Tuesday 30 May 2017

Teenage Fanclub at CCA Glasgow

On Monday 22nd May I was supposedly having a day of not checking Facebook. Something (possibly addiction) made me log on. The top story on my news feed had been posted a few minutes earlier by my favourite band - they were playing a Primavera warm up show the following week at the the CCA (Centre for Contemporary Art) in Glasgow, tickets were on sale immediately.

The post only had a few likes and comments at that point, I acted quickly, logging on and buying 3 tickets at £20 each. It was only then (selfish I know) that I shared the information on my own Facebook page, on Twitter and on the Teenage Fanclub Fanclub page.

Things went a little crazy, the CCA website went down, their phonelines were engaged, they were receiving tweets and posts from people desperately trying to get tickets. Thankfully a lot of local Teenage Fanclub Fanclub members I know were successful, but others were not.

On to the show itself.

After dinner and some pre show beers my friends and I wandered into the CCA shortly after 8pm to make sure we caught most of the support band Elephant Stone. I wondered if they were Stone Roses fans. That remains unclear, but they are definitely fans of chiming guitars, grooves and psychedelia - they had one song that involved the lead vocalist swapping his guitar for a sitar and sitting cross legged and getting lost in a sensational groove with his band mates. The 4-piece had enough about them to make me want to check them out further and they generated a great response from the crowd - there was no polite applause here, genuine appreciation and curiosity with many craning to find out how they were creating their sounds and grooves.

Elephant Stone were then hot footing it across town to Mono to play their own headline show. They couldn't thank Teenage Fanclub enough for allowing them to support them on home turf and the Fanclub's generosity certainly won them some new fans. Check one of their tunes below;

On to the Fanclub themselves. They hadn't played live for around a couple of months, so this hastily arranged warm-up show had been booked to scrape off any rust ahead of forthcoming festival appearances. Based on the evidence of last night, there was no real need - they were far from rusty, not that anyone was complaining.

The CCA capacity is only 250, so it was a real thrill to see the band in such an intimate venue and an added bonus that we were right down the front to experience it.

There was no need for fancy lights or any kind of intro, this was Teenage Fanclub plugging in and playing - Blake, Love, McGinley, MacDonald and McGowan; 2 guitars, bass, drums and keys. They sounded absolutely sublime.

Start Again got things off to a flyer, but it was Gerry's Sometimes I Don't Need To Believe In Anything that was an early highlight - being so close to the stage meant that you could see, hear and feel everything and it was Francis' drumming that caught the ear and the eye, he was in simply sensational form, all over his kit and knocking seven shades of sh** out of it. Gerry was laid back, creating bass grooves and painting a picture of an autumn sunset.

Norman was his usual cheerful self, talking of his need for a haircut, jet lag and how this was the bands 76th show since November last year, prompting one die hard next to me to say 'yeah but what about the 5-year gap?' It was all good natured, but hopefully it won't be so long before the band record and tour again. Norman's voice gets better every time I hear it - angelic.

The setlist was largely the one that had been used for the majority of the aformentioned tour dates; new songs from the Here album sat easily alongside bonafide Fanclub classics. Hold On, Thin Air, Darkest Part Of The Night, a rip roaring I'm In Love and I Was Beautiful were the chosen ones from the latest LP.

There was one false start, but apart from that this was a cracking Fanclub set in a relaxed and friendly environment; Norman sang like an angel as always, Gerry was laid back cool, Raymond fired off riffs and solos for fun, it was a delight to watch Francis drum up close and Dave McGowan holds and boosts it all whether on keys or guitar.

Don't Look Back received a great reception, one of Gerry's masterpieces; but then messrs Blake, Love and McGinley have so many. From the power pop of About You, to the euphoric chorus of Ain't That Enough, to the blast of pop brilliance that is Sparky's Dream, the Fanclub ticked all the boxes and more last night.

The Concept was particularly glorious, the second section took me somewhere; the guitars chimed and combined and the bands voices sound sublime, it was glorious.

Star Sign and Everything Flows continued in that vein, the guitars sounded rich and true and even in a tightly packed venue there was room for a few of us to pogo down the front.

Teenage Fanclub are a special band, it was great to see them kick up a storm by announcing a show at short notice in such an intimate venue and a genuine pleasure to see and hear them at such close quarters. Their last show is currently scheduled for 21st July - it would be amazing if they could squeeze in another few summer shows.

Saturday 27 May 2017

Into The Light - Medicine Men

The pulsating and hypnotic synth of A La Llum opens Into The Light, the debut album by Medicine Men in captivating fashion. Backwards guitar, percussion....in just over 70-seconds we are introduced to the melting pot of sounds that Medicine Men can create.

It is a beautiful opener, maybe too short, but you won't be cursing that for too long as it leads straight into the stomper that is Show What You're Made Of. One of the oldest songs on the LP, it leaps off the vinyl with an urgency, flow and style that will hook you on first listen.

Ian Mackinnon's vocals ring true and his band mate Michael McGeoch's keys and synths sound sublime. The two permanent members of Medicine Men clearly have a chemistry - pardon the pun.

Funky bass leads us into Golden Packets and a story of a night out, it becomes increasingly psychedelic and is a live highlight.

On to the showstopper. At least for me. Eggshells is a belter, a beauty, 6 and a half minutes of heartfelt and soulful vocals and lyrics, beautiful playing, building slowly but surely, unrushed, flowing and leading to a little break before building again and allowing Ian and his band to just go for it. The last 2 minutes just turn it up another notch.....and then another before it slows and allows you to catch your breath back. A real favourite of mine.

Medicine Men mix it up on the album and Bruised Peach has an almost industrial experimental edge to it when it comes in. That edge is something that Medicine Men definitely possess live and they've done well to transfer that to vinyl. Where does that edge come from? Well Ian McKinnon definitely has something about him and his plea to fall in love again, fall in love again is unlikely to fall on deaf ears.

Realise Forget is another little beauty, it has a great feel to it, another story about a night out that went a little wrong and running down Sauchiehall Street. This song builds to another psychedelic flow.

When Medicine Men play live they hit all the right notes and Ceiling To Floor was a cracker when they played Stereo back in March. I love what they do with this song, the beat kicks in, there is some real fuzzy bass going on, that urgency to Mackinnon's voice that propels the band along and a beautiful flow that keeps going.

Why are you crying?
Cause it's you that keeps me flying
I wanna see you smiling
In the rain

Talking of the sound and direction of the album, lead singer Ian Mackinnon said; 'We're really big on good grooves with as little drum fills as possible so as not to interrupt. I guess that comes from a love of disco and dance music in general. We got more experimental as the album went on. Tame Impala were definitely an influence, as were LCD Soundsystem. LCD in particular were the first band that made me realise you could make dance music as a conventional band and perform it live too.'

The Balcony is a heartbreaker, written about Ian's Dad who sadly passed away coming on 2-years ago, from the church style organ in the intro through to the outpouring of grief. The guitar solo is beautiful.

I'll be at your side it's not permission to cry
It's just a journey that I would not have liked to make

Did I say Eggshells was a showstopper? Well Out Of The Light is a showstopper and a showtopper. I was blown away when I first heard this, coming on like the Chemicals on a night out with Primal Scream circa XTRMNTR. It has that Mani-esque baseline going on, synths lead the way, Mackinnon sounds like he is in his element. The Star Guitar style breakdown is euphoric.

Out of the light
You give me something just to keep me alive
Keep on dreaming, keep on dreaming

In many ways the opening and closing tracks of this album left me wondering where Medicine Men will go next, I was so impressed with them. Will they go on a more synth/electronic path? But then you have the likes of Show What You're Made Of, Eggshells and Ceiling To The Floor.

I don't know what path they will take but it is one that I would love to go down with them.

The album is available to stream on Spotify, to download via iTunes and available to order on vinyl via Last Night From Glasgow.

Thursday 25 May 2017

BMX Bandits Forever

BMX Bandits - Forever. Yeah BMX Bandits Forever, too right. 16 new tracks of heart-breaking, heart-aching, warm, reflective pop with contributions from and collaborations with many friends of the Bandits.

Duglas T Stewart, leader and conducted of the Bandits, has been releasing/leaking material from this beautiful album since as far back as 2014. I blogged about opening song My Girl Midge in September of that year, marvelling at the warm home production and stunning vocal delivery from Duglas.

Stewart's vocals are stunning on this album, capturing a moment, a feeling, a thought, a dream.... From speaking to Duglas I know that he favours a maximum of a few takes per song. That comes across in the right way on the album, from vocals, to playing and production.

Forever takes us on a journey; break up, memories, That Lonely Feeling, realisation and dreams in Rust .... and Duglas' heart isn't just on his sleeve, he is pouring it out.

If you come tonight then I won't die
The rust will turn to blood and I will be alive
And if they want to know the reason why
It's my love, my love

Saveoursmiles is a song I heard live back in January and it has that immediacy and simplicity that Stewart has an exceptional talent in finding. Only it's not that simple - just listen to the depth of those lyrics. There is a story and we have reached the point in the story where there is hope that our hero will win his true love back. There is a brilliant organ underpinning the song and the message is clear - lets help each other find our smiles

Tonight I need some you
And I think you need me too

The album takes an unexpected turn with the brilliant Love Me 'Til My Heart Stops, unexpected in that we hear from the other side. The melody and vocals by Chloe Philip are exquisite, as is the guitar playing and driving beat. I played this one a few times in a row. The chorus is delightful and flows superbly.

Forget the pain
Forget the nots
Love me until my heart stops
It's easier to take the blame
Love me until my heart stops

Somewhere is dangerously dark, stark, but absolutely beautiful. Fragile, hopeful (just), the sound of someone clinging on to love, hoping it will all work out somewhere. From the musical West Side Story, this is the sound of a broken heart on record with just a tiny shred of hope that it could be mended. There will not be a dry in the house if this is performed live.

Things take an upbeat turn with three songs recorded in collaboration with Dr Cosmos Tape Lab; Way Of The Wolf is gorgeous and then It's In Her Eyes is just brilliant - guaranteed to bring a smile to your face with it's warm feel, melody and story....from both sides. The way Duglas sings sounds so happy and the melody flows superbly.

It's in her eyes and the way that she smiles
It's in her words and her funny style
When we kiss and start to play
It feels love is meant to be this way....

It's Time begins with an electronic drum machine and a gorgeous glockenspiel melody. Stewart has been through the ringer and now it's time for the two to start again, to love again, to smile again, to live again, time to make a new start. This is pure Beach Boys and pure brilliance.

Next up is another brilliant collaboration, so brilliant that I hope Duglas goes back out to Berlin to record with Anton Newcombe from Brian Jonestown Massacre again. The feel and flow of Razorblades and Honey is sublime. One of the best things Duglas has done in my humble opinion. It's raw, it's rough and it's ready. I love it. The guitar solo is ace, the rhythm section is tight and flowing throughout.

Right now you think you're something
But soon you're gonna be nothing

And then we have The Beach Boys Forever. One of the best songs you are ever likely to hear, especially when you hear it being sung by someone so head over heels in love. It is little wonder that Duglas chose not only to record this song, but also to name the album after it.

I feel so happy loving you

No Matter What You Say starts all quiet before becoming a stomping declaration of love with more stunning vocals from Chloe Philip. One of the beautiful things about this album is hearing from different perspectives - most love albums are only from one.

How Not To Care is a gentle and reflective song with Stewart pouring his heart out again and the chorus is heartfelt and cleverly written.

She doesn't want my love any more
But I don't know how not to care

Life Without You feels strange at the end of the album and weird coming after the likes of Forever. It is short and to the point - Life feels rubbish without you

Then we end with a short reprise of Mais Do Que Valsa (Just A Memory) that is all kinds of dreamy gorgeousness.

Signed copies of BMX Bandits Forever are available at Monorail in Glasgow, or you can order vinyl or CD from the good folks at Elefant Records.

Saturday 20 May 2017

Evan Dando at St Lukes Glasgow

Evan Dando returned to Glasgow last night to his usual warm welcome and the opportunity to play the beautiful converted St Luke's church in the East End of the city, just around from the Barrowland Ballroom. Dando joked that he had played almost everywhere in Glasgow and a reference to the Cathouse brought cheers and laughter.

Indeed he has - from the Glasgow Uni Debating Chambers, to the Garage, the Renfrew Ferry, ABC and Nice n Sleazys, I've been lucky enough to catch Dando playing solo or with his latest incarnation of The Lemonheads on a number of occasions over the years.

Dando captivated the audience from the off by bounding on stage at 8.30pm sharp, throwing his jacket to the floor and picking up an acoustic guitar to launch into Being Around.

The creaky church pews and floors may have had a few choirs on them in their time and Dando had one tonight, with the crowd singing along beautifully to the likes of All My Life, My Drug Buddy Frank Mills, and attempting Juliana Hatfield's backing vocals in Bit Part.

Dando has a rich treasure chest of songs to dig into and he loves to play cover version too. His own material was largely taken from It's A Shame About Ray, Come On Feel The Lemonheads and Car Button Cloth, a stunning trilogy of guitar pop. Ride With Me from Lovey was the oldest Lemonheads song he played.

Dando flew from one song to the next, barely pausing to take in the warm applause. His solo album Baby I'm Bored is a bit of a cult classic and it recently received a lavish reissue for Record Store Day - hence the short tour. Hard Drive is just sublime with Dando rhyming off things he is thinking or doing.

Requests were hollered from the crowd with Evan choosing Big Gay Heart and he played and sang beautifully, his voice is still rich and soulful. And the line from Alison's Starting To Happen she's the puzzle piece behind the couch that makes the sky complete is one of my favourite lines of all time.

As always, Dando chose some sublime cover versions; Different Drum by Mike Nesmith, Settled Down Like Rain by The Jayhawks and a spellbinding Round Here by Florida George Line - a song I hadn't heard before, Skulls by The Misfits, They Don't Know About Us by Kirsty MacColl and a couple I am trying to find the name of.

Dando brought on a girl (sorry didn't catch her name) to sing harmonies and play electric guitar for a lovingly shambolic section of the encore. There was no setlist at all throughout the gig and a stand with sheet music and lyrics was used for Dando's benefit. Round Here was particularly gorgeous here.

Into Your Arms brought the show to the end with the crowd singing a long. Dandy captivated the crowd with his performance - even the shambolic sections were gorgeous - he is a brilliant performer, songwriter, guitarist and singer. I hope he returns soon.

Wednesday 17 May 2017


Find out what it means to me

Aretha Franklin's barnstorming stomp through Otis Redding's Respect must surely be a candidate for the best cover version ever.

The original, released in 1965, has pounding drums and a pleading vocal by Otis who doesn't really care what his girl gets up to, a long as he gets that respect when he gets home.

The horns soar, Redding's voice is rich, soulful and stretched brilliantly to make you firmly believe that respect is what he wants and needs. The section at the end where he just vibes on the song shouting got to, got to have it and goes on to practically sound like he is frothing at the mouth with the give it to me, give it to me, give it to me baby, everything I need.....

And it's all over in just 2 minutes and 9 seconds. Sensational. If you don't own it, or if you haven't checked it out, then please do search for Otis Blue, the incredible album that this features on.

And then over to Aretha in 1967. Dear doctor, listen to her voice. The temp is higher, so is Aretha's voice and she twist the lyrics ever so slightly so there is no doubt that she is in charge. The song became an anthem for Civil Rights and Women's Rights and Redding was so impressed with Aretha's version that he introduced it as the famed Monterey Pop Festival as 'the song a girl took from me, a friend of mine, this girl, she just took this song.' Check it out below - what a performance!

Franklin certainly did. Backed by sisters Erma and Carolyn, she flies and soars through the song, barely pausing for breath. Listen to the way she sings Oooooh your kisses are sweeter than honey and then all I want you to DO for me

Franklin demands attention, demands respect, she is on fire, ripping through the song. The  R E S P E C T section is sublime, leading to the brilliant sock it to me, sock it to me backing vocals.

What a song, what a singer, what a cover version. One of the very, very best.

Previous covers of the month

Sunday 14 May 2017

Colonel Mustard and the Dijon 5 - O2 Academy

Last night Colonel Mustard and the Dijon 5 turned the O2 Academy in Glasgow into a wonderful sea of smiles, dancing, singing and yellow.

A 13-piece (plus guests!) band won hearts and mind with good time songs like Cross The Road, Dance Off, Ginger Girl, How Many Many's? These Are Not The Drugs You Are Looking For, International Sex Hero and Gay Icon.

Pic by Tracey McGuiness

Led by the bundle of energy that is the Colonel (John McAlinden) his band of merry men and girls created an atmosphere that was part rave, part Alice in Wonderland and 100% joyful and uplifting.

There was still time for politics - something that the band bring into their songs and videos; be that Freedom For The Children, Junkie Breakfast or a song that slammed the Tory Government and rhymed Tory with Jackanory. The Colonel and his Lieutenant David Blair (the Djancer) left no-one in any doubt that they should use their forthcoming vote to remove the Tories. The crowd went wild applauded.

The Dijon 5 are a wonderful band, 2 energetic female vocalists back up the Colonel, there are drums, keys/synths, guitars, bass, percussion and a fantastic horn section that can just lift the songs. Somehow, it all comes together in a quite glorious manner.

Pic by Linda Carter

There were no boundaries between the band and their fans - evident from the off when we arrived in time to see opening band Esperanza get the party started with their infectious upbeat ska. The Colonel and his band were in the crowd watching and greeting family, friends and fans. Everyone was made to feel welcome and this created a brilliant friendly atmosphere.

Dead Man Fall were second support and they blew me away and I kicked myself for not seeing them before. I'll definitely be going to see them again when they next play in Glasgow. Their singer played a couple of drums with a maraca and a tambourine to add a real Doves-y feel to come songs and a horn section created some beautiful vibes. Closer Bang Your Drum was sublime.

View from the stage as Dead Man Fall win some new fans
Pic courtesy of Dead Man Fall's twitter

And then it was on to the main event - bounding on stage to Crosstown Traffic, Colonel Mustard and the Dijon 5 were in the mood to party......and they did!

Last night was a wild celebration of the band and their yellow movement with loads of dancing onstage and in the crowd. As the gig peaked more and more guests joined the band on stage to create a real old school rave atmosphere. Band and audience were as one. The band are all about fun but they are seriously talented and created a real melting pot of sounds that created huge grins as wide as the Clyde across the venue.

Colonel Mustard and the Dijon 5 tap into your endorphins, mix them around for a bit and then make them explode. The Colonel led the crowd 'across the road' on a segway, got us to dance through a mixture of moves like - drive your car, disco disco disco, first pump, speed bump..... and the Dancer got down into the crowd to lead a dance off and then crowd surfed on an inflatable unicorn!

Pic by Dan Reardon

Their Peace, Love and Mustard anthem was euphoric, as was an incredible These Are Not The Drugs You Are Looking For.  The band are playing loads of festivals across the summer - go and see them if you can, or ensure you grab a ticket for their next Glasgow show.

Colonel Mustard and the Dijon 5 are unique, brilliant, uplifting, fun, brilliant musicians and very friendly and genuine people.

Monday 8 May 2017

Love Power by The Sandpebbles

I recently bought a magnificent compilation album 1967 : The Year Pop Divided, out on Ace Records Author and music buff Jon Savage chose the tracks and he chose them well.

There are some magnificent songs, but you know that way when one stands out and you play it over and over? Well I got that with the stunning Love Power by The Sandpebbles.

Love Power hit number 14 on the Billboard singles chart and was the sole hit for the band. What a hit it was though!

Ringing bells and a throbbing bass are quickly followed by a powerful and soulful vocal that draws us in quickly. The extra beat that comes in with the horns and the rising vocal for the chorus just lifted me up out of my seat as I was driving along the first time I heard it.

The driving beat goes one step further when the chorus is repeated and then there is a glorious breakdown and things go even higher. The lyrics convey someone head over heels in love, being in that beautiful bubble where it feels like nothing else matters and everything is going your way. What a tune, you believe every word.

When we walk down the street
Oh, we don't care who we see or who we meet
Don't have to run (run), don't have to hide (hide)
Cause we have something burning inside

Cause we got love (love) power (power)
And it's the greatest power of them all
Oh we've got love (love) power (power)
And together we can't fall

Sometimes we're up (up) sometimes we're down (down)
But our feet are always on the ground
We always laugh (laugh), don't have to cry (cry)
And this is the reason why

Cause we got love (love) power (power)
And it's the greatest power of them all
Oh we've got love (love) power (power)
And together we can't fall


verse 2 repeated
chorus repeated


Thursday 4 May 2017

Colonel Mustard podcast

Earlier on this week I had the pleasure of spending some time in the company of the 2 front men from Colonel Mustard and the Dijon 5 - a band who have snowballed in the last few years, winning friends and fans wherever and whenever they play, selling out the Barrowland Ballroom and the ABC - unsigned and self managed.

John McMustard (McAlinden) and David Blair have had a ball and their good vibes and fun times have transferred to their audience. People dance, people smile, people have a great time and leave wanting to tell others to go and see them next time they play.

The band have just released the single Cross The Road b/w Freedom for the Children digitally (8th May) and on ltd yellow 7-inch vinyl via their website and Love Music in Glasgow.

They then play the Academy on Saturday 13th May with support from friends Dead Man Fall and Esperanza. It's been an amazing journey for them - get along to see them if you can, it will be amazing.

Check out this special podcast with tunes from Colonel Mustard themselves, 2 of their favourite bands from in and around Glasgow and an all-time fave in the shape of Primal Scream.

It's a fascinating discussion taking in all night acoustic jam sessions in disused mental hospitals, nursery rhymes, hymns, Screamadelica, Primal Scream's rider, festivals, South Korea, going from pubs to the Academy, running a 13 piece band, the yellow movement, Eddy Grant I Don't Wanna Dance and Adam Ant's Prince Charming, the 6th Dijon, writing with a 4-year old, the second album, dreams of playing the Hydro and much, much more....

Cross The Road - Colonel Mustard and the Dijon 5
Bang The Drum - Dead Man Fall
Movin' On Up - Primal Scream
Freedom for the Children - Colonel Mustard and the Dijon 5
Galactic Radio - The Mickey 9's

Monday 1 May 2017

Never Ending Mixtape part 8

I've had a great month of discovering all kinds of music/artists that I previously hadn't heard, as well as rediscovering some old faves. So this is the largest monthly addition to the Never Ending Playlist yet!

The Never Ending Mixtape began in October 2016 when I finally discovered Spotify after years of saying I would never use it. Watch The Sunrise by Big Star kicked things off, joined by the Velvets, Spiritualized, Tricky, Massive Attack, Belly, Mazzy Star, The Orb, The Smiths.....all kinds of things.

Each month I make some additions to the Never Ending Mixtape and the blog allows me to either reminisce about old favourites, seeing acts live or where and when I bought/heard the song, or to talk about recent discoveries.

You can check the Never Ending Mixtape below and then read on to find out the latest additions.

Look Up In The Sky (Negro Nature) - Francis The Great
I heard this on the Lauren Laverne show last year - what a tune!

I Feel Like I've Been Living (On The Dark Side Of The Moon) - Gene Page
I was looking for another song by Gene Page (All Our Dreams Are Coming True - the song my wife walked down the aisle to, it's not on Spotify) when I discovered this. It was the title that attracted me.

Love's Theme (instrumental)/Under The Influence of Love (vocal) - Love Unlimited
Sensationally uplifting and gorgeous string led instrumental changes into something completely different but just as good. Enjoy this one.

Found A Cure (Tom Moulton mix) - Ashford and Simpson
I discovered this while browsing for Greg Wilson mixes or re-edits on Spotify. Brilliant!

Summer Came My Way - Greg Wilson edit
I first heard this a few years ago when Greg Wilson played Melting Pot at The Admiral. Just sublime and uplifting.

Cocaine Blues (Greg Wilson mix) - Escort
Insanely good, the mix and production are spot on.

Jumpin' Jack Flash - Ananda Shankar
First heard on an old David Holmes mix, this guy sure knows how to dig out a gem

You're So Vain - Carly Simon
So who is/was this song about? Warren Beatty? Mick Jagger? I read an article recently where Carly Simon confirmed that Jagger sings backing vocals. Listen on headphones and it is all too clear. He was certainly vain! A gem of a song.

Tired Of Being Alone - Al Green
There have already been a few times on the Never Ending Playlist where I have simply said that it doesn't get much better than this. This is another one of those times.

Roadrunner - The Modern Lovers
I have this LP on delicious red vinyl. Brilliant guitar pop punk song.

Free Again - Alex Chilton
One of the rarest Teenage Fanclub records I own is a 7-inch import of rip roaring version of Free Again. It instantly became a favourite song of mine.

Stop And Smell The Roses - Television Personalities
One of the best names for a band ever, this song came on randomly when I had spotify on recently.

Anything Could Happen - The Clean
Another Spotify discovery at random. Love the raw vocals over acoustic and electric guitars and a simple beat. Rock n roll.

Streets Of Your Town - The Go Betweens
I caught The Go Betweens at the Renfrew Ferry a number of years ago. They were astonishingly good. I didn't know much of their music, my friend Ian bought me a ticket and I fell for their melodic guitar pop and charm instantly. This is a good example of why.

Black and White - The dB's
Another random Spotify discovery that I really enjoyed. There is such an urgency about this from the vocals all the way to the handclaps. I love the line we are finished, as of a lifetime ago

I Am The Cosmos - Chris Bell
Norman Blake, Bobby Gillespie and Tim Burgess have all highlighted this song in interviews over the years. Listen to find out why.

The Concept - Teenage Fanclub
Is this the first Fannies song on the playlist?! Well it is back to where it all started with the Fanclub for me, discovering them in 1991 through Bandwagonesque and this sublime chiming guitar pop and harmony driven beauty.

Echoes - Gene Clarke
Another guy that Norman, Bobby and co hold up in awe. I can never walk into Monorail Records in Glasgow and come away empty handed. One time i bought this after reading a review in Uncut or Mojo and i was not disappointed. How clever, amazing and wonderful this song is!

Clouds - The Jayhawks
Wichita - The Jayhawks
I caught a program on BBC Scotland from Cottiers Theatre in my mid-late teens and i was transfixed by The Jayhawks. What a band! Hollywood Town Hall is an incredible album. I fell for that perfect mix of acoustic rhythm and electric lead. Here are the 2-songs that were broadcast.

Wish You Were Here - Ryan Adams
I thought I was going to be listening to a Pink Floyd cover when I stumbled across this on YouTube. Listen for the superb use of swearing!