in the animated world of Pepperland! In the Yellow Submarine movie, it serves as the ecstatic climax. An edited version plays during the sequence where the Fab Four finally liberate Pepperland from the Chief Blue Meanie, turning a grey wasteland back into a technicolour paradise. Pure psychedelia, the height of the trip.

George and Pattie in Haight Ashbury
Ironically, this turned George away from LSD

George Martin, correctly, gets a lot of credit when it comes to Beatles arrangements and production. However, It's All Too Much was largely self produced by the Fab Four at De Lane Lea Studios in London on 25th and 26th May 1967. Incredibly, the latter date is the day that Sergeant Pepper was released! The Beatles were not a band to hang around! Martin assisted with additional music and arrangements in early June.

Later that summer, at the start of August, Harrison and Boyd traveled to San Francisco to the so called heart of the hippy scene in Haight Ashbury. The two of them look sensational, walking through the crowd in shades, the scene within the scene. George was handed a guitar and played a few chords, but was apparently unable to play any more than that due to the strength of the LSD he was on. There are also several photos of Harrison smoking a large joint.

However, the trip actually turned Harrison off acid. He thought Haight Ashbury was full of bums and lost souls who'd come looking for an answer and just dropped out. On return to the UK, George threw himself into meditation, introducing The Beatles to the Maharishi who was lecturing in London. Impressed, The Beatles then booked to go to a seminar in Wales. 

These few months in the life of Harrison and Boyd are a film in the making - It's All Too Much - the drugs, the scene, Sgt Peppers, It's All Too Much, the summer of love, Haigh Ashbury and the Maharishi.

Back to the song, while nowhere near as famous as Something, Wonderful Tonight or Layla  Harrison's psychedelic gem is just as beautiful as the former two, just as (maybe even more) powerful than the latter, in its own unique way. 

The intro is glorious, Lennon spitting to your Mother, then 16 seconds of fuzzy feedback, followed by a beautiful and soothing organ sound, a superb Ringo drum roll and then huge beats, handclaps, a hammering organ and a wall of brass. It's All Too Much finds a groove and marches like Sgt Pepper leading a psychedelic parade with Harrison chanting the title. It's heavy, droning, relentless and a sensory explosion for a full 60-seconds. 

Part of me wishes it went on longer, but then we are into the song, with George singing about gazing into the eyes of his love, sounding head over heels, walking on air and into the sunshine. 

When I look into your eyes, your love is there for me

And the more I go inside, the more there is to see

The Beatles tumble and flow straight into the chorus with Harrison nailing his colours to the mast. It's joyous, a celebration of love and the times ... even if it was 2-years too late. Imagine if this had been released in the summer of 67! It would have been perfect. 

It's all too much, for me to take

The love that's shining all around you

Everywhere, it's what you make

For us to take, it's all too much

Floating down the stream of time, of life to life with me

Makes no difference where you are, or where you'd like to be

Harrison is in the psychedelic zone with his writing and sounds, George Martin (who allegedly never took LSD) creates all kinds of wonderous sounds over The Beatles groove. The chorus sounds bigger every time it arrives, McCartney's bass flourishes at times, Ringo is on fire and Harrison is firing off delicious riffs and guitar sounds. Does it get any better than this?!

There is a long instrumental with Paul and Ringo locked in a groove, horns and more delicious feedback that is extended into the next verse and the final double chorus simply explodes.

Harrison and The Beatles aren't finished though, there is a long and beautiful 2-minutes and 45 seconds outro. It grooves, horns soars and a mantra is introduced. I adore when George comes in with his simple declaration and then admission. 

With your long blonde hair and your eyes of blue

You're too much

What a glorious technicolour delight! I've listened to It's All Too Much a fair bit in the last couple of weeks while researching the song and events around it. And I haven't tired of it! The Beatles sound like they are having loads of fun - again, why the hell was this not released as a single? OK, The Beatles were in sensational form in 67, releasing Sgt Peppers but also the singles -  Strawberry Fields / Penny Lane (February) , All You Need Is Love / Baby You're A Rich Man (July) and Hello Goodbye / I Am The Walrus (November). Wouldn't it have been the perfect double a-side for All You Need Is Love?

It's All Too Much is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
103. Life Is Sweet by The Chemical Brothers 
105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish
108. Cobra by Geese
109. All I Have To Do Is Dream by The Everly Brothers
110. Vapour Trail by Ride
111. Teardrop by Massive Attack
112. Since I Left You by The Avalanches
113. Good Dancers by The Sleepy Jackson
114. Kiss My Love Goodbye by Bettye Swann
116. Get Out Of My Dream by The Clouds
117. Sundress by Ben Kweller
118. I Love You by Primal Scream
119. Calico Skies by Paul McCartney 
120. Lay This Burden Down by Mary Love
121. Primitive Painters by Felt w/ Elizabeth Fraser
122. Like A Motorway by Saint Etienne
123. F.E.A.R. by Ian Brown



Friday, 9 September 2022

With A Little Help From My Friends

 Cover version of the month #79
Joe Cocker covers The Beatles

I reckon that I first heard Joe Cocker's wonderful take on With A Little Help From My Friends through the American TV show The Wonder Years. The show ran from 1988 (when I was 12) through to 1993, but was set in the late 60's through to the early 70's.

It was an honest portrayal of family life, told, through reflection, by Kevin Arnold. We watched Kevin developed into a teenager and his challenges with life; his crush on/love for Winnie Cooper, his friendships, his relationship with his siblings, his parents, school and life in general. I loved it. It was funny, emotional and not afraid to hit hard - I still recall Kevin and his parents horror when his brother Wayne (who Kevin had a love/hate relationship with) was drafted for Vietnam. 

From memory The Wonder Years was on around dinner time on a Sunday afternoon. Essential viewing. Kevin & Winnie's will they/won't they had me as hooked as Ross & Rachel in Friends a number of years later.

I'm pretty sure my parents told me that the song was originally sung by The Beatles. My Dad was more of a Stones fan and I took over a couple of Stones records he had, but he also had The Beatles 20 Greatest Hits on cassette that he played in the car. 

However that album was all pre psychedelic era Beatles. I'm unsure when I first heard Sgt Peppers. Probably circa 1991/1992 when I was 15/16. 

Anyway, lets talk about Joe Cocker's rip roaring, gut busting, tonsil tickling, soul searching version of With A Little Help From My Friends. He really does take The Beatles version, sung by Ringo, and take it to another level.

Cocker's cover was released in November 1968, just over a year after The Beatles released the song in the summer of love on their seminal Sergeant Peppers Lonely Hearts Club Band.

There is a slow beginning, before electric guitar comes in like a bolt of lightning, drums crashing like thunder, hammond organ like the rain. And then at 50-seconds .... Cocker begins to sing over a low bass and organ, his voice sounds weary, experienced, grateful and soulful.

Backing singers come in for the chorus, ushered in by more pounding drums and glorious sounding power chords on electric guitar. 

We drop back for the second verse, the backing singers come in to respond to Cocker, asking him questions;

How do I feel by the end of the day?

(Are you sad 'cause you're on your own)

By the time we get to the third verse we have the backing singers taking the lead and Cocker responding to them. 

At 3  minutes 50 seconds Cocker lets out a blood curdling roar in response to the question do you need anybody? So the backing singers ask the question again and Cocker is just off on one, ad libbing in response until the song fades. It's as spine tingling as anything you are likely to hear. 5-minutes of raw soul from the bottom of the heart.

The Beatles version is only 2-minutes and 45 seconds. It's beautifully melancholic, sung by Ringo until his band mates join him towards the end of the first chorus. They then come in to answer Ringo's questions in verse 2 with questions of their own.

It's a lovely recording, the way Ringo sings I want somebody to love makes you really believe him. He sounds pretty down. Then his band mates ask him some questions to try and cheer him up, Ringo is certain that love at first sight happens all the time.  He is still positive ... with his friends.

Of course the line I get high with a little help from my friends added to the whole 60's summer of love drug vibe. Whether pot or LSD. 

With A Little Help From My Friends may be one of the last true Lennon & McCartney co-writes. Paul has said on many occasions that they sat down and specifically wrote it for Ringo. As a result, there might not be a demo with either of them singing it. Surely it would have surfaced by now if there was!

I'm a fan of both versions. I love the way Ringo delivers it with his band mates singing questions to him, like he really is getting by with help from his friends. And then who couldn't fall for Joe Cocker's rip roaring version?! It's incredible. Prepare yourself for the Woodstock performance!

All previous cover version of the month blogs are listed below. To listen, search for Everything Flows Cool Cover Versions playlist, featuring all of the songs below, on Spotify or CLICK HERE

Joe Cocker studio version

Joe Cocker Woodstock version

The Beatles Sgt Peppers version

Previous covers of the month

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola