Showing posts with label The Sonics. Show all posts
Showing posts with label The Sonics. Show all posts

Thursday, 6 March 2025

Louie Louie

 

Cover version of the month #106
The Kingsmen cover Louie Louie by Richard Berry and The Pharaohs

I recently watched the magnificent 24-Hour Party People film for the first time in ages. Steve Coogan is outstanding as Tony Wilson (with a little dash of Partridge) while the formation of Factory Records, development of Joy Division, Ian Curtis' suicide, opening and mismanagement of the Hacienda, reliance/total piss-take on New Order's money and chaos of the Happy Mondays are portrayed with the right levels of honesty, empathy, bemusement and humour.

In the film, local punk fan Jon the Postman regularly gets up at the end of gigs to sing the evergreen garage band anthem Louie Louie, determined to keep the party going and sing his favourite song. Jon would go on to form a band and often guest with others. This led to him appearing with The Fall on Live 1977 album singing a ramshackle version. 

Louie Louie is a song I most definitely heard for the first time in McChuills. It was, and still is, regularly played by Old Nick in the bar. Probably by most DJ's at some point as well!

Covered by well over 1,000 bands/artists, including The Sonics, Iggy Pop, Motorhead and The Clash, I was convinced that the original was by The Kingsmen, as that was the version referenced by the bands and in the numerous articles I had read over the decades. However, it turns out that a guy called Richard Berry wrote and recorded the song with his band The Pharaohs back in 1955.

I'd never heard the original until I started researching the song for this blog. On first listen, I have to admit to finding it pretty uninspiring. I guess I'm used to the rawness of The Kingsmen and The Sonics, while The Pharaohs version is slower and smoother.

But the laid-back groove did grab me on second listen. It is undeniably catchy, allegedly inspired by Latin rhythms, particularly RenĂ© Touzet’s El Loco Cha Cha. Berry crafted a story about a sailor longing for his love while stranded on a foreign shore. 

The story of the song, author, rights, publishing and ownership are quite something! There is a book in there for someone! A few google searches will direct you to some cracking articles.

By the mid-80's Berry was living on welfare and then the drinks company California Cooler used the song in a commercial. Despite the fact Berry had sold the rights to the song almost immediately after writing it, he still owned the radio and TV performance rights. He became a millionaire!

Richard Berry & The Pharaohs version

Lets travel back to 1963 though, when a young band from Portland, Oregon, called The Kingsmen took a raw, raucous approach to Louie Louie, generating immediate ripples and recording something so important that it has left a permanent mark on guitar music, stamping their name into rock history. 

This could well be the most important cover version of all-time.

Apparently The Kingsmen played a 90-minute version at a teen club the night before recording. Can you imagine if that was unearthed?! What I find remarkable is how they create such a dirty sound when they look so clean cut! 

Louie Louie by The Kingsmen is gloriously messy—recorded in one take with a distorted, almost unintelligible vocal from singer Jack Ely, who had to stand awkwardly to sing into a microphone hanging from the ceiling (they were essentially recording in a radio studio), resulting in a primal energy that would define garage guitar music for generations. It's so pure and real that it is completely timeless.

Beginning with an organ riff, everything else falls in behind and the energy grabs you immediately as Ely goes straight to the chorus, his words tumbling and stumbling into each other as he flies through the you take me to where you gotta go in double quick time.

Louie, Louie, oh no, you take me to where you gotta go

Yeah, yeah, yeah, yeah, yeah baby

Louie, Louie, take me to where you gotta go

Ely is like the original Julian Casablancas of The Strokes. Sounding like he is making it up as he goes along, a detached cool don't give a f**k attitude. You can just about make out what he is saying, although the lyrics would be the subject of much debate among teenagers in America who would speculate and write their own on pieces of paper and pass them round. Amazingly, and brilliantly, this led to the FBI were investigating the song! Lets just say that the lyrics that kids were passing around were not exactly clean! Rock n roll!

A fine little girl, she waits for me

Me catch a ship across the sea

Me sailed that ship all alone

Me never think I'll make it home

After a second chorus there is an audible shout of fuck from someone somewhere (believed to be the drummer)  on the recording and Ely continues to tell his tale of sailing across the seas to his girl.

Following the second verse and another chorus, Ely screams OK, lets give it to 'em right now leading to an outstanding 30-second guitar solo over the simple and sublime organ riff. It is electrifying! The Kingsmen are in the zone, lost in the moment and no matter how many times you listen, they draw you in with them.

There is a false start before the next verse, beautifully covered with a beautiful roll by drummer Lynn Easton (my wife's name!) and then they go into it for real. This just adds to the cool, raw, unpolished, urgent vibe. The energy. You can't teach this. You can't produce this or arrange it. If you're lucky, you might capture it.

Louie Louie by The Kingsmen got off to a slow start, just 1,000 copies were initially pressed by Jerden Records, then it got picked up by a larger label, Wand Records. Remarkably, things picked up after a DJ played it as his worst record of the week! 

Sometimes, the best songs are the simplest ones, built on passion rather than perfection. The infectious energy created from Louie Louie is still being felt today. It's a classic three-chord wonder that has been covered by everyone from The Sonics to Iggy Pop, The Beach Boys to Otis Redding, The Kinks to The Clash. 

The Richard Berry original and the landmark cover version by The Kingsmen of Louie Louie are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Richard Berry original

The Kingsmen version

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!



Monday, 24 September 2018

Never Ending Mixtape Part 28





Welcome to the 28th edition of my Never Ending Mixtape. The latest selection of songs takes the mixtape (Spotify playlist) to 700 songs!

Tunes range from 60's classics by Thunderclap Newman, The Sonics and the MC5, also Time Song by The Kinks that I had never heard before. Scotland is represented by Camera Obscura, Strawberry Switchblade, Teenage Fanclub and Edwyn Collins. There is new music from Gruff Rhys and Amber Arcades, a couple of gems from Graham Coxon, including one from the excellent Netflix series The End of the F**king World and vintage Spiritualized, Pulp, Sleepy Jackson and Cornershop.

You can access my Never Ending Mixtape by searching Spotify for Everything Flows Never Ending Mixtape or CLICK HERE

Scroll down to near the end for the latest songs, or just delve in. I personally love just clicking on shuffle and enjoying.

Thanks for checking it out.

Babies - Pulp
French Navy - Camera Obscura
Good Dancers - The Sleepy Jackson
Since Yesterday - Strawberry Switchblade
Something In The Air - Thunderclap Newman
Kick Out The Jams - MC5
Have Love Will Travel - The Sonics
Sleep On The Left Side - Cornershop
Time Song - The Kinks
Where Did You Go - Amber Arcades
Stop Your Crying - Spiritualized
Baby I'm Just A Fool - Spiritualized
Walking All Day - Graham Coxon
Freakin' Out - Graham Coxon
Limited Edition Heart - Gruff Rhys
Guiding Star - Teenage Fanclub
Don't Shilly Shally - Edwyn Collins
Make Me Feel Again - Edwyn Collins
Fear of Flying - Teenage Fanclub
Tears Are Cool - Teenage Fanclub
Gene Clark - Teenage Fanclub
Negative Vibes - Gruff Rhys
Frontier Man - Gruff Rhys

Monday, 29 June 2015

Wickerman 2015 preview



The line-up for the 2015 Wickerman Festival is their strongest to date while remaining typically eclectic; offering a fantastic mix of new and up and coming music alongside established and legendary artists.

Synergy Concerts have taken over the booking of acts for the festival and they have brought in some of their favourites and used their experience to bring in some acts that could and should make Wickerman 2015 the best yet. If only they could book the sunshine!

Who am I looking forward to?...

In no particular order, here are 20 acts that I am hoping to catch over the course of the weekend...

Of course there is much, much more on offer and part of the joy of Wickerman is just wandering around the beautiful site and taking in a melting pot of everything.

Stereo MC's
Stereo MC's at the Barrowland Ballroom back in 2002-ish was an incredible show. Over 10-years down the line Stereo MC's live shows still have a reputation for being high energy; with singer Rob Birch bounding all over the stage and getting the crowd on his side with ease.

The 1992 album Connected spawned massive singles including the title track, Step It Up and Ground Level. An early evening slot in the sunshine would be a perfect time for this band. Funk, pop, dance and soul.




Sugarhill Gang
I caught the Sugarhill Gang at King Tut's last summer. Rappers Delight will be one of the songs of the festival and the summer. Look out for loads of people trying to rap along.


Lulu
Lulu is sure to get the party started. Shout is going to be a massive Wickerman hit with the audience bellowing along. Little known fact - Lulu has also written some monster hits including Tina Turner's I Don't Wanna Fight so expect her band to play some of these songs and some choice covers - Lulu released a cover of Bowie's Man Who Sold The World back in the day.


Squeeze
Up The Junction is a guitar pop fave of mine, it is pure pop perfection and the thought of singing a-long to it at Wickerman is a good one. Squeeze have much more than that in their arsenal though and I expect them to be a real festival favourite and gain many new fans.



Neneh Cherry
Buffalo Stance at a sunny Wickerman - oh please, please, please. Neneh Cherry's show at SWG3 received outstanding reviews, as did her last album. The lyrca and shell suits may be gone but Neneh will bring a set of sassy funk, jazz, pop and soul to Wickerman. Sure to be a hit. Check this extended re-editversion of Buffalo Stance

Pic from brandammo.com

Julian Cope
The legendary Julian Cope is a must see for me. Pop hits like World Shut Your Mouth and Trampolene will hopefully feature alongside some material from The Teardrop Explodes and surely Out Of My Mind On Dope On Speed will be a festival anthem for many



Jimmy Cliff
I can't wait to see this genuine legend live and to hear his stunning voice on hits like Many Rivers To Cross, The Harder They Come, Wonderful World Beautiful People and  You Can Get It If You Really Want. Sunshine reggae vibes will be perfect for Wickerman.


The Waterboys
I saw the crescent, you saw the whole of the moon
What a song! It flows, rises, soars and keeps on going. Expect people to be dancing around and punching the air with glee when The Waterboys drop this. It is their defining moment and rightly so - not many artists write something as good. Mike Scott and co will astound with their tight musicianship and songs from throughout their career with may lifted from the Fisherman's Blues album.



Tal National
Brian Reynolds who is one of the bookers for Wickerman 2015 has mentioned this band a few times on his Facebook page. He then tweeted me to make sure I checked them out ahead of the festival. I can understand why.

One of the great things about Wickerman is that it will give bands a chance and literally a platform. Tal National's jazzy african rhythms could steal the show - expect quite a performance if their videos are anything to go by. Embrace it.



BMX Bandits
Bellshill legends the BMX Bandits have just been announced as the first headliners for the new Phoenix Tent. Their warm guitar pop is sure to be a festival favourite. Serious Drugs is their most famous song, but look out for some stunning songs from recent albums and I hope they also play songs like Little Hands.  I know I'll be going to see them and if you haven't then you should try to pop in.



The Pains Of Being Pure At Heart
A rush of indie guitar pop always warms my heart and this band are masters at that. Catchy, fuzzy, fun, melodic and pure - I look forward to seeing them play songs like Heart In Your Heartbreak.


Kathryn Jospeh
The winner of the 4th annual SAY Awards with her stunning debut album Bones You Have Thrown Me And Blood I Have Spilled. Check the gorgeous live version of Bones below. Kathryn's music and reputation is growing by the week, making this a perfect booking for Wickerman - an artist on the rise.


Miaoux Miaoux
Electronic pop pushed as far as possible. Miaoux Miaoux are capable of sublime moments and also downright dirty dance stuff like Hey Sound! Stop the Clocks is one of my all time favourite songs and It's The Quick off their new album could be your favourite of the festival.



Catholic Action
Are another new band I intend to make the time to see at Wickerman. Their upbeat punky guitar pop is winning them lots of fans. Check L.U.V for evidence of what to expect - could be a real highlight if they have a set of songs like this.



The Sonics
Legendary garage band The Sonics have some incredible songs and their guitar sound is one that many look to for inspiration with James Murphy from LCD Soundsystem being a real fan of their raw punk edge. Have Love Will Travel is a garage classic.



Errors
Errors are on the rise and made the shortlist for the SAY Award this year with their latest album Lease Of Life. Their expansive, spacey, electronic vibes and soundscapes will gain them new fans at Wickerman.




Ela Orleans
Stephen Pastel has been on about Ela Orleans for ages, converting Tim Burgess among others to the beautiful leftfield electronic pop that the Polish artist (now residing in Glasgow) is capable of creating. Listen to The Sky And The Ghost below for starters and imagine this at Wickerman.



Withered Hand
Withered Hand is gaining fans with every release and performance. He blew me away with a solo show in tiny Bowlers Bar last summer. Dan Willson has an incredible ear for melody and his lullaby voice is a joy to listen to.



Tuff Love
Tuff Love are picking up fans as they go about their busy touring schedule; supports with Ride and an assortment of festivals added on to their own gigs over the last year or so have turned this fuzzy scuzzy indie guitar act into one that is road ready and set to win you over. They were in brilliant form at the SAY Award ceremony and i look forward to seeing them at Wickerman.


Neon Waltz
I have yet to catch Neon Waltz live and fully intend to do so at Wickerman. The band hail from Wick in the Highlands and the fact that they are so removed from any 'scenes' has stood them in good stead as they remain true to their own style and tastes. Definitely ones to watch over the next year or so.