Tuesday, 15 April 2025

Anxious

 

I only discovered Nell and her music in mid-December last year and wrote about that in this blog.​ In a unique and slightly surreal way, I have been looking forward to this album, but also dreading it. I kind of knew it would be good (and it is!) and I also kind of knew the sense of heartbreak that it would bring.

Smith tragically died in a car accident in October 2024. Nell was only 17 years old. I can only imagine the songs she would have gone on to write and sing, the shows she would play and the joy she would bring to people, the kids she would inspire.

However, like Nell's family, friends and record label, those that discover her music and talent have to cherish the fact that she did get to record some wonderful songs and that this album has been released.

Posthumous albums often carry a heavy emotional weight, but Anxious, the debut from 17-year-old Nell Smith, is uniquely devastating. Released on April 11, 2025, via Bella Union, the album offers a luminous glimpse into a young artist whose voice was silenced far too early.

Nell's 2021 collaboration with The Flaming Lips, Where The Viaduct Looms, reimagined Nick Cave’s songs through her youthful lens. With Anxious, she steps into her own spotlight, revealing a songwriting voice and talent that’s both playful and profound. Anxious is Nell's real debut album. Released on April 11, 2025, via Bella Union, the album offers a luminous glimpse into a young artist whose voice was silenced far too early.

A young Nell with Wayne Coyne

The album was produced by Jack and Lily Wolter of Penelope Isles, who worked closely with Nell in Brighton. Some of the songs date back to when she was just 12 years old. The sessions were fueled by Doritos, fizzy sweets, Coca-Cola, and the thrill of sneaking into local gigs for inspiration. The result is a psychedelic indie-pop record that captures the emotional turbulence of adolescence with startling clarity.

The title track, Anxious sets the tone with a whimsical yet raw take on teenage angst, reflecting on the isolation of growing up during a pandemic. Bubba finds joy in grief, while Boy in a Bubble is a slice of psychedelic pop, a thank you note to mentor Wayne Coyne.

Billions of People (my immediate and current favourite) and Daisy Fields shimmer with inventive pop experimentation.

The chorus into the bridge on Billions of People is devastatingly emotional. Oooft! 7.92 billion people and I'd choose you - now that's a line!

And if I was in a room full of people I'd never met, I'd look for you

And if I was feeling blue and upset, I'd call out for you

7.92 billion people and I'd choose you



Three tracks were co-written with Canadian folk band Shred Kelly during cozy winter evenings in her hometown of Fernie, British Columbia, in 2022. These collaborations, later completed in Brighton, add warmth and intimacy to the album’s sonic palette.

A few words of praise from other reviews;

AllMusic called it “a poignant, eloquent peek into teenage girlhood” 

Consequence described it as “an upbeat slice of psych-pop in which Smith expresses her love of music as a way to cope with anxiety.” 

Spin noted the album’s “bright, ‘Why not?’ energy of experimentation,” likening it to “Regina Spektor fronting The Flaming Lips.”

 I've donated $20 to the Nell Smith Memorial Fund, established by her family in memory of Nell to support emerging musicians. The fund,  aims to raise $100,000, awarding $10,000 annually over ten years, with profits from Anxious contributing directly to this initiative. 

Nell Smith and Anxious will leave a mark and her life, music and talent will be celebrated and discovered by many for a long, long time to come.




Monday, 14 April 2025

Race for the Prize and Waitin' for a Superman

 

Trust me #90
Race for the Prize by The Flaming Lips
Trust me #91
Waitin' for a Superman by The Flaming Lips

The Flaming Lips are one of the best bands I have ever seen. Their live show is a truly heart warming, spine tingling, life affirming experience! 

I remember the first time I caught them at The Barrowland, singer Wayne Coyne was setting up his own equipment on stage. Dressed in a linen suit, he'd later be covered in fake blood, singing his heart out, leading the audience on a trip. One other memorable show was at the Academy around the release of their collaboration with The Chemical Brothers and they played a blinding version of The Golden Path, it was sensational. Then ... there was the time Coyne rode a unicorn around the Barrowland! Check my blog on that HERE

Coyne is a fearless psychedelic punk warrior. A heartfelt leader and singer, full of empathy and soul, constantly pushing and breaking boundaries, challenging himself and his band.

The Lips formed way back in 1983 and had released 8 albums before their breakthrough with 1999's The Soft Bulletin. What a truly heartfelt and beautiful album.

I remember reading about their previous album, 1997's Zaireeka in the music weeklies. The band held an event with Ghetto Blasters playing each of the four CD's that made the album so they would produce a harmonic or juxtaposed sound. 

At one stage the band conducted a series of Parking Lot Experiments with 40 cassette tapes. Each person/car who attended was given a tape with instructions on when to press play. The result was a 20-minute sound composition. The Lips were out there, far out there.

The Flaming Lips somehow transitioned to a major label in Warners, a label who believed in them and invested in their madcap ideas. This was largely on the success of 1993's single She Don't Use Jelly.

Six years later, The Soft Bulletin, stands as a testament to the band's evolution, blending lush orchestration with introspective lyrics. For me, this is The Lips masterpiece. I do have two favourite songs ... two songs that the band obviously rated particularly highly as well as they both feature twice! 

Race for the Prize and Waitin' for a Superman were both remixed (to my untrained ear it was mainly softening the drums - probably for radio and promotion) and these Mokran Mixes were added on to the CD album which I bought.

Race for the Prize

Album opener, and also usually their opening song when playing live, Race for the Prize is a wonderful, weird and wild whirlwind, telling the story of two scientists locked in heated battle for the cure that is their prize. 

Live, Wayne Coyne fires confetti cannons, flashes lights and conjures an Alice in Wonderland type scene as the orchestral score swirls around him. It's a sensory explosion with crashing drums, cinematic strings and Coyne's voice beautifully strained is achingly fragile ... it connects. 

Two scientists are racing for the good of all man-kind

Both of them side by side

So determined

The emotion is heightened when almost everything drops out, leaving Coyne singing over heart tugging strings and gentle beats;

Theirs is to win, if it kills them

They're just humans, with wives and children

The beats kick back in hard, the strings soar with beautiful flourishes over the top. Race for the Prize is a kaleidoscope of emotions; joy, despair, hope, determination, describing two scientists pushing themselves to the limit for the good of all man-kind. Coyne's voice is captivating, pure, raw and vulnerable. He seems locked in the story, in awe of the scientists.

Waitin' for a Superman

Coyne and his band are on fire across The Soft Bulletin, telling stories, reflecting on love, life, death and the universe and doing so in their own unique lysergic tinged style with soul, warmth, empathy, love and care. Coyne melts my heart, especially on this song as he urges people to hold on the best they can.

There are a couple of excellent hooks in Waitin' for a Superman, particularly when Coyne asks the question is it getting heavy? and then comes back to it just a couple of lines later, with an answer. It's so clever, so catchy and effective.

I asked you a question

I didn't need you to reply

Is it getting heavy?

But then I realised


Is it getting heavy?

Well I thought it was already as heavy as can be

There are only a couple of verses, each ending with a similar bridge that leads to a chorus;

Tell everybody, waitin' for Superman

That they should hold on, the best they can

He hasn't dropped them, forgot them, or anything

It's just too heavy for Superman to lift

Oooffttt, it packs a punch. Things are pretty f**king heavy right now. Too heavy, even for Superman, but we've all got to hold on the best we can.

Hang in there folks, stay positive, believe in the light side of the force and look out for family and friends in these troubled times we are living in. 

In the end, cowards are those who follow the dark side - Yoda 

Both Race for the Prize and Waitin' for a Superman are added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE 

Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement




Thursday, 10 April 2025

Never Ending Mixtape part 99

Welcome to part 99 of my Never Ending Mixtape!

We jump from 4,269 songs to 4,339 with the addition of the Stones classic Honky Tonk Woman.

There is an eclectic mix of music added this month. Some highlights are noted below, but it's all good!

As always, I hope you discover and fall for an amazing song you've never heard before, or that you rediscover an old favourite. Dig in and enjoy!

Search for Everything Flows Never Ending Mixtape on Spotify or CLICK HERE

Recent discoveries

Loving Arms by Lack of Afro / Greg Blackman

I See A Rainbow by Brenda Holloway

B-A-B-Y by Rachel Sweet

Sally Go Round The Roses by The Jaynetts

Is There Any Love? by Trevor Dandy

New releases

No Front Teeth by Perfume Genius w/ Aldous Harding

I Know You'd Kill by Joy Crookes

Old favourites

Left To My Own Devices by Pet Shop Boys

Mayonaise by The Smashing Pumpkins

Kamera by Wilco

Salvation by Rae & Christian

Men's Needs by The Cribs

If You Find Yourself Caught In Love by Belle & Sebastian



Friday, 4 April 2025

We are 1 of 100 playlist

A number of years ago I was looking for cool t-shirts and sweatshirts online. Search results threw up We are 1 of 100, a company based in Glasgow who created limited edition and numbered clothing. There were only 100 of each design - COOL!

My first purchase (maybe 5-6 years ago?) was a navy Silicone Soul sweatshirt in celebration of their classic Right On, Right On 12-inch single. I own a copy and have just noticed one is selling for £80 on eBay!  

I was never hugely into clubbing, I've always preferred pubs with cool DJ's, like McChuills or The Variety, but I did have a few years of late nights at The Arches around the time this song was released. Inspired by the strings on Curtis Mayfield's Right On For The Darkness, Silicone Soul's Right On, Right On was absolutely everywhere in Glasgow in 2001/2002.

The sweatshirt looked great, the vibrant pink text stood out from the navy blue, and it felt fantastic, super soft and comfy. I still wear the sweatshirt regularly. If anything, it's getting better with age.

Since then, I've bought a number of things; a few hoodies, a one-off sweatshirt design that Richie (founder and designer at 1 of 100) was playing with but never took through to creation, a cracking British Racing Green sweatshirt with a smiley face logo on the front and Acid House Cycling Club on the back and at least half a dozen t-shirts including designs by Eyes of Others, Joel Gion and my sister Carla!

The designs and the quality of the clothing is one of the reasons I keep buying from 1 of 100, another reason is the online (and in-person) community that has formed around the brand, owner, taste and values. This was particularly important during lockdown, when Richie and like-minded people would share music they loved. All of a sudden I was connected to loads of cool people with excellent taste in music, art and clothes!

Richie had a small studio in The Cooperage on the Southside of Glasgow, just off Pollokshaws Road. It was also technically his shop, but there wasn't a great deal of space to design, create, package and have a shop, especially as 1 of 100 developed.

So ... 1 of 100 now has a new home at 63 Old Castle Road, Glasgow, G44 5TG. To celebrate, they held a little instore bash one Saturday earlier this year and invited customers signed up to their mailing list to put their name down if they fancied playing some records in a 45-minute slot. Richie intends to do this kind of thing semi-regularly.

I jumped at the chance to dig out some records and head down, especially with my birthday round the corner! Time to treat myself!

Here is a playlist of the records (* = played) I took along - We are 1 of 100 playlist Maybe I'll play the others next time! Especially Right On, Right On!

Last Sunbeams of Childhood by Andrew Wasylyk

Trouble Understanding (Norman Cook remix) by The Charlatans

Gimme Shelter by Cal Tjader *

Bewilderbeast by Badly Drawn Boy *

Stinkin' Thinkin' by Happy Mondays *

Rose rouge by St Germain *

Stop the Clock by Miaoux Miaoux *

Right On, Right On by Silicone Soul

Sleep on the Left Side (Les Rythmes Digital mix) by Cornershop *

Family Affair by Sly and the Family Stone *

Testify by Hi-fi Sean with Crystal Waters

1995 by Molly Nilsson

White Love (radio mix) by One Dove (I totally intended to play this, but accidentally left it out! It still makes the playlist though!)

Boy From School by Hot Chip *

Your Silent Face by New Order *

Once in a Lifetime by Talking Heads *

69 Police by David Holmes *

Rez by Underworld * 

All My Friends by LCD Soundsystem

Little Fluffy Clouds by The Orb

I Think I'm In Love (Chemical Brothers remix) by Spiritualized *

NOTE - This remix isn't on Spotify, so the original is on the playlist. Check the sublime remix below!




Wednesday, 2 April 2025

Raindrops Keep Falling On My Head

Cover version of the month #107
Manic Street Preachers cover B.J. Thomas

As a kid, I totally fell for the film Butch Cassidy and the Sundance Kid. I think it was my Mum who recommended it to me. Possibly because of Robert Redford and Paul Newman, but more likely because she knew I liked cowboys. I don't know what age I would have been when I first saw it, but I was captivated by the characters, their charm, bravado, the sunshine, the dust, the colours, the freedom, the robberies, chases and shoot outs ... I still love watching the film to this day.

When my wife Lynn and I went travelling around the world, we stopped off in the tiny town of Tupiza in Bolivia, a small dusty town where Butch and Sundance hung out and hung low, robbed a bank and ultimately met their demise. We booked on a tour to do the Butch and Sundance trail. I think I enjoyed this more than Lynn!

Anyway, back to the film, which benefits from the songwriting genius of Burt Bacharach and Hal David. South American Getaway is absolutely perfect for the film, glorious cinematic melodies, sublime.

However, I'm going to focus on a song that Robert Redford initially thought didn't fit with the theme of the film, Raindrops Keep Fallin' On My Head. After all, there is no rain in the desert!

The song is used to soundtrack a scene where Butch (Paul Newman) is larking around on a bike to impress his girlfriend, Etta Place (Katharine Ross) and it works beautifully thanks to its easygoing melody, the brass, the piano ... it's so warm and familiar. I can't remember, but I imagine it felt like that from the very first time I heard it. 

B.J. Thomas’s voice is unhurried, gliding over Bacharach’s playful, bouncing arrangement. There’s something magical about the way it flows—casual, carefree, yet completely assured. A song about rain and misfortune that somehow feels more like sunshine breaking through clouds.

I just did me some talking to the sun

And I said I didn't like the way he got things done

Whenever I hear the song I think of a little rain shower on the evening of Sunday 11th August 1996 at Knebworth Park in Hertfordshire. I was there for Oasis (as blogged on here) and my friend Elliott and I managed to blag and bribe our way into Pit 1 just before the Manic Street Preachers came on. 

The Manics played a blinding set and midway through they played their cover of Raindrops Keep Falling On My Head. My memory is a little hazy, it either was raining, or it had just stopped raining. Either way, it was perfect, super chilled. James Dean Bradfield's voice was crystal clear and the song had a real festival and community vibe. It was a real moment. There must be a film of it somewhere.

Manic Street Preachers had recorded the song for Warchild's legendary Help album the previous year in 1995. I've previously written blogs on The Charlatans super cool cover of Sly's Time for Livin' and Radiohead's remarkable Lucky - both taken from this album. This was quite a landmark for the band as it was their first return to recording following the disappearance of Richey Edwards in February 1995. The Help album was recorded on 4th September and released on 9th September.

As a band known for their intensity, anger, and heart-on-sleeve passion, whose previous release had been the ferocious and intense album The Holy Bible in 1994, Raindrops ..... was quite a change. The Manics strip it back and I love James voice as he sings;

But there's one thing I know

The blues they send to meet me 

Won't defeat me, it won' be long

'til happiness steps up to greet me

The Manics version isn't as jaunty as the original. It's more melancholic but as the song approaches conclusion Bradfield's voice soars;

Because I'm free

Nothing's bothering me

I love the Manics cover of this wonderful song. James Dean Bradfield's voice shines and reflects melancholy, hope and resilience. 

The B.J. Thomas original and Manic St Preachers cover of Raindrops Keep Falling On My Head are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!

Sunday, 30 March 2025

Butler, Blake and Grant - FRETS 25 and the album

Douglas McIntyre brought Bernard Butler, Norman Blake and James Grant together to play one of his FRETS nights at Saint Luke's back in January 2022 (blog here). The trio took turns to tell the story behind one of their songs and then play it. There was humour and warmth throughout the show and enough chemistry for them to regroup to play FRETS in its hometown of Strathaven and subsequently take the show on the road.

This eventually led to Butler, Blake and Grant convening at Norman's house with their acoustic guitars, a roaring fire and some wine to write and record some songs together. Sounds blissful!

So, given the history, it was only right for the trio to return to FRETS for a weekend of shows ahead of the launch of their debut album. 

My friend Lorna picked me up and we then made the mistake of following her sat nav, which took us the craziest route possible to Strathaven! Despite arriving 10-15 minutes late for support act Jo Mango, we somehow managed to nab front row seats as a couple of people hadn't turned up. BONUS!

Watching BBG at close quarters led me to;

  • Appreciate what a fantastic guitar player James Grant is. Inventive and effortless! 
  • Marvel at how Bernard Butler srocks double denim and a sensational fringe. 
  • Crave for a guitar as beautiful as Bernard's! 
  • Smile at Norman's DIY buzzcut from the previous evening. Missed a bit at the back Norman! 
  • Continue to be amazed by Norman's exceptional voice and ability to harmonise.
  • Think that James and Bernard's pre-album singles had a little more zip to them live.
  • Come up with the idea that BBG should record a covers album. Maybe tackle 2 of their own back catalogue each plus 4 covers - including The Monkees Me and Magdelena and Neil Young's Cinnamon Girl. This should DEFINITELY include Bernard's Yes.
  • Laugh at the dry, witty humour of Grant and the off the wall (slightly surreal humour) of Norman. And wondering how Butler gets a word in!
On to the album. Given the tales behind the songs, it would appear to be a mix of songs that the trip have had kicking around for a while, new songs and Rosus Posus an improvised instrumental that BBG walked onstage to. James and Norman joked that it was PROG!

There is a lovely warmth to Down By The Sea, a song Norman said he had written a while ago. Blake sounds like he is with you, the home recording works really well on this song

I hope you'll always think of me
If I take a walk down by

The warmth also comes out on The Old Mortality, sung by Bernard, his rich soulful voice is enhanced by strings. There is a great breakdown instrumental where the strings soar and Blake ooh's beautifully.

Across the album. there are beautifully crafted tunes, natural camaraderie, exquisite harmonies, brilliant guitar playing and the trio work well together. Surely there will be more.

Bring An End (Blake) / One And One Is Two (Grant) / The 90's (Butler) / Down By The Sea (Blake) / The Old Mortality (Butler) / Girl With The Little Black Number (Grant) / Writing's On the Wall (Blake) / Rosus Posus (instrumental) / Seemed She Always Knew (Grant) / There's Always Something You Can Change (Butler)



Tuesday, 25 March 2025

Kerr Mercer at the Garage

 

There were a few moments last night at The Garage where Kerr Mercer tilted his head back, or slightly to the side, and just let rip, taking his already exceptionally rich, emotional, soulful and powerful voice to new levels.

It's quite the sight. Quite the sonic experience. 

Whenever this happened, my wife and I would exchange a little nod or glance in appreciation. However, there was one particular moment, during Kerr's song Soldier, when even his guitarist Adam Frame looked up in awe as his friend's voice soared beautifully. It was so nice to catch this.

Only 18-years old, Kerr Mercer has been building a head of steam for over a year, picking up some excellent support/opening slots for established artists to build his fanbase and hitting the road on his own mini tours. 

There was a real sense of occasion around last nights sold out show at The Garage. The venue looked incredible! Has it had a makeover? Or do I just always think back to when I was attending club nights as a teenager before getting a late (and very long) bus home to Carluke?

Perhaps there was a greater anticipation around the show after a fantastic feature was published on the BBC Scotland news page on Sunday morning. Journalist Jonathan Geddes brought out Kerr's humour, family values and humility in the interview. 

This is something Kerr naturally brings out on stage - whether forgetting to put his guitar on for a song, mentioning how his Mum brought him down to earth when he was hoping for a Glasgow aftershow (as any 18-year old would after a big hometown show) but had to get up at 5am for a flight to Europe to begin a tour supporting Only The Poets, or consistently thanking the audience and expressing his amazement that people showed up to see him - 'my knees are knocking backstage before every show as I don't think anyone will turn up.'

People turned up last night. I overheard a Dad talking to his daughter behind us. She had caught Kerr supporting someone and had brought her Dad along to The Garage. Dad approved - 'Aye, he's got something. What a voice!' I like to think that Dad and daughter will be having more bonding trips over Kerr Mercer gigs in the future. I hope to take our eldest to the next one after she turns 14 in June.

Anyway, on to the songs. Kerr Mercer showcased an exceptional talent for music (playing electric piano or acoustic/electric guitar), songwriting and singing. 

Setlist

  1. Hurts
  2. Love to Lose
  3. Her
  4. Best of Me
  5. One in a Million
  6. Never Be You
  7. Jealous
  8. Soldier
  9. Waves
  10. Handbags & Gladrags (Rod Stewart cover version)
  11. Alcohol

The sense of occasion was heightened by the fact that Kerr was playing with a full band for the first time. Previous shows have seen Kerr performing solo (guitar/keyboard), or with Adam on guitar. Adam let rip on a couple of songs, relishing the opportunity to play electric guitar.

Mercer's and his band wasted no time in showing what they could do with an opening number entitled Hurts that reminded me a little of Michael Kiwanuka. With the addition of drums, Mercer said that he wanted the crowd to have the opportunity to dance, as well as enjoy his slow piano ballads. The backbeat was cool, as was the song.

Love to Lose slowed things back down, Her had one of those choruses that take off, aching with love, angst, heartache and heartbreak.

One in a Million was a stunner. Pre-show someone had handed out pieces of heart-shaped cards displaying the song title. People started holding them up after Kerr introduced the song and his band played the intro. It took Kerr a verse to realise what everyone was doing and he laughed to say he was wondering what they were and knew who probably brought them. One in a Million is a beautiful song, I fully expect it to be playing on the radio before too long.

I think it was during Never Be You that Kerr displayed some outstanding piano skills and then there was a fantastic run of 3 songs that I've got to know over the last year of catching him live.

Jealous is a heart tugging gem with Kerr pouring his heart out (as he does on every song, but the lyrics go pretty deep here). It's so well written and arranged that you could be forgiven for thinking tht it is an old classic. Soldier is soulful with Kerr really going for it and Waves seems to have been adopted as a real fan favourite. 

Kerr likes to play a cover in his sets and he opted for an older song than usual, playing Rod Stewart's Handbags & Gladrags (I've only just found out this isn't a Rod original! It was written by Mike d'Abo of Manfred Mann and originally recorded by Chris Farlowe), although Kerr discovered the song through a later day version by The Stereophonics. Regardless of who wrote it or originally recorded it, Mercer delivered it with raw emotion, like messrs Stewart and Jones. The song suited him perfectly and allowed him to attack his piano as he sang. Stunning! 

Closing with Alcohol, Kerr teased that it might be his debut single, there was no encore. Not to worry, there is A LOT more to come from this young man. 

Kerr Mercer plays TRNSMT 2025 on Sunday 13th July. Keep an eye on his Instagram for regular story updates about his shows, songwriting and plans.



Saturday, 15 March 2025

Cut Your Hair

Trust me # 89
Cut Your Hair by Pavement

Pavement exploded on to the music scene in the early 90's through the release of albums Slanted & Enchanted (1992) and Crooked Rain, Crooked Rain (1994). Like most of the best bands, they seemed to be in their own world. The Pavement universe was full of in-band-jokes, zany videos, (at times) barely tuned guitars and cool song titles. The band arguably invented and certainly personified the slacker scene and style.

I own both of those albums on vinyl along with the 7-inch of Cut Your Hair. I seemed to lose touch with the band after that period though. Maybe they just became a little too zany, a little too clever with what they were doing. Maybe it was all beautifully new and natural at first.

Or maybe it simply didn't do it for me!

Anyway, I lost touch with Pavement. I bought a couple of Stephen Malkmus' albums with his band The Jicks, but never got into what he was doing.

Anyway ... I bought Cut Your Hair on 7-inch single and I still absolutely love it.

Cut Your Hair has a beautiful charm to it, riding in on ooh, ooh, oohooh's and fuzzy guitars, before Malkmus comes in with the opening lines.

Darling don't you go and cut your hair

Do you think it's gonna make him change?

The song pokes fun at style over substance, with the second verse dealing with this through Malkmus declaring (after seeing a new band);

I don't remember a line, I don't remember a word
But I don't care, I care, I really don't care
Did you see the drummers hair?

I'm not going to lie, I love when a band looks cool! They do need something to back it up though! 


31-years on from release, the line songs mean a lot, when songs are bought in the third verse takes on a whole new meaning in the era of streaming. I, for one, am extremely guilty for streaming music. I mean, it's not illegal, but I know bands/artists don't really make anything out of it. That said, Pavement have some pretty big hitters on Spotify!

Attention and fame's a career
Career, career, career, career

Sadly, with reality shows and 'influencers' attention and fame has become a career for some absolute assholes that wouldn't have received the time of day back in the 90's. That's the world we now live in though! 

Cut Your Hair is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE 

Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band