Showing posts with label Stephen Stills. Show all posts
Showing posts with label Stephen Stills. Show all posts

Tuesday, 14 May 2024

For What It's Worth

 

Cover version of the month #97

The Staple Singers, Lou Rawls, Sergio Mendes & Brasil 66 and Voices of East Harlem cover Buffalo Springfield

For What It's Worth by Buffalo Springfield must be one of the coolest songs of all time. Four verses, a super catchy chorus, guitars that vary in sound - from harmonics to a piercing solo and all in just over two and a half minutes. 

Written by Stephen Stills and inspired by the Sunset Strip curfew riots in Los Angeles where Buffalo Springfield were the house band at the Whisky a Go Go, For What It's Worth was recorded on December 5th 1966.

Stills has said that the title came from a conversation with his record company, when he simply stated; "I have this song, for what it's worth."

Within days, For What It's Worth (Stop, Hey What's That Sound) was being played on the radio. The song hit the mark and eventually peaked at number 7 in the charts.

This is a perfect song. The short intro of Neil Young's guitar harmonics and a funky rhythm of bass and beats, that would later be sampled by Public Enemy, is utterly mesmerising. Stills makes a statement from the off, speaking from the front line of the riots and protests.

There's something happening here

What it is ain't exactly clear

There's a man with a gun over there

Telling me I got to beware

 Stills hits the chorus/hook at bang on 30-seconds, the groove changes ever so slightly, then falls back. Oh what a chorus. Something you can sing-a-long with on first listen.

I think it's time we stop

Children, what's that sound

Everybody look what's going down

Stills continues with the second verse which contains the brilliant line nobody's right if everybody's wrong. There is just a little time after the second chorus for Neil Young to add some shimmering guitar riffs, the groove is just glorious, allowing loads of space.

When the Springfield hit the fourth verse, Stills is totally in the zone, Young's guitar changes perfectly when his friend sings the opening line.

Paranoia strikes deep

Into your life it will creep

It starts when you're always afraid

Step out of line, the men come and take you away

There is a run of 4 choruses, all of the band harmonizing, to close the song. Perfection.

As you would expect for a song as cool and perfect as For What It's Worth, there has been dozens of cover versions over the years. From Cher (1968) to Stevie Nicks (2022). Nicks version is lovely, her voice is amazing, raspy and soulful.

Here are 4 belters;

The Staple Singers (1967)

I have this version on a gospel soul compilation record. The family voices harmonise effortlessly, the music is stripped back, handclaps are introduced and notably, the distinctive guitar riff is removed.  

Recorded and released in 1967, The Staple Singers stamp their own sound on this wonderful song. I like to imagine that everyone in Buffalo Springfield would have been pretty chuffed to hear this.

Staple Singers version

Lou Rawls (1968)

The following year, Lou Rawls released his soul jazz version. Horns are introduced and the outro is extended slightly with a dreamy/psychedelic vibe. I wonder if there is an extended version out there as it feels like it fades just a little too soon.

Lou Rawls version

Sergio Mendes & Brasil 66 (1970)

Sergio Mendes & Brasil 66 released their version in 1970. They have more than a few cool cover versions in their discography. It's well worth digging into their back catalogue.

This is a super slow and soulful groove, the vocals have a beautiful edge to them, like Lani Hall really does want everyone to stop, listen to the sound and look what's going down.


Voices of East Harlem (1970)

My own personal favourite is this gem from Voices of East Harlem. Perhaps influenced by The Staple Singers version, they just ramp it up a bit, injecting extra urgency, extra voices, beats and Hammond. 

Up to 20 voices coming together for the chorus is a joyous and powerful sound, the groove is funky, soulful and loose and the lead vocal is impeccable. Glorious.

Voices of East Harlem version

Buffalo Springfield's timeless original and all 4 cover versions highlighted above are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs (originals and covers) below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie


Video

Live at Monterey Pop Festival 

Live on TV - For What It's Worth and Mr. Soul medley


Thursday, 10 August 2023

Love The One You're With

Cover version of the month #89

The Isley Brothers cover Stephen Stills

The thing I love about my cover version of the month feature is that I regularly discover new things about a song I love. The chorus of Stephen Stills Love The One You're With was inspired by his friend Billy Preston. Apparently it was something he regularly said. I guess it's easy to imagine people saying that in the free swinging 60's!

If you can't be with the one you love

Honey, love the one you're with 

A constant driving acoustic guitar is at the heart of the song, allowing vocals, choir, beats and additional instruments to come in over the top at various times.

The choir lifts the chorus, while the organ (played by Stills) could easily have been played by Preston who inspired the song. The do, do, do, do, do, do, do, do section enhances the catchiness of the song.

Like so many of the great songs from that period, the lyrics are remarkably simple and therefor relatable.

Down, confused, baby, the imagery of the rose in a fisted glove and the eagle flies with the dove, love, sad, crying, good times, waiting for something to do, heartache, joy, girl, boy ...

Stephen Stills makes songwriting seem so easy. Maybe others just overly complicate the art!

The Isley Brothers add on additional 40 seconds to the original, but they remain pretty true to it. The harmonies on the chorus are glorious.


Taken from their magnificent 1971 album Givin It Back that also has brilliant covers of Neil Young's Ohio merged with Jimi Hendrix' Machine Gun, a 10-minute plus version of Dylan's Lay Lady Lay and James Taylor's Fire and Rain. It's well worth checking out and I'm positive that I'll feature one of these songs in the future. 

The Stephen Stills original and The Isley Brothers cover version are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs below. Search for the title or CLICK HERE

Previous covers of the month

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire