Showing posts with label 1989. Show all posts
Showing posts with label 1989. Show all posts

Sunday, 7 January 2024

Made of Stone


Trust me #64
Made of Stone by The Stone Roses

'We're not made of stone, I don't think you are, do you?' Ian Brown, Blackpool Empress Ballroom, 1989

In 1989, The Stone Roses were simultaneously the coolest and hottest band on the planet. Forever fluid, they could never be accused of being made of stone. The Roses completed recording and mixing their debut album in February 89 and they chose Made of Stone as the first single to be released on 6th March.

Made of Stone was the Roses 4th single after So Young/Tell Me, Sally Cinnamon and Elephant Stone. Brown, Squire, Reni and Mani had moved miles away from their debut single and harder sound. The additional of Gary 'Mani' Mountfield in late 87 was the final piece of the puzzle.

'When Mani joined it almost changed overnight. It became a totally different groove ... straight away, everything just fell into place.' Ian Brown

The effervescent Mani lifted everyone and he, along with producer John Leckie, helped to warm the Roses sound. It was already coming, as evidenced by the Sally Cinnamon single with the under-rated b-side All Across The Sands, but now the Roses hit their peak in terms of writing and recording.

Stone Roses, Charing Cross, Glasgow

Some songs released on their iconic eponymous debut album had been around for years. I Wanna Be Adored and This Is The One date back to 1985. 

From what I can gather, Made of Stone was written in 1987 and introduced to the Roses live sets in early 1988. Roses books often credit Primal Scream's seminal Velocity Girl, released in 1986, as being an influence.

As the Roses hit 1989 they had a brilliant album and a string of excellent b-sides up their sleeves, all yet to be released. In early spring, Made of Stone was the first song they chose to release as a single, b/w Going Down (another song that dated back a few years) and Guernica

The single kicked off 1989 for the Roses. Within 6-months they would go from playing Polytechnics and 500 capacity venues like Rooftops in Glasgow, to headlining ambitious shows/events at Blackpool Empress Ballroom and Alexandra Palace, releasing She Bangs The Drums, I Wanna Be Adored, their eponymous debut album and the iconic Fools Gold single along the way. The Roses last appearance of 1989 was on Top of the Pops as Fools Gold reached number 8. It really was the perfect year 

'It's about scoring the winning goal in the FA Cup Final, dressed as Spiderman on a Harley.' John Squire on Made of Stone

The Roses would then only play 8 shows in 1990, culminating in their Glasgow Green show and then the band didn't play again (minus Reni) until the spring of 1995. I still find this remarkable. A band at the peak of their powers going so quiet.

But back to Made of Stone.

Made of Stone, Blackpool Empress Ballroom, 12th August 1989

Made of Stone rides in on a chiming Squire riff that sounds melodic and melancholic. Reni and Mani come in together and Ian sings, your knuckles whiten on the wheel, the last thing that your hands will feel while Squire sprinkles magic as the Roses build to the majestic chorus. 

Sometimes I fantasize

When the streets are cold and lonely

And the cars they burn below me

Don't these times fill your eyes

When the streets are cold and lonely

And the cars they burn below me

Are you all alone?

Is anybody home?

For me, the chorus hints at the desolation and frustration caused by the Tory government across Britain in the 80's. The streets are cold and lonely, cars are burning and eyes are filled with tears. Imagine finding this band and this single in 1989 - the clothes, the haircuts, the artwork and the chorus beginning sometimes I fantastize! The Stone Roses were perfect.

To hear 75,000 people singing the opening lines of the chorus, sometimes I fantasize, when the streets are cold and lonely, on the Sunday at Heaton Park is an experience I will never, ever forget. I swear that the entire crowd leapt and levitated as one when the band hit the chorus for the first time.

After the second chorus, Squire gives us a beautiful searing solo, leading to a third and final chorus, before a chiming guitar outro leads us to the conclusion. What a song!

Are you all alone?

Are you made of stone?

Made of Stone is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify , or CLICK HERE Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations

Thursday, 14 December 2023

Ride On Time

 
Cover version of the month #93
The Bamboos cover Black Box

What was the best selling single of 1989?

Was it Jason Donovan with Too Many Broken Hearts? The Bangles gorgeous Eternal Flame? All Around The World by Lisa Stansfield? Maybe Like A Prayer by Madonna with the super sexy video? 

Nope ... it was Ride On Time by Black Box, an Italian house track that sold over 850,000 copies as it topped the charts for 6-weeks!

Ride On Time came out in the heady days of July 1989, a time that many classed as the second summer of love. House music was everywhere; in clubs and fields all over the country and it was crossing into the charts. 

With vocals by Heather Small, who went on to join Mike Pickering's M-People, Ride On Time was absolutely perfect for soundtracking the times. Small's vocal is deep, powerful and soulful, repeated time and time again so people can sing on first listen.

Piano house chords sound sublime, there are instrumental passages, a little breakdown with the glorious;

 Cause time won't take my love away

And then back into the beats and piano chords. Ride On Time is euphoric pop music, perfect for the charts, the radio and the clubs. The song still sounds super fresh, energetic and exciting over 30-years down the line.

Daniele Davoli from Black Box has said that Ride On Time was the group's attempt to create a song with the power of Led Zeppelin and Deep Purple with a dance beat!

I'm not sure how to judge him against that - but he created a winner! 

Originally released with a sample of Loletta Holloway's Love Sensation. The band thought she was singing ride on time, when in fact Holloway sings want you right on time. But they stuck with Ride On Time.

Their luck was in. Paul Oakenfold was in Italy looking for Italo-house records and discovered their pressings, subsequently buying up all the copies he could get his hands on.

The rest ... as they say ... is history. The song just blew up and rightly so, it's a classic of its time.

I stumbled across The Bamboos cover of Ride On Time after listening to the band The Allergies on Spotify. Algorythms kicked in and before I knew it I was googling to see if this was the original version of Ride On Time.

It turns out that it is a cover from Hard Up, The Bamboos 2021 album. 

The Bamboos are a soulful deep funk outfit from Australia who have progressed to incorporating hip-hop, psychedelic pop and cinematic music into their sound. They've been releasing music since 2004 and have developed considerably since that time, getting their music into computer games and on to TV shows like Greys Anatomy.

The Aussies remain pretty true to the original, just funking it up a little with live instruments rather than samples. The big vocal is still there, the piano chords are still vital, but the beats and percussion sound live, the bass groove is sublime, holding it all together and allowing huge horns to come in.

It's an absolute delight. An inspired choice of cover.

Enjoy.

The Black Box original and The Bamboos cover version are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs below. Search for the title or CLICK HERE

Black Box - official video

The Bamboos - official video

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire


Friday, 16 June 2017

Fools Gold 9.53



Fools Gold was the sound of Stone Roses at their peak, almost 10-minutes of funk groove via bass, beats, wah-wah guitar, samples and the coolest person in the world at the time on whispered vocals about friends searching for gold and ready to steal it off each other.... oh and the Marquis de Sade.

This inspirational tune came beautifully presented in artwork by guitarist John Squire entitled Double Dorsal Doppleganger - everything about this release was perfect.

Although it nearly wasn't; What The World Is Waiting For, a supreme slice of Roses guitar pop was originally intended to be the single, it was then changed to a double-a-side before then to all intents and purposes (and on rerelease) being relegated to the b-side.

The Roses released their legendary eponymous debut album in the spring of 1989, perfect timing for the second summer of love. Prior to this, there was a string of incredible guitar pop singles; Sally Cinnamon, Elephant Stone, Made Of Stone, She Bangs The Drums and Adored with all the glorious b-sides that came with them like Mersey Paradise, Standing Here, Where Angels Play and Going Down - but nothing, not even the album closer I Am The Resurrection, hinted where the Roses were going to go next.

They went off on one, sampling the beat from Bobby Byrd's - Hot Pants (bonus beats) with the bass line from Young MC's Know How, which itself was loosely based around guitar from Isaace Hayes Theme From Shaft.

The bass line is inspired by Young M.C's Know How 
which was a tune we were really vibing off at the time 
Mani


Fools Gold was recorded over the summer of 1989 and released in November of that year. If the Roses album had been the soundtrack to pre and post club parties, Fools Gold became the sound of the party - the real indie dance crossover - if there really is such a thing, the Roses would pour scorn on such statements, they simply made the best music they could.

The beat and bass groove are in from the start, it's fresh, it's funky, it sounds like nothing 4 white boys from Manchester should be creating. But then things were changing dramatically in 1989, particularly in Manchester, a city embracing ecstasy and all kinds of music from Detroit to Ibiza - people wanted to dance and expand their horizons - international, continental.

Brown doesn't take long to come in the gold roads sure a long road, winds on through the hill for fifteen days

Things move up a notch for the I'm standing alone ... section and all the time the beat and bass keep grooving while Squire coaxes majestic sounds from his guitar.

By the time Brown whispers his last Foo-oo-oo-ools Gold we still have over 4-minutes left of this incredible tune and we are treated to the magical delight of Reni, Mani and Squire vibing and riffing off each other. They sound in their element. The sounds Squire generates from his guitar sound other worldly, the best and most original guitar sounds from someone in Manchester since Johnny Marr created How Soon Is Now?

The Roses were a band of their time, but so good that they have stood the test of time. Good songs always do, but it was their look, their hair, clothes, style, appearance and attitude that combined with the songs, artwork and dance culture to elevate them way beyond other bands.


Their Top of the Pops appearance where they mime to Fools Gold was a landmark, with fellow Mancunians Happy Mondays playing Hallelujah on the same show - the times they were a changing.

Brown looks immaculate, his hair is super cool, swagger and confidence apparent and he looks like the coolest person in the world. Mani looks like he is partying on stage, swinging his Jackson Pollock-ed bass, flares on and lost in the music, Squire looks like a guitar god with a Beatles mop top and Reni acts all cool and semi interested in miming.

I can't help but think what if? What if they could have recorded an album of groove based trippy material? Something's Burning was another beauty and although Ian Brown has admitted he was never happy with One Love, you think of the album that they could have been working towards. Instead they became embroiled in legal disputes over management and label contracts, moved to different parts of the country and all started taking different drugs.


Decades down the line, if anyone is researching music in 1989 and wants to see the coolest band in the world at that time, I hope they find this film.

Fast forward to Heaton Park in 2012, the Roses huge homecoming shows. I'm there on the Sunday evening, lost in the music and an atmosphere so off the scale that some Manc scallies attempted to bottle it and sell on eBay!

Fools Gold is stretched to nearly 13-minutes; kicking off with a funky jam that I first heard when I saw them in Amsterdam and wondered it if was a new tune, but then the bass riff and beats kick in and Squire matches Mani. The incredible musical trio of Squire, Mani and Reni completely own this extended live version - from 6-minutes on they take the crowd on a psychedelic funk trip like no other, Brown comes back in with one final vocal, before they go off on one.

There is a breakdown to bass and drums before Squire starts to shred his guitar Hendrix style, his rhythm section is so tight that he has time to fiddle with effects, then tease and show off by dropping in riffs like Daytripper by The Beatles, a dash of Zeppelin and even add in Driving South from the Second Coming. It's outrageous, it is the Stone Roses, it is the sound of a band at their peak.....even now.