Showing posts with label The Velvet Underground & Nico. Show all posts
Showing posts with label The Velvet Underground & Nico. Show all posts

Wednesday, 4 March 2026

Femme Fatale

Cover version of the month #117
Big Star cover The Velvet Underground

The Velvet Underground and Big Star are two majestical, mythical and magical bands that have influenced (and have been consistently highlighted by) Scottish bands like Orange Juice and Teenage Fanclub through to bands bursting on to the scene at present. 

Art-rock NYC cool, melodic vulnerability, quintessential guitar power pop and vocal harmonies. You could easily argue that the two bands stand as the ultimate patron saints to the Glasgow independent guitar pop scene. Throw in Love, The Byrds, punk bands like Buzzcocks, The Clash and Subway Sect and that's the bones of your top 10.

One song that links both of these legendary bands is Femme Fatale, written by Lou Reed and inspired by a throwaway Andy Warhol comment about Factory 'it-girl' Edie Sedgwick. New info for me - I always thought it was about (and for) Nico!

"Oh, don't you think she's a Femme Fatale, Lou?"

The Velvets recorded the song in 1966 and it was released as the b-side to Sunday Morning in December of that year and then as the third track on their debut album, the mind blowing The Velvet Underground & Nico in March 1967. It's an album that everyone with a vested interest in the history of guitar music seems to be magnetically drawn to as a teenager.

It's well documented that the album was a flop, entering the charts at number 199 upon release and then leaving the month afterwards. Check this excellent feature article by Scottish writer Grant McPhee for Into Creative.

McPhee takes a deep dive into the myth of The Velvet Underground and Nico, particularly around the sales figures, stemming from a famous quote by Brian Eno about the album only selling 30,000 copies in its first five years.

... everyone who bought one of those 30,000 copies started a band. Brian Eno

Enjoy Grant's blog. But back to Femme Fatale. Listening again, I can't help but wonder who (if anyone) Nico was thinking of whilst singing the song. Edie? Or herself? 

Here she comes

You'd better watch your step

She's going to break your heart in two

It's true

The Velvets recording is icy cool. Nico’s vocals are famously flat, off-key and the way she pronounces clown as clun at the end of the second verse is quite funny. Funny, but ridiculously cool!

She'll build you up just to put you down

What a clown

Almost 60-years on and The Velvet Underground remain a blueprint for independent guitar music. Femme Fatale is a prime example why. Short (2-minutes 39 seconds), seemingly simple, impossibly cool and utterly beautiful. Pop music can be both a hook and a heartbreak simultaneously.

Lou Reed's NYC drawl in response to Nico's rise for the chorus is sublime.

Cause everybody knows, (She's a femme fatale)

The things she does to me, (She's a femme fatale)

She's just a little tease, (She's a femme fatale)

The closing two lines of the chorus are left to Nico, over the chiming guitar riff. They are, for me, the two coolest lines of the song, sung as if Nico is in admiration of the girl she is singing of.

See the way she walks

Hear the way she talks

In the next verses, Nico (using Lou's words of course) is clearer about her warning. The guy is merely number thirty-seven in her book. She's from the street, so already has all the guys beat and is going to play you for a fool.

Alex Chilton recorded his version for the legendary Third/Sister Lovers album sessions. The Big Star version is stripped back and fragile. Chilton sounds like he is singing from the experience of having his heart broken by the femme fatale, warning others, yet still infatuated.

Big Star are in no rush here, everything is slow, the intro longer, it all feels darker, as if Chilton is barely holding it together. It's beautiful.

Others have covered this gem of a song too. Among them - I've just found the Duran Duran version ... and ... I'm not a fan! Teenage Fanclub covered it with tender care on the b-side of Ain't That Enough. And Fatale, who I have written about a number of times over the last 6-months or so, took their name from the song and recorded it as their first demo. The way the crowd sing-a-long with Lou's she's a femme fatale line at the Fatale gigs is incredible - like they are breathing new life into the song and turning it into an anthem.

Fatale - Femme Fatale (demo)

The Velvet Underground & Nico original and the Big Star cover of Femme Fatale are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!


Monday, 28 December 2020

Sunday Morning



Trust Me #19


Sunday Morning, the opening song on The Velvet Underground & Nico, lulls you into a false sense of cool calmness before the raw romp of I'm Waitin' For The Man, the majestic magical darkness of Venus In Furs, the psychedelic bliss and rush of Heroin, the insanity of The Black Angel's Death Song or the white noise of European Son.

The use of the celesta (from the French celeste for heavenly), which John Cale discovered in the studio and decided to use, creates a gorgeous melody, Lou Reed's voice is lush and hushed, Mo Tuckers drums are soft and brushed and Cale also creates gorgeous noises in the background with his viola.  Reed's guitar solo is just perfect.



Reed and Cale had originally written the song for Nico. Although she had sung this live with the band, Reed took the lead vocals in the studio and he delivers a brilliant performance.

Sunday Morning is a beautiful song; evocative lyrics, delivered perfectly and a band performance that gives me a warm glow every time I listen to it.

So many bands I fell for as a teenager cited The Velvet Underground & Nico as an important album and I fell under its spell like so many before me. And it was/is a perfect Sunday Morning song after a big night out.

This is number 19 in my Trust Me series featuring songs I love and just think; Trust Me, you'll love them too.

See below for the list of previous songs to feature. Search for Everything Flows Trust Me on Spotify for a playlist of all songs, or CLICK HERE

Sunday morning, brings the dawn in
It's just a restless feeling, by my side
Early dawning, Sunday morning
It's just the wasted years, so close behind

Watch out, the world's behind you
There's always someone around you, who will call
It's nothing at all

Sunday morning and I'm falling
I've got a feeling I don't want to know
Early dawning, Sunday morning
It's all the streets you crossed not so long ago

Watch out, the world's behind you
There's always someone around you, who will call
It's nothing at all

Watch out, the world's behind you
There's always someone around you, who will call
It's nothing at all

Sunday morning, Sunday morning, Sunday morning



Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter