Saturday, 29 April 2023

10 from James

I broke my leg back in the summer of 1992. I was down at my friend Dave Taylor's house with the aim of meeting a girl I fancied. 

Dave and I were hanging about at a park near his house watching other kids we knew playing football. They asked us to play and Dave was up for it. That meant the teams weren't even, so I had to play too, even though I had my new British Knight trainers and best Joe Bloggs jeans on.

The ball broke for a 50-50 challenge between me and an older guy called Steven Wilson. I nipped in and managed to nick the ball away, only for him to come crashing into my leg and I was down.

I immediately knew something was wrong. My leg was pulsing. The game stopped. Steven Wilson was in the scouts and urged me to try and put my weight on it. I foolishly listened! Of course, I couldn't and ended up being carted off to a guy called Keith Hooper's house next to the park. Dave's Dad came and ran me to hospital.  

I never did meet the girl!

That summer I was laid up in bed with a full length cast on my leg (broken fibula and tibia) playing an early version of FIFA and Sonic The Hedgehog on a borrowed playstation. Dave lent me his James Live at G-Mex video and I must have watched it 100 times, marveling at the way frontman Tim Booth danced so freely and the wall of sound his fantastic band generated.

In addition, I remember lying in bed taping James live at Alton Towers off Radio 1. The band meant to record the show and release it as a live album, but there was a torrential downpour and apparently the recordings were ruined. 

But James got me through that summer. The Seven (CD) and Goldmother (vinyl) albums and then I somehow bought their earlier albums on cassette. I don't remember where I got them from or why I got them on cassette. Perhaps they were presents to cheer me up. I also had a blue James t-shirt with a big J on the front, AM on the sleeve and ES on the back. Then a long sleeve white t-shirt with their classic flower on the front and their name down the sleeve. I'll need to see if my Mum has photos!

That was just over 30-years ago, but back to the present where James are touring with a 22-piece orchestra and choir to celebrate 40-years as a band. What a journey they have been on, what an adventure they have taken their fans on!

I've caught the band a number of times over the years. One time in the 90's my friend Wigs got on stage for Sit Down at the Barrowlands!  Most recently, I caught the ban at The Hydro with The Charlatans. They blew me away. The energy that James generate on stage and in the crowd is incredible. James mix their setlist every night to keep things fresh and it works big time.

I'm looking forward to seeing them in the Armadillo on Monday.

It's been a while since I've written a 10 from blog. So here (at the time of writing) are 10 of my favourite James songs from their incredible 40-year career. 

Like a James setlist, this could change regularly! Songs like Johnny Yen, What For, Born Of Frustration, How Was It For You?, Come Home, Ring The Bells, Say Something, She's A Star, We're Going To Miss You, Moving On and Curse Curse are another 11 that could easily have been included.

Sit Down

I'll start with James biggest hit. It's come to mean so much to me, especially after 26th May 1999 when I was in Camp Nou to watch Manchester United win the treble. The DJ played it after United won and as I sang along I wasn't the only United supporter with tears in my eyes! I bought a t-shirt shortly afterwards that has Ole Gunnar Solskjaer celebrating his winner with the lyrics;

If I hadn't seen such riches I could live with being poor

I still have the t-shirt. Might be time to order a replacement!

My best friend Phil played the song when Lynn and I got married and everyone sat down on the dancefloor, swayed an sang along. Sit Down is a song that unites people in emotion, I think that's why it connected so much with the Hacienda/Madchester crowd. It still connects with me every time I hear it.

The Live at G-Mex version is my favourite. I love the bit when Tim is singing those who find themselves ridiculous, sit down next to me and he is looking at a guy off his face in the front row who is lost in the music. I'm moved every time I hear the piano intro and the way Tim and the band drop things down slowly to allow the crowd to take over. They sing their hearts out. Tim's face in the video is an absolute picture. The bit at around 7-minutes 30 seconds when the crowd just explode in appreciation is spine tingling ... and then they start singing the chorus again. WOW!

Sit Down is a beautiful song. Full of love, empathy and sympathy. In love, in fear, in hate and tears. A bonafide classic.

Live at G-Mex

Getting Away With It (All Messed Up)

Many years later (2001) James released Getting Away With It as a single. I fell head over heels for this song again back in 2016 when I was watching James live at Glastonbury on the BBC. It's probably been my most played James song since then.

The guitar riff is quite hypnotic, the band get into a groove and Booth sings about drinking like Richard Burton and dancing like John Travolta ... now. That little pause before now is lovely.

Check Tim in top form in the Glastonbury video.

Live at Glastonbury

Seven

Seven is as pure a James song as you can get in my opinion. The production is sublime, the way the guitar chimes at the start is heaven sent.

Blow me away 

Was that love you declared?

Only a word

Love can mean anything

I seem to remember a fact popping up on The Chart Show (a 90's Saturday morning staple) that the band nearly drowned on the video shoot. Rather than the water slowly being released, it all came out at once!

As Tim says at the end; love can change anything.

Dust Motes

The expansive line-up of James can conjure wonderful sounds and jam their way into some special places, but they can also produce achingly beautiful and slow ballads. Dust Motes is rather gorgeous with Booth singing I'll forgive you, I'll forgive you but then the song rises as Tim sings if you die, if you die ... A powerful song when slow, it really strikes home when it builds.

Audio

Sometimes

I bought Sometimes on both 12-inch vinyl and on CD. My Mum then heard me playing it and then asked if I could buy her the cassette single for the car. So our household had it on 3 formats.

Sometimes is such a beautiful song. For me it captures the band and Booth jamming; free flowing lyrics over a driving and somewhat ferocious acoustic guitar lead to a head over heels romantic chorus.

The song allows a 7-piece band like James to open up and go with the flow, and oh how they go with the flow. Check these incredible live videos, firstly BBC footage from Glastonbury and secondly fan footage from a concert in Athen where the crowd just keep singing the chorus, Tim Booth joins in, then he starts dancing and the band come in with some synth and it turns into a little rave for one glorious minute. Spine tingling.

The choir and audience combining to sing this on Monday night will move many to tears. My absolute favourite James song.

Live at Glastonbury 2016

Live in Athens 2019

Sound

Photo by Laura Toomer

This is an invitation to leave yourself ... behind

Tim Booth declares his intent from the off and doesn't let up throughout the song, urging listeners to strip away all your protection, laugh at the wonder of it all and to do everything you fear, in this there's power.

James really stretch out on this song, both on the recorded version (there is a 12-inch mix) and live. Check the incredible 10-minute version from 2001 below.

What a glorious noise James conjure up, guitars, brass, beats, bass and keys collide together to create something magical. To witness them in full flight is a delight.

Sound live Manchester Arena 2001

Tomorrow

Speaking of James in full flight, they don't need to stretch too much to get going, sometimes they just go straight into it. Yet again acoustic guitar is driving the song and eventually James take flight and soar. Sublime.

Tomorrow live at Glastonbury 2016

Many Faces

There's only one human race

Many faces

Everybody belongs here

The last time I saw James playing live Many Faces really moved me. And when writing this blog I found this video from the 4th time James played the song live. It hadn't been released, the band are lost in the chorus/mantra, gradually fading out and the audience take over. Absolutely beautiful.

Live at Victoria Theatre Halifax

Out To Get You

Out To Get You is one of James most beautiful songs in my opinion. The lyrics are deeply personal, Booth singing of feeling so alone, lost in memories ...

Insecure, what you gonna do?

Feel so small, they could step on you

Called you up, answer machine

When the human touch is what I need

What I need, what I need, what I need, what I need

Is you

I need you

This is a f**king beautiful song, building from next to nothing to become exceptionally powerful and emotive. James at their very best.

Live at Rockpalast 2013

Photos with lyrics video

Laid

It was a little risky & frisky to hear Tim Booth singing so joyfully and openly about sex back in 1993 when I was 17. Now, 30-years later I find it liberating.

This bed is on fire with passion and love

The neighbours complain about the noises above

But she only comes when she's on top

Laid absolutely flies by, a pure rush of joyful pop music about sex and infatuation. Brilliant.

Official video (version 3)

Isle of Wight 2015

Sunday, 23 April 2023

Never Ending Mixtape part 81

Welcome to the latest addition to my Never Ending Mixtape which now has 3,283 songs at the time of writing.

Thanks so much if you ever take the time to visit. Special thanks if you're one of the 310 people who follow the playlist on Spotify.

Play from the start, the middle, on shuffle or scroll to the end for the latest songs.

Almost 70-songs are added! So, as much as I love lists of songs, I'm not going to list them all here.

A few to check out;

OLD FAVES - Take A Run At The Sun by Dinosaur Jr, Hot Burrito #2 - The Flying Burrito Brothers (pictured above), This Man by Wally Cox, Sally Cinnamon by Stone Roses, Roam by The B-52's, Vaseline by Elastica

NEW DISCOVERIES - Fly Me To The Moon by Lyn Collins, Summer Flower (She's On My Mind) by The Crystal Set, Allison Arms by Dillon Squire (pictured below)+ some cracking soul tunes

As always, I hope you discover something new that you fall for, or rediscover an old favourite that you haven't heard in a while.

Search for Everything Flows Never Ending Mixtape on Spotify or CLICK HERE



Friday, 21 April 2023

I Bet That You Look Good On The Dancefloor

Cover version of the month #85
Baby Charles covers Artic Monkeys

As debut singles go, Artic Monkeys I Bet You Look Good On The Dancefloor was an absolute banger. Kids, adults, radio, MTV, indie dance clubs and the music press went absolutely nuts for this seemingly perfectly formed band that exploded out of Sheffield.

And they really did explode. Sharing their Beneath The Boardwalk demos online built a sizeable local following which filled the band with the confidence to release an EP Five Minutes With Artic Monkeys on their own Bang Bang label. The EP featured Fake Tales From San Francisco that also had a video of rehearsals and local gigs, capturing the band at a time before things went properly crazy.

'We're Artic Monkeys, this is I Bet You Look Good On The Dancefloor. Don't believe the hype.'

Alex Turner's introduction on the video for his bands debut single was apt. The band were being hyped beyond belief. The music weeklies sometimes get it right and they certainly did with Artic Monkeys.

Artic Monkeys immediately came across as a real gang , who were still in their teens. They had a cool frontman who happened to be a witty lyricist with a knack for hooks and youthful social observations and commentary. 

I Bet You Look Good On The Dancefloor is 100 mph punk pop to dance and pogo to, to play along on air guitar, to crank up the volume and to play again. Turner's lyrics have humour, teenage honesty and are delivered in a frenetic manner that makes me smile every time I hear the song.

Oh there ain't no love, no Montagues or Capulets

Just banging tunes and DJ sets

And dirty dance floors and dreams of naughtiness

Artic Monkeys are not a favourite band of mine, but I couldn't help but fall for this single. I still get a kick from the energy that leaps from it every time I hear it.

Baby Charles was a 10-piece Brighton based funk/soul outfit who released their self titled album back in 2008. It contains an outrageous cover of I Bet That You Look Good On The Dancefloor. The bass is funky, horns and percussion are introduced, while singer Dionne Charles plays on Turner's melody, urgency and slight sauciness. This is a super sexy cover version. 

An additional 100-seconds are added on to the Artic Monkeys version. Their explosive intro is replaced by a long funk jazz workout and the band strip the song back to beats and percussion mid-song before building it back up again for a ferocious final 30-seconds and one final chorus. 

All previous cover version of the month blogs are listed below. To listen on Spotify, search for Everything Flows Cool Cover Versions playlist, featuring all of the songs below, or CLICK HERE

Artic Monkeys official video

Baby Charles version

Previous covers of the month

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop

Alex Turner introduction to his band in the video to their debut single 

kjkjhhk



top making the eyes at meI'll stop making the eyes at youWhat it is that surprises meIs that I don't really want you to
And your shoulders are frozen (cold as the night)Oh, but you're an explosion (you're dynamite)Your name isn't Rio, but I don't care for sandAnd lighting the fuse might result in a bang, b-b-bang-oh
I bet that you look good on the dance floorI don't know if you're looking for romance orI don't know what you're looking forI said, I bet that you look good on the dance floorDancing to electro-pop like a robot from 1984Well, from 1984
I wish you'd stop ignoring meBecause you're sending me to despairWithout a sound, yeah, you're calling meAnd I don't think it's very fair
That your shoulders are frozen (cold as the night)Oh, but you're an explosion (you're dynamite)Your name isn't Rio, but I don't care for sandAnd lighting the fuse might result in a bang, b-b-bang-oh
I bet that you look good on the dance floorI don't know if you're looking for romance orI don't know what you're looking forI said, I bet that you look good on the dance floorDancing to electro-pop like a robot from 1984Well, from 1984
Oh, there ain't no love, no Montagues or CapuletsJust banging tunes and DJ sets andDirty dance floors and dreams of naughtiness
Well, I bet that you look good on the dance floorI don't know if you're looking for romance orI don't know what you're looking forI said, I bet that you look good on the dance floorDancing to electro-pop like a robot from 1984Said, from 1984

Wednesday, 19 April 2023

For Tomorrow

30-years ago #3
For Tomorrow by Blur


For Tomorrow was released in April 30-years ago - 19th April 1993 to be precise. It's safe to say, on reflection, that it was a game changing single for Blur. All of a sudden it felt like Blur had found their sound and look. In that sense, I'd argue that it's one of the most important singles of the Britpop era.

Photo by Kevin Cummins

Damon Albarn was photographed by Kevin Cummins spraypainting the title of his bands forthcoming album (released the following month in May 1993) for the NME. Cummins series of photos really should have been used for the cover and inside sleeve of Modern Life Is Rubbish. Quite why a computer graphic of a steam locomotive was used is beyond me. 

Albarn, Coxon, James and Rowntree in front of their fresh graffti in second hand suit jackets, turned up jeans and Doc Marten boots would surely have been more appropriate. As I said, they had the look. Too bad the records would have already been pressed with the locomotive sleeve.

Photo by Kevin Cummins

Modern Life Is Rubbish was inspired by Albarn listening to The Kinks and dreaming of England while trapped in the grip of a mammoth 44-date tour of America that the band hated.

Disillusioned by the grunge scene and the meteoric rise of Suede, Blur drank heavily to the extent where they were close to being dropped by their label. 

Speaking of Suede, Brett Anderson and co had smashed into the top 10 in February 93 with Metal Mickey, only their third single, and were now on the front cover of Select Magazine - Anderson in front of a Union Jack with the title Yanks Go Home - Suede, St Etienne, Denim, Pulp, The Auteurs and the Battle for Britain.


Pulp would fully embrace Britpop with their 1995 album Different Class, featuring era defining singles Common People, Sorted for E's & Whizz and Disco 2000. Although they'd got a taste by breaking into the top 40 for the first time in 1994 with their brilliant Do You Remember The First Time?

Suede went the other way with the release of Dog Man Star in 1994, distancing themselves from Britpop, before coming back with their stunning pure glam pop rush of a single Trash in 1996. 

Back to Blur though. For me, For Tomorrow was their first step into Britpop, before they dived in headfirst in 1994 with Girls & Boys and Parklife (single and album).

Recording of Modern Life Is Rubbish didn't go smoothly, it was only when they got together with Stephen Street (who had previously produced their hit There's No Other Way) that the album gathered momentum. Considering Street's success with the quintessentially English-ness of The Smiths, it is a wonder why they didn't go with him in the first place.

When you read back through Britpop memoirs and online articles, it's not over stating the mark to say that the future of the band was really at stake. It was make or break. Dave Balfe from Food Records told Blur that their album was commercial suicide and asked for a single.

On Christmas Day 1992 Albarn wrote For Tomorrow, which would become the opening track and lead single for Modern Life Is Rubbish. It's one of my favourite Blur songs and I also think it's one of their very best.

Albarn and the band refused to re-record the album for the American market. They were done with America for the time being. 

For Tomorrow has a beautiful feel to it; strings, la la la's, a very southern English vocal by Albarn and solid beats. The video further stamps Blur's new identity; Albarn hanging off the back of a London double decker bus, floating in The Thames, the band playing football in Trafalgur Square and hanging around on Primrose Hill. All wearing the aforementioned new Blur uniform of suit jacket and jeans. The melody changes for the final two verses, flowing superbly as Albarn sings modern life is rubbish

Dave Balfe didn't really get the hit single he wanted, For Tomorrow reached number 28 in the charts. But the was documented evidence that Blur had changed as a band. One year later they did have the hit (and a massive one at that!) with the glorious pop riot Girls & Boys.

Blur - For Tomorrow official video

Blur - For Tomorrow live at Wembley Arena 1999


Previous blogs in the series

1. Loser by Beck

2. Ain't No Love (Ain't No Use) by Sub Sub


Thursday, 13 April 2023

Anything Goes & Everything Flows DJ Mix 23


Hello and welcome to number 23 in my series of 60-minute mixes/playlists.

When I started this series I said that it was inspired by old visits to favourite haunts of mine like The Variety / McChuills in Glasgow. In my younger days I would regularly visit one of those pubs on a Thursday, Friday or Saturday night, where DJ's would work their magic to get the crowd in the mood for moving on to a club. 

More often than not, I'd opt to just stay in the bar.

In these magical bars that I frequently visited through my 20's, the DJ's would spin incredibly cool tunes, many that I had never heard before, causing me to go up and ask the DJ what they were playing. McChuills and The Variety were places where the music policy was very much anything goes and everything flows.

It's kind of been a (not so) secret ambition of mine to DJ or put on a night on McChuills for a long time. So I am super delighted that Stevie Elements, one of the bars residents, has asked me to DJ alongside him on Sunday 18th June from 5-9pm.

As it's Fathers Day, this will be my little treat to myself after lunch with my daughters. Lynn and I had a great night in McChuills last summer and danced away to tunes Stevie was playing. It's an honour to be asked to play.


Stevie has given me the choice of DJ-ing digitally or with vinyl. While the flexibility of DJ-ing digitally is incredibly enticing (not to mention the fact I wouldn't have to lug record bags around), the excuse to dig into my record collection is simply too great. So I'm opting for a vinyl set.

It would be great to see you there for a beer and possibly even a dance!

Anyway, on to this months 60-ish minute mix! You can find it on Spotify by searching for Everything Flows DJ Mix 23 or by CLICKING HERE. Full tracklist below.

Lots of recent discoveries here. A few groovers, the mix ebbs and flows with funky stuff and some truly euphoric vocal performances. There are a couple of old faves by Ruby Andrews and Gladys Knight & The Pips and from my latest finds I'm particularly enjoying Stay Here With Me by Sandra Richardson and Fly Me To The Moon by Lyn Collins. The strings in Forever And A Day by Mel & Tim are sensationally sublime. The closing song is mysteriously credited to various artists on Spotify. If anyone reading this knows more about it then please get in touch.


The Feeling - California Soul Explosion
Better Keep Movin' - The Perigents
Where The Lillies Grow - Sidney Joe Qualls
Footsteps - Creations
Things Got To Get Better (Get Together) - Marva Whitney
Stay Here With Me - Sandra Richardson
Your Love Controls My Mind - Johnny Williams
Wonderful Night - Candace Love
Don't It Make You Feel Funky - Joe Hicks
Fly Me To The Moon - Lyn Collins
Don't You Care - Alice Clark
In The Middle - Marva Whitney
I'm In Love With You - Bobby Paterson
Forever And A Day - Mel & Tim
Is This The Way To Treat A Girl (You Bet It Is) - The Hesitations
Let Our Love Grow Higher - Eula Cooper
Just Loving You - Ruby Andrews
Soul Dance No.3 - Carl Homes and The Commanders
This Man - Wally Cox
If You Ever Get Your Hands On Love - Gladys Knight & The Pips
I Need A True Love - Eddie Parker







Monday, 10 April 2023

Take The Skinheads Bowling


 Trust Me #52

Take The Skinheads Bowling by Camper Van Beethoven

As a debut single, Take The Skinheads Bowling by Camper Van Beethoven has to be right up there!

I seem to remember having a bootleg of Teenage Fanclub performing this song. Possibly from a King Tuts show. I probably heard the original on a mixtape around 1991/2 when I was 15/16. It swiftly became a real favourite.

Take The Skinheads Bowling is only 2 minutes 32 seconds long, but it packs a lot in! Opening with a fast paced chiming rhythm guitar groove, the vocals come in and sound beautifully stretched, urgent at times, almost spoken word at times.

Everything rides on the groove. Random (purposefully)  lyrics, the brilliant I had a dream last night hook, the backing vocals - just to hammer the hooks home, and of course the chorus.

I love the way David Lowery mixes his vocals. At times it is almost spoken word, then in the next line he really strains his voice. The ongoing contrast in styles keeps listeners on their toes and I think it has helped the song still feel remarkably fresh almost 40-years on from release in 1985.

The example in the first verse is the contrast from; and he increases the number of clocks by exactly one to everybody's coming home for lunch these days.

Speaking about the lyrics, Lowery has previously said; "The lyrics were purposefully structured so that it would be devoid of meaning. Each subsequent line would undermine any sort of meaning established by the last line." 

Backing vocals are introduced in the second verse to delightful effect, adding to the sense of fun and pop catchiness. At one point Lowery sings there's not a line that goes here that rhymes with anything, before my favourite line (and surely something we've all said at one point) I had a dream last night but I forget what it was.

All the while, the urgent rhythm propels the song along. Take The Skinheads Bowling is a song I rarely play just the once. It's so funny, fresh, unique, cool and catchy that I just have to play it again.

If you've never heard it before, then I really hope you enjoy it. If you have heard it, I know you'll love a reason to revisit. Let me know if you play it more than once!

Camper Van Beethoven original

Teenage Fanclub cover version

A list of all previous songs I've blogged about in my Trust Me feature are listed below, along with links to each blog. Take The Skinheads Bowling joins them.

I've also collated them all into a playlist on Spotify that you can find by searching for Everything Flows - Trust Me , or you can CLICK HERE

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack


Saturday, 1 April 2023

Comedy

Trust Me #51 Comedy by Shack

Last year's Michael Head shows at the Strathaven Hotel for FRETS were truly incredible. It felt like a real honour to watch a master craftsman at his work in such a warm, friendly and intimate setting. Hearing some of Head's string drenched songs stripped back made me appreciate them even more. 

One in particular stood out for me. Comedy, from Shack's 1999 album H.M.S Fable. When Michael Head tilted his head back, battering his acoustic guitar with all his worth and sang when you cry it pulls me through, a bolt of electricity was fired into my heart. It was spine tingling.

That line seemed to take hold of me. I played the song again and again after the performance.

Comedy begins with a beautiful instrumental. Lead and rhythm guitar in tandem; a gorgeous riff backed by a great groove. Head's naturally gifted voice comes in, instantly sounding soothing, melodic and dreamy. Then there is a rise for the chorus, the harmonies are to die for;

Fifty million reasons, loving in the seasons

Fifty million lovers, sitting at the doubles

Fifty million reasons, loving in the seasons

There is a little break where the music builds before the next line;

When you cry it pulls me through

Listening to Head and his band mates harmonising on headphones is a dream. The closing instrumental is sublime; an electric guitar solo cuts through the air like a knife as strings swirl and soar. I could listen to this section for days on end. Someone should do a 12-inch mix!

Check footage from the FRETS below. 



Michael Head is in a rich vein of form and tonight he plays with his Red Elastic Band under the guise of A Scouse Is Not A Motel in his home city of Liverpool to support community food spaces.  I'd love to see Head playing songs by his beloved Love.

You can donate here

A list of all previous songs I've blogged about in my Trust Me feature are listed below, along with links to each blog. Comedy join them.

I've also collated them all into a playlist on Spotify that you can find by searching for Everything Flows - Trust Me , or you can CLICK HERE

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy