Showing posts with label Ash. Show all posts
Showing posts with label Ash. Show all posts

Monday, 8 June 2026

Get Ready

Cover version of the month #121
Ella Fitzgerald and Ash cover The Temptations

Released on Motown Records in 1966, The Temptations Get Ready, written by Smokey Robinson, is a sub 3-minute gem, with horns, bass, strings and drums creating a driving energetic riff from the off. 

I never met a girl that makes me feel the way that you do (you're alright)

The relentless bassline is the engine for the song, with Eddie Kendriks taking lead vocals, instead of David Ruffin. Kendricks soaring falsetto is exceptional, soaring effortlessly above the collision of brass, strings and the driving beat.

There is an urgency to the song, exemplified by the title and the kiss off hook in the chorus get ready, cause here I come. The lift into the chorus is sublime. Get Ready is the sound of young America at its most vibrant, sounding full of confidence ... unstoppable.

And I'm bringing you a love that's true

So get ready, so get ready

I'm gonna try to make you love me too

So get ready, so get ready

Cause here I come, I'm on my way


Fast forward three years and Ella Fitzgerald is recording a rip roaring version at Olympic Studios in London for her 1969 album Ella. It's an absolute revelation! Driven by Brian Bennett on drums, this is a sweat soaked funk jazz romp, with Fitzgerald sounding like she is having the time of her life. The Temptations original has urgency, but Fitzgerald really does ramp it up a notch or two.

The backing vocals are glorious, understated in the mix, still leaving plenty of room for Fitzgerald - as if she was gonna have it any other way! Her vocal performance is fantastic, fire-y and fierce. The horns help to anchor everything. The riff is just played with a little extra oomph. It's a glorious cover version.

Ash - Goldfinger 
Get Ready was a b-side

Fast forward again, this time almost 30-years and Ash, a trio of teenagers from Northern Ireland, are making a name for themselves with a string of singles. Goldfinger, in April 1996, was the final single to be released, leading to 1977, their debut album, the following month. One of the b-sides was Get Ready - previously released as a limited fan-club 7-inch.

Ash’s version of Get Ready sounds exactly like what it is: three mates in a sweaty studio with Tim Wheeler's fuzzed guitar cranked up to eleven. It's delicious raw garage rock/pop. You can't mess with a melody or riff as strong as the ones Smokey Robinson created. So Ash just put their own spin of teenage exuberance on it. Fuzz, distortion, crashing beats and Tim Wheeler's glorious bubblegum pop delivery. Punk pop perfection.

I am currently in love with this song, particularly the Ella Fitzgerald version, which prompted this blog. Somewhere in my loft is the CD single by Ash. While researching, I also discovered a 21-minute + cover version from 1968 by a band called Rare Earth. It's ... OK ... not as cool as a 20-minute version could be. It begins with a lazy jam before they head into the song, then off on a bass heavy jam to begin with. The beat and bass are probably ripe to be sampled. Organ kicks in and away they go. It's too long for me. Give me the Creedence take on I Heard It Through The Grapevine any day of the week. Rare Earth also released an edited single version, under 3-minutes long. 

The Temptations original and both the Ella Fitzgerald and Ash versions are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!

Saturday, 25 January 2025

Kung Fu

Trust me #85
Kung Fu by Ash

Written by 17-year old Tim Wheeler on Boxing Day 1994 and then recorded in one take the following day, Kung Fu was released by Ash as their 4th single in March 1995. 

Between those dates, on 25th January 1995 to be precise, the legendary Manchester United player Eric Cantona leapt into the crowd at Selhurst Park to confront Matthew Simmons, an absolute moron of a Crystal Palace supporter, who had been hurling abuse at Cantona as he departed the field following a red card.

Eric in full flight

Cantona was being escorted down the track, when he broke free to attack his abuser with a flying kung fu kick, before hitting Simmons with a huge right. The incident, particularly the kung fu kick, instantly became iconic, screened on a loop on Sky Sports News as the nation debated Eric's punishment. 

"My one regret, I didn't hit him hard enough." Eric Cantona

After a great deal of publicity and debate, including a point where Cantona faced 2-weeks in jail, the FA banned Cantona for 8-months. United lost the league and Cantona contemplated quitting football. Sir Alex Ferguson's wife Cathy persuaded him to fly to France to persuade Eric otherwise.

I've often thought that this is a short film in the making. Fergie flying to Paris and flying through the streets on the back of a motorbike Cantona sent to collect him. Eric had booked out an entire restaurant for the two of them to eat, drink and talk long into the night. Oh to have been a fly on the wall!

Cantona returned in September, setting up a goal for Nicky Butt and scoring a penalty (celebration photo below) in a 2-2 draw with Liverpool at Old Trafford. The king had returned and Eric led United to a league and cup double. There were a number of 1-0 victories with Eric being the scorer, including the FA Cup final win over Liverpool.

Eric Cantona was an unbelievable football player, the catalyst for United's 1992/93 league title win, their first since 1966/67 under Sir Matt Busby. With his upturned collar, swagger, skill, passion and attitude, the Frenchman became known as Eric the King at Old Trafford. He was incredible, the perfect star for the Theatre of Dreams. The stage was his to command.

Meanwhile, Ash were a band of noisy teenagers from Northern Ireland who were picking up some attention in the music weeklies thanks to releasing brilliant punk pop singles like Jack Names The Planets

Back to their song Kung Fu, released in March 1995 with Eric Cantona flyng through the air as the cover. Apparently Tim Wheeler still has a fax from Eric saying 'I spit on your record' after Ash sent one asking for permission. Classic 90's memorabilia if Tim still has it!

Talk about capturing a moment in time! Kung Fu is blistering grungy teenage punk pop perfection, delivered in just 2-minutes 17 seconds, with the first 10-seconds being kung fu noise samples!

Ash absolutely tear through the song, their youthful energy and ear for catchy guitar pop is perfectly captured, all the better for being one take. The vocal melody is strong, fast-flowing and catchy. The guitars buzz and the drums pound as Tim Wheeler sings about his teenage lobotomy, moving to Hong Kong with Bruce Lee's brother and Johnny Wong!

The chorus then references Daniel San and Jackie Chan, while the second verse then mentions Mr.Miagi!

Ash have finished the second chorus by 1 minute 15 seconds, ensuring they have time for a 25-second instrumental that breaks things down before firing up for a final blitz of a verse that references movies and what was presumably Tim's local takeaway before a double chorus to finish things off.

"My best moment? I have a lot of good moments, but the one I prefer is when I kicked the hooligan." Eric Cantona

Kung Fu is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE 

Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel


Tuesday, 3 February 2015

King Tut's Wah Wah Hut - 25th anniversary

King Tut's Wah Wah Hut is celebrating its 25th anniversary this month with a series of shows from established acts like The Cribs, legendary maverick Julian Cope and up and coming acts like Vigo Thieves.

I've spent an incredible amount of time in this venue over the years since I first visited as an 18-year old back in 1994, especially through my 20's and into my early 30's before I 'settled down'. I worked across the road for Abbey National at 301 St Vincent Street for 7-years so I would be a regular at the bar downstairs as well as attending a number of gigs a month up the stairs.

I have fond memories of running across the road at 5pm to get a table with my mates for happy hour. They had £1 a bottle of Stella for several years - dangerous stuff! If it was sunny and you were especially sharp from work, you could get a table outside in the sunshine - glorious.

 The jukebox was (and is) brilliant and I have met some incredible people through going to King Tut's for beers and gigs.


Confession - I once devised a scheme (that I honestly only used twice) for getting into sold out shows. Back in the 90's you had to keep your ticket stub for getting out to the toilets downstairs. So I would go upstairs with mates, get the ticket stubs off them, then go back downstairs to sort out mates that didn't have tickets. I'm probably not the only person to ever have done that as health and safety wasn't quite as strict as it is now!

There are many reasons I love King Tut's; the size, vibe, sound, crowd and the opportunity to see live music in a great setting just make it perfect, for me and many, many others. Tut's regularly wins awards for being the best small venue in the UK. No wonder.

I've been looking through old ticket stubs and I've attempted to reminisce about 25 gigs at Tut's to celebrate their 25th anniversary.

1. Beck
Beck dropped Loser in 1994 and everything and everyone went crazy for him. He played Top of the Pops with a bunch of old guys backing him and then I caught him at King Tut's. I still have very fond memories of this gig. This was pre health and safety. My memory is of Tut's being absolutely rammed and sweat dripping off the roof. I was right down the front, squeezing in and dancing and pogo-ing with the crowd to ensure I didn't lose my place. Beck was electric, a clear star; playing material from his debut major album Mellow Gold but also lofi acoustic gems from One Foot In The Grave (also released in 1994)  One of my all-time favourite gigs, if a little hazy 20+years down the line.


2. Arthur Lee and Love
I caught Arthur Lee and the modern day Love (Baby Lemonade) at Tut's 3-times. The first time was not long after he had been released from prison. People wondered if his voice would be shot from years of drug abuse...it didn't take long for Arthur to prove he still had it in abundance. Playing with equipment borrowed from Belle and Sebastian, Arthur and his band charged through a set that had people in genuine awe, you could have heard a pin drop during You Set The Scene.

You look so lovely
You with that same old smile
Stay for a while


They returned to play a secret set one time under the guise of Baby Lemonade and then played another secret show during the Forever Changes tour and Arthur responded to my shout for You Set The Scene. Well they were playing the album in order!

Arthur was a one-off, he looked cool, he sounded like a God and his backing band were sensational.


3. The White Stripes
This was an electric performance. Meg's kit was to one side and Jack leapt between a couple of mics playing a guitar that looked like it had seen better days. Pretty Good Looking For A Girl was a punk pop romp and the spine tingling version of Jolene lives with me to this day. As does the call from the crowd between songs; 'I love you Meg' to which Meg and Jack smiled, before the heckler added 'I want to f**k you'. Causing Meg to flip the bird and Jack to scowl and launch into another song.

4. Ben Folds Five
This may well have been my drunkest moment in King Tut's and there have been a fair few! I met my mate Reddy after I finished work and he finished uni and we proceeded to drink non-stop. During the show we were jumping around, dancing and playing air piano along with Ben, causing the audience to form a bit of a circle around us!



A few years later we were in New York and Ben Folds was playing Central Park so we got tickets. We got exceedingly drunk again and I persuaded Reddy that we could get back stage by saying we were from King Tut's in Glasgow - we were hastily ejected from back stage after we climbed a fence - and promptly slept through most of the gig in a drunken stupor! Oh to be young again!

5. John Squire
I went to King Tut's a lot in my younger days! One Friday I was in after work for the £1 bottle of Stella happy hours (5-7pm) when the new Tut's flyers were being handed around. John Squire was playing!!! This was how it was being announced. I immediately went up to the bar and asked if tickets were available - they were so I got 4.

Squire was incredible, coming on to the stage to an almighty cheer looking effortlessly cool with a great jacket and mop top hair. He opened with the closing instrumental of I Am The Resurrection! The place went banana's and i ran down the front from my usual place by the sound desk to jump around like crazy. Squire followed that up with She Bangs The Drums and Waterfall! It was sensational to see one of my all-time hero's up close.

6. Teenage Fanclub
Teenage Fanclub decided to do a tour to promote their Mellow Doubt single - a tour of Glasgow venues! One of them was Tut's and I have fond memories of going with my brother who was maybe 16 at the time. The bouncer took one look at his fake ID and laughed and said 'on you go up son'. (bit stricter these days I am sure!)

The band were in great form, totally at ease with the intimate crowd and in typically brilliant Fanclub humour as they played songs from the exquisite Grand Prix album and earlier faves. The cheer for Norman's whistling solo during Mellow Doubt was fantastic and happens to this day when the song is played live.

7. Ash
I drove me, my brother and at least 3-mates to this gig in my Mum's tiny Fiat Panda. I think it was 900cc or something! I think someone may have tried to crowd surf from the back of the care into the front on the way home while I was driving!

Catching Ash as they were breaking was quite something as they were the same age as us, if not younger. They charged through a pop punk set and just looked like they were having the time of their lives. Jack Names The Planets was a big tune in Carluke back in the day.

Photographed from behind a my framed ticket collage -hence the blur

8. Arab Strap
There was one month where I was at King Tut's at least once a week to see some incredible bands just as they were breaking. Arab Strap were riding high on the success of First Big Weekend and watching them live in Tut's was quite the experience. There was an air of mystery about the band and also one of tension in the venue. A girl was invited on stage to duet with Aiden and she gave a shout out to the Uddingston Young Team! The chemistry between Aidan and Malcolm was incredible - they were unique and earned a place in the hearts of many Scottish music fans and all around the world for their honesty, humour and take on life.


9. Embrace
Embrace played All You Good Good People second song in and I remember turning to my friend and saying 'that is as good as The Beatles!' This was before their album had been released and I had discovered them through their Fireworks EP. They had a bit of northern swagger and some beautiful ballads. They have played Tut's a number of times through the years and some very memorable shows at the Barrowland.



10. Menswear
The hype around Menswear was ridiculous; signed when they had one song on the strength of them looking good, drinking in the right pubs and clubs and their guitarist dealing to journalists - those were the days.

This was an outrageous show that I went to with my brother. They absolutely smashed it. The crowd went nuts. They more than lived up to the hype with brilliant songs like Daydreamer. My brother and I stood on the seats at the back and took it all in - a crazy show.


11. Money Mark
One of the coolest shows I have been to at Tut's. Money Mark entered through the crowd whilst beatboxing and proceeded to take the crowd on an eclectic journey, showcasing his outrageous musical and songwriting talent in style. His Push The Button was a favourite of mine for a number of years.



12. Tanya Donnelly with support by The Walkmen
My mate Reddy was working through in Edinburgh and it was chucking it. Something was up with transport and I couldn't get anyone else to go so I went on my own. The Walkmen were supporting and to this day I regret not offering my flat up to the band when the singer said 'Hi we're The Walkmen from New York City, we don't have anywhere to stay tonight, does anyone have a floor we could crash on?'

I did speak to the guitarist at the bar afterwards and told him that The Rat was better than anything The Strokes have. He seemed pretty pleased. I hope they found a place to crash!

Being on my own, I ended up quite pissed drinking pints and watching the gorgeous Tanya Donnelly and being delighted when she played a couple of Belly songs.


13. Bluetones and Supergrass
Not a bad double bill! The melodic gorgeous tunes of Bluetones and the pop punk charm of Supergrass. Both bands made splashes with their debut singles and had a real buzz about them. Mark Morriss and Gaz Coombes looked and sounded fantastic.



14. Cast
Cast released some brilliant singles back in the day which caused me to go and see them at Tut's. It must have been well before their album came out as I remember the venue being pretty empty but John Power was in charming form, eyes twinkling as he exchanged banter with the crowd in one of the most scouse accents I have ever heard. Fine Time was, and is still, a brilliant guitar pop song.

I vividly remember this show as my sister had fallen and cracked her skull that afternoon and I wasn't sure if I would go to the gig or not. There used to be a phone box across the road from Tut's and i remember phoning my Mum to see how she was. Thankfully she was OK.

15. Har Mar Superstar
I can't remember who he was supporting, he was first on a bill of 3, but Har Mar Superstar played like ....well a superstar to a pretty small audience, most people were still in the bar downstairs. He stripped to his underwear and had a ridiculously long mic lead to walk into the audience to generate a reaction. He wandered right up the stairs and past the sound desk to the spot I tend to stand if possible, and then I almost tripped him down the stairs - accidentally of course! His set was incredible -Prince style pop funk. Despite enjoying him live, I don't recall buying any of his albums.


16. Futuristic Retro Champions
My sisters first band played Tut's in the summer of 2007 - just ten days before my girlfriend (now wife) and I were due to head off travelling around the world for a year. Good timing! This was a great drunken night of pop with loads of friends and family in one of my favourite places in the world. I was very proud of my wee sister.

 Me and my sister in 2007

17. Mylo
Mylo's Destroy Rock n Roll went mental in Glasgow and then all over the world. He spray painted the title all over Glasgow and released some ltd edition singles on local Breastfed Records. The album went massive. I remember running out the door after this gig to get down to the Subclub for the aftershow. The show (and aftershow) were a real celebration. Songs from that album would be played in pubs, clubs, pre-club parties and house parties after the clubs shut. An incredible album.

I will be blogging about the album later in the year as it celebrates it's 10th anniversary. Mylo hasn't released any new material since.

18. Vigo Thieves
I was managing Vigo Thieves when they became the first unsigned band to play 2-nights back-to-back at King Tut's Wah Wah Hut. It was a very exciting time for the band as they went from playing to their mates to playing shows in their hometown (well pretty close to Wishaw) where they didn't know who was in the audience. They upped their game and slated Tut's both nights. Hearing songs like Heartbeats being sung back by the audience was a spine tingling


19. Tim Burgess
I am a huge fan of The Charlatans and when lead singer announced he was playing Tuts to tour his debut solo album I had to be there. It was a brilliant gig, Tim had a stunning backing band and he was in great form, playing to the audience as he romped through the pop soul of I Believe.



20. The Magic Numbers
Their eponymous debut album was utterly gorgeous. Melodic, stunning harmonies, catchy choruses, brilliant breakdowns and a beautiful mix of male and female vocals. I first caught them in the old Barfly down by the Clyde, by the time they played Tuts the word was out. That debut album was a beauty and the live shows surrounding it were full of love, the band developed a special relationship with Glasgow and I always remember this show and one they played at the Barrowland when they were just blown away by the crowd singing the album back to them.


21. Gomez
Looking back through ticket stubs, I caught Gomez, Money Mark and Arab Strap within 2-weeks of each other at King Tuts back in 1998. Three very different bands, three utterly incredible gigs. That is the beauty of the venue, they embrace every kind of music, try things out and many times the acts they put on will go on to play bigger venues and have long careers making music.

Gomez sounded sensational. They didn't look that good though! We saw them huddled together over beers in the downstairs bar and they seemed impressed by the DJ playing McLemore Avenue by Booker T and the MGs - a should instrumental version of Abbey Road by The Beatles. (strange I remember that so well!).

They were brilliant on stage, a real wild mix of styles and influences; soul, country, a bit of a dance vibe at times - just like nothing else and that is what made them so good. Ben Ottewell's voice was deep and soulful and it really caught me by surprise.


22. Astral
Astral were a local band that my mate Mark Falconer was in - playing bass. There was a real buzz about them, they sold out Sleazys and played a totally triumphant set - coming on late when everyone was drunk and whipped up by a great pre gig playlist/DJ. They got played on the Evening Session and seemed set to get signed; Steve Lamaq was a huge fan of debut single Come and Go and the instrumental b-side Caribou remains a favourite of mine.

They got a support slot at Tuts and word was that scouts were coming to see them. It all went wrong though, they didn't get a proper soundcheck, the lead guitar wasn't being heard through the speakers at all.

I remember being really worried for them and between songs I went up to the stage to tell Mark that we couldn't hear the lead guitar. He said they couldn't hear much on stage.

I don't remember much else, but it is a King Tuts memory that always stands out - things don't always go to plan. Astral gave it a good shot but broke up before an album was released. I can't remember if they recorded one or not.


23. Hot Chip
I went mad for Hot Chip. Lynn and I stumbled across them in a tent at Benicassim when we went over in 2005. Their album The Warning was coming out and they had loads of hit singles on it. Tuts was sold out but I went along to try and buy a ticket. This was one show I didn't want to miss out on.

As luck would have it, my friend Mark (mentioned above) was there with a writer from Clash Magazine. Their photographer hadn't shown up so they had a spare guest pass so I got in.

Hot Chip played a blinder and remain one of my favourite bands to this day. And I Was A Boy From School was absolutely class, Joe and Alexis' voices blended superbly, Colours was sublime and Over and Over a riot.

24. The Pastels
April 1994, pre-internet, pre-mobiles (unless you were a stockbroker). Rumours always happened at gigs and festivals but this one seemed to be sadly true by the way people were talking. Kurt Cobain had taken his own life. I had queued for ages one day at the old Virgin in Union Street to buy tickets for Nirvana at the SECC, I couldn't believe it.

It was true, The Pastels came on stage and dedicated the show to Kurt before playing a brilliant guitar pop punk set including one of my favourite songs of all time Thank You For Being You.

I had driven in with my friend Grant and we ran outside afterwards to turn on to the John Peel show. Only Peel wasn't on, it was just Nirvana Peel Session tracks and the odd announcement to say that the show was cancelled in memory of Kurt and they were playing his music.

18-years old - we were a little heartbroken. One of the strangest car journeys i have ever taken.


25. Rae and Christian
Rae and Christian were Mark Rae and Steve Christian, 2 producers from Manchester with impeccable taste, style and talent. Their Sleepwalking album from 2001 was a big favourite of mine - guests included the late great Bobby Womack and hip hop act The Pharcyde. The closing track Salvation is absolutely stunning

Their live show superb, a big bank of electric equipment and a sh*t hot band and vocalists. I also remember the support act Fingathing, also from Manchester and based around the talents of a guy called Peter Parker. It was one of those great nights at Tut's where the music sounded incredible and the talent on stage was unique and just totally on it.