Trust me #122
Like A Motorway by Saint Etienne
Released in May 94 and (inexplicably) reaching only 47 on the UK singles charts, Like A Motorway is one of my favourite songs by Saint Etienne who come the Glasgow Barrowland next month. The Pastels will be supporting. It is set to be a very memorable night.
The date is part of Saint Etienne's The Long Goodbye tour, with the trio deciding to bow out from 37-years of creating dreamy, reflective and sublime pop since forming in 1990. Since then, the band have released 13 albums and 17 top 40 singles, but those facts merely gloss the surface.
Saint Etienne always stood out; image, style, art, taste, Bob Stanley's background as a music journalist, Heavenly Recordings, the DJ's remixing their songs, the choice cover of
Only Love Can Break Your Heart (
see previous blog), a debut album that captured the times, some superb compilation albums (check
Songs From Mario's Cafe and
The Trip) and the perfect alternative pop star singer - Sarah Cracknell .
Ah, yes, Sarah Cracknell. An absolute dream who captivated many a young indie boy in the 90's - and still does to this very day! That super soft, warm and welcoming voice, the feather boas, cheeky winks, cool blonde hair and impeccable fashion sense - looking like she was going to go straight from a gig to a club ... or a film set! I don't mind admitting to falling head over heels for Sarah!
You're In A Bad Way, released in February 1993, was the first Saint Etienne record I bought. I still remember taping it on to a mixtape for the 6th year Common Room at school. The band were prolific in that period, their So Tough (1993) and Tiger Bay (1994) albums spawned 7 singles, with the band also releasing I Was Born On Christmas Day, a duet with Tim Burgess. So they were never far from The Chart Show, The Word, Top of the Pops or the many other music shows on TV at that time. The NME and Melody Maker loved them.
Watch Saint Etienne and Tim Burgess live on The Word
HERE.
Bob Stanley and Pete Wiggs have impeccable taste in, and knowledge of, pop music and on Like A Motorway they are clearly digging the pulsating synth sounds of Giogio Moroder. The synth bass groove (I just can't get enough of this) and top line riff are super cool, while Sarah Cracknell sounds seductive and sexy.
Like A Motorway rides in on a deep pulsing bass synth riff, the beat kicks in, Cracknell whispers he's gone, he's gone and then at 35 seconds the lead synth melody comes in. There is a Weatherall style beats break just before the first verse. Cracknell tells the tale of a broken heart.
She wears sad jeans, torn at the waistband
Her pretty face, is stained with tears
And in her right hand, she clasps a letter
I know this means, that he has gone
The second verse has Cracknell telling more - about the girl never thinking she would fall in love, then getting her first kiss. In the third verse Sarah goes on to tell about the girl falling for all the lines she was fed.
He said her skin, smelled just like petals
Said stupid things, he knew she'd like
She said her life, was like a motorway
Dull, grey and long, 'til he came along
The song takes a twist in the 4th verse as Sarah takes over, probing for info, before the girl in the song suggests something more sinister might have happened...
I said - how could he ever leave you
You two were good, you were so right
She said - I wish that he just left me
He'd be alive, alive tonight
He's gone, he's gone
After thinking the guy in the song might have just left, or dumped her and broken her heart, the listener is left wondering if (a) she killed him, or (b) there was an accident. The artwork for the single shows a crashed/abandoned car, overgrown with leaves and weeds. The Chemical Brothers (then The Dust Brothers) and David Holmes both got their hands on Like A Motorway to provide remixes.
Like A Motorway is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.