Showing posts with label The Isley Brothers. Show all posts
Showing posts with label The Isley Brothers. Show all posts

Wednesday, 23 October 2024

Shout!

Cover version of the month #101
Lulu and the Luvvers cover The Isley Brothers 

There have been a number of famous and successful Scottish cover versions over the years. Think of Wet Wet Wet's chart domination with The Troggs Love Is All Around or Bay City Rollers with The Four Seasons By Bye Baby for example.

Arguably the most famous, was potentially the first, certainly of note. Lulu's cover version of The Isley Brothers Shout! in 1964 made the song her own. Sixty years down the line, if you mention Lulu, her debut single will be the song that the majority of people immediately think of.

I marvel at the fact that the song was originally released back in 1959! I think of The Isley Brothers as being a mid-60's onwards band on Motown. Little did I know that their debut single was The Cow Jumped Over The Moon in 1957!

Shout! was certainly a step up! Gospel, rhythm and blues, rock n roll and the sound of Ray Charles are all intertwined in Shout!, creating a powerful song with a classic call and response to engage audiences on dancefloors and at concerts.

The Isley Brothers loved Shout! so much that they recorded it in parts 1 and 2. Part 1, the single and the song as it is know, is just over 2-minutes of infectious energy over a shuffling rhythm with an outrageous lead and excellent backing vocals.

There is a glorious breakdown at 1 minute 16 seconds;

I want you to know

I said I want you to know right now

You been good to me baby, better than I been to myself

As everything kicks back in, The Isley Brothers work the intensity of the song to a euphoric climax. Pt 2 is just the band continuing to vibe, breaking it back down, building it back up, having loads of fun;

A little bit softer now (shout) is repeated until they take things down to a mere murmur.

A little bit louder now - SHOUT is repeated until the band are wooping along, tambourine kicks in and the call and response that Lulu took a little further in her version is introduced.

Lulu was only 15 when she recorded and released Shout! with her backing band The Luvvers. Her voice is extraordinary! Raspy, raw, raucous and soulful, the teenage Scot delivered a performance that sends tingles down spines.

Weeeeeelllllllllllllllllllllll .... you know you make me wanna SHOUT!

What a debut single! It really does demand your attention. Lulu sounds sensational, while The Luvvers blitz through the song with a driving beat, horns are introduced and the backing vocals are in there.

After some outrageous aalllllrrrriiigghhtt's by Lulu , at 2 minutes 8 seconds, the arrangement of the song takes in the little call and response that The Isley Brothers used in Pt 2 and gives it a little longer before Lulu goes into overdrive.

Across the world teenagers would be screaming this into their hairbrush in front of the mirror. Lulu was doing it on TV shows and on tour with The Beatles. Incredible. What a cover version.

Both versions of Shout! are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie


Tuesday, 10 May 2022

Caravan of Love

Cover version of the month #76

The Housemartins cover Isley Jasper Isley

Earlier this week Paul Heaton celebrated his 60th birthday by sticking £1,000 behind the bar of 60 of his favourite pubs across the UK so his fans to 'have a drink on me'.

What a brilliant and extremely generous gesture! You can read more about it HERE

Heaton also hints that he would like to do a cycling tour of the UK to play in some of his favourite pubs - that would be incredible!

Anyway, upon reading a few of the articles this week I learned that Caravan of Love by The Housemartins is a cover version!

What?

I've heard people talking about this song and read a number of articles on The Housemartins / Heaton over the years. I don't ever recall a cover version being mentioned.

Anyway, it is.

The original, by Isley Jasper Isley (from The Isley Brothers), is good, but it's not brilliant. It's got that 'classic' smooth 80's production behind it. It's got the are you ready? hook, but it's pretty bland and forgettable. The song is there, the delivery and production isn't. 

In stark contrast, The Housemartins a cappella version aches with soul, there is a richness, a truthfulness, a beating heart in every single second of the song. It's a stop you in your tracks performance, Heaton singing alone at times, joined by his band mates at others. There is a real warmth in the vocal harmonies.

I'm your brother, I'm your brother don't you know

She's my sister, she's my sister don't you know

I really enjoy my cover version of the month feature. It's thrown up a number of surprises over the years and this is one of my most surprising discoveries in relation to a song being a cover.

It's a gem, enjoy.

Isley Jasper Isley original video

The Housemartins video

The Housemartins Top of the Pops

The Housemartins live

All previous cover version of the month blogs are listed below. To listen, search for Everything Flows Cool Cover Versions playlist on Spotify or CLICK HERE

Previous covers of the month

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola


Tuesday, 19 September 2017

Twist and Shout

Cover version of the month #29
The Beatles cover The Isley Brothers


The Beatles version of Twist and Shout closes their debut album Please Please Me in an absolutely show stopping way. Nothing could follow it.

Any fellow fans of The Beatles (that haven't already) should track down a copy of Ian MacDonald's epic Revolution In The Head that digs into the recording of each Beatles song in chronological order.

MacDonald's research and findings are staggering - to read through The Beatles catalogue and learn about their experimentation, mistakes and learnings is absolutely fascinating. And I particularly enjoyed reading about the recording of The Beatles debut Please Please Me that was recorded from start to finish on 11th February 1963.

By the time they reached Twist and Shout, Lennon knew he only had one shot at producing the raw, rasping, soulful vocal that he had brought to the song through his time playing in clubs from Liverpool to Hamburg.

The energy The Beatles pour into the song is outrageous. Lennon pushes his voice to the limits from the off, listen to him going for it and stretching it to breaking point.

Come on, come on, come on, come on baby now
Come on and work it all out
Well work it all oooouuuuttt

The Beatles push it even further, the song breaks down at 1 minute 9 seconds and then the band egg each other on to scream, the beat rises with their voices and they go back into the song.

By the time they get to 2 minutes and 7 seconds they are pushing themselves to the brink, foot stomping their way through 3 repeated lines that must have sounded like the most exciting and sexy music ever back in 1963 - it still stands up today.

Well shake it, shake it, shake it baby now (shake it up baby)
Well shake it, shake it, shake it baby now (shake it up baby)
Well shake it, shake it, shake it baby now (shake it up baby)

The band then scream to conclusion - song done, album done, all in one day - exhausted, elated.

The band attempted a second take but Lennon's voice was shot, he had nothing left to give and it was abandoned. Take 1 is the version on Please Please Me, the only version.

I love the version from The Royal Variety Performance in November 1963 where Lennon introduces the song by asking will the people in the cheaper seats clap your hands and the rest of you if you just rattle your jewellery. Rumours are that he wanted to say rattle your f**king jewellery.


Check this outrageous version from Melbourne in 1964, no-one was telling singers to look after their voices in those days!


Yet again when it comes to cover version of the month I learn that what I deemed to be the original is not in fact the original. I thought the original version was by The Isley Brothers, it was certainly the version The Beatles covered - injecting pace and rock n roll into The Isley Brothers song through years of playing in clubs.

The song was written by Phil Medley and Bert Berns (later credited as Bert Russell) and recorded by a band called The Top Notes with a certain young Phil Spector (pre Wall of Sound) producing. It flopped and it does sound pretty lame and terrible if you take the time to check it out HERE.

The Isley Brothers took it and made it into a hit. And what a hit - it really is a brilliant rock n roll/soul song to dance and shout to. Aptly named! Check it HERE.

And I couldn't write a blog without including the 'version' that introduced me to the song. Matthew Broderick miming to The Beatles on a carnival float in the 80's classic Ferris Bueller's Day Off.


Previous covers of the month