Showing posts with label daft punk. Show all posts
Showing posts with label daft punk. Show all posts

Thursday, 28 August 2025

Life Is Sweet

 

Trust me #103
Life Is Sweet by The Chemical Brothers

Stumble out into the dawn streets with a still-buzzing Tim Burgess on the glorious Life Is Sweet, his choirboy voice royally f***ed up and slumped across a mere slip of melody. Stephen Dalton, NME

What a beautiful piece of writing by Stephen Dalton for the NME! What more could I add?

The Chemical Brothers were a force of nature in the 1990's and along with the likes of The Prodigy, Underworld and Fatboy Slim, they helped create a huge melting pot of music. Alternative British music was thriving; Radiohead, Spiritualized, Massive Attack, Portishead and Primal Scream would release groundbreaking albums, pushing boundaries with their sonic soundscapes and ambitions.

Lets go back to 1992 and it was very much the case of right place, right time!

The Chemical Brothers met in Manchester and began DJ-ing in pubs while also forging ahead with producing their own psychedelic big beat sounds. Originally called The Dust Brothers, until the US producers asked them to change, their first self-pressed white label 12-inch found its way into the hands of Andrew Weatherall who began playing Song to the Siren in his sets.

Word, as tended to happen with Weatherall, got round and before long Tom Rowlands and Ed Simons were remixing for Leftfield, Lionrock and Republica. In October 94, the duo, still known as The Dust Brothers, became resident DJ's at the Heavenly Sunday Social on Great Portland Street. Noel Gallagher and Tim Burgess were regulars and before long The Dust Brothers were remixing Primal Scream's Jailbird, The Charlatans Patrol and Nine Acre Court, the Manics and The Prodigy.

By 1995, The Dust Brothers had become The Chemical Brothers due to a name clash with the American producers. Tom and Ed were carving out their own space in the world of electronic music, fusing breakbeats, big beats, and psychedelic grooves into something fresh and thrilling. Their debut album Exit Planet Dust was a game-changer, and one of its standout moments and was Life Is Sweet, a track that featured none other than Tim Burgess of The Charlatans on guest vocals. Tim was a big fan of the Heavenly Social where The Chems had a residency. It seemed like a natural fit. It sounds like it most definitely was.

1995 was a super sunny summer and Life Is Sweet was one of many songs released around that time that seemed to be tailor made for the times and the weather. Life - for a 19-year old with no ties, good friends and regular nights out - was very sweet.

The Chemical Brothers were already known for their heavy, rolling beats and club-shaking basslines. But Life Is Sweet was something else: a hypnotic, groove-laden track that felt equally at home on a dancefloor as it did blasting through a car stereo on a summer evening drive down the Clyde Valley. 

I'm driving in the sun

It's a hell of a way down south

Bring me back my love


Tim Burgess was a perfect and very natural fit to The Chems psychedelic soul, bringing a laid-back, almost dreamlike vocal delivery to the mix, a human warmth to the beats, bass and synth sounds.

Swirling synths, a relentless and infectious groove and Burgess' floating vocal, trying to calm the storm going on around him, but getting beautifully caught up in it.

Burgess, Tom and Ed definitely found chemistry together in this collaboration.

Released as a single, Life Is Sweet included a Daft Punk remix. Looking back, this release captured a moment when electronic music was evolving, absorbing elements of rock, hip-hop, and psychedelia to create something new and intoxicating, fresh for the 90's.

On reflection, I wish the video had documented the times - Tom an Ed DJ-ing in a packed basement in the Heavenly Social The video (below) with Tim singing and dancing along. That would be super cool to look back on.As it is, Tom and Ed are mucking about with (and blowing up and trying to fix) a large bank of equipment, while Tim is seemingly locked in a smaller room looking through a hole in the wall to watch The Chems, while in other rooms there are a series of mad people!

Remember (cause it can be difficult when you read or turn on the news) that life can be sweet, and so is this tune.

Life Is Sweet is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.


Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
100. Sit Down (Live at G-Mex) by James
102. Just When You're Thinkin' Things Over by The Charlatans

Monday, 2 December 2024

Nile Rodgers at the Barrowland Ballroom

I'm still basking in the afterglow of seeing Nile Rodgers and CHIC at the Barrowland Ballroom! A phrase and tantalising thought that will bring smiles to the faces of anyone fortunate enough to have been there for years to come.

My wife, friends and I snapped up tickets immediately upon release, super excited by the prospect of this legendary hit maker and his crack band playing the best venue in the world.

We were not disappointed!

What an honour it was to see a master of songwriting, arrangements, guitar playing and production up close and personal. 

I should also name Nile's current line-up of CHIC; Jerry Barnes on bass who delighted the crowd with his exceptional and energetic style, Ralph Rolle on drums - he brought the funk, Kimberly Davis and Audrey Martells on exquisite and sublime vocals, Russell Graham and Richard Hiltons on keyboards and Brandon Wright, Steve Jankowski and Ken Gioffre on horns.

These are good times

Leave your cares behind

This was 105-minutes of pure escapism, much needed from a world troubled by climate change, wars and conflict and right wing politics, with the cost of living crisis and housing emergencies impacting many.

Nile and CHIC lifted the crowd from the off with an outrageous opening medley of Le Freak, Everybody Dance and Dance, Dance, Dance (Yowsah, Yowsah, Yowsah). They were just getting started! Band and audience were definitely warmed up and raring to go.

More hits? Nile's got 'em!

I Want You Love was dreamy, beautiful and seductive. Kimberly Davis treated us to some truly sensational vocals afterwards, Nile looked on with a beam. What a gorgeous smile this guy has! 

With so many songs to get through, Nile and CHIC merged some together. We had I'm Coming Out and Upside Down by Diana Ross from her 1980 album Diana, written and produced by Nile and Bernard Edwards, the friends who co-founded CHIC. Two slices of impeccable pop; hooks, grooves and super cool.

More?

We then had He's The Greatest Dancer and We Are Family from the Sister Sledge album of the same name that Nile and Bernard wrote and produced in 1989. Utterly brilliant disco pop. 

What else did Nile get up to?

Oh yeah, he produced Madonna's Like A Virgin album in 1984. Nile told us how he wanted Material Girl to be the lead single as he could imagine everyone calling Madonna 'the material girl'. Madonna told him it was going to be Like A Virgin. So Nile played both! The crowd went nuts.

The year before, Nile produced a Bowie album and so we had a joyful blast through Modern Love. Nile then brought us into present times with CUFF IT by Beyonce and Get Lucky and Lose Yourself to Dance by Daft Punk. A career overview was being played out before our eyes.

Lost In Music was outstanding. Everyone in the Barrowland was lost in music, the structure, arrangement and feeling of that Sister Sledge song is utterly perfect. Notorious by Duran Duran was very popular with girls and women around me, then we had the sublime Thinking Of You - sheer perfection.

Phew, Nile and CHIC kept going, Jerry Barnes on bass was co-frontman with Nile, delighting the crowd with his facial expressions and incredible riffs. Meanwhile Kimberley and Audrey on lead vocals were absolutely exquisite. Their voices were like angels.

Drummer Ralf Rolle then led the band through an extended jam called Maximum Funkocity which was superb, great fun. There was a call and response section with the crowd, hand were in the air, hand were waved ... amazing.

My Feet Dancing, Chic Cheer/Love Like This, My Forbidden Lover was a glorious run of CHIC songs before the place went truly nuts for Bowie's Let's Dance.

We were all having a good time, so there was only one way to end it. And that was with the monumental hit Good Times, with a nice segue into Rapper's Delight

The Barrowland roar of appreciation was as loud as I have ever heard, so there was an encore of the full length Le Freak to send everyone home deliriously happy. What a night!




Monday, 14 November 2016

Introducing - KVASIR



If you want to hear possibly the most sublime music being produced in Scotland right now then look no further than K V A S I R.

K V A S I R is a producer from Glasgow who, with the help of a fencing max and some funky lighting, has created a mysterious anonymous guise that allows him to live out all kinds of electronic fantasies.

I'm not privy to these fantasies but I imagine that they might include Daft Punk meeting Mylo to cruise along a highway at night with the Drive soundtrack blaring out and a vocoder sitting on the passenger seat.

There is much more to K V A S I R's self-titled debut EP than the influences mentioned above though. Four-tracks, the length of a good old fashioned EP, give K V A S I R space to play and the music plenty of opportunity to breath.

Motion is sublime; uplifting electronic pop, beautifully crafted and produced. Exchange is vocoder heaven - the kind of song that many modern day pop stars would die for. But hey, K V A S I R is a modern day pop star!

Lyon has a glorious sun-kissed chorus. It's electronic robotic love with a heart. You know the kind that Daft Punk are so good at?.... Well that.

Cause I can say I'm sorry
I can say I need you
And I can say I'll tear myself apart
But you don't even want this
You don't even hear me
Cause I can't face the truth it breaks my hear

The EP flows beautifully into First Throws, bubbling synths build and build into a true hands in the air moment and you expect the big beats to come in. Only the don't, things drop down and a Mylo-esqe sample from a Trader talking about 'dreaming of another recession' comes in, before the beats do kick in.

Summary - so good you won't believe it.

K V A S I R will be supporting Crash Club at St Luke's on 3rd December and announcing a January date in the very near future.



Tuesday, 24 March 2015

Nile Rodgers and Chic at Glasgow Academy

What a night! The cheer that reverberated around the 02 Academy in Glasgow last night when Nile Rodgers and Chic finally paused between songs, following their classic Le Freak, was among the loudest I have ever heard in 22-years of gig going in Glasgow. And it didn't stop, it went on again, again and again. Nile smiled and looked genuinely amazed. The cheer came back again and Nile asked his keyboard player to take a picture of the crowd.

When I got home i tweeted Nile and he replied;

  1. My ears are still ringing from the ROAR of the crowd! True Fact!
  2. 11 hours ago


The Academy was a complete sell-out and Nile strolled on to the stage alone to chat to to the crowd and introduce the video for Chic's new single I'll Be There, an up temp disco beauty that plays on the old Sister Sledge classic Got To Love Somebody.

Nile then returned with his exceptional band and got everyone straight into the groove with an amazing opening trio of Everybody Dance, Dance Dance Dance (Yowsah Yowsah Yowsah) and I Want Your Love!

The crowd responded by dancing, clapping, waving their hands in the air and generally having the best Monday night ever. It didn't let up!

Nile announced he would be playing songs he had written and produced over the years and kicked off with a Diana Ross double - the blissful I'm Coming Out and the exquisite Upside Down. This was disco heaven, Nile patrolling the stage playing and feeling his guitar; letting us hear and see some of the best disco funk riffs of all time.



A medley containing the likes of He's The Greatest Dancer (one of my highlights of the night), We Are Family, Madonna's Like A Virgin, Lost In Music and Duran Duran's Notorious had the crowd in raptures.

This was a musical lesson; short verse, huge choruses hammered home again and again, raising it up, taking out the beat and bringing it all back in again. All the time underpinned by Rodgers unique guitar playing.

The two female singers were brilliant and Nile took time to thank them and all of his band.

Thinking Of You is one of my all-time favourites and it was a real hands in the air moment while the cover of Carly Simon's Why was superb.


I'll Be There is the new single and Nile told us about how he was diagnosed with cancer 5-years ago and how he decided he wanted to let the doctors do what they do and he would do what he does - make music. I'll Be There was a highlight, as was the delicious Get Lucky, Nile's single with Daft Punk that gave him a whole new audience.

The set was all one big highlight but the closing quartet of My Forbidden Lover, an outstanding romp through Bowie's Let's Dance, the aforementioned Le Freak and the closer Good Times really raised the roof, with Rodgers inviting people on stage to dance.

This was a special night with Rodgers blown away by the audience response - this was a Monday night; he should try a Saturday night at the Barrowlands!






Tuesday, 17 December 2013

Albums of 2013

I have bought and enjoyed a good number of albums in 2013, probably quite a bit more than last year.

I've only just discovered the Kurt Vile album and I have still to buy John Grant and Jon Hopkins.

I'll no doubt discover a few gems released in the last 12-months further down the line, but for the time being, here are my top 10;

Big Inner by Matthew E White
I blogged about this back in February and described it as 'poetic, beautiful, hushed, thoughtful and the playing, singing and production is just outstanding'. Nothing has changed other than the fact I have just fallen further in love with it. A work of beauty.


It's Not About War by Chris Grant
Recorded in his garage on an £80 laptop, this album contains some of the best songwriting and love songs that I have heard in a long time. Grant has complete confidence in his skills and songs and it shows. 'I Am The One' and 'Like A 45' are just stunning.

My blog upon release in October declared; 'It's Not About War is a fucking beautiful album. Chris Grant sings from the very bottom of his heart, the passion and truth in his vocals match the open and honest lyrics.'


Reflektor by Arcade Fire
An outstanding album, what would you want from one of the world's best and most ambitious bands? Some production by James Murphy? Check. Bowie backing you up? Check, a wide range of songs across a sprawling double album that lets the band explore their talent and sound? Check. Brilliant. Their show at the Barrowland will stay with me for a long, long time.



A Bad Wind Blows In My Heart by Bill Ryder Jones
Contemplative, gentle, melodic, rustic, homely, dreamy, lovely… this is a rather gorgeous album. 



Slow Summits by The Pastels
I don't think any band sound as comfortable with their sound as The Pastels. It's just so…them. They produce pop gems and glorious laid back grooves and just run with them. The joyous indie pop rush of 'Check My Heart' is glorious while 'Summer Rain' shuffles and flows.


The Next Day by David Bowie
This album was a surprise in many ways. The secrecy surrounding it created an almighty buzz, the songs offered great depth for the listener to delve into. Bowie was on form, sounding great and producing some outstanding material; reflective at times, biting at others.


Random Access Memories by Daft Punk
Could it live up to the hype? Well that would be difficult as the hype was incredible and the success of 'Get Lucky' probably overshadowed the album. However if you wanted some robots to make an album in 2013 then Random Access Memories delivered the goods; wildly eclectic and crazily addictive.


Understated by Edwyn Collins
A very soulful album; stomping at times, tugging at the heart strings at other. Edwyn's show at the ABC in the spring was a delight and his recent show at Mono was incredible. An artist who keeps on giving and long may that continue.



Kingdom Of Wires by Kevin Harper
A stunning self released solo album by one of Scotland's best songwriters. Kev's solo performance at King Tut's back in the summer was exceptional. The album sees Kev wear his heart on his sleeve and bare his soul. The guitar playing is sensational, echoing the Foo Fighters and classic American indie bands.


The Bones Of What You Believe by Chvrches
Hyped beyond belief, could Chvrches deliver? They certainly could. This is what I wrote in my blog review in September;

'The Bones Of What You Believe' is a fascinating album, extremely polished pop on the surface, often with darker, menacing undertones. The production is crystal clear, staying clear of the trap that many modern acts fall into - that of over-production. The songs have space to breath, there are hooks galore with synths (lots of them) beats and bass combining in a glorious manner and Lauren Mayberry's vocals are delicious; sweet at times, capable of anger, revenge, hurt and heartfelt emotion at others.

I listened to the album for the first time in a month or so this week and it actually sounds better. If anything I overplayed this when it came out. I am currently kicking myself for not buying tickets for their Barrowland show in March.




Saturday, 20 July 2013

My top blogs and stats

So people do read my blogs! Well some of them anyway!

Here are my top 10 blogs since i started, I don't tend to check views so I was pleasantly surprised when i did tonight!



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