Thursday, 31 October 2024

Paul Weller at Glasgow Barrowland

What a show! What a night!

Paul Weller rocked into Glasgow for a couple of nights at the Barrowland Ballroom. Reports from his show at Dundee Caird Hall on the Sunday night were unanimously rapturous. Friends who went to the Monday night at the Barrowland agreed and assured me I was in for a real treat.

How right they were!

The Barrowland Ballroom was awash with anticipation, Weller haircuts, Fred Perry polos, Harrington jackets, desert boots and boxfresh Adidas. Punks, skinheads, mods, Britpop kids, parents with their kids ... Weller united people from all walks of life last night.

Weller bounded on to the stage at 8.45pm sharp and after a warm welcome he warned us that he had a lot of songs to get through. He wasn't wrong! With his crack band, Weller blitzed the Barrowland with a 26-song set over 2-hours, only paused to change guitars (very quickly thanks to a top class roadie/guitar tech) or walk over to his keyboard. 

Looking suitably sharp, fit, energetic and healthy, Weller's voice was rich and soulful, his guitar playing was exceptional and his band were as good as any I have seen.

Paul Weller has been releasing music since April 1977 when he brought In The City out with his seminal mod/punk/new wave band The Jam. The Modfather shows no signs of slowing down with his latest album 66 being his 13th solo album this century, his 17th overall. In addition, Weller released 6 studio albums with The Jam and 5 with The Style Council - quite the catalogue.

With his discography, status and fanbase, Weller is at the age and stage in life where he can pick and choose where he wants to play, when and what he wants to release. He could play larger venues than the Caird Hall in Dundee or the the Barrowland Ballroom, but Weller and his crack band thrive on relatively intimate shows where they can see the whites of their audiences eyes.

Steve Cradock, in almost obligatory shades, was sensational on guitar, while Weller had 2 drummers driving the beats and percussion, bass, horns and keys to assist with his delivery of songs from across his catalogue.

I can't confess to being up to date with Weller's output, but every single song was excellent. I have to confess to being a little confused about how to capture how good this show was .... I am just going to spew my thoughts out ...... here goes!

Song wise, there was plenty from Weller's impeccable 'comeback' in the 90's, the era I discovered him as a teenager and still the period of his career I enjoy the most. We had sprinkles from his eponymous debut solo album; a dreamy Above The Clouds relatively early on, the band easing effortlessly into the stoned soul groove, the crowd helping with backing vocals. Later on there was a charged Into Tomorrow.

From Wild Wood we had the pastoral title track,  impassioned All The Pictures On The Wall, acoustic and electric guitars sounding sublime. Hung Up is one of my favourite Weller solo songs and it sounded truly impeccable at the Barrowland. It's a gem!

Stanley Road was released in 1995, almost 20-years after Weller's debut with The Jam. There can't have been many artists through history that have released albums of this quality so far into their career!

The title track, a gorgeous Broken Stones, an outstanding Out Of The Sinking (one of my favourites from the set), an electric Changing Man into Porcelain Gods with a dash of I Walk on Gilded Splinters and the sheer beauty of You Do Something To Me.

Will Weller play some Stanley Road 30th anniversary shows in 2025? Tickets would be snapped up!

I'd have been pretty happy with that set, but there was so much more!

'You might not know this one, but I'm gonna f**king play it anyway' was how Weller introduced Fat Pop, while he opened the show with Cosmic Fringes followed by That Pleasure from the same album. The former was a superb choice to set the energy for the entire show.

Shout From The Top from The Style Council years was another real highlight, a total crowd pleaser, a joyful soul stomp. My Ever Changing Moods was dropped early, swiftly followed by Have You Ever Had It Blue?

As for The Jam, Start! was funky and cool, played halfway through the set, Weller was on fire by this point. The song lifted the crowd and the band responded.

The night ended with a romp through That's Entertainment with Weller spitting out the lyrics and then a blast through Town Called Malice with the Barrowland jumping.

As I said at the Start!

What a show! What a night!

I'll add - what an artist! What a songwriter! What a voice! What a band!




Monday, 28 October 2024

Never Ending Mixtape part 94

Hello and welcome

Back in October 2016 I started my Never Ending Mixtape on Spotify, a platform that I had (after a great deal of scepticism and reluctance) signed up for. 

My idea was simple, I'd start a playlist and just keep on adding songs in no particular order and see what I could create. The complete opposite from my youth, when I would spend many wonderful hours pondering over tracklistings for mixtapes or mix CD's. 

I aimed to blog monthly on additions to the Never Ending Mixtape and I have pretty much stuck to that. I love playing my playlist on shuffle and marvelling at the songs the algorithms select. From someone who religiously bought music (either in physical format or via iTunes), it's quite something to reflect on how Spotify is now part of my life on virtually a daily basis!

My Never Ending Mixtape has now broken the 4,000 song mark, jumping from 3,972 songs to 4,012 with the addition of denver luna from the new Underworld album.

Thank you so much if you are one of the 353 people following the playlist. Thanks also if you dive in now and again. As always, I hope you discover an incredible song you've never heard before, or that you rediscover an old favourite you haven't heard in some time. 

Search for Everything Flows Never Ending Mixtape on Spotify or CLICK HERE

Here are a few of the latest additions.

Recent discoveries

Love - Building On Fire by Talking Heads
So It Goes by Nick Lowe
Skyway by The Replacements
Head over Heels by The Go Go's

New releases

Ready To Go Home (Farley mix) by Primal Scream
Change What You Can by Paul Weller
On My Own by Hinds
denver luna by Underworld

Old favourites

The Test by The Chemical Brothers w/ Richard Ashcroft
Standing In The Rain by Al Green
Forever by The Charlatans
Where Do I Begin by The Chemical Brothers w/ Beth Orton
Your Love Is The Place Where I Come From by Teenage Fanclub
I Wanna Be Your Dog by The Stooges
Glad and Sorry by The Faces


Wednesday, 23 October 2024

Shout!

Cover version of the month #101
Lulu and the Luvvers cover The Isley Brothers 

There have been a number of famous and successful Scottish cover versions over the years. Think of Wet Wet Wet's chart domination with The Troggs Love Is All Around or Bay City Rollers with The Four Seasons By Bye Baby for example.

Arguably the most famous, was potentially the first, certainly of note. Lulu's cover version of The Isley Brothers Shout! in 1964 made the song her own. Sixty years down the line, if you mention Lulu, her debut single will be the song that the majority of people immediately think of.

I marvel at the fact that the song was originally released back in 1959! I think of The Isley Brothers as being a mid-60's onwards band on Motown. Little did I know that their debut single was The Cow Jumped Over The Moon in 1957!

Shout! was certainly a step up! Gospel, rhythm and blues, rock n roll and the sound of Ray Charles are all intertwined in Shout!, creating a powerful song with a classic call and response to engage audiences on dancefloors and at concerts.

The Isley Brothers loved Shout! so much that they recorded it in parts 1 and 2. Part 1, the single and the song as it is know, is just over 2-minutes of infectious energy over a shuffling rhythm with an outrageous lead and excellent backing vocals.

There is a glorious breakdown at 1 minute 16 seconds;

I want you to know

I said I want you to know right now

You been good to me baby, better than I been to myself

As everything kicks back in, The Isley Brothers work the intensity of the song to a euphoric climax. Pt 2 is just the band continuing to vibe, breaking it back down, building it back up, having loads of fun;

A little bit softer now (shout) is repeated until they take things down to a mere murmur.

A little bit louder now - SHOUT is repeated until the band are wooping along, tambourine kicks in and the call and response that Lulu took a little further in her version is introduced.

Lulu was only 15 when she recorded and released Shout! with her backing band The Luvvers. Her voice is extraordinary! Raspy, raw, raucous and soulful, the teenage Scot delivered a performance that sends tingles down spines.

Weeeeeelllllllllllllllllllllll .... you know you make me wanna SHOUT!

What a debut single! It really does demand your attention. Lulu sounds sensational, while The Luvvers blitz through the song with a driving beat, horns are introduced and the backing vocals are in there.

After some outrageous aalllllrrrriiigghhtt's by Lulu , at 2 minutes 8 seconds, the arrangement of the song takes in the little call and response that The Isley Brothers used in Pt 2 and gives it a little longer before Lulu goes into overdrive.

Across the world teenagers would be screaming this into their hairbrush in front of the mirror. Lulu was doing it on TV shows and on tour with The Beatles. Incredible. What a cover version.

Both versions of Shout! are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie


Saturday, 19 October 2024

Sweet and Tender Romance

Trust me #80 
Sweet and Tender Romance by The McKinleys

I always love when my sister Carla phones me up. I especially love it when she phones and I barely get a word in as she sets off telling me about her latest adventures, her creative energy burning bright, passion shining like the brightest stars. 

During the filming of her documentary Since Yesterday - The Untold Story of Scottish Girl Bands, Carla travelled to Dunbar to meet Jeanette McKinley to learn all about her time in Scotland's first girl band - The McKinley's! 

Carla told me about what she had learned; the glamour of the 60's - Jimmy Page playing on Sweet and Tender Romance, supporting The Stones at Wembley Arena, playing with The Beatles, being on Ready, Steady, Go!,  interest from Brian Epstein ... and then the tough stuff; no money, sharing a bed and a bag of chips on tour, being dropped ...

Since Yesterday reflects on The McKinleys and loads of other Scottish girl bands and redefines what success is. Whether that is simply getting on stage as teenage girls in front of hostile predominantly male crowds, recording Peel sessions or being in a band with your sister or your friends.

Carla raved about Sweet and Tender Romance and no wonder. This is 2 minutes and 9 seconds of 60's power pop. A pounding piano motif ushers in a cool groove before Jeanette and her sister Sheila create a Spector-esque wall of sound through the force of their harmonies. 

Jimmy Page comes in at 1 minute 13 seconds and lets rip on lead guitar. Page only plays for 15 seconds but it is electrifying. The sisters come back in for one final chorus, repeating the closing line several times and that's it. Glorious!

Like a leaf on the breeze

I fly high on the sky

Then I fall on my knees

When you whisper goodbye

Sweet and tender romance

Last night I had the absolute privilege of seeing and hearing Jeanette sing the song at Mono, following the Glasgow premiere of the documentary. Backed by the Hen Hoose band, Jeanette (in her 80's) still has it. We also had the delight of seeing Louise Rutkowski from Sunset Gun singing Be Thankful for What You Got and Rose McDowall bring the house down with Since Yesterday. All three were tremendous - once a pop star, always a pop star. We were then treated to the first performance in 40-years by Sophisticated Boom Boom who were beautifully raw and cool.

Anyway, back to Sweet and Tender Romance. Written by Bill Bates, Ken Lewis and John Carter, the song was originally released by Bick Ford in April 1963, PJ Proby was among another few artists to record and release the song in a little over a year before The McKinley's version. Many years later The Bangles would record the song. 

I love the pace and raw power of the song. There is teenage innocence portrayed through the lyrics, someone is completely head over heels in love. Jeanette and Sheila's voices are so natural together, I just fell for this song hook, line and sinker and hope you do too.

Sweet and Tender Romance is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE 

Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack



Friday, 18 October 2024

Norman Blake at Cottiers Theatre

Cottiers Theatre in the West End of Glasgow is an absolutely stunning venue. The bar is well used and well loved be locals, while the opulent main room is regularly booked for weddings. Thankfully, there was space in the calendar for the Fallen Angels Club to put on Norman Blake. I was even more grateful when my sister Carla was asked to support. Bonus!

That said, as it was my daughter Rosie's 10th birthday, I had to ask permission. As long as we went trampolining and to Wagamama for dinner, I was allowed. Deal!

After dinner, I jumped on the underground to meet my pal Lorna in good old Tennents Bar on Byres Road. I was pleasantly surprised to find that a pint of Guinness was only just over a fiver, while a pint of Tennents was well under. Most places in town and the West End are now over £6 for a pint!

We sauntered up Hyndland Road and made the most of the mild evening by having a drink outside in Cottiers beer garden before venturing inside to get a seat. It was good to see lots of friendly and familiar faces, including Alan and Rachel who joined us in the front row. We are passed the stage of trying to be cool and sit further back!

Carla and her friend Paul Kelly took to the stage at 8pm. Carla informed the crowd that she was going into the studio to record a new album next week and that she would be playing new songs and playing guitar! I'm sure that her Since Yesterday documentary will inspire lots of people in the future. Well, it has inspired Carla! All the talk of picking up guitars and forming bands led to Carla herself picking up a guitar!

The short 6-song set was extremely well received. The songs suited the stipped back sound of Carla on electric guitar and Paul and acoustic. This was actually my first time catching my sister play in quite some time and she was on excellent form, despite a heavy cold. 

Road Trip told a lovely tale, Really Sad (a co-write with Darren Hayman) was super melodic and catchy, while Moths sounds like it could be a central part of the new album. Carla said she wasn't sure if You Might Be The Sun will be on the album, but on the evidence of last night, it should be. The beautiful Threads and Red Kites finished the set in style with Carla and Paul harmonising on the latter.

Before long Norman was on stage setting up a few things and by 9pm he was singing songs from across his sublime career. 

In no particular order, the crowd were treated to recent highlights like Foreign Land, Self Sedation and a beautiful I Left A Light On. Norman hummed and sang some of Raymond's lead guitar parts which was rather lovely.

I've not heard Norman sing Mellow Doubt for quite some time, so this was a real treat. Blake explained that the Fanclub rarely played it due to the hassle of switching from electric to acoustic guitar.

A stripped back Everything Flows tugged on heart strings, as did the gorgeous I Don't Want Control Of You. Man Made is one of my favourite Fanclub albums, so it was good to hear It's All In My Mind, particularly as I was sitting with my friend Alan and it's a real favourite of his.

What You Do To Me on acoustic guitar was a delight, while The Concept was an absolute added bonus. I don't think anyone in the crowd was expecting Norman to play it solo. There was a lovely story of Norman and Euros writing You Was Me for the Jonny album while hanging out stoned and watching the bowling in Queens Park, with Blake taking on Euro's high parts.

Norman played 3 cover versions across the night. The first was a song called O'Caroline by Matching Mole, Robert Wyatt's band after Soft Machine. Norman was then joined by Annmarie Lochrie on acoustic guitar, bass and vocals for an encore of Tule's Blues by Warren Zevon and Head Hang Low by Julian Cope. The bass groove on the Cope song was gorgeous.

Teenage Fanclub have turned me on to so many bands and songs through their choices of cover versions over the years and here was Norman doing it again. All 3 songs are real gems and it's been great to listen to them and explore the albums they feature on.

I'd love to hear Norman record an EP or mini-album of cover versions. Heck, even a full album! He has impeccable taste

Norman plays Freckfest at the Harbour Arts Centre in Irvine tonight (Friday 17th) and then FRETS at Strathaven Hotel on Saturday 18th. Hopefully there will be some more solo shows in the future.




Tuesday, 15 October 2024

Tenement Trail 2024

Last October, on a particularly wet, windy and stormy day, I ventured into Tenement Trail to catch Kerr Mercer opening the day at Saint Lukes. I was quite taken by the buzz around the area as fans and bands headed to BAaD to pick up wristbands and to check in.

I couldn't hang around due to a family engagement, but I vowed to return in 2024.

Return I did. My friend Joe and I headed toward the Barrowland, BAaD and Saint Luke's for just after 1pm and literally as we picked up our wristbands the heavens opened and the blue skies turned to grey. The rain battered it down, so we opted to head to stay exactly where we were and grab a beer and some lunch in the BAaD courtyard - thankfully covered! 

Hanging outside BAaD

There was sunshine after the rain though and we headed round to the Barrowland for our first bands of the day. Peach Crumb opened proceedings in the downstairs (Barrowland 2) bar with a short 25-minute set, ending with their two singles NBDY and Keeping Busy. The third song in their set stood out for me though. Singer Becca ditched her acoustic guitar to strut, dance and pull shapes to a more energetic style and sound in comparison to the rest of the quite dreamy set. 

yesandmaybe 

Yesandmaybe were on next and they absolutely blew me away. I can't recall seeing a band so perfectly formed at such an early stage since .... probably Chvrches. Joe and I caught them line checking and they had quite the set up. It turns out that yesandmaybe are a Scottish/French duo who met online and worked up an album that way. Live, they were amplified by an ace drummer (Craig who was formerly in Twin Atlantic), bass and additional guitars/synths.

Think The Strokes crossed with Phoenix. Gigi (I think) from France is an exceptionally inventive guitarist, while the singer (I didn't catch his name) played soaring stadium synth riffs and sang with a similar cool distorted effect on his vocals like Julian Casablancas. 

Every song sounded like a potential single. Train To Nowhere is apparently the title of their forthcoming debut album (they already have that in the bag, despite this being their second gig) and thr title track sounded impeccable. Songs like God Isn't Real and Bloody Madness also sounded sublime. Dressed in sharp black suits, the band looked as sharp and cool as their songs. 100% ones to watch.

DEFINITELY YES - yesandmaybe in Barrowland 2

While tempted to stay in the Barrowland 2, Joe and I opted for some fresh air and a walk round to BAaD to see a band called Dallas Love Field, simply because we liked the name. We enjoyed the band too! The four piece created a glorious shoegaze, psychedelic racket with some dreamy lead vocals. Some of the lead guitar work was reminiscent of the sounds Nick McCabe would create on the first Verve singles and album.  I'd definitely go and catch them live again. There is little information about them online at present, but it sounds like they made their live debut at BLOC in March 2023 and are now working with Jason Shaw who has previously worked with Ride. Sounds like a good match! I can imagine them releasing on the Sonic Cathedral label that Andy Bell is involved with.

Dallas Love Field in BAaD

After catching up with a couple of friends, a further walk led us to The Gate, a beautiful speakeasy style pub across the road from The Barrowland. We arrived in time for most of a secret acoustic set by Slix, a band from Greenock that my friend Joe (a native of that part of the world) had his eye on. We somehow managed to get a seat at the far side of the bar and enjoyed the few songs we heard, that included a cover of Digsy's Dinner by Oasis. Slightly odd choice of cover, but hey.

Exiting on to the Gallowgate we decided that more food was in order, handy as we were right outside Ho Lee Fook, a super cool Thai street food 'hole in the wall' type place that is becoming an Instagram hit. Having sampled their food before, I was delighted to go back. They were in demand, so Joe and I had 20-25 minutes to kill, so we opted for a nearby Celtic bar for a quick beer.

TTSSFU

We then took our food back to BAaD for TTSSFU from Manchester. More cool shoegazey sounds from the 4-piece who looked super delighted to be up in Glasgow and playing in such a large venue to a packed crowd.

That is one thing Tenement Trail has going for it, the festival puts (often) fledgling bands on big stages to crowds way bigger than they would normally play to. It's a little sink or swim, definitely an incredible opportunity.

Last up for me, as I had yet another prior family engagement, was a trip back to the Barrowland to see Greenock boys Slix on the main stage. They pulled a sizeable crowd and seem to be on the up as they have announced a headline show at The Garage in April. 

We didn't catch all of their set as I was getting picked up and Joe decided to head to Saint Luke's where he caught some of Imogen and the Knife, Parliamo and then headliners Neon Waltz who he particularly enjoyed.

Congratulations to Tenement Trail on a fantastic 10th anniversary festival. I remember when it started up at the top of Sauchiehall Street. It is amazing to see how it has grown to become an absolute staple in the Scottish music calendar. I hope to attend next year.




Tuesday, 8 October 2024

Unfinished Sympathy

Trust me #79
Unfinished Sympathy by Massive Attack

Massive Attack released their majestic Unfinished Sympathy back in February 1991. The band had to take a major step to get the song out into the world though. Due to the Gulf War, the Bristol group temporaily changed their name to Massive in order to get radio play.

What a song, this is as good as it gets! The groove kicks in immediately; beats, samples, strings, percussion ... then Sharon Nelson's sublime vocals sing beautiful poetic and heartfelt lyrics.

I know that I've imagined love before
And how it could be with you

Really hurt me baby, really cut me baby
How can you have a day without a night?
You're the book that I have opened
And now I've got to know much more

Everything about this song connects. The lush orchestration and sweeping strings have a cinematic quality, aided by the accompanying video, which quickly became iconic. Shot in one continuous take, Nelson walks round downtown Los Angeles, oblivious to her surroundings as she is lost in the song, singing her heart out to portray her love and hurt to the world.

Like a soul without a mind
In a body without a heart
I'm missing every part


Nelson's vocal is at the core of the song, dripping with emotion, passion and soul.  She sounds lost, hurt beyond compare; missing every part.

Really hurt me baby, really cut me baby
How can you have a day without a night?

The strings, the voice, the beats and samples all gel to create a beautiful sonic landscape. There is a lot going on, yet the production also ensures there is plenty of space. What a beautiful and vital song.

Unfinished Sympathy is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE 

Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer



Friday, 4 October 2024

Kerr Mercer at Saint Luke's

"I started off the year playing to 100 of you at the Poetry Club. Then 300 at King Tuts and now ... now 600 of you are here with me in Saint Lukes ... it's mad ... Thank you so much."

Kyle Mercer was visibly moved on stage at Saint Luke's in Glasgow last night. No wonder. Just over a year ago Kerr was the opening act in the venue for Tenement Trail. I was fortunate to catch him on that wet and windy day last October and you would have been lucky if there was a tenth of last nights crowd in.


Since then Kerr (only 18) has been gigging heavily, picking up loads of support slots across Glasgow and beyond to build his experience. Something he also highlighted on stage.

"Thanks again for coming. I nearly came on stage at 7.30 tonight as that's when I'm usually on."

There is a lovely dash of humility and cheek about Kerr when he chats between songs. He took the time to record a video message to a fan who had unfortunately dislocated her knee (after arriving early at the venue) and missed the show, also promising to put her on the guestlist for his next Glasgow show. 

And he also half-joked about seeing us all at the Barrowland (across the road) next year. That seems the next logical step up for the teenager who has yet to release his debut single. Kerr also promised us that was coming soon and that he didn't want to be the person that played 7 million gigs without releasing something.

Having followed Kerr's journey and heard him introduce lots of new songs to his set, in addition to keeping some firm favourites, I am intrigued to see what he goes with. It could have been any single one from last nights set!

Kerr was on stage at 9pm sharp, opening with a song that may or may not be called I'll Be Your Soldier. His voice soared effortlessly, he was straight into it, absolutely incredible.

Jealous followed. I mentioned earlier on that Kerr was moved on stage, now his songs and voice were moving people in the audience. Gazing around, you could see people nudging their friends and nodding as Mercer stretched his vocal chords to really go for it. The melody already sounds familiar, this could be coming out of your radio next year.

Waves was another new song that I hadn't heard before, the chorus and lyrics seem instantly relatable. Petals generated an incredible response from the crowd with Kerr's guitarist also playing a kick bass drum which encouraged the audience to clap along. 

Die While I Remember and One In A Million were more mellow, tugging on heartstrings in all the right ways. Mercer's songs have a beautiful, soulful and melancholic feel to them. There is a sadness, but there is a very powerful connection between him and whoever is watching him sing. It's quite something to witness and feel.

Adam Frame was excellent on guitar, allowing Kerr to switch from standing up to sing some songs, then sitting behind his electric piano for others. The two work so naturally together. It feels like a treat to hear these songs played in this way and to see them work so effortlessly together.

Given the fact that Kerr has yet to release anything, Mercer had asked his Instagram fans to choose a cover for him to play and they voted for Sabrina Carpenter's ace Please, Please, Please, a big favourite in our house. The pure pop song was stripped back and sounded sublime.

Carry Me Home was introduced as being 'the only song that I wrote when I was 15 that I still play, the rest were all sh*te' and as Kerr started, while sat at his electric piano, a mini choir of 3 backing singers came on stage to join him. They were definitely backing! As Kerr's voice soared, they were almost redundant. But when Mercer's voice dropped a little, you could hear what they were adding to the song and it was quite beautiful. I left the show imagining how massive this song could sound when (if it hasn't been already) it is recorded in the studio. Strings and choir ... oooft. It will be huge.

Closing with Never Be You, with the choir backing him and the crowd clapping along, my wife and I left to pick up our car round the back of the Barrowland and we both felt like the next time we see Kerr in Glasgow he could be playing there. 

Kerr has sold out his first headline tour; playing Birmingham, Bristol and Manchester in the week ahead. Keep an eye on his Instagram.