Showing posts with label memories. Show all posts
Showing posts with label memories. Show all posts

Thursday, 5 February 2026

Since I Left You

 

Trust me #112
Since I Left You by The Avalanches

This wonderful song was released on 5th February 2001. While this makes it 25-years old, Since I Left You still sounds as supremely fresh, sunshine-y and vital as it did the first time I heard it. 

Although I can't remember where or when that was. Maybe it was on MTV, or maybe I tracked it down after reading a review, or hearing the song on the radio. I can't recall. All I remember is being transfixed by everything I heard and saw by The Avalanches - the singles, their sensational album, a live performance at The Arches, the GIMIX mixtape (blog coming soon on this) I bought that night and then a trip to Manchester to see them DJ. 

They were cool, their musical taste was exceptional, their ear for melodies was off the charts and the way they created their own songs from samples was like nothing I had ever heard before.

Samples .... you can't really talk about The Avalanches without discussing samples. Armed with Yamaha Promix 01 and Akai S2000 samplers and stacks of "dollar-bin" vinyl that nobody else wanted, Robbie Chater and Darren Seltmann stitched together an estimated 3,500 samples into a seamless album.

Check this incredible YouTube documentary that attempts to track all of the samples. The fact is, even The Avalanches don't have a record of all the sample they used!


Since I Left You
, the opening song and title track of their debut album, is not just a breath of fresh air. It's like inhaling pure oxygen and riding the rush. Nothing else matters for a glorious few minutes. 

Despite being built entirely from other people's voices, the song feels personal. The central hook is a pitched up slice of The Main Attraction's Everyday, capturing, creating something pure and euphoric.

Twenty five years since release, Since I Left You still hits me like warm rays of sunshine. This is pure escapism, merging from the sounds of a party the vocals are a burst of unadulterated joy and escapism.

Since I left you

I found the world so new

Timeless pop perfection. The Avalanches created a true work of art with this song and album. They took 16 years to release a follow up!

Since I Left You is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones
88. Give Peace A Chance by John Lennon / Plastic Ono Band
89. Cut Your Hair by Pavement
90. Race for the Prize by The Flaming Lips
91. Waitin' for a Superman by The Flaming Lips
92. Acquiesce by Oasis
93. This Is Music by The Verve
94. Lone Swordsman by Daniel Avery
95. Sparky's Dream by Teenage Fanclub
96. Common People by Pulp
97. Let Our Love Grow Higher by Eula Cooper
98. Regret by New Order
99. Keep On Keepin' On by Nolan Porter
103. Life Is Sweet by The Chemical Brothers 
104. How Can I Tell You (To Love Me More) by Brooke Coombe
105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish
108. Cobra by Geese
109. All I Have To Do Is Dream by The Everly Brothers
110. Vapour Trail by Ride
111. Teardrop by Massive Attack







Tuesday, 30 July 2024

T in the Park 1994

 


30-years ago, T in the Park launched at Strathclyde Park in glorious sunshine. For a young 18-year old music fan from Carluke (10-miles down the road), it really seemed too good to be true. This was like the pages of the NME and the Melody Maker coming alive in front of my eyes!

Back in 1994, many fans of independent and alternative music in Carluke would take a short train ride to Wishaw and decamp to the pub Girdwoods next to the station. There was a DJ who played a mix of stuff that was veering towards indie. That exploded over the next year or so as Britpop bloomed.

Now, many of the Girdwoods crowd were getting to see loads of bands that were played in the pub on a Friday/Saturday for real. Just a couple of train stops on!

The T In The Park line-up was pretty incredible! The ambition of the promoters to bring all these bands to Lanarkshire has to be applauded. This was a major step for live music in Scotland. From memory, I think they had previously looked at the Isle of Arran for the festival. A beautiful setting, but a logistical nightmare.

Here are a few videos and bootlegs from 1994 to check out when you have time;

My memories are pretty hazy, but here are a few;

Saturday

  • Transport and jibbing- my brother and I went with my friend Craig Richardson who kindly drove. We met loads of others from Carluke, including a few who managed to jib in by saying that their Mum had ordered tickets and paid by credit card. The ticket office wasn't quite as high tech as it is now. There really was no way of checking, so they got in! There was a meeting point in the middle of the site, so if you wanted to go and see a different band from your mates, you arranged to meet there. This was pre mobiles remember!
  • Crash Test Dummies - had a massive HIT around this time with Mmm Mmm Mmm Mmm and they drew a huge crowd to the main stage in the sunshine, with everyone singing along.
  • Manics - I vaguely remember the Manics playing the tent with balaclavas on? They must have been roasting! I don't remember seeing Elastica, Blur or Pulp! Surely I saw a bit of them though!
  • S*M*A*S*H - were a band the NME were giving a lot of column inches too as they talked of the New Wave of New Wave - bands inspired by punk. I don't think any of them really did anything of note and they quickly disappeared almost as quickly as they appeared. Britpop took over! But my brother and I went to the tent to see them and were jumping about at the front when there was a bit of a pile up and Ross was somehow at the bottom. Some big guy next to me grabbed his hand and yanked him out! Thanks mate! 
  • The Levellers - there were loads of Levellers fans kicking around. There Levelling The Land album had been huge, with songs like One Way and 15 Years I ended up pulling (a very 90's term!) a lovely girl from Manchester later on at night. 
  • Rage Against The Machine and Cypress Hill - the big rumour sweeping round the site was that these bands wouldn't make it. They were stuck in London or something. Did a helicopter bring them in? Or am I imagining that? Anyway, they kind of played a joint set with Killing In The Name Of being incredible. We ran to get as close to the front as possible and I remember literally running over a couple of people who were lying on the ground chilling out!

Sunday

  • Oasis - I caught Oasis for the 3rd time in 4-months. I was so lucky to get into them right from the start. This was a blistering set. There is a very raw (audio) bootleg available on YouTube, but I'd love to see a video. They played football on stage, engaged in crowd banter, looked cool and sounded incredible. The tent was rammed for the hottest band around.
  • One Dove - Played a blissful set and I was mesmerised by the beauty and coolness of Dot Allison! they may or may not have been on directly before Oasis.
  • Teenage Fanclub - On the main stage and practically a hometown gig with Bellshill being just up the road. Memories are not so clear for this. I was probably bouncing about as close to the front as possible.
  • Crowded House - Probably my clearest memory of the festival is fans making a human pyramid and following instructions from Neil Finn on the stage! Their songs seemed so perfect in the sunshine. Weather With You - what a song!
  • Primal Scream - It had started to rain and Primal Scream just came on a blitzed things. I couldn't take my eyes of Bobby Gillespie. He looked and acted like a total star. The first of many times catching the band. 
I think I attended the first 7-9 T in the Parks and then gradually went more sporadically, maybe for a day rather than the weekend. I was at the last one (for the day), up on the new Perthshire site at Strathallan Castle for the Stone Roses. Review T in the Park had to move from their long term Ballado site due to a pipeline issue. 

T in the Park was an absolute blast - I camped out, stayed in a hotel (once), got a media pass one time, I volunteered with Oxfam, I organized a tent with Maggie's, I kissed girls, danced with friends, drank loads of beer, misbehaved and saw countless bands. Some breaking, some absolute superstars. 

30-years. How time flies!

On the shoulders of my friend Gordon at the last T in the Park

Flares for the Roses - the last T in the Park


Friday, 5 April 2024

5 from Kurt and Nirvana

Thirty years ago, I was 18-years old and desperately looking forward to seeing Nirvana live at the SECC in Glasgow. I had queued for hours to get a ticket from Virgin Records on Union Street. 

Then, in early March 1994, Kurt overdosed in Italy, resulting in the original Glasgow date of 28th March being postponed. There was widespread concern for the health of Kurt, Courtney and young Frances. I remember reading an interview in the Melody Maker by Everett True, friend and champion of Kurt and the band where True wrote of his concern for the way Cobain and Love were living. It sounded utterly chaotic and unsustainable. Later documentary footage of the duo at home around this time is truly harrowing and heartbreaking. 

On 8th April 1994, news broke that Kurt's body has been found. I was in King Tuts to see The Pastels play as part of Glasgow Sound City. In a time before mobiles and the internet, there were pre-gig whispers/rumours around the room. The Pastels came on stage and dedicated the show to Kurt.

I had parked directly outside King Tuts and after the gig my friend Grant and I got into the car and turned on Radio 1 to hear John Peel, but Peel wasn't there. It was just Nirvana song after song, then a pre-recorded message to say that John wasn't able to broadcast and the show was dedicated to Kurt.

From memory, I don't think Grant and I spoke much on the way home. We must have been in shock. A hero had died. Did I grieve? Or just throw myself into more music? I honestly can't remember. I had only just turned 18. I think my grief was over quickly, maybe within a couple of weeks. Music ... and life ... went on. 

It's better to burn out than to fade away is what Kurt wrote in his suicide note. Cobain certainly burned bright and my friends and I would regularly talk about what the next Nirvana album was going to be like following their seminal MTV Unplugged performance. There were rumours that Michael Stipe wanted to write with Kurt.

On reflection, Nirvana got too big, far too quickly. They were a punk band with punk beliefs, but Kurt loved melodic guitar pop - from The Beatles to The Vaselines. Cobain's songwriting quickly developed from the release of debut album Bleach in 1989 to Nevermind and in 1991. Smells Like Teen Spirit took Nirvana to the mainstream, where they were eaten up and spat out, playing to 'jocks' and people that they were always against.

Geffen expected Nevermind  (released in September) to sell 250,000 copies, the same as Sonic Youth's Goo. By Christmas of 1991, Nirvana were selling 400,000 copies per week, fuelled by the phenomenal success of Smells Like Teen Spirit. As a result, the follow up single, Come As You Are, wasn't released until March 1992.

When it came to recording the follow up, Cobain broke from the polished sound of Nevermind, working with producer Steve Albini and writing songs with puns in the title (Radio Friendly Unit Shifter) and cries for help in the lyrics.

I've been listening back to Nirvana quite a bit recently and thought I would blog on 5 of my favourite songs by the band. 

At the time of writing, I chose;

About A Girl

The third song on debut album Bleach and the opening song from the MTV Unplugged performance and album. About A Girl was an early indication of Kurt's sense of melody, very much at odds from the heavy riffing and obscure song titles that dominated Bleach. In comparison, the title said it all. This was a love song about a girl (Tracy Marander), written back in 1988 after Kurt spent an afternoon listening to Meet The Beatles. Kurt had to go into the cafe that Marander worked in to see here. Hence the line I can't see you every night for free.

There is a fizzing guitar solo and a passionate vocal, the first real evidence that Kurt could sing and not just scream. The Unplugged performance sounds even better, Kurt's voice is so beautiful despite years of straining, screaming and singing with gut wrenching emotion. The fizzing guitar solo is much more mellow and allows the groove/rhythm a little space to breathe.

MTV Unplugged version

Lithium

Lithium is the sound of Nirvana perfecting the quiet /loud / quiet / loud / explosive sound.  

Perfectly structured, Lithium begins with a cool melancholic riff for the verses and Kurt singing I'm so happy, 'cause today I found my friends, they're in my head. Cobain doesn't sound happy though.

Things kick in for the yeah, yeah, yeah bridge, with Kurt's vocals straining in that beautiful way that entranced a generation and the second verse contains the brilliant line I'm so horny, that's OK my will is good. Then the second bridge builds to an explosion.

Even now, the relentless power of the I'm not gonna crack double chorus absolutely blows me away. 

I like it, I'm not gonna crack

I miss you, I'm not gonna crack

I love you, I'm not gonna crack

I killed you, I'm not gonna crack

Wow! At the time of writing, this could be my favourite Nirvana song. Listen to the lift into the second double chorus. As a teenager, cranking this up on my on my stereo with sub woofers and dancing around my bedroom was an absolute joy.

Official video

All Apologies

Or maybe All Apologies might just be my favourite Nirvana song! The groove, the riff, the melody, Kurt's voice ... he reportedly recorded all his vocals for In Utero in just 6-hours. The song dates back to 1990, Dave Grohl recalls hearing a 4-track demo and thinking; 'this guy has such a beautiful sense of melody, I can't believe he's screaming all the time.'

This could be the home demo released on the Sliver - Best of the Box / In Utero boxset.

All Apologies - home demo

Kurt revisits this version in his Unplugged performance. It's still mellow and melancholic as the closing song on In Utero, but the use of cello really comes out on the Unplugged version. Kurt's guitar solo is gorgeous.

MTV Unplugged version

Lounge Act

Outstanding guitar power pop. Kicking in with a bass groove, Kurt then produces warm guitar sounds and a flowing vocal melody over the top, finding the chorus in 32 seconds. 

Don't, tell me what I wanna hear

Afraid of never knowing fear

Then at 90-seconds, Kurt brings out that voice. Stretched to the limits, Kurt goes for it with a verse and double chorus. There is no let up and it's all over in 2 minutes 36 seconds - glorious!

Truth, covered insecurity

I can't let you smother me

Son Of A Gun

I try not to include cover versions when writing features on 10 (or in this case 5) favourite songs by favourite artists, but given that covers feature so prominently through Nirvana's career - from debut single Love Buzz, through Peel sessions and to the legendary MTV show, it's hard not to feature one.

I was going to include Nirvana's cover of Bowie's The Man Who Sold The World as, personally, I think it is way better than the original. The thing that gets me about Bowie's recording is the percussion instrument that is turned up WAY TOO HIGH IN THE MIX in my opinion. It does my head in!

Kurt and Nirvana are not quite 'unplugged' for the fizzing guitar riff that opens their version. Kurt's voice has that beautiful aching feeling to it. No wonder so many people fell for Nirvana, no wonder their Unplugged performance was broadcast almost on a loop.

However, I'm going for Nirvana blitzing their way through The Vaselines for a John Peel session in 1990. This is pre-Teen Spirit and the post Nevermind craziness. I bought The Kurt Cobain Diaries in 2002 and poured over them. I loved Kurt doodling band logos, setlists, artwork and I loved reading his letters to Eugene Kelly from The Vaselines.

Kurt declared his love for the band. It's kind of amazing how he discovered The Vaselines EP's out in Seattle. The two form a bond, exchanging letters and records. In one unposted note to Eugene, Kurt says he is living in his car, passing on Krist's number. It was the same week Teen Spirit was released!

Playing a cover of a band he loved on a radio show by a DJ who fell for his own band just feels so Nirvana. So punk rock. Kurt would always champion his favourite underground acts, by wearing t-shirts by them, or covering their songs. Whether BMX Bandits, Daniel Johnston or The Meatpuppets (Kurt not only covered their songs but invited them to join Nirvana for Unplugged). For those he covered, royalty cheques made a huge difference to their lives and art.

Back to Son Of A Gun. Grohl's drums have a pounding punk Motown feel, Kurt's guitar fuzzes beautifully, Krist holds it all together and the vocals are almost bubblegum punk pop. And Cobain singing that chorus over and over just melts my heart every time. 

Please also see my 2015 blog - Nirvana play The Vaselines




Tuesday, 22 December 2020

Britpop memories part 1

 2020, at least for me, was 25-years since peak Britpop. A quarter of a century!!!

1995 was a remarkable year for British pop music, you had the bands that, looking back, were the real Britpop heavyweights; Supergrass were Alright, Pulp were Sorted for E's & Whizz, Oasis scored their first number one and then went stratospheric with the release of Wonderwall which propelled their dizzying rise to uncharted heights worldwide, there was the Blur v Oasis battle, the return of Shaun Ryder with Black Grape, Elastica released their debut album and The Charlatans eponymous album was a belter. 

Outwith that you had Radiohead surging ahead with the incredible The Bends, Teenage Fanclub displaying exceptional songwriting on Grand Prix, Tricky and Massive Attack creating what seemed like a new kind of music, The Verve shooting for the stars with A Northern Soul, the Chemical Brothers and Leftfield releasing huge electronic albums with massive beats, Paul Weller released Stanley Road.... good music was everywhere.

If Britpop peaked in 1995 - and I mean in terms of quality of music - when did it start? When did it end? What were the highlights?

The Drowners, the debut single by Suede

Looking back, I'm amazed it didn't make the top 40. 

But it made a mark, a big one.

For me, Britpop started with Suede in 1992, leading to a peak in terms of musical quality from 'Britpop' bands in 1995, before dying in 1997 as a number of Britpop bands moved forwards and notably Oasis went backwards. 

During that time I went from being at school to working and gigging regularly in Glasgow, taking in Oasis shows from the Tramway and the Cathouse through to Knebworth. It was a remarkable ride.

As a 19 year old in 1995, Britpop was exciting, there was new music to buy every week. So much good British music was released in 1995 (not all Britpop by any means) that I'm in no doubt that it was peak Britpop; classic albums and singles that have stood the test of a quarter century; Yes by McAlmont & Butler still bursts with energy, Pulp's singles were incredible and Wonderwall must have been played in every pub across the country, uniting people from all walks of life in song.

In a year where I couldn't get out to gigs, I spent some time looking back at the Britpop phenomenon. It sure was a good time to be alive. This is by no means exhaustive, John Harris' The Last Party is a good place to start if you want to do a deep dive into this period of time.

With Part 1, we'll start at (what I think is) the beginning and travel through to March & April 1994, two of the biggest months in Britpop when so much seemed to happen, leading to an explosion of British guitar pop music.

Britpop memories part 1
1992 - April 1994

The start - Suede's early singles

Suede kickstarted Britpop with their image, ambition and pop sensibilities demonstrated on their first 4 singles; the remarkable run of The Drowners, Metal Mickey, Animal Nitrate & So Young.

By April 1993 Suede had released the first 3 of the quartet and Brett Anderson appeared on what has become an iconic cover of Select Magazine with the title Yanks Go Home.

Suede were kind of on their own in 1992 going into 93, talking about bi-sexuality, Bowie & The Smiths in a post Madchester/Rave world with the music press being largely fixated on Nirvana and the grunge scene.

Suede were distinctly British and they kicked down a door. The floodgates opened. You can check this previous BLOG on the first 4 Suede singles.

Looking back, Suede kept up a remarkable pace throughout the 1990's; releasing singles every year except 1998 and 4 albums. The line-up that burst on to the scene with Brett Anderson on vocals, Bernard Butler on guitar, Matt Osman on bass and Simon Gilbert on drums just looked and sounded incredible. 

1992 through 1993 was their time; the singles, the imagery, the endorsement from Morrissey (which meant something back then), the album ....

Modern Life Is Rubbish

Blur had a link to Suede. Justine Frischmann had been in Suede, also dating Anderson, before leaving to form Elastica and date Blur's Damon Albarn. Brett Anderson cites her as a huge influence on the first Suede album.

This bizarre love triangle is pretty central to Britpop. Look at the change in Blur's look and sound from their 1991 debut Leisure to 1993's Modern Life Is Rubbish! All of a sudden it is Fred Perry polo shirts, blazers and doc martin boots. It wasn't quite as simple as that, there was 1992's Popscene single and an extensive tour of America that left Albarn yearning for England. Perhaps there was also the realisation that Leisure wasn't very good and that with There's No Other Way they had jumped on the Madchester bandwagon.

You could easily argue that Blur jumped to another bandwagon, only this time they were in from the start through Frishmann and Suede. 

Lead single For Tomorrow shows that Albarn was significantly developing as a songwriter. There is no doubt that Blur changed and developed massively with the Modern Life Is Rubbish album and Albarn gained huge confidence.

Creep

Radiohead are definitely not Britpop, but their name continues to be linked with it, largely because of Creep and the way they developed and left the genre as far behind as they possibly could, progressing from debut Pablo Honey in 1993, through The Bends in 95 to OK Computer in 97. It is a mind blowing development!

Creep was and is an incredible song, looking back, has Thom Yorke ever sung so directly since? When he takes off with the raaaaaaaaaiiiiiinnnnnnn section I still get a tingle down my spine.

Creep was a super cool song in 1992, the use of swearing is just perfect, and listening back now, of the first time in well over a decade, it is still super cool. 

Radiohead have to be mentioned when reflecting on Britpop as they were so different and the way they worked on their songwriting, musicianship and creative energy is in direct contrast to Oasis over the same period. They stood out a mile.

I wish I was special, so f**king special

But I'm a creep, I'm a weirdo

Do You Remember The First Time?

Jarvis Cocker's Pulp were building a head of steam. The 1992 release of Babies didn't chart but it seemed to mark a change in the band that led to a string of singles leading to the His n Hers album in 1994.

Do You Remember The First Time did chart though, it was Pulp's first top 40 single. It perfectly showcased Jarvis Cocker's humour, style, edge and fascination with sex. All of a sudden Pulp had found an audience and oh how Jarvis Cocker loved to play to an audience!

Pulp released their first single away back in 1983, now in March 1994, they finally made the top 40 and a few months later they even made it to Top of the Pops to perform a re-released Babies.

There will be more about Pulp later.

Elastica enter the stage

Elastica formed in 1992, releasing a limited edition single, Stutter, in 1993, but then picked up a head of steam in 1994 with the release of the Line Up and Connection singles.

The importance of Justine Frischmann to Britpop can't be understated. Although it became very lad orientated, Frischmann brought a love story (and triangle) to the table. Justine quickly became a pin up. I certainly wasn't the only teenager in Britain to have her picture blu-tacked to my bedroom wall.

Elastica burned brightly, too brightly. They burned out from 2-years of constant activity and attention and a lot of books on the era, particularly John Harris' The Last Party, document guitarist Donna Matthews descent from a quiet Welsh indie girl to someone reliant on drugs to get through or waste the day.

Girls & Boys

Britpop went technicolour with the release of Blur's Girls & Boys in March 1994. It was pure pop; simple and ridiculously catchy. With lyrics like love in the 90's, it's paradise, on sunny beaches, take your chances it felt very much of the times and a spring release meant that it became a summer anthem for people going on holiday to ... Greece.

Blur were exceptionally prolific through the 90's, releasing a staggering 22 singles and 6 albums. The run of Modern Life Is Rubbish (93), Parklife (94) and The Great Escape (95) along with the singles released leaves me exhausted just reading it.

But back to Girls & Boys, this was real Britpop kicking in. The single reached number 5 in the charts. Britpop was set to go mainstream, Blur were set to go massive.

Stay Together

This somewhat inappropriately named standalone single by Suede was released in March 1994, the last single with Bernard Butler in the band. Suede would veer slightly off their initial course with the release of the Dog Man Star album in late 1994. Widely regarded by fans and critics as a real highlight, in late 1994 it was a marked contrast from the Britpop sound and look that was exploding around them.

I'm a big fan of Butler's guitar sound and playing on the early Suede recordings and Stay Together is one of the bands most commercial songs. It got to number 3 in the charts and it is noticeable that the singles subsequently released from Dog Man Star stayed around number 20 in the charts.

April 1994; 

- Kurt Cobain's suicide

- the debut single by Oasis and the Wibbling Rivalry interview

- Blur release Parklife

Looking back, March/April 1994 is a kind of pivotal time in the world of Britpop. So much happened to propel Blur & Oasis to the fore of a new 'movement'. Although Noel and Oasis would always distance themselves from indie & Britpop.

Why was it pivotal?

Blur took things up a notch with the aforementioned Girls & Boys, Oasis made their TV debut on The Word with Supersonic, Kurt Cobain overdosed in March and then tragically committed suicide in April, Supersonic came out, Oasis gave an interview a million miles away from anything Kurt Cobain ever did. They had a song called Live Forever that was the complete opposite of Kurt singing look on the bright side, suicide or naming a song (even ironically) I Hate Myself And I Want To Die and Blur released Girls & Boys and then their 3rd LP Parklife.

The death of Kurt Cobain on 5th April rocked my world. I've mentioned a number of times in previous blogs that I was at King Tuts to see The Pastels playing, rumours were abound that something had happened but in a pre-internet (indeed pre mobile) world you couldn't just check the news instantly. The Pastels came on stage and dedicated the show to Kurt, on the way home the Peel Show was just back to back Nirvana.

2-days later I saw Oasis for the first time.

I'd been into Nirvana in a big way, I had a ticket (that I still have) for their show in Glasgow at the SECC, but all of a sudden Oasis were calling me and they spoke to me in a way that Nirvana couldn't. Noel's early songs of dreams and escapism just lifted me.

Oasis were the band I was waiting for. In April 1994 they arrived with the release of their debut single, appearing on The Word and on Radio 1 for Glasgow's Sound City where I caught them supporting The Boo Radleys at the Tramway. You can read about that HERE

Later that night, Liam and Noel held court in their hotel room with John Harris from the NME, resulting in a hilarious insight into their relationship and personalities. This was not long after Oasis had been thrown off a ferry to Amsterdam for fighting. Noel was mortified and wanted Oasis to be about the songs, Liam was into the whole rock n roll package and totally up for it ....or as we quickly found out ... mad for it.

The interview was later released as a 7-inch single and it is absolutely hilarious. You can sense the edge between the 2 brothers, the edge that made them stand out from others.

I would look forward to Oasis interviews as much as their musical releases. So did the music weeklies and monthlies as they generated huge sales. Oasis and the Gallagher brothers brought a working class mentality and reality to the weekly music press and to music fans. There was absolutely no bullshit about them. They wanted it, they were going to have it.

On 25th April Blur released Parklife, a swift follow up to Modern Life Is Rubbish and on the back of Girls & Boys. Playing with more classic British imagery, the band took the NME to the dog track to discuss their sound and ambitions.

All of a sudden 'indie music' was going mainstream. More on Parklife in part 2. 

Staying Out For The Summer

T in the Park 1994

Britpop anthems kept coming and in July 1994 Dodgy released the impeccable Staying Out For The Summer single. Looking back, I'm amazed it only reached 38 in the charts! This was sunshine pop, feel good music to sing-a-long to immediately. Relatable to many with its lyrics of working in factories, being low on luck & confidence, of love lost and mourned, Staying Out For The Summer was perfect for the sunshine summer of 1994

You see I work in a factory (I need the money)

I don't want to be late (though I hate this place)

I got my debts to pay for (free me from this race)

They're gonna have to wait

Speaking of which;

The sun shone on the first ever T in the Park with Blur, Oasis, Elastica and Pulp all playing. Outside you had the Main Stage, in tents you had what felt like the here, the now, the future.

I was 18 and everyone I know that went to the festival wondered if it would even go on. It happened. Although I think I saw all the bands mentioned above, I only remember Oasis. They played to a packed tent and played football on stage. They were outstanding, I'd love to see footage of the gig if it exists.

Check some highlights from the first ever T in the Park HERE


Part 2 coming soon

Saturday, 14 November 2020

Save McChuills


 A quiet post work pint in McChuills back in January before
Colonel Mustard & the Dijon 5 at the Old Fruitmarket

I can't pinpoint the first time I visited McChuills, situated on High Street in Glasgow. The first time might have been by chance, stumbling across it on route to the Barrowlands. But between 1999 and 2010 (and especially from 2001 when I moved to Dennistoun) it became a pretty regular haunt for me. And even post kids and a move out to Uddingston, McChuills is still a pub I'd visit more than any other in town, especially pre and post Barrowland shows.

Back in the pre-smoking ban days McChuills was one of those bars you could walk into and feel like you could literally cut a square of cigarette smoke out the air. The low curved ceilings just seemed to let the smoke gather and hang. 

McChuills has something that you can't fake. It has soul, it has character, it has characters. I remember walking in one night and spotting this sharp suited mod behind the bar, 3-piece suit, smoking a cigar, glasses on, grey hair swept with a kind of Andy Warhol vibe, but even cooler. He was pouring pints, pulling CD's from the mass walled library of them that sat alongside all kinds of spirits, putting incredible tunes on and talking to everyone in the place.

Nicky Stewart, McChuills

This was my introduction to Nicky Stewart, the charismatic owner of McChuills. Regular visits would ensure that we would get on nodding terms and eventually chat. McChuills is the kind of bar that was great to visit with friends, but also great for popping in for a pint if you were passing and I'd pass quite frequently when I chose to walk home from work to Dennistoun, maybe after popping into Monorail.

There was one time that I sat at the bar for a pint and Nick asked what I'd bought and asked if I wanted him to play anything, so I handed over a Roots CD and asked him to play The Seed (2.0) which he did. And it seemed to fit the McChuills vibe, I felt chuffed when Nick nodded approvingly.

Another time I was sitting at the bar with my friend Reddy, possibly late on a Saturday afternoon and Pale Blue Eyes by the Velvet Underground was on. Nick was talking to us and I said how much I loved the song and 'imagine being the girl that Lou Reed wrote the song for'. Nick loved this and bought me and Reddy a drink.

That was one side of McChuills. The other was the wilder nights. I remember being up on chairs and up on the wee stage through the side of the bar a number of times at closing time when Tainted Love by Gloria Jones was blasted out, always a popular end of night anthem. The whole pub would just go wild.

Pre club nights were always popular at McChuills and there were a number of times my friends and I just decided to stay in McChuills rather than go to the club! The record sleeves and posters that adorn the walls of the bar hint at the taste of the pub; mod, garage and psych are essential to the vibe of the place. The pub was central to Glasgow's Mod Weekender and there were many nights in the early 00's where I would be in the bar before heading round to Friday Street in Blackfriars basement. The music I discovered was incredible.

It wasn't just mod and northern soul. A friend Paul ran a pre-club night for his club called Spectrum which was electro focused, one time I was in on a Sunday evening and it was hip hop, Britpop was popular - anything good. And it was always good music at McChuills.

The staff were always incredibly cool, looking like they either were in bands or they should be. Many were, including members of The Fratellis and Medicine Men. There was also a gorgeous barmaid called Lynsey that I think every guy in Glasgow fancied. And I got to know a nice guy called Derek who worked there for years before moving on. A super cool but super friendly bunch of people and that was the vibe McChuills pulled off effortlessly.

After a Gerry Cinnamon show at the Barrowland
We ditched the last train home

Talking of staff, those in the know will remember the legendary Ted. A night at McChuills was even better if Ted was in and he was in most nights! 

One of my favourite nights was when Primal Scream played the Barrowland on December 30th 2011. A crowd of us met up in McChuills beforehand, going on to the show and then back to the bar. One of the crowd, Scott, proposed to his girlfriend Jo during Higher Than The Sun, the post show party and celebration at McChuills was incredible! 

Post kids I'd always look for a wee excuse to get friends together at McChuills. The nights were not quite as wild, but the beer would flow. I organised pre Barrowland meet ups for Teenage Fanclub a couple of times and one time for The Charlatans where Tim Burgess even made up a mix CD to be played in the bar. 

With the Teenage Fanclub Fanclub

What I loved about those meet ups was that friends would be there, but also people I had met through band forums/chat rooms would come, many visiting from far afield to see a show at the famous Barrowland and I was always pleased when people would compliment me on my choice of bar.

If you're a music fan, I guess with similar taste to me, you can't fail to be impressed by McChuills. The bar is just nicely in its own little bubble. Not in the Merchant City, but close, on a main road, but still somehow off the beaten track.

It is en route to Celtic Park though. I wouldn't describe it as a Celtic pub, but it is a favourite of Celtic fans and I know Nicky is a season ticket holder. I remember finishing work early one day Celtic were playing Barcelona and going down to McChuills as I knew it would get rammed before the game. The atmosphere was incredible and I stayed to watch the game in the bar while most people went to the game. 

So yeah, McChuills holds a very special place in my heart and it is a very special bar and venue. It's more than that and I think that is perfectly captured in the crowdfunder that was launched last night to hopefully secure the future of this incredible bar.

I'll be donating and I am positive that music and football fans from Glasgow and beyond will dig deep.

I know where I want a night out when all this is over. 

Please check the crowdfunder and donate if you can. I know times are tough, but we need places to return to, so we can celebrate, meet our friends, hear good music and be in good company.

#savemcchuills





Saturday, 23 May 2020

45 45's - Part 1 (1-10)


With a little more time on my hands I decided to try my first vlog.

I had the idea of writing a blog called 45 45's, about memories of 45 7-inch records I own, ahead of turning 45 next year. Something to work away at over the months ahead.

I then decided to go for a vlog. I really enjoy 10-15 minute vlogs on YouTube, so here is my first. There will be 3 more parts to the 45 45's series and then I'll consider others.

Part 1 focuses on 10 7-inch records including; the first 7-inch records I had bought for me, two of the first 7-inches I bought with my own money, records bought on the strength of the sleeves, entrepreneurial record buying and exchanging to get an original copy of Everything Flows, a record I bonded over with my sister and one that I remember buying the day it came out.

Let me know if you enjoy the vlog which you can watch by clicking on the section at the start. The records featured are;

Letter From America - The Proclaimers
Got My Mind Set On You - George Harrison
Born of Frustration - James
Movin' On Up - Primal Scream
Babe Come Down - Sammy
Superhero - Smudge
Puss/Oh The Guilt - Jesus Lizard/Nirvana
Everything Flows - Teenage Fanclub
Mrs Robinson - The Lemonheads
Kylie's Got A Crush On Us - BMX Bandits

Sunday, 26 May 2019

26th May 1999 - The Treble

I can recall May 1999 like it was yesterday, even though it was 20-years ago. I think of it regularly; the football, friendships, music, girls, the adventure, a more innocent time. I was 23 and having the time of my life.

But I'll start by going back a little further. To the beginning of my love affair with Manchester United Football Club. Growing up in the West of Scotland, my parents shielded me a little from the Old Firm. Motherwell was my local team and my Dad took me to some games, but we were also fortunate that my Aunt and Uncle had moved to Ellon, just outside Aberdeen. This coincided with a time when Aberdeen Football Club were sweeping all before them, led by Alex Ferguson, with the spine of Leighton, McLeish and Miller and starlets like Strachan, Black and Weir.

We ventured north regularly to visit my Uncle Murray, Aunt Mary, cousins Tom and Katy and also our Great Aunt Ina who was also up there and to the great delight of me and my brother we went to see Aberdeen play and train. I distinctly remember Aberdeen playing Dundee United and my favourite player Gordon Strachan was on the bench and the Dons support chanted bring on the wee man, bring on the wee man.

Aberdeen won the Cup Winners Cup in 1983, beating the famous Real Madrid in the final. Amazingly, this incredible team still trained in a public park in Aberdeen - Seaton Park.

It was here that as a youngster I experienced Fergie's hairdryer close at hand as he barked and swore at Willie Miller as the team set off on runs round the park with Miller lagging behind. My dad smiled. It was amazing to see these players up close and personal and we got our picture with my hero Gordon Strachan.


As we drove out of Seaton Park one time my Dad asked my brother and I to look behind us. It was the Aberdeen team bus and Fergie was sitting in the front to the side of the driver. He recognised us and smiled, waving back every time we waved at him.

I don't know why, but most kids had a favourite English team. Most supported Liverpool through their strong Scottish contingent of players like Dalglish, but I had fallen for Manchester United and in particular their swashbuckling captain Bryan Robson.

Old school Adidas

So I was delighted when my favourite player Gordon Strachan signed for them in 1984. United became my team. I fell for the club, the history, the Babes, Busby, Best, Charlton, Law and the 1984/85 team with young Norman Whiteside, Jesper Olsen, Robson - the leader and Mark Hughes.

I became United daft and had the home, away and third tops that year. The 3rd top, the blue one with the hoops was my favourite. Scottish football was virtually abandoned, if asked, I was a Manchester United supporter and that's the way it has been ever since.

Possibly my fave United top

But anyway, if you're reading this, you're probably reading it because it is about 1999. So let's fast forward to 1998 and I was down in Manchester with my girlfriend at the time, trying to buy a ticket for United v Leeds but not having any luck. However luck did come my way during a stadium tour when the guide told me that there was a Glasgow Manchester United Supporters Club that ran a bus to every single home game. I was stunned!

It was true, I joined the branch. My first trip on the bus was to see United wallop Wimbledon 5-1 with goals from Beckham, Giggs, Yorke and Cole (2). It was brilliant to meet fellow United supporters who shared my passion and I was amazed to learn about Jim Haw the Branch Chair following United home, away and in Europe. And branch secretary (and exiled Mancunian) Dave Sharkey encouraged me to bring a mixtape after learning of my love of music. Driving towards Old Trafford in the sunshine with Regret by New Order blasting out felt like a dream.

I put my name down for every game and by Christmas I was a regular. I was living my dreams, travelling to Manchester every other week to watch incredible football, I was making new friends, listening to great music, drinking beer and generally having the time of my life.

What a team! A midfield of Beckham, Keane, Scholes and Giggs, Jaap Stam in defence, Yorke, Cole, Ole, Teddy, Schmeichel, and then the less heralded Neville Brothers, May, Berg, Johnson, the ever dependable Irwin, Butt, Blomqvist, the emerging Wesley Brown ... there were goals galore... a both ends.

The 2-0 home win against Inter in the quarter final was one of the best atmospheres I have experienced at Old Trafford. I was up in Tier 3 of the North Stand and people were falling over seats when the second goal went in, I was worried someone might go over the edge. It's pretty steep up there!

The semi final came quickly, too quickly for tickets to be posted to Dave Sharkey, so the bus left a little early and we literally drove up to the ticket office at the front of Old Trafford. Changed days! We pulled up next to what we thought was another supporters bus, but it was the Juventus bus! What a laugh as we flicked fingers, banged on windows and one lad popped a moon, the Juve players gave as good and we laughed with them. It wouldn't happen these days and if it had it would have been all over social media.

Juve were sensational. I was low down in k-stand and marvelled at Zidane bossing the game even with a bandaged knee. He always seemed to have space and time. United clung on and we were somehow still in it.

Planning for Barcelona began immediately after United had displayed incredible determination and spirit, led by Roy Keane, to come from behind and win 3-2 in Turin.

Some lucky members of the branch got tickets, I remember some crying with relief when they picked them up before the Spurs game to win the league. The rest of us that planned on going either booked independent travel or decided to book via a company called Millwest who promised flights, 2-nights accommodation and a ticket for something like £200 (from memory). I went with that option along with many others including a guy called Phil who also started travelling on the supporters bus that year. We'd become great friends, bonding over music, football and fashion.

Full steam ahead Barcelona
Although the flight didn't leave on time!

On Monday 24th May 1999 it is safe to say that I was extremely excited. I'd planned to stay with my friends Phil and Mary at their flat in Victoria Road in the southside of Glasgow that night. Phil would then be driving me, Gary and Richard down to Manchester Airport first thing on Tuesday morning for our flight to Barcelona.

Phil is originally from Cheshire and has an enthusiastic lust for life that brings a smile to the faces of anyone he comes into contact with. His passion for United, for music, for his family, his profession (dentist) and life in general is loud (sometimes very) and proud. We met going down to see United on the Glasgow Manchester United Supporters Club bus and bonded over football, music and fashion and remain great friends to this day.

Anyway, back in 1999 I didn't have a mobile phone. I don't recall many people having them at that stage. I was back home from work and the phone went. It was Phil.

Phil - Guess what?

Me - What?

Phil - I've got us 2 tickets for the final!!!!

Me - WTF?

After the glorious semi-final victory over Juventus in Turin, Phil and I (along with many others) had signed up for flights, hotel and tickets with a company from Manchester called Millwest. As time progressed they wanted an extra £50, another extra £50 and then another extra £50 on top of the initial cost to secure tickets. We were all rather suspicious. Although we paid!

Phil explained that a lady had come into his practice that very afternoon (Phil in 1999 had not long moved to Glasgow after graduating in dentistry and was working in Hamilton, where he is now a partner) and they had got talking and Phil in his usual enthusiastic manner, probably even more enthusiastic than normal given that he was heading to Barcelona, told the lady everything about the final and the ticket fiasco.

To Phil's utter astonishment the lady told him that her son had two tickets for the final but could no longer go. I think he was going through a divorce. He lived in Kilmarnock and was involved with Kilmarnock FC, would Phil like them?!

My jaw hit the floor as Phil told me all this. He was leaving Hamilton to drive to Kilmarnock and told me to get the train to Glasgow and wait with Mary for his return.

Me - Drive carefully!

I headed to Glasgow and jumped a cab out to Phil's flat and waited with Mary. We heard a key turn in the lock and Phil entered with a wild gleam in his eyes.

In what seemed like slow motion Phil pulled two beautiful tickets from his pocket and I ran to him and we jumped about like schoolkids. It was a magical moment. I slept with my ticket under my pillow.

26th May 1999 - my ticket by fate, signed by Sir Alex

Do you believe in fate?

I do.

The next morning a convoy of cars departed branch secretary Dave Sharkey's house in East Kilbride to head to Manchester. Dave, an exiled Mancunian was bristling with pride. My mate Tel literally came in from the hospital where his wife had given birth to their son. He was allowed to go! What a wife! I don't think Tel slept until he got back home!

Exiled Manc and lover of northern soul Gary took one look at Phil's beat up Fiesta and uttered a line from Star Wars 'you came in that thing, your braver than I thought.'

There were a few hairy moments on the drive to Manchester but we got there. I don't think Phil would have cared if he left the Fiesta there, we were on the way.

Well, we should have been.

There was no-one at Millwest at the airport to meet us with the promised tickets for the game. We were told there would be someone to meet us in Barcelona. Phil and I had decided to keep quiet that we had secured two as we really felt for our friends.

The flight was delayed, at one stage there was a rumour that Millwest hadn't even booked a flight.

I'm not sure what happened as I did what I did regularly as a 23 year old. I went to the bar and got drunk and had a laugh, hoping that things would sort themselves out.

Glasgow Reds hoping for a flight

Miraculously, they did. We were put on flights to Barcelona and then bussed out to Salou, arriving at some ungodly hour but still finding a bar open. There had been no-one from Millwest at Barcelona airport or at the hotel.

I remember sitting outside the bar with some hardcore United fans talking about Millwest and one of them told the others not to worry as Millwest offices were getting firebombed. Sure enough, they were!

It was a very, very long day and I didn't get much sleep after having a Mrs Robinson moment with a 36-year old blonde from Manchester. Quite a day and night!

The next day we all met up in a bar for breakfast and briefly hung around the pool to discuss tactics as, not that we were surprised by this stage, there was no Millwest bus to take us there.

Despite challenges, we were within reach of Barcelona and the Champions League final. How were we going to get there though? Would everyone get a ticket?

The morning of the final

We walked to the train station in stifling heat. The trains were mobbed and we weren't allowed on at the station. My instincts kicked in and I dived into a hotel and got them to book 3 taxi's from Salou to Barcelona. They were £100 each but no-one cared, we had come this far.

The taxis all got split up. We decided to get dropped off at the ground, we'd had enough stress of getting there. We found a lovely tapas bar and bunkered in with some locals before walking to the ground.

Phil and I were pretty wrecked by the time we wandered round the ground in the blazing sunshine. Things were not as organised back then as they are now.

We wandered through the Bayern fans singing 'Jankers got a little prick, little prick, little prick' a song we made up on the spot. These days we would probably have been lifted, but we were young, drunk and harmless. The Bayern fans just laughed.

We couldn't believe we were there ... in Barcelona ... about to watch our team play in a Champions League final. I think we may have been a little hysterical.


We got into the ground early and the Bayern end was already pretty full. United pretty much took over the rest of the stadium over the next couple of hours. Before then we were treated to impressive choreographed chants from Bayern, we met others from the branch who had bought tickets on the black market and watched the full build up with beers. It felt like a beautiful dream.

Meeting fellow members from the Glasgow branch who managed to get tickets
To this day some say the beer was alcohol free ...

United end prior to kick off
Freddie Mercury's Barcelona blasted out

The sun went down and the teams came out. It was on.

For some reason Phil's ticket was a section along from mine. There was a section for odd numbers and a section for even. Either that or we were drunk. But we didn't sit or stand next to each other for the game - weird.

Bayern scored, United didn't click. Keane and Scholes were missing and the midfield of Beckham, Butt, Giggs and Blomvquist seemed a little disjointed. Bayern should have been out of sight, hitting the post, the bar, pulling saves from Schmeichel.

They thought they had won it. You could tell from the cheers after their substitutions. They took off Lothar Matthaus, their captain.

Sheringham came on and I can remember him fluffing something on the wing. But United were getting more of the ball, their energy levels seemed higher. But we were not breaking through and I looked across at the clock opposite me and 90-minutes were up.

It was hot, but I had my United bar scarf on, I clung to it and prayed. All around me people were starting to get a little anxious and the mood was changing as some chanted about winning two world wars.

Then United got a corner.

Everyone seemed to go quiet for a minute and then explode into action. We had a chance, Schmeichel was coming up.

Sheringham scored. The place went mental.

Before I knew it we had another corner and everyone seemed to know we were going to win at this point.

Ole scored....

And Solskjaer has won it - Getty Images

There was overwhelming emotion - relief, joy, happiness, elation. Strangers hugged, sang and danced. Bayern were out on their feet, some couldn't get up.

The whistle blew.

I ran into the aisle looking for Phil and he was running towards me. We hugged, eyes ablaze with tears of joy, we climbed over a wall and got down to the very front of the section we were in.

The celebrations seemed to go on for ages. Time was no issue, we could have stayed there all night singing and dancing, celebrating with the players who must have done 3 or 4 laps of the United support. Keane and Scholes came out to huge cheers. All the players got their own turn with the trophy in front of the main United support behind the goals. Sit Down by James was played 2 or 3 times.

If I hadn't seen such riches I could live with being poor


Armed with a disposeable camera, my mate Phil caught the elation at the end
And I caught him

It was magical. I wish I could go back in time and watch the younger me for a few hours from the final whistle.

Ferguson was hoisted on the shoulders of young Wes Brown and reserve keeper Raymond van der Gouw right in front of us and I thought back to seeing Fergie back when I was a youngster. What a journey I had been on with this great man, what a journey he had taken everyone on, what a journey he had taken the club on. He had a vision. Football eh? Bloody hell.

The treble was concluded on the birthday of the late Sir Matt Busby the man who built the traditions of Manchester United, believing in youth and attacking football to give the workers around Old Trafford something to be proud of. Ferguson shared those beliefs.

I vaguely remember walking out the ground in a daze, United fans in absolute harmony.

My next memory is of somehow bumping into other Glasgow branch members in a bar, god knows how, again fate must have played a hand.

There were some Bayern fans there and a couple of them handed out cigars to United fans which I thought was a very touching and classy gesture. Cigars they must have been close to lighting.

Richard Ashcroft from The Verve was outside the bar looking super cool. Someone handed him a scarf and he tied it round his tiny waist. I wondered when he was going to stop pulling the knot!

We jumped a bus to La Rambla and after a couple of cans from somewhere we settled down to sleep along with other United supporters who had no chance of getting back to their hotel that night. But then my Mrs Robinson ran over to say she had found a taxi to take us to Salou and we jumped in and sped off into the night.

We got back to the hotel and our friend Tel was waiting up for us. Thankfully he had got a ticket and we hoarsely talked until we passed out from exhaustion.

United had done it, football, bloody hell.

We had another long day on 27th May at Barcelona airport, drinking and singing. We got up the road and my friends came up at night to watch the game all over again as my Mum had recorded it for me.

It was so special. 20-years ago.

Thank you to Sir Alex, all the players and staff and to all the wonderful supporters who made it such an incredible experience.