Showing posts with label Shaun Ryder. Show all posts
Showing posts with label Shaun Ryder. Show all posts

Thursday, 12 January 2023

Wrote For Luck


Trust Me #47
Wrote For Luck by The Happy Mondays

Happy Mondays Wrote For Luck was originally released as a single back in 1988, it was then subsequently remixed and re-released in 1989 as W.F.L.

The video may well be the most druggy pop music video of all time. Shaun Ryder and co are partying like it's ... 1989, absolutely off their heads on ecstasy. The video shoot party was in full swing but Ryder insisted that more was delivered and shooting didn't start until it kicked in. 

Filmed by Manchester's Bailey Brothers, the result is an utterly astonishing document of the ecstasy and rave scene that the city was experiencing. There were no actors, this was the Mondays and friends from the Hacienda and across the city, off their heads on the strongest pills around and having an amazing time. There were only 2 takes of the video, I wonder if they are still kicking around somewhere, there must be some incredible footage.

Dave Haslam wrote about this incredible video in this excellent blog for the 30th anniversary of the original single release. Check the video HERE

Wrote For Luck is an astonishing song. I often think that the Mondays don't get the credit they deserve. They were like nothing before or since. Unmanageable, inventive, street wise, not only at the heart of the scene, but dealing drugs for the scene and now soundtracking it. Of the time, but completely different from any other band around. 

On their debut album they had a song called 24-Hour Party People and they were. It seemed like they didn't stop from 1987 - 1992, releasing 4 albums and a string of singles. 

For their 1988 Bummed LP, that Wrote For Luck featured on, the band worked with Martin Hannett, consuming ecstasy on a daily basis and taking in all kinds of influences to create sounds on whatever instruments they could get their hands on. 

Hannett found an incredible guitar sound for Mark Day, one that, even through all the synths and beats, is central to Wrote For Luck. A funk punk Chic sound, scuzzed up and drenched in reverb. 

Wrote For Luck starts at pace, big beats and Day's guitar over the top, Shaun then begins to sing and spout his unique poetry over the top.

You were wet, but you're getting drier

You used to speak the truth 

But now you're liar

You used to speak the truth 

But now you're clever


The original version of Wrote For Luck has a sense of urgency and even danger to it; a raw white boy funk groove stretched out to a little over 6-minutes, riding on Day's guitar, Shaun groaning and moaning an extra little melody to add to the feeling.

Vince Clarke, in his W.F.L remix totally gets the groove and brings the bass to the fore, the guitars (at least at the start) are gone, the beats are more clubby, the synths are making all kinds of cool noises and it's Shaun at the heart. The original raw version is just cleaned up a little, becoming more clinical ... more chemical. 

The guitar groove is finally dropped in for the last 2-minutes and it sounds even more glorious over the menacing bass groove that Clarke has created and the clubby beats.

Paul Oakenfold, who would go on to produce the Mondays breakthrough album Pills 'n' Thrills and Bellyaches, keeps the guitar from the off and immediately blends it with a four to the floor beat, sprinkling different kinds of synth effects all over the top.

Ryder's aaahhh, aaahh, aaaahhh's sounds incredible, the beats keep going, Day's shimmering guitar chords are dropped in as the song grooves to the end.

Vince Clarke's remix is my personal favourite, but the original Wrote For Luck and both the W.F.L. remixes are simply brilliant. Released just before the Mondays broke through with Step On and a string of singles from Pills n Thrills, it's quite remarkable that neither charted. W.F.L. reached the heady heights of number 68, although it did reach number 3 on the indie charts. Regardless, it's left a mark.

Check the original video and a simply sensational live performance from Manchester in 1989 that went out on Tony Wilson's The Other Side Of Midnight. This highlights the rave style atmosphere the Mondays were creating at their gigs. 

Wrote For Luck official video

Wrote For Luck live in Manchester 1989

W.F.L. (Vince Clarke remix)

W.F.L. (Think About The Future Mix) by Paul Oakenfold

A list of all previous songs I've blogged about in my Trust Me feature are listed below, along with links to each blog. The original version of Wrote For Luck and both the Oakenfold and Clark remixes join them.

I've also collated them all into a playlist on Spotify that you can find by searching for Everything Flows - Trust Me , or you can CLICK HERE

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys


Saturday, 5 February 2022

He's Gonna Step On You Again

Cover version of the month #74

Happy Mondays cover John Kongos


In the hazy spring of 1990, Happy Mondays released Step On, a single that just seemed absolutely perfect for the musical landscape across the UK, a country still basking in the aftermath of the Second Summer of Love (which really went on for 3 summers 1988 - 1990).

Shaun Ryder was literally on a giant E in the video, Manc photographer Kevin Cummins captured him in full flight for the cover of the NME, a stunning shot, with Ryder's grin highlighting that he was in on the mischief. 

Step On was the start of a huge 2-years for The Mondays, thanks to the release of their iconic Pills, Thrills & Bellyaches album that was released in November 1990. What an album to brighten up winter! Kinky Afro was another huge single from the LP, that and Step On both reached number 5 in the charts.


It was decades down the line when I learned that Step On was actually a cover version! Despite owning the 12-inch single and LP, I'd never checked the writing credits! I, like the vast majority of anyone checking out The Mondays, just presumed that it was another Ryder original.

House piano chords, a baggy beat, Ryder whistling and then what has become his legendary intro;

You're twisting my melon man, 
You know you talk so hip man, you're twisting my melon man
Call the cops

Step On grooves, the jarring guitar riff, constant beats, funky bass and the injection of piano throughout keep the energy up from start to finish. Ryder ad-libs, throwing in the kind of jibberish that made him utterly unique as a frontman and songwriter.

Check The Mondays iconic video HERE if it doesn't display on your browser below.


I've experienced dancefloors erupting to Step On and it still makes me want to dance like Bez every time I hear it. All these years down the line it has remarkably retained a (melon) freshness.


I was amazed when I found out that Step On was a cover of a song called He's Gonna Step On You Again by John Kongos, a singer from South Africa. Kongos had a number 4 hit in the UK in 1971 with the song.

Starting with a stomping rhythm and squealing electric guitar, the original Step On has a real groove and a brilliant lift into the chorus that The Mondays really play on. The guitar riff out of the chorus is amplified is one of the few things Ryder and co keep in and they play on the groove - perfect for those heady Madchester days. The stomping rhythm that introduces the song also plays it out, ripe for an extended remix.

It's an inspired cover, The Mondays totally bring the song to life, injecting fresh vibes. Recognising the groove from the original and with the help of Paul Oakenfold they bring it bang up to date.


You can find links to all my previous cover versions of the month below and a playlist on Spotify by searching Everything Flows Cool Cover Versions. Or CLICK HERE

Previous covers of the month

13. Hurt


Monday, 8 June 2015

TFI Friday 2015


TFI Friday is back on our screens this Friday, 12th June 2015, Channel 4 at 9pm.

The iconic 90's Friday night show hosted by Chris Evans is returning to our screens, 15-years after it finished, 19-years since it started - they made a mistake as they thought it was the 20th anniversary; classic TFI!

TFI Friday was synonymous with the Britpop era with Evans the magical conductor, backed by a brilliant writing team including Danny Baker and Evans trusty sidekick and pub-trickster Will MacDonald.

It was slightly risky viewing for 6pm and it was the perfect way to kick-start the weekend with Evans playing host to an hour of the best music around mixed with informal yet informative interviews and some wacky sketches.


The Charlatans - North Country Boy

Evans played out his fantasies in a studio with its own bar - his favourite bands, girls he fancied stopped by and snogged on the show (Kylie and Geri), Paul McCartney and David Bowie dropped by, with Macca leaving in style in a Bond-esque speedboat up the Thames, Shaun Ryder famously swore a few times with his interview with Chris and the Patrick Cox shoes being absolutely priceless TV.

The show imploded/exploded in spectacular fashion, the team and Evans simply couldn't keep up the pace burning out in spectacular fashion and being allowed to conduct naked Friday walks through the studio.

Geri and Kylie indulge Evans with some arm wrestling before snogging! Perfect Friday TV!
 
Patrick makes good f**king shoes man

Evans bounced back in equally spectacular fashion - buying and selling Virgin Radio, woo-ing and marrying Billie Piper, moving to LA, before returning to the UK and remarrying and revitalising his career on Radio 2 and the One Show.

What is TFI going to be like in 2015? It sounds kind of like 1995 all over again!

Mani from the Stone Roses is on - will he make an announcement about their new album and more shows? Liam Gallagher is on in a supergroup with Roger Daltrey, Zak Starkey and Ian Broudie, Blur are playing and Ocean Colour Scene will still be supplying the theme tune.

That suits me just fine. I'll take that over Alan Carr or Graham Norton any day of the week.

Timing was what was partly brilliant about TFI; it captured the heady days of Britpop. TFI was like your weekly Britpop News show and Evans was having the time of his life on national television. So were many of his guests!

Evans has two incredible autobiographies out that I would highly recommend; check the incredible true story about Richard Branson, John Cleese and Concorde revolving around the mayhem that was a TFI Friday writing party for starters!

The guy is a media genius, he can relate to people on the street and to rock and film stars with ease - allowing him to ask questions that no-one else would think of or be allowed to get away with.

It's not the mid-90's anymore, so TFI is on at 9pm. Perfect for the 90's generation as we can get the kids to bed and crack open a few beers....or is it a bottle of red these days?

I for one hope it leads to a few more shows.

Chris strips off to prepare for the return of TFI Friday 2015