Wednesday, 10 September 2025

Teenage Fanclub in The Devils Arse

Teenage Fanclub's recent run of shows where the band played a string of places that they had never played before has energised both band and fans - with many travelling to catch the Fanclub in small venues off the traditional tour circuit, or in unique places ... or in countries they had never played in before.

There was one venue I really fancied - The Devils Arse! How many times can you say you saw your favourite band in such a place?! 

A long standing charity dinner engagement meant that I couldn't make it down to this particular show, but I was determined to publish a blog with the title Teenage Fanclub in The Devils Arse!

Thankfully, my friend Gill Ross, a lovely member of the Teenage Fanclub Fanclub, offered to write a guest blog and it is an absolute belter - funny, passionate and informative. I hope you enjoy it.

Look out for a guest blog on Teenage Fanclub's visit to Buenos Aires by Juan Marioni in the near future. The boys trip to Brazil and Argentina has looked incredible. 

Teenage Fanclub, 29th August, Devils Arse, Castleton
Guest blog by Gill Ross

My favourite band. In a cave. There was absolutely no way I was missing this ! Peak Cavern aka the Devils Arse is in the chocolate box village of Castleton in the PeakDistrict. It boasts the largest cave entrance in Britian at 20 meters high, 35 meters wide and 100 meters long, which makes it an ideal place to hold a concert. The name ‘The Devils Arse’ originates from the flatulent sounding noise the cave makes when flood water drains from it. It was allegedly renamed ‘Peak Cavern’ to spare Queen Victoria’s blushes on a visit in 1842 although its believed she didn’t visit in the end. She missed out. Maybe she would have been tempted if a gig was on. 

Photo - Mick Rhodes

After an epic 6 hour drive, the dog and I went on stretch our legs on a wee recce. Having located the cave, we headed back to our hotel, bumping into the boys, who were on their way to sound check. There was concern on Facebook, after a picture was posted showing the gear being transported up in a buggy (no roads up) that Norman had entrusted his ’60 Jag to the buggy. He was carrying his guitar when we met him, so no, he didn’t. Phew. 

A bus driving down a road

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When I arrived at the cave later, the support, Selma French, had already started. Normally this would have annoyed me but, on this occasion it turned out to be a blessing. As I was walking towards the cave the most glorious sound greeted me. Gorgeous vocals, which got louder, richer and more intense as I neared the cave entrance. I was in love with the gig before I even got inside. It was simply heavenly and to experience that moment, for once, I was glad I was running late. 

A group of people playing instruments on a stage

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Photo - Mike Turner

The capacity of the venue is 600 but it didn’t feel like that inside, despite being sold out. The floor is split level, I guess you get what you’re given with a cave. Norman commented it was very disconcerting to have an audience on two levels.

There was a slight slope backward on the lower level so as a pint-sized fan, the choice of spot was critical. I did about a third of the gig quite near the front but played dodge the tall peeps for a view of Norman or Raymond, but not both and then retreated to the back where I would see the whole stage minus Dave. 

A group of people in a cave

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Photo - Steve Tamburello

After much anticipation from a friendly but hyped-up crowd, the boys came on and kicked off with Foreign Land. I’m not even sure I took it all in. The sound was sensational. Enriched. Magical. Like nothing I had ever heard before. No echo.

Hearing the Fanclub play always makes me smile but this was different. It felt like a privilege. I stood with a massive grin on my face, big enough to rival Norman’s. The lads followed the opener with About You. Raymond was in fine voice and the harmonies were enchanting. 

A person playing a guitar on stage

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Photo by Mike Turner

Next up was Tired of Being Alone. It had a beautiful softness, intensified by the cave acoustics. Soothing to the overstimulated fan ! Then, I Don’t Want Control of You, equally scrumptious classic, with the boys nailing the much loved key change. Norman beamed and commented ‘Not all bands do key changes, we just do the one!’ And a joyous one it is. 

This was followed up with Everything is Falling Apart and Alcoholiday. Call me old school but this song is absolute class and particularly in a cave, I defy anyone to disagree. Norman made a joke that the band were sponsored by Specsavers. To be fair, this applies to a fair whack of the audience. There is a wave of fully sighted, young fans coming through, which is nice to see.

I was utterly blown away by how good Did I Say sounded. Just stunning and potentially my favourite moment of any Fanclub gig ever (and there’s been a few to choose from) . I’m not even sure I have the words to describe just how magical it sounded. I could have gone home then and been happy. 

That sublime moment was followed up by 120 Minutes. The boys knew what they were doing when they put this set list together. Chill time over, they bounced into What You Do To Me, joyful as ever, with Norman joking afterwards that if you liked that song and wanted to find it on Spotify then it was called ‘What You Do To Me’. 

A person playing a guitar on stage

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Photo by Mick Rhodes

The intro to Falling into the Sun was perfectly suited to the acoustics. It’s at this point, I begin to wonder if this is the pinnacle of Fanclub gigs and that every other future gig will only be ‘nearly as good as the Devils Arse’ The boys start Neil Jung and this did not help my concerns one bit. So phenomenal, that in its honour, I shall henceforth be known as Gil. 

Francis was perfection on the drums (as was the case all night). Outstanding. Sublime, which continued into The Word’ll Be OK prior to ramping it back up for I’m in Love (and by then we absolutely all were), Come With Me, soft, rich, melodic beauty was the perfect penultimate song prior to a crowd in fine form all letting their hair down, and singing and bouncing to The Concept

A group of people playing instruments on a stage

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Photo by Steve Tamburello

Norman warned us that there was only one way out, so if we didn’t leave, they would have to do an encore. There was no way anyone was leaving. The encore started with a delightful rendition of Back In The Day, which is still lingering around in my head. Metal Baby was next up and what a treat. I should listen to it more often as it a cracker of a tune. I maybe over played it in my teenage years…… It was well received by the crowd, who were perhaps thinking the same thing. 

The Middle of My Mind was a beautiful choice prior to Norman introducing Everything Flows, ‘It was our first single, it still is’ No one ever gets tired of Normans banter. So, as always, Everything Flows brought an utterly enchanting and magical show to an end. Just as good as the first time I ever heard it. 

And in case anyone is concerned that no future gig will be as good and I have ruined my future enjoyment of my favourite band, I went to see them in Holmfirth the following night and they knocked it out the park. The boys never disappoint.

A person holding a piece of paper

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Photo (above) by Steve Tamburello 

Photo (below) by Richard Morton

A group of people on a stage

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A person playing a guitar on a stage

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Photo by Mike Turner

Tuesday, 9 September 2025

Never Ending Mixtape part 103


Welcome to part 103 of my Never Ending Mixtape!

I started this blog/playlist/mixtape back in October 2016 with the simple intention of creating a playlist that I would add songs to on a regular basis and then blog about the latest additions every month.

There would be no thought to the structure of the playlist, unlike the mixtapes and CD's I would make in my younger days. I'd just add songs when I felt like it, depending on what I was listening to.

As a result, my Never Ending Mixtape jumps from 4,541 songs to 4,588 songs with the addition of Los Angeles by Big Thief who have just announced a Barrowland show for next Spring.

You'll find a few of the additions listed below. There are loads of new discoveries - look out for a forthcoming blog on the ace Chewing Gum Delirium

Search for Everything Flows Never Ending Mixtape on Spotify or CLICK HERE

Recent discoveries

1, 2, 3, 4 by Feist

Black Marbled Elm Trees by King Creoste

Peeled Apples (Andrew Weatherall remix) by Manic St Preachers

Funky Chimes by Francis Coppietiers

Chewing Gum Delirium by The Free Pop Electronic Concept

Hung Up on a Dream by The Zombies

It's Indian Tobacco My Friend by Cornershop

What Did The Hippie Have In His Bag? by Cornershop

Time (You and I) by Kruanghbin

New releases

Taxes by Geese

 Los Angeles by Big Thief 

Playing Classics by Water From Your Eyes

Old favourites

Buttermilk by Eugenius

Fine Time by Cast

Neil Jung by Teenage Fanclub

Stolen Car by Beth orton

Time of the Season by The Zombies

The State That I Am In by Belle & Sebastian

It Won't Be Long by The Beatles




Thursday, 4 September 2025

The Boy Hairdressers

Blake, McGinley, Lambie, McDonald and McAlinden

The Boy Hairdressers were a short lived band from Glasgow who counted Norman Blake, Raymond McGinley, Francis McDonald (all Teenage Fanclub), Joe McAlinden (Superstar/Linden) and Jim Lambie (contemporary artist) as their members. Paul Quinn (Teenage Fanclub) also played some shows.

Blake, McDonald, McAlinden 

The band released their only recordings via Stephen Pastel's seminal 53rd and 3rd label in January 1988. The 3-track 12-inch consisted of A; Golden Shower, B; Tidalwave, B2; The Assumption As An Elevator.

The Boy Hairdressers and their sole release have taken on something as a cult status - given what the members went on to achieve. The recordings (rough and raw, but made with love) are a glimpse of a band developing - not really quite there with their sound/style.


Golden Shower is easily the best song on the record and was shown some love and appreciation when Teenage Fanclub covered/revisited the song when they played The Barrowland in 2022. High pitched harmonies over sparse acoustic guitar start the song. Then, after a brief pause, bass, drums and keys/vibrophone/flute bring things to life. I'm pretty sure Raymond used some of his guitar work in other songs. 

Tidal Wave is like a mock English folk song. I imagine it might sound better as an Irish folk song. Although under two-minutes long, I'm pretty glad when it's finished. I'm not a fan of this one.

On the final song, The Assumption As An Elevator, I find myself asking who is singing. Is it Norman? I like the outro, with some nice guitar noodling from Raymond, while Jim Lambie creates Velvets-y effects.

When you read some quotes from interviews Norman gave following the break up of The Boy Hairdressers, it's no surprise to find him highlighting his relief that his new band (Teenage Fanclub) is just me ... being me

Teenage Fanclub cover an 80's band at the Barrowland

Given that The Boy Hairdressers brief existence was in a pre-internet, pre-mobiles and pre (easily available/affordable) video camera era, there is extremely limited information about the band online.

However ... I did some digging and uncovered interviews, fanzines, photos, (hazy) fan memories and stories from band members, those around the band and fans who caught The Boy Hairdressers and very early Teenage Fanclub.

Photos by Andrew Turner
Horse & Groom pub, Bedford, 17th October 1987

Norman and Raymond were interviewed in a Pastelism fanzine just after they started Teenage Fanclub. Perhaps this section of the Q&A between Stephen and Norman speaks volumes about why Blake broke away with Raymond to form Teenage Fanclub

Patelism: It seems The Boy Hairdressers were just getting a fair amount of interest and then you split up. So what happened?

Norman: The thing about The Boy Hairdressers was that no-one was really motivated to do anything. We were very badly organised ... it ended up that only me and Raymond were putting any effort in. ...

Pastelism (on the song Golden Shower): Do you think it was all a bit naive, all that sex and smutty innuendo stuff? 

Norman: Aye, I'm a bit embarrassed by it now. It was a bit stupid.

Later in the interview;

Norman: ... the new stuff (TFC) reflects more of what we are really about. We feel much more comfortable with Teenage Fanclub ... it's just (me) being me.



In 2021, Raymond and Norman spoke with Ed Nash for a brilliant interview, in The Line Of Best Fit reflecting back on pivotal moments in Teenage Fanclub.

Here is what they had to say about The Boy Hairdressers;

Norman: The Boy Hairdressers had fizzled out and Raymond and myself were the two people left standing. We'd put out a 12 inch on Stephen Pastel's label (53rd & 3rd), so we'd had a taste of what that was like. We wanted to move on and put an album out as soon as we could.

Raymond: People knew who the band were, but it wasn't like we did a lot. We put out one single and played a handful of shows. We were really frustrated by that and once the Boy Hairdressers finished we had this idea that we wanted to make a record before we started talking about what the band was.

Norman: We had a number of songs we planned to work on and that we'd played at the latter end of the Boy Hairdressers. We wanted to do stuff rather than talk about it, so we thought 'Let's put an album out, let's just go for it,' but we couldn't afford to do that. Now you've got Pro Tools on a computer, but a Portastudio was state of the art then. The embryonic part of A Catholic Education was us sat in Raymond's flat recording these very basic demos on a Portastudio. That's where it all started for Teenage Fanclub.

Both of these interviews, although short, probably tell you all you need to know about The Boy Hairdressers. They had fun and a bit of a laugh, played a few gigs, got some attention, put out a record but didn't quite gel and different members of the band perhaps had other priorities/options. 


Raymond and Norman took a few songs into Teenage Fanclub, including Don't Need A Drum and Too Involved, with Raymond funding the recording of debut album A Catholic Education after being left some kitchen appliances (including a fridge) by a neighbour. Check a previous blog on the Fanclub debut HERE

You can listen to The Boy Hairdressers 4-track demo of Don't Need A Drum below. You can instantly hear the move away from the sound of the debut EP - this is cooler and more assured - even as a 4-track recording. This, as highlighted in Norman's interview above, is really a Teenage Fanclub demo. 

Other demos that fans have mentioned (but are currently unavailable online) include Saliva (that went on to become Too Involved) a song called either Flying Helmet or Magic Helmet and a Norman song that BMX Bandits recorded - Let Mother Nature Be Your Guide - LISTEN


I asked a few people in, involved with or around The Boy Hairdressers for some information and (hazy) memories. 

Photo by Kaori Laird

Paul Quinn: It wasn't until I turned up to do the first gig I played with them that I realised Joe McAlinden and Jim Lambie were also in the band! That show was at The Volcano at the bottom of Byres Road where the club scene was filmed for Trainspotting. The 2nd show was at Fury Murry's. After the show, I was asked by Raymond and Norman about what I was planning to do and I stupidly said I was going to continue playing with the guys from Bellshill I was in a band with. I had my reasons for that decision. However, it was a stupid decision as The Boy Hairdressers didn't last long after that. They both went on to form Teenage Fanclub. 

Andrew Turner: It was my brother Nigel who promoted the Bedford (photos from the Horse & Groom above) gig way back in 1987. Norman still remembers the occasion with a certain amount of fondness - he even held up a photo of said gig during the recent (August 2025) Teenage Fanclub show in Bedford.

Duncan Birrell
Pretty sure I caught them live, I think one time may have been on a two-night charity gig for Shelter in Glasgow around 1987 at the old Volcano, at the end of Byres Road. I think the Groovy Little Numbers and The Bandits played one of those nights too - using a lager can as a guitar slide. Heady days!

Joe McAlinden
A review from our first gig. Raymond hadn't joined but was watching in the audience.


Photos from Joe's personal collection

Kevin Francis
Saw them at ULU bottom of the bill below Dinosaur Jr and Primal Scream. All I remember is that someone was sitting down, possibly Norman and there was one song that started with A Capella Beach Boys style harmonies. I loved it!

Brendan O'Hare
They were all from another planet.

Kaori Laird: The voice saying Boy Hairdresser in Japanese at the beginning of the Teenage Fanclub song Speeder - is my voice! It was recorded at Norman's Granny's house. 

After Boy Hairdressers there were rumours circulating that Norman was already working on a new band - who would become Teenage Fanclub. I asked Norman what they would be called and he said Black Watch or Old Grandfather Clock. I knew he was not serious, but it was so Norman (isn't it?).

Fraser Gillespie
The Boy Hairdresser was a terrible novel by Joe Orton and Kenneth Halliwell. I saw them at least twice in Glasgow and also Norman's previous band The Faith Healers. Their keyboard player, Jim Lambie, did posters and filmed for Splash 1. He went on to become a very successful artist. I have a demo of Saliva which became the TFC song Too Involved - was that The Boy Hairdressers? I saw the very first TFC London gig at the Camden Falcon. It was obvious that they were going to be successful.

Graeme Williams
I saw them live supporting The Pastels at The Boardwalk in Manchester - was a great night, quite the shambolic gig to use a well worn trope, but you could tell they had something special. I have the ticket stub still somewhere.

Steph Wood
I put them on once and they slept on my floor - I still occasionally find one of those round blue Golden Showers stickers when I pull a random record out of it's sleeve ...

Antonio Navarro Ros
In Pastelism fanzine appears the first Teenage Fanclub interview ever and Norman and Raymond talk about the disband of The Boy Hairdressers. Here is the link (also see above)




Monday, 1 September 2025

Teenage Fanclub at the Old Fire Station



My friend Lorna and I decided to travel down the M8 to Carlisle to catch our favourite band on Sunday night. We have very similar taste in music! After meeting back in 2001, I really have no idea of how many times we must have seen Teenage Fanclub together over the years! Including solo or side projects, it must be over 50. Maybe even more. Seeing them play always brings a smile to our faces.

We were both thoroughly impressed by the venue - The Old Fire Station - easily accessible, situated just on the outskirts of the lovely Carlisle town centre, handy car park directly across the road, good lay out, well staffed bar (alcohol free for me) and a fantastic sound.

When Teenage Fanclub's Autumn tour dates came out, I was determined to get to one of them. Sadly, their Devils Arse (show in a cave) clashed with a work event. Carlisle was a little easier to get to.

With a standing capacity of 420, this was an excellent chance to see the Fanclub in an intimate venue before they venture to South America where they play 3 dates in Brazil and then head to Buenos Aires in Argentina - an incredible city that I was fortunate to spend 1-month in back in 2008 at the end of a year travelling around the world. I'd love to go back sometime!

Support act was Selma French who played as a duo with her cousin Anna. Their harmonies were absolutely exquisite, I'd highly recommend checking them out. 

On to the Fannies! Lorna and I managed to get a great place near the front on Raymond's side. We were immediately blown away by the sound - the Old Fire Station sound system is superb. Just three rows from the front, Raymond's guitar was on fire - what a handy venue to be in!

Opening with Tired Of Being Alone, McGinley's guitar was soon flowing and fizzing. About You quickly got the crowd bouncing and singing-a-long. There was a great group of girls near the front who danced throughout and a crowd of people in the centre of the venue who bounced and sang their hearts out.

Norman joked about the stage having a clock that included the temperature which he informed us was currently 25 degrees and asked if we could turn it up a notch.

Alcoholiday threatened to do that and when Norman checked to see if it worked he told us it was now 31.8 degrees. Then apologised as he noted 31/08 was the date!

All songs received a warm response, but Fanclub favourites, like the aforementioned About You and What You Do To Me, Neil Jung, I Don't Want Control Of You and the pre-encore The Concept were greeted like long lost friends. It was pretty euphoric and there were lots of smiles on stage to acknowledge appreciation.

Rare outings for The Cabbage and Mellow Doubt were a welcome treat. While songs from across the bands extensive discography highlighted the strength of their back catalogue. 

The opportunity to watch Raymond playing his guitars up close felt like a privilege. Playful sonic sounds - inventive chords and solos, excellent use of pedals. I'd love the band to extend the outro to Everything Is Falling Apart, with Euros keys coming to the fore to jam with McGinley and Francis.

The flowing The World'll Be OK was soothing, Norman's It's All In My Mind made me wonder if Raymond might bring out his beautiful Only With You from the same album - maybe next time.

As always, the band zipped through I'm In Love and a positive sign of the band enjoying themselves on stage is when Norman spins round to his left to smile at Dave, or further round to see Francis, Euros, or right round to see Raymond. There were several spins and countless smiles. 

Ending with the band thanking everyone for coming out for their first ever show in Carlisle followed by an epic Everything Flows - based on the audience reaction and the smiles on stage - I think they will be back.



Thursday, 28 August 2025

Life Is Sweet

 

Trust me #103
Life Is Sweet by The Chemical Brothers

Stumble out into the dawn streets with a still-buzzing Tim Burgess on the glorious Life Is Sweet, his choirboy voice royally f***ed up and slumped across a mere slip of melody. Stephen Dalton, NME

What a beautiful piece of writing by Stephen Dalton for the NME! What more could I add?

The Chemical Brothers were a force of nature in the 1990's and along with the likes of The Prodigy, Underworld and Fatboy Slim, they helped create a huge melting pot of music. Alternative British music was thriving; Radiohead, Spiritualized, Massive Attack, Portishead and Primal Scream would release groundbreaking albums, pushing boundaries with their sonic soundscapes and ambitions.

Lets go back to 1992 and it was very much the case of right place, right time!

The Chemical Brothers met in Manchester and began DJ-ing in pubs while also forging ahead with producing their own psychedelic big beat sounds. Originally called The Dust Brothers, until the US producers asked them to change, their first self-pressed white label 12-inch found its way into the hands of Andrew Weatherall who began playing Song to the Siren in his sets.

Word, as tended to happen with Weatherall, got round and before long Tom Rowlands and Ed Simons were remixing for Leftfield, Lionrock and Republica. In October 94, the duo, still known as The Dust Brothers, became resident DJ's at the Heavenly Sunday Social on Great Portland Street. Noel Gallagher and Tim Burgess were regulars and before long The Dust Brothers were remixing Primal Scream's Jailbird, The Charlatans Patrol and Nine Acre Court, the Manics and The Prodigy.

By 1995, The Dust Brothers had become The Chemical Brothers due to a name clash with the American producers. Tom and Ed were carving out their own space in the world of electronic music, fusing breakbeats, big beats, and psychedelic grooves into something fresh and thrilling. Their debut album Exit Planet Dust was a game-changer, and one of its standout moments and was Life Is Sweet, a track that featured none other than Tim Burgess of The Charlatans on guest vocals. Tim was a big fan of the Heavenly Social where The Chems had a residency. It seemed like a natural fit. It sounds like it most definitely was.

1995 was a super sunny summer and Life Is Sweet was one of many songs released around that time that seemed to be tailor made for the times and the weather. Life - for a 19-year old with no ties, good friends and regular nights out - was very sweet.

The Chemical Brothers were already known for their heavy, rolling beats and club-shaking basslines. But Life Is Sweet was something else: a hypnotic, groove-laden track that felt equally at home on a dancefloor as it did blasting through a car stereo on a summer evening drive down the Clyde Valley. 

I'm driving in the sun

It's a hell of a way down south

Bring me back my love


Tim Burgess was a perfect and very natural fit to The Chems psychedelic soul, bringing a laid-back, almost dreamlike vocal delivery to the mix, a human warmth to the beats, bass and synth sounds.

Swirling synths, a relentless and infectious groove and Burgess' floating vocal, trying to calm the storm going on around him, but getting beautifully caught up in it.

Burgess, Tom and Ed definitely found chemistry together in this collaboration.

Released as a single, Life Is Sweet included a Daft Punk remix. Looking back, this release captured a moment when electronic music was evolving, absorbing elements of rock, hip-hop, and psychedelia to create something new and intoxicating, fresh for the 90's.

On reflection, I wish the video had documented the times - Tom an Ed DJ-ing in a packed basement in the Heavenly Social The video (below) with Tim singing and dancing along. That would be super cool to look back on.As it is, Tom and Ed are mucking about with (and blowing up and trying to fix) a large bank of equipment, while Tim is seemingly locked in a smaller room looking through a hole in the wall to watch The Chems, while in other rooms there are a series of mad people!

Remember (cause it can be difficult when you read or turn on the news) that life can be sweet, and so is this tune.

Life Is Sweet is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.


Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
100. Sit Down (Live at G-Mex) by James
102. Just When You're Thinkin' Things Over by The Charlatans

Thursday, 21 August 2025

Some Velvet Morning


Cover version of the month #114
Primal Scream & Kate Moss cover Lee Hazlewood and Nancy Sinatra

Primal Scream's Evil Heat album, released in 2002, was a bit of a messy affair. The band were possibly a little burnt out from recording and touring 2000's extraordinary XTRMNTR, where they recorded and produced with the help of an exceptional array of guests including Kevin Shields, The Chemical Brothers and David Holmes. Their live XTRMNTR shows were a sonic kaleidoscopic exploration, with Shields joining them on stage to create all kinds of glorious white noise over techno beats.

Looking back, the Scream's run from 1991's Screamadelica, taking in Give Out But Don't Give UpVanishing Point and through to XTRMNTR is pretty astonishing. They knew no boundaries, pushed themselves to new levels, collaborated with Weatherall, Holmes and the Chemicals, went to Memphis to play country soul and rock n roll, benefited greatly from the addition of Mani on bass and partied harder than most. 

What goes up, must come down.

Evil Heat was a bit disappointing for me. I only really revisit 2 songs from the album; the sublime and dreamy Autobahn 66 and their cover of Some Velvet Morning with Kate Moss. Truth be told, I rarely listen to much of the Scream's work post XTRMNTR. Maybe 6-8 songs or so? The band rarely play much from their post 2000 albums either. 

Back to the cover version though. There is added zip and electro sleaze on the extended version of the song with Gillespie singing in a menacing whisper and Moss's vocals sounding dreamlike at times and beautifully seductive at others, especially at the end when she is purring look at us but do not touch.

Then there's the video. A masterclass in lo-fi psychedelia and effortless cool. Bobby Gillespie, all rock 'n' roll swagger, looking good, great hair, sharing the screen with the iconic Moss, wearing a babydoll dress, all sultry and seductive. Both start in seated positions, but are seemingly brought to life by the songs pulse and the psychedelic light show going on behind them. 

Before long, Gillespie is up at a mic, a modern and cooler take on Sid Vicious's look while singing My Way and Moss is prowling and dancing to the beat, looking effortlessly gorgeous. It's simple, yet utterly captivating. Surreal and beautiful.

The original Some Velvet Morning isn't just a song; it's a legend, created by whispered awes in the decades since it was released. In pre-internet and social media times, this was a song that was passed down and around via mixtapes, often mentioned by bands I followed in interviews. 

Hazelwood and Sinatra's Some Velvet Morning is kind of psychedelic folk by way of a western. It’s a dreamlike, almost unsettling duet, full of cryptic lyrics and a haunting, ethereal beauty. 

The contrast between the two singers creates a masterpiece of tension and seduction, a truly one-of-a-kind creation. Hazlewood's gruff baritone weaving around Sinatra's innocent, almost childlike delivery;

Flowers growing on a hill

Dragonflies and daffodils

This becomes super trippy around the 3-minute mark, when the song is cut up to have Hazelwood and Sinatra singing line about, with the music completely different for each line. It's the kind of song that sounds like it came from another dimension, existing outside of time. No wonder it is still talked of in wonder.

Primal Scream's electronic transformation of the song is super cool. Hazlewood and Sinatra's version feels like a hazy journey through a fever dream. The Scream Team take it on a shimmering, swirling sonic adventure - creating a pulsing groove, synth soundscapes and swirling texture. Both have a dreamy quality that isn't easy to capture on record.

Gillespie and Moss will have shared a few velvet mornings in their time. It's a great cover version.

Hazelwood and Sinatra's original and the Primal Scream cover of Some Velvet Morning (I've opted for the version on their Dirty Hits album) are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!