Like A Motorway

 

Trust me #122
Like A Motorway by Saint Etienne

Released in May 94 and (inexplicably) reaching only 47 on the UK singles charts, Like A Motorway is one of my favourite songs by Saint Etienne who come to the Glasgow Barrowland next month. The Pastels will be supporting. It is set to be a very memorable night.

The date is part of Saint Etienne's The Long Goodbye tour, with the trio deciding to bow out from 37-years of creating dreamy, reflective and sublime pop since forming in 1990. Since then, the band have released 13 albums and 17 top 40 singles, but those facts merely gloss the surface. 

Saint Etienne always stood out; image, style, art, taste, Bob Stanley's background as a music journalist, Heavenly Recordings, the DJ's remixing their songs, the choice cover of Only Love Can Break Your Heart (see previous blog), a debut album that captured the times, some superb compilation albums (check Songs From Mario's Cafe and The Trip) and the perfect alternative pop star singer - Sarah Cracknell .

Ah, yes, Sarah Cracknell. An absolute dream who captivated many a young indie boy in the 90's - and still does to this very day! That super soft, warm and welcoming voice, the feather boas, cheeky winks, cool blonde hair and impeccable fashion sense - looking like she was going to go straight from a gig to a club ... or a film set! I don't mind admitting to falling head over heels for Sarah!

You're In A Bad Way, released in February 1993, was the first Saint Etienne record I bought. I still remember taping it on to a mixtape for the 6th year Common Room at school. The band were prolific in that period, their So Tough (1993) and Tiger Bay (1994) albums spawned 7 singles, with the band also releasing I Was Born On Christmas Day, a duet with Tim Burgess. So they were never far from The Chart Show, The Word, Top of the Pops or the many other music shows on TV at that time. The NME and Melody Maker loved them.

Watch Saint Etienne and Tim Burgess live on The Word HERE.

Bob Stanley and Pete Wiggs have impeccable taste in, and knowledge of, pop music and on Like A Motorway they are clearly digging the pulsating synth sounds of Giogio Moroder. The synth bass groove (I just can't get enough of this) and top line riff are super cool, while Sarah Cracknell sounds seductive and sexy.

Like A Motorway rides in on a deep pulsing bass synth riff, the beat kicks in, Cracknell whispers he's gone, he's gone and then at 35 seconds the lead synth melody comes in. There is a Weatherall style beats break just before the first verse. Cracknell tells the tale of a broken heart.

She wears sad jeans, torn at the waistband

Her pretty face, is stained with tears

And in her right hand, she clasps a letter

I know this means, that he has gone

The second verse has Cracknell telling more - about the girl never thinking she would fall in love, then getting her first kiss. In the third verse Sarah goes on to tell about the girl falling for all the lines she was fed.

He said her skin, smelled just like petals

Said stupid things, he knew she'd like

She said her life, was like a motorway

Dull, grey and long, 'til he came along

The song takes a twist in the 4th verse as Sarah takes over, probing for info, before the girl in the song suggests something more sinister might have happened...

I said - how could he ever leave you

You two were good, you were so right

She said - I wish that he just left me

He'd be alive, alive tonight

He's gone, he's gone

After thinking the guy in the song might have just left, or dumped her and broken her heart, the listener is left wondering if (a) she killed him, or (b) there was an accident. The artwork for the single shows a crashed/abandoned car, overgrown with leaves and weeds. The Chemical Brothers (then The Dust Brothers) and David Holmes both got their hands on Like A Motorway to provide remixes.

Like A Motorway is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton

1A. Crimson and Clover by Tommy James and the Shondells

2. I Am, I Said  by Neil Diamond

3. Where's The Playground Susie?   by Glen Campbell

4. If You Could Read My Mind by Gordon Lighfoot

5. Gimme Some Truth by John Lennon

6. Gone With The Wind Is My Love by Rita and the Tiaras

7. In The Year 2525 by Zager and Evans

8. The Music Box by Ruth Copeland

9. The Ship Song by Nick Cave

10. Sometimes by James

11. I Walk The Earth by King Biscuit Time

12. Didn't Know What I Was In For by Better Oblivion Community Centre

13. When My Boy Walks Down The Street by The Magnetic Fields

14. The Man Don't Give A F**k by Super Furry Animals

15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser

16. Are You Lookin' by The Tymes

17. A Real Hero by College & Electric Youth

18. Feelings Gone by Callum Easter

19. Sunday Morning by The Velvet Underground

20. Did I Say by Teenage Fanclub

21. Don't Look Back by Teenage Fanclub

22. Your Love Is The Place Where I Come From by Teenage Fanclub

23. Belfast by Orbital

24. Clouds by The Jayhawks

25. Dreaming Of You by The Coral

26. Everlasting Love by Love Affair

27. Walk Away Renee by The Left Banke

28. Teenage Kicks by The Undertones

29. Shaky Ground by Sneeze

29. Rill Rill by Sleigh Bells

30. I Can Feel Your Love by Felice Taylor

31. The State We're In by The Chemical Brothers w/ Beth Orton

32. Sunshine After The Rain by Ellie Greenwich

33. Losing My Edge by LCD Soundsystem

34. Mondo 77 by Looper

35. Les Fleurs by Minnie Riperton

36. Rat Trap by The Boomtown Rats

37. How High by The Charlatans

38. I Can't Let Go by Evie Sands

39. Pop Song 89 by R.E.M.

40. Summertime Clothes by Animal Collective

41. There She Goes by The Las

42. We're Going To Be Friends by White Stripes

43. Autumn Sweater by Yo La Tengo

44. Sister Rena by Lomond Campbell

45. Revolution by The Beatles

46. Lazarus by The Boo Radleys

47. Wrote For Luck by Happy Mondays

48. American Trilogy by The Delgados

49. Loser by Beck 

50. Silent Sigh by Badly Drawn Boy

51. Comedy by Shack

52. Take The Skinheads Bowling by Camper Van Beethoven

53. Freakscene by Dinosaur Jr

54. Thank You For Being You by The Pastels

55. I Think I'm In Love by Spiritualized

56. Chestnut Mare by The Byrds

57. Cannonball by The Breeders

58. Like A Rolling Stone by Bob Dylan

59. You Make Me Weak At The Knees by Electrelane

60. Lucky by Radiohead

61. Strange Currencies by R.E.M.

61. I Am The Cosmos by Chris Bell

62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir

63. Nothing But A Heartache by The Flirtations

64. Made of Stone by The Stone Roses

65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry

66. Anything by Adrianne Lenker

67. I Hold Something In My Hand by Bill Ryder-Jones

68. I Meant Every Word by Burnett Sisters

69. Dream Baby Dream by Suicide

70. Stove by The Lemonheads

71. Red Lady by Phil Cordell

72. Little Fluffy Clouds by The Orb

73. I Can Do It With A Broken Heart by Taylor Swift

74. Turnin' My Heartbeat Up by The M.V.P.'s

75. Razzle Dazzle Rose by Camera Obscura

76. Such Great Heights by The Postal Service

77. The Rat by The Walkmen

78. My God Has A Telephone by Aaron Frazer

79. Unfinished Sympathy by Massive Attack

80. Sweet and Tender Romance by The McKinleys

81. Hoppipolla by Sigur Ros

82. 69 Police by David Holmes

83. Hey Lisa by David Holmes

84. I Am A Rock by Simon & Garfunkel

85. Kung Fu by Ash

86. Kids by MGMT

87. Slight Return by The Bluetones

88. Give Peace A Chance by John Lennon / Plastic Ono Band

89. Cut Your Hair by Pavement

90. Race for the Prize by The Flaming Lips

91. Waitin' for a Superman by The Flaming Lips

92. Acquiesce by Oasis

93. This Is Music by The Verve

94. Lone Swordsman by Daniel Avery

95. Sparky's Dream by Teenage Fanclub

96. Common People by Pulp

97. Let Our Love Grow Higher by Eula Cooper

98. Regret by New Order

99. Keep On Keepin' On by Nolan Porter

100. Sit Down by James (Live at G-Mex) by James

101. Never Lose Your Sense Of Wonder by Yeti

102. Just When You're Thinkin' Things Over by The Charlatans

103. Life Is Sweet by The Chemical Brothers 

104. How Can I Tell You (To Love Me More) by Brooke Coombe

105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish

108. Cobra by Geese

109. All I Have To Do Is Dream by The Everly Brothers

110. Vapour Trail by Ride

111. Teardrop by Massive Attack

112. Since I Left You by The Avalanches

113. Good Dancers by The Sleepy Jackson

114. Kiss My Love Goodbye by Bettye Swann

115. What Difference Does It Make? by The Smiths

116. Get Out Of My Dream by The Clouds

117. Sundress by Ben Kweller

118. I Love You by Primal Scream

119. Calico Skies by Paul McCartney 

120. Lay This Burden Down by Mary Love

121. Primitive Painters by Felt w/ Elizabeth Fraser

Tenement Trail 2025 - preview

The air in Glasgow has a beautifully fresh autumnal chill, the leaves in the parks are turning all kinds of glorious colours and there is the unmistakable buzz of a city preparing for one of its best days on the music calendar: Tenement Trail. 

On Saturday October 11th, the area around The Barrowland, will be transformed into a sprawling, multi-venue festival, and if you're a fan of discovering your new favourite band, this is where you need to be.

Five things about the Tenement Trail;

• This will be the 11th Tenement Trail.
• It is named after the very platform that spawned it - the beloved Tenement TV sessions filmed in a flat. The website still highlights and supports new music on a regular basis.
• The festival used to run up on Sauchiehall Street and take in Sleazys, Broadcast, the ABC and ABC2 plus other venues. I think the new 'arts district' in the East End really suits it.
• Lewis Capaldi, Sam Fender and Yungblud all passed through the "Trail" at the beginning of their careers.
• McChuills holds a special 'midnight slot' for those with any energy left!

Dead Pony - Photo by Josephine Best for Clunk Magazine

The legendary Barrowland Ballroom itself will host the headliners Dead Pony who I blogged on HERE back in 2021, but the real magic of the Trail is found in the surrounding venues. Places like Saint Luke’s, BAaD (Barras Art and Design), The Winged Ox and Van Winkle will open their doors to a staggering number of bands, creating a dense, under cover, walkable festival experience that's second to none. The journey between venues is part of the fun, as the streets around the Gallowgate pulse with the energy of thousands of music fans. Check out Ho Lee Fook for amazing street food!

But what truly sets Tenement Trail apart is its commitment to championing new and emerging talent, both from Glasgow and further afield. The lineup for 2025 is a carefully curated mix of breakout artists and underground heroes. It's a platform for local bands to play to bigger audiences and for touring acts to get a taste of Glasgow's famously electric crowds.

Last year my friend Joe and I particularly enjoyed YesAndMaybe (below) playing an early afternoon set in Barrowland 2 - I described them as a cross between The Strokes and Phoenix. Shortly after we caught Dallas Love Field (pictured further below) in BAaD. I described their set as a glorious shoegaze psychedelic racket with some dreamy lead vocals. 2024 blog

The previous year (2023) I'd caught Kerr Mercer open the festival at Saint Luke's. The young singer songwriter has since gone on to support all kinds of artists to hone and tone his live performances and road test the dozens of songs he has been writing. Make that hundreds. Kerr's soulful voice has been making real connections and I look forward to his first release.

So a top tip is to get there early to spot up and coming artists who maybe haven't quite got the profile of those playing later on.

One of the most talked-about slots each year is the "midnight slot" at McChuills, a tiny, intimate venue that hosts a buzz band for a lucky crowd of a hundred or so that still have the stamina to keep going. 

Whether you're looking to catch a jaw-dropping headline set or simply wander the Gallowgate and stumble upon your next obsession, Tenement Trail is the place to be. It's a celebration of live music, a showcase of new talent, and a reminder of what a day (and night) Glasgow can put on.

Based on research and what we have heard to date (largely based on band names we like!), here are five bands/artists Joe and I are hoping to catch;

Five acts to check

• Fatale - my current favourite band. Teenagers from Lanarkshire who love Eugenius, Teenage Fanclub and BMX Bandits - right up my street! Check my introducing blog HERE. Fatale haven't even played a handful of gigs - get into them nice and early. Check their demo Moves You and cover of The Velvets Femme Fatale on their soundcloud. 

• Chloe Slater - a young singer-songwriter based in Manchester who I have heard on 6music. Her song Harriet has a brilliant video that has her singing (as Marianne) in scenes from Normal People.

• Jelly - Surely there must have been a band called Jelly before? Anyway, I haven't bothered to google. I like the name, checked the artist and found out that Tenement TV has tipped them as one of their ten to watch in 2025. It turns out that Joshua (Jelly) has worked with Youth - which sounds quite interesting. His website claims that he draws inspiration from a diverse range of artists ranging from David Gray, MGMT and The Streets. Summer single Forever Has A Feeling isn't really like an of those acts, although with some synths behind it the chorus could have an MGMT vibe. 

• Cloud House - Again, I checked Cloud House based on their name. Right from the off, you can tell they are going for big anthemic songs that could fill arenas. So it will be interesting to check them out in a small venue and see if they get the reaction that they are going for.

• Girls.Speak.French - One of the first bands I checked based on their name. They have a single called Britpop Genius, that sounds more in tune with American indie guitar bands from that time. Do I hear a tinge of Idlewild in there? Sounds promising and I'll be going to check them out.

The Beta Band at the Barrowland Ballroom

My sister Carla and I attended The Beta Band's final gig at Edinburgh's Liquid Room back in December 2004. We have talked about it a few times over the years while reminiscing about our 'all-time favourite gigs/albums/songs' over a few drinks.

That show was utterly magical. If there was a script, then the band went off it to improvise jams and grooves. I have vague memories of Steve Mason ending the show topless, wearing a helmet (I think?) and rapping. But as it was 21-years ago, I could be wrong.

The Beta Band were off the wall and lost in their own world, it's what made them so special, so unique and so captivating - you just didn't know what they would do next, where they would take a song or a groove. What clothes or accessories they would wear, put on ... or take off!

When the band broke up, their statement said that; '... eight years of no success has taken its toll and the apple needs to fall from the tree to spread its seeds.'

Given the buzz around their reformation and ticket sales, it would appear that the seeds have grown. My friends and I were among a sold-out and rammed Barrowland for the opening night of the tour to find out what has bloomed ...

Django Django warmed things up by sharing DJ duties among themselves; Turnin' My Heartbeat Up by The MVP's was among a number of choice tunes that were eclectic and cool. 

After the DJ's departed, a series of clips of The Beta Band were projected on to the white screen at the back of the stage. Home video recordings, shots of them shooting videos - walking on the moon, driving stunt cars, fooling around, interspersed with clips of songs ... just to remind you how off the wall and how brilliant they were.

Not that anyone in the room needed reminding. Although I am sure there were a number of people who hadn't seen them live before. My friend joked that the age range was just slightly younger than a Teenage Fanclub gig. But that there were a lot more trucker caps in the audience!

Steve Mason, John MacLean, Richard Greentree and Robin Jones walked onstage, MacLean fired up his synths and samples board and Inner Meet Me started the night. Before long, band and audience were in the groove. Steve Mason is one of my favourite guitar players. The way he plays rhythm guitar in tandem to (or often leading) bass and beats is unique, while he plays inventive and fluid riffs at times, often to break the groove and take it off on a tangent.

The Barrowland roar welcomed and thanked the band afterwards and it was even louder after the follow up, She's The One For Me. Talking of going off in tangents, the way this song veers off into a groove is possibly my favourite moment in a Beta Band song.

Dressed in flight suits, The Beta Band were taking off and everyone was along for the ride. The visuals behind them ranged from psychedelic lighting, to softer Autumnal tones, perfect backdrops for the mellow grooves and freakier moments of the trip.

There was little in the way of banter. The Beta Band were here to play. They switched between instruments, MacLean wove samples and effects into the live instruments, with Greentree's bass providing a solid groove foundation for the others to build and play upon.

Needles in My Eyes was beautiful, the slow bass rumbling intro was like Massive Attack, Mason's beautiful voice over the top made me think that he would be an amazing guest vocalist for the Bristol gang. But he has his own gang back!

Dogs Got a Bone was cool, while of course Dry the Rain was magical. The crowd sang every word, the refrain echoing around the Barrowland. It was a beautiful moment, band and audience as one. 

If there's something inside that you wanna say

Say it out loud it'll be OK

I will be your light, I will be your light

I will be your light, I will be your light

One of my favourite Beta Band performances online is when they play B+A at Glastonbury (watch below). They stretched it out in a similar style, in no rush to launch into the groove, teasing with the riff and bongos, introducing the wah wah effects to the guitar .... then BOOM ... into the groove that went on and on. 

Closing, after pausing for a brief encore, with a sublime Squares and then The House Song, The Beta Band had reminded everyone (perhaps even themselves) of their off the wall, psychedelic brilliance. 

Waxahatchee at the Barrowland

2024's Tigers Blood LP was a real breakthrough for singer-songwriter Katie Crutchfield who has been releasing albums since 2012 as Waxahatchee. Americana, alt-country, indie ... call it what you will, it struck a chord and it has catapulted the singer and her band to a whole new audience.

Glasgow Barrowland Ballroom is always an appreciative audience and last night was no exception. I'm normally in to catch all, or most of, the support act, but have to confess to arriving at 8.40pm after watching the epic, enthralling and entertaining 5-set French Open final between Alcaraz and Sinner. Apologies to Merce Lemon who opened the show. However, the tennis was incredible and I was rooting for Alcaraz!

The lights went down at 9pm sharp and after a blast of Dolly Parton's Here I Am, Waxahatchee walked onstage to a warm welcome. The 6-piece band were straight into it, playing 3 Sisters, Evil Spawn and Ice Cold, the opening trilogy of songs on Tigers Blood.

While the Barrowland roar might not have been as mighty as it was for the recent run of Leftfield shows that had engineers out to check the bolts on the roof, it reverberated long after the last of those songs.

Crutchfield's voice is absolutely stunning and it is lifted higher when she harmonises with Eliana Athayde who also plays bass. Elsewhere we had Spencer Tweedy a super tight and loose drummer, Cole Bergen on keys/banjo/additional guitar, a lead guitarist (apologies for not catching his name) and Colin Kroom on rhythm/pedal steel. 

Kroom was absolutely sublime on the pedal steel, making it sing, soar, soothe and cry. What a gorgeous instrument and what an exceptional musician.

Problem With It from Crutchfield's Plains project with Jess Williamson was a standout. Super catchy, flowing easily and falling like a soft blanket over the Barrowland crowd. Right Back To It, which was absolutely stunning and possibly my favourite of the night, was dedicated to a couple in the crowd who had got married in the venue and chosen the song for their first dance.

Mud is another favourite Waxahatchee song of mine. It just has that natural American country flow to it. Hurricane, another from the Plains album, is also an absolute gem.

Crutchfield played guitar for most songs, while for others she danced merrily to the side of the stage or back towards her drummer. Her voice was super sweet and strong, soaring effortlessly when required, falling to a hush at others.

Tigers Blood closed the show, the band jamming on at the end, with Crutchfield walking out to the lip of the stage to raise her guitar to salute the crowd while continuing to play. 

A 3-song encore ended with a beautiful rendition of Fire. Crutchfield and Waxahatchee are in sensational form live and on record. Hopefully it won't be long before the release another album and head back to Glasgow.

Nile Rodgers at the Barrowland Ballroom

I'm still basking in the afterglow of seeing Nile Rodgers and CHIC at the Barrowland Ballroom! A phrase and tantalising thought that will bring smiles to the faces of anyone fortunate enough to have been there for years to come.

My wife, friends and I snapped up tickets immediately upon release, super excited by the prospect of this legendary hit maker and his crack band playing the best venue in the world.

We were not disappointed!

What an honour it was to see a master of songwriting, arrangements, guitar playing and production up close and personal. 

I should also name Nile's current line-up of CHIC; Jerry Barnes on bass who delighted the crowd with his exceptional and energetic style, Ralph Rolle on drums - he brought the funk, Kimberly Davis and Audrey Martells on exquisite and sublime vocals, Russell Graham and Richard Hiltons on keyboards and Brandon Wright, Steve Jankowski and Ken Gioffre on horns.

These are good times

Leave your cares behind

This was 105-minutes of pure escapism, much needed from a world troubled by climate change, wars and conflict and right wing politics, with the cost of living crisis and housing emergencies impacting many.

Nile and CHIC lifted the crowd from the off with an outrageous opening medley of Le Freak, Everybody Dance and Dance, Dance, Dance (Yowsah, Yowsah, Yowsah). They were just getting started! Band and audience were definitely warmed up and raring to go.

More hits? Nile's got 'em!

I Want You Love was dreamy, beautiful and seductive. Kimberly Davis treated us to some truly sensational vocals afterwards, Nile looked on with a beam. What a gorgeous smile this guy has! 

With so many songs to get through, Nile and CHIC merged some together. We had I'm Coming Out and Upside Down by Diana Ross from her 1980 album Diana, written and produced by Nile and Bernard Edwards, the friends who co-founded CHIC. Two slices of impeccable pop; hooks, grooves and super cool.

More?

We then had He's The Greatest Dancer and We Are Family from the Sister Sledge album of the same name that Nile and Bernard wrote and produced in 1989. Utterly brilliant disco pop. 

What else did Nile get up to?

Oh yeah, he produced Madonna's Like A Virgin album in 1984. Nile told us how he wanted Material Girl to be the lead single as he could imagine everyone calling Madonna 'the material girl'. Madonna told him it was going to be Like A Virgin. So Nile played both! The crowd went nuts.

The year before, Nile produced a Bowie album and so we had a joyful blast through Modern Love. Nile then brought us into present times with CUFF IT by Beyonce and Get Lucky and Lose Yourself to Dance by Daft Punk. A career overview was being played out before our eyes.

Lost In Music was outstanding. Everyone in the Barrowland was lost in music, the structure, arrangement and feeling of that Sister Sledge song is utterly perfect. Notorious by Duran Duran was very popular with girls and women around me, then we had the sublime Thinking Of You - sheer perfection.

Phew, Nile and CHIC kept going, Jerry Barnes on bass was co-frontman with Nile, delighting the crowd with his facial expressions and incredible riffs. Meanwhile Kimberley and Audrey on lead vocals were absolutely exquisite. Their voices were like angels.

Drummer Ralf Rolle then led the band through an extended jam called Maximum Funkocity which was superb, great fun. There was a call and response section with the crowd, hand were in the air, hand were waved ... amazing.

My Feet Dancing, Chic Cheer/Love Like This, My Forbidden Lover was a glorious run of CHIC songs before the place went truly nuts for Bowie's Let's Dance.

We were all having a good time, so there was only one way to end it. And that was with the monumental hit Good Times, with a nice segue into Rapper's Delight. 

The Barrowland roar of appreciation was as loud as I have ever heard, so there was an encore of the full length Le Freak to send everyone home deliriously happy. What a night!

Kerr Mercer at Saint Luke's

"I started off the year playing to 100 of you at the Poetry Club. Then 300 at King Tuts and now ... now 600 of you are here with me in Saint Lukes ... it's mad ... Thank you so much."

Kyle Mercer was visibly moved on stage at Saint Luke's in Glasgow last night. No wonder. Just over a year ago Kerr was the opening act in the venue for Tenement Trail. I was fortunate to catch him on that wet and windy day last October and you would have been lucky if there was a tenth of last nights crowd in.

Since then Kerr (only 18) has been gigging heavily, picking up loads of support slots across Glasgow and beyond to build his experience. Something he also highlighted on stage.

"Thanks again for coming. I nearly came on stage at 7.30 tonight as that's when I'm usually on."

There is a lovely dash of humility and cheek about Kerr when he chats between songs. He took the time to record a video message to a fan who had unfortunately dislocated her knee (after arriving early at the venue) and missed the show, also promising to put her on the guestlist for his next Glasgow show. 

And he also half-joked about seeing us all at the Barrowland (across the road) next year. That seems the next logical step up for the teenager who has yet to release his debut single. Kerr also promised us that was coming soon and that he didn't want to be the person that played 7 million gigs without releasing something.

Having followed Kerr's journey and heard him introduce lots of new songs to his set, in addition to keeping some firm favourites, I am intrigued to see what he goes with. It could have been any single one from last nights set!

Kerr was on stage at 9pm sharp, opening with a song that may or may not be called I'll Be Your Soldier. His voice soared effortlessly, he was straight into it, absolutely incredible.

Jealous followed. I mentioned earlier on that Kerr was moved on stage, now his songs and voice were moving people in the audience. Gazing around, you could see people nudging their friends and nodding as Mercer stretched his vocal chords to really go for it. The melody already sounds familiar, this could be coming out of your radio next year.

Waves was another new song that I hadn't heard before, the chorus and lyrics seem instantly relatable. Petals generated an incredible response from the crowd with Kerr's guitarist also playing a kick bass drum which encouraged the audience to clap along. 

Die While I Remember and One In A Million were more mellow, tugging on heartstrings in all the right ways. Mercer's songs have a beautiful, soulful and melancholic feel to them. There is a sadness, but there is a very powerful connection between him and whoever is watching him sing. It's quite something to witness and feel.

Adam Frame was excellent on guitar, allowing Kerr to switch from standing up to sing some songs, then sitting behind his electric piano for others. The two work so naturally together. It feels like a treat to hear these songs played in this way and to see them work so effortlessly together.

Given the fact that Kerr has yet to release anything, Mercer had asked his Instagram fans to choose a cover for him to play and they voted for Sabrina Carpenter's ace Please, Please, Please, a big favourite in our house. The pure pop song was stripped back and sounded sublime.

Carry Me Home was introduced as being 'the only song that I wrote when I was 15 that I still play, the rest were all sh*te' and as Kerr started, while sat at his electric piano, a mini choir of 3 backing singers came on stage to join him. They were definitely backing! As Kerr's voice soared, they were almost redundant. But when Mercer's voice dropped a little, you could hear what they were adding to the song and it was quite beautiful. I left the show imagining how massive this song could sound when (if it hasn't been already) it is recorded in the studio. Strings and choir ... oooft. It will be huge.

Closing with Never Be You, with the choir backing him and the crowd clapping along, my wife and I left to pick up our car round the back of the Barrowland and we both felt like the next time we see Kerr in Glasgow he could be playing there. 

Kerr has sold out his first headline tour; playing Birmingham, Bristol and Manchester in the week ahead. Keep an eye on his Instagram.

10 from LCD Soundsystem

LCD Soundsystem are one of the few post 2000 bands that I really fell in love with. My love was rekindled after watching the excellent Meet Me In The Bathroom documentary based on the 2011 book by Lizzy Godman. This was at the end of 2023, so this blog has been a while in the making!

James Murphy comes across well in the film. A self confessed music geek whose musical boundaries were smashed when he worked as an engineer on David Holmes Bow Down To The Exit Sign in 2000. Holmes was amazed that Murphy had never tried ecstasy and when James finally did, he had an experience that changed the way he listened to and felt about music.

Things moved swiftly as Murphy formed DFA Records with Tim Goldsworthy who co-produced the Holmes album. The duo started releasing records, including The Rapture's seminal House Of The Jealous Lovers, and they put on nights across New York as the city came out of post 9/11 mourning. 

LCD Soundsystem's first single was the sensational Losing My Edge which came out in the summer of 2002. The video, with Murphy singing into the camera with a spotlight behind him and someone routinely slapping him quickly gained traction. The song and video (see below) were super cool, like nothing else out there.

Murphy talks about the inspiration behind the song in the film. How he was worried that all the cool kids could suddenly access all the music online that he spent years discovering and collecting. The 8-minute electro punk tune created enough of an impression for booking requests to come through. LCD Soundsystem suddenly became a real band. 

The 2002-2005 early period of LCD Soundsystem was extraordinarily prolific as Murphy dove headfirst into ecstasy and creating electronic music, releasing a string of singles that led to a double album coming out in early 2005. 

I first caught the band around this time when they supported Too Many DJ's at the Barrowland. LCD had a bank of equipment, loads of percussion and cowbells and Murphy sang into an old crooners style microphone. They were electrifying.

That summer my girlfriend (now wife) and I went to the Benicassim Festival in Spain. LCD Soundsystem came on stage around 2 or 3 in the morning and the place went crazy. It remains one of my all-time favourite festival sets; a band breaking through from the underground playing a late night set to a party crowd. Check this electrifying 52 second crowd footage.

Murphy and LCD kept creating, releasing, playing and partying. Something had to give and it did in 2010 following the release of the This Is Happening album. Murphy said it would be the bands last album and that their last show would be at Madison Square Garden, where the band played an epic 4-hour set.

In some ways it was perfect. 10-years on from working on the Holmes album. Murphy talked of writing songs as good as he was going to and not wanting to carry on with the purpose of becoming bigger, or to earn more money. In other interviews, Murphy hinted that he might go back to creating music and releasing 12-inch singles, but he had to get away from LCD being so large.

Rather incredibly, David Bowie was one of the people to encourage Murphy to get the band back together. James played on Bowie's Blackstar album. The comeback grew arms and legs and before LCD knew it,they were once again travelling round the world to promote an album - 2017's American Dream.

Now, in 2024, LCD Soundsystem are kind of operating on their terms. Tours have been replaced with residencies in their favourite cities and the band can pick and choose what festivals they want to play. Surely there will be a Barrowland residency at some point?! Murphy has always been quick to acknowledge the importance of the venue, Glasgow as a city and the Subclub.

LCD Soundsystem play Glastonbury and All Points East in London this summer. 

UPDATE - LCD Soundsystem now play the Barrowland and tickets are on sale this Friday - 24th May!

Anyway, I've gone off on a tangent. Watching Meet Me In The Bathroom caused me to go down a rabbit hole and I thought I would write a blog on 10 of my favourite songs by LCD Soundsystem. OK 11 - I;ve included both versions of Yeah!

I've finally finished the blog and I've compiled the songs into a playlist that you can check HERE

At the time of writing, I chose;

1. Losing My Edge

I blogged on Losing My Edge for my Trust Me series back in April 2022 (read here) and declared that everything about this song is cool, clever and funny. A paranoid Murphy wonders if he is losing his edge to kids from London, Berlin, France and Tokyo. I love the way the song veers off to the glorious you don't know what you really want hook at the end. One of the best debut singles of all-time.

Check the incredible performance from their debut show at Trash in London in 2002. Jammed and rammed together on a tiny stage, creating a brilliant vibe and sound.

Official video

Live at Trash London, 2002 (their first show)

Live at Madison Square Garden

2. Great Release

Murphy strips things back to a drum machine and big gospel house piano notes before coming in with potentially his best vocal - wracked with emotion. 

Official audio

Live on Austin City Limits

3. Yeah (Crass version) + (Yeah Pretentious Version)

OK I'm cheating, I've included both versions of Yeah. Originally released as a 12-inch single in January 2004, both versions made it on to CD version of the bands debut album. Outrageous electronic excellence.

Yeah (Crass version) live in Brussells 2010

Yeah (Pretentious version)

4. Us v Them

Us v Them was a real highlight from the Sound of Silver tour when I caught them at the Barrowland. Thinking back, it was monsterous. This could be LCD Soundsystem's most powerful song, it builds into a mantra; us and them, over and over again ...

You were on Murphy's side for sure. Fantastic use of cowbell and just listen to the little riff going on in the background around 6-minutes over the scratchy Chic punk guitar riff.

Live at Madison Square Garden

5. All My Friends

To my ears, in my mind and in my heart, this is an absolutely perfect song. All My Friends gives me all the feels ... the long 82-second intro with Murphy reminiscing about going back to someone's house to check the charts - pop or astrological? I've always thought pop.

And now I wonder if Murphy is reminiscing? Or is he talking about checking to see where LCD are in the charts? As he then goes on to talk about partying, ageing, touring, giving it his all and questioning if he wants to keep it going.

To tell the truth

This could be the last time

And in the end Murphy is ranting and questioning himself - where are you friends tonight?

He goes on and you're left in no doubt that he wants to be home to see his friends.

One of LCD's most melodic songs that builds and builds over a repetitive riff. Also contains one of my favourite lines that always makes me think of Glasgow/Scotland.

If you're worried about the weather

Then you picked the wrong place to stay

Official video

Live at Glastonbury 2016

6. Someone Great

Electronic soul. Possibly the best song Murphy has composed and written. The electronic symphony drips with emotion, the bass synth in particular, while all kinds of gorgeous noises and beeps play over the top. 

I wish that we could talk about it

But then that's the problem

Murphy starts to pour his heart out and bare his soul, with his vocal melody just about matched to an xylophone, ending the first verse by singing I miss the way we used to argue.

This is a very different LCD Soundsystem, Murphy is singing about a break up and it's heartbreakingly beautiful; to tell the truth I saw it coming, the way that you were breathing

Is it a break up, or is it loss? It could be either. When Murphy sings when someone great is gone you really feel his grief.

Official video

Austin City Limits

7. I Can Change

Murphy aims straight for our hearts again and scores a bullseye with this gem. Urging his lover to never change, never change, this is why I fell in love and then going on to say promise I can change, I can change if it helps you fall in love.

No bullshit, this is love, warts and all. It's not perfect, but it is love. Murphy is in for the long haul.

Live at T In The Park (2016)

8. 45:33

Part 1 - Intro

Part 2 - You Can't Hide/Shame On You

Part 3 - Someone Great (instrumemtal)

Part 4 - Out In Space

Part 5 - Ships Talking

Part 6 - Outro

Following the release of their debut album, LCD Soundsystem then teamed up with Nike to record 45:33, seemingly designed to soundtrack jogging workouts. Regardless of the origins, the concept allowed Murphy to work his magic across 45-minutes, even longer than his usual 8 or 9 minutes per track.

A continuous piece of music, it was composed in 6 parts with part 2 being the outstanding You Can't Hide/Shame On You that is one of many highlights on the The Long Goodbye (Madison Square Garden) live album. What a tune! Riding in on house piano chords over a what sounds like a synth being tuned, the song develops into a huge vocal anthem, the kind you can sing-a-long to on first listen. The kind of song that causes a dance floor to erupt as people punch the air, dance and sing. Super cool.

It's also worth noting that Someone Great first appeared as part 3 in instrumental form and it sounds blissful, developing into part 4, an electro funk workout with some Stevie Wonder influenced sounds over slowed down vocals. We're way into the mix, way into the trip now and it is magical. Or well into the jog/run!

Disco diva vocals come in, give me love, before Murphy's slowed down voice comes back in, super trippy synths are layered over the constant disco electro groove, then everything cuts back to the groove before the female vocal comes back in, singing your'e out in space, you need some loooooovvvveee. Sublime!

Horns kick in for as the groove turns to a funky bass and then a breakdown, before things finally lead to part 5 and it's quite a change in pace as I feel like I'm transported to Optimo.

There is another change in pace for part 6 - the warmdown part of the jog/run, the comedown part of the nigh out/trip. Beautiful!

Official audio

9. Home

Murphy employs all his favourite tricks on Home, which closes the This Is Happening album. False start, immediate cool groove, quickly adding layers of synth including a delicious bubbling sound, percussion coming to the fore ... then Murphy comes in singing Home before going off on one.

Official audio

10. Oh Baby

This gives me all the feels. Bubbling synths, cool beats, a stronger bass synth riff over the top, Murphy crooning oh baby, you're having a bad dream, here in my arms.

Live on Austin City Limits

Official video

The Charlatans at the Barrowland Ballroom

The Charlatans playing the Barrowland Ballroom is always a memorable night. Make it a Saturday, induct them into the Barrowland Hall of Fame, have them play a greatest hits set and you'll make it truly special.

Last night was exceptional. The Barrowland roar echo'd through the venue as the band walked on stage to a superb northern soul tune that I'll be trying to discover the name of today. Tim Burgess wore a smile as wide as the Clyde as he captured the moment for his Twitter (X) followers.

And we were off, the band effortlessly shifting into gear with the groove of With No Shoes, then sliding into the pure pop rush of Can't Get Out Of Bed, the sunshine Stones-y Just When You're Thinking Things Over and then the powerful emotional hit of One To Another!

OOOFFFFFTTT!

We were pretty close to the front, but at the start of One To Another I grabbed my mate Robbie and we danced through to the first few rows. We punched the air, we sang our hearts out, we pogo'd, threw our arms round strangers to bounce along and generally rolled back 30-years to feel like we were 18 again.

 A Glasgow crowd will always be 100% behind The Charlatans, but this opening blast of favourites and hits was a surefire way to win hearts and minds.

Tim Burgess was singing, dancing, conducting and generally having the time of his life as his friends and band-mates dove headlong into the deliciously dirty groove of Toothache, before the euphoric Come Home Baby.

Robbie and I were parched from singing and dancing, so we tried to get to a bar for a drink as the band eased things with the gorgeous And If I Fall. But there were a lot of thirsty Charlatans fans! So we just went straight back into the mix. 

Just as well! If the band were giving us (and them!) a breather, it wasn't for long! Mark Collins guitar for Jesus Hairdo sounded sublime. And it was time for another move to the front for Then, before North Country Boy threatened to lift the roof of the place.

Somehow Robbie's mate Graham found us as we'd lost him after One To Another. And he had beers for us! We gulped them down in no time!

The Charlatans were playing and sounding in peak form. The opening instrumental for Tellin' Stories was spine tinglingly sensational, while the extended instrumental for Let The Good Times Be Never Ending allowed Burgess to step back and admire his friends whipping up a storm. What a band! 

Was it as this point Tim introduced them? Anyway, at one point he did. Peter Salisbury on drums, Martin Blunt on bass, Mark Collins on guitar and Tony Rogers on keyboards and hammond. 

Each member got the roar they richly deserved.

Then we were off again. Weirdo sounded huge! Just Lookin' was like a burst of warm sunshine and then The Only One I Know had the famous sprung dancefloor absolutely bouncing. 2,000 pairs of hands were raised to the sky, 2,000 voices sang the chorus.

Everyone has been burned before

Everybody knows the pain

And 2,000 pairs of feet danced and jumped to the grooves and beats. Check the joy on peoples faces in the video below.

Impossible gave us a chance to come up for air, before the band raced through How High to leave everyone breathless and grinning. 

Billy Coyle from famous The Barrowland venue crew team came on stage to induct The Charlatans to the Barrowland Hall of Fame on the occasion of their 14th time playing. I've been to a good chunk of those 14 nights and this must be up with the very best of them. It may have been their best. Does it mean more all those years down the line?

It meant a lot to Tim and the band. It meant a lot to the fans.

Oh! Vanity kicked off the encore, a stomping and driving Motown beat and a young bagpiper joining Tony Rogers for the playful riff. I Don't Want To See The Sights was outstanding, Mark Collins guitar was particularly stunning. The sound throughout the show was spot on, but this did seem to stand out a little, even among all the hits. What a groove.

The lights went green and the band worked up Sproston Green before exploding into life. What a night. What a show. What a band! A 20-song set that left everyone beautifully tired and happy.

The Charlatans play again tonight. I think they should seriously consider an annual weekender at the Barrowland ... starting next year.

Good idea?

Dream setlist by The Charlatans

The news that The Charlatans were returning to the Barrowland Ballroom in Glasgow on Saturday 25th November had me checking my work calendar to see if I could be poised and ready for presale tickets going live at 10am on Wednesday 7th June.

I've been on The Charlatans mailing list for many a year and ... I didn't get a presale link. From Twitter, it seems like I wasn't the only one. But thankfully my friend Robbie got me, my wife and my brother a ticket, so we're all sorted!

The Charlatans have added a second night and still have space in their tour diary for a third ... TICKETS

Tim Burgess and co have a long history with the Barrowland. I honestly couldn't tell you how many times I have seen them there over the years. A few! The atmosphere is always electric, like a cup final. 

Memories include an opening blast of I Never Want An Easy Life and Can't Get Out Of Bed in 1994/95 with someone crowdsurfing to Oasis I Am The Walrus before the band had even come on stage. 

The atmosphere was electric that night, like a cup final. Indeed, it always is when The Charlatans play The Barrowland. There is a beautiful bond, a powerful connection. The band, venue and audience become one and it is very, very special.

To be honest, I'm pretty gutted when they play the Academy!

Check this sensational live Radio 1 audio bootleg from December 1997. The band are in sensational form!

The Charlatans, Glasgow Barrowland, December 1997 bootleg

Another time my brother Ross and I went out the night before he turned 21. The band came on stage and played the beautiful long intro to Forever, then Tim can on stage with his hands in the air and the place just erupted. 

And then when The Charlatans played Some Friendly in full the whole venue became a massive indie club dancefloor when the band played The Only One I Know. But then, that particular song always generates that reaction, but maybe the famous sprung dancefloor at the Barrowland helps people dance harder and jump even higher.

Many of you reading this blog will have experienced the Barrowland roar. A special ovation reserved for special songs. An ovation that goes on and on, feet stomping, hands clapping, loud roars. The Charlatans have a few special songs in their arsenal and I can't wait to hear them and the roar of appreciation afterwards. I have tingles down my spine just thinking about it. I bet the band does too!

Will they have a new album out? Or will they just smash through a greatest hits and favourites set?

Either way, I'll be happy! The news about their show led me to try and create my dream Charlatans setlist. 

It could change from time to time, but for a Saturday night at the Barrowland ... this would take the roof off the place!

You can check it on my playlist here - Dream setlist - The Charlatans or search it on Spotify.

Forever

Tremelo Song

Can't Get Out Of Bed

Crashin' In

Tellin' Stories

Impossible

A Man Needs To Be Told

Oh! Vanity

Blackened Blue Eyes

Then

Weirdo

Try Again Today

The Blind Stagger

Just Lookin'

Just When You're Thinkin' Things Over

North Country Boy

The Only One I Know

One To Another

Come Home Baby

ENCORE

Happen To Die

Let The Good Times Be Never Ending

Sproston Green