This blog is all about being a music lover in Glasgow - gig reviews, ramblings, the odd interview, discoveries and musings that hopefully capture some of what is going on in the ever diverse Glasgow Music Scene - be it established, touring or up and coming acts, as well as delving into my record collection from time to time.
Also started a sporadic podcast in 2016.
Twitter - @murrayeaston
Email - email@example.com (feel free to email re music/live reviews/podcast etc)
The opening sequence is incredible, Ian Brown on the last night at Heaton Park comes down from the stage and walks along the front row, high fiving, punching (in a friendly way), shaking hands…the look on fans faces as he does this is one of sheer ecstasy, happiness and love. Brown remains super cool and takes a phone from someone and then takes a picture. The shot is played in super slo-mo, the quality of the picture on the big screen is crystal clear, over the footage is a clip of Alfred Hitchcock talking about what happiness means to him.
And so the film begins. Check the trailer below.
That opening sequence sets the tone for the whole film, it is a film for the fans by a fan, a love letter to the Stone Roses, a band who have been around in various guises for 30-years, shrouded in mystery at times, a band that have produced music that will live forever and be passed down from generation to generation. Meadows stars in the film alongside producer Mark Herbert and their enthusiasm comes across throughout.
5 highlights from the film
The Warrington Town Hall comeback show
The footage from the comeback show is spine tingling, the beating heart of the film. In the Q&A after the film, Meadows admitted that was when he knew he had a film.
Imagine hearing the announcement that the Roses were playing a free gig and to get in you needed to get down to the box office with a CD, record, ticket or t-shirt to get in. The response that this generated just highlighted and confirmed how much this band is loved and adored. There was brilliant footage of people sprinting towards the venue clutching records adorned with Squire’s artwork, people in overalls, suits and ties, a Dad dragging a kid along as fast as he possibly could…there was that panic of getting there, the excitement of the possibility of seeing the Roses in a small venue and then the exhilaration of getting a ticket.
The look on peoples faces and their reaction (literally jumping for joy) was just superb to watch, it said it all in many ways, but we did get to hear from them. There was the guy who quit his job to run home to get his CD and get down there, the guy who had left his kid at the childminders long after they were due to get picked up, the builder who had just knocked down a wall on a house and left it unboarded up to get down there.. all walks of life, all utterly in love with the Stone Roses.
Then there was a guy just declaring his undying love for the band when pressed why he had rushed down; ‘You know and I know but you can't right it down can you?'
The band arrive, they look like they can’t wait to get out there. They gather backstage as ‘Stoned Love’ by the Supremes is blasted out the PA and then bound on stage. Mani grinning like a Cheshire cat, Ian taking it all in, Squire looking super cool and Reni getting to work on the drums.
One of the cameras cuts to Meadows watching from the side of the stage and he just looks at it and says ‘Jesus f**king Christ’.
The crowd is going mental as the rumbling bass line of ‘Adored’ kicks in. It is nuts, it is 20-years of pent up frustration that one of the best bands of all-time hadn’t been together, hadn’t been playing their majestic music to an ever increasing audience.
There is a great bit when the footage cuts to fans gathered outside, those that couldn’t get in. One guy says he offered a girl a job, then his car and just stopped short of his house for a ticket. She refused.
People are singing along to the guitar riff, the bass line, the almighty chorus and mimicking Reni on drums. There are football terrace style chants of ‘Roses, Roses’, people are dancing, jumping and generally having the night of their lives.
‘Fools Gold’ from the Sunday at Heaton Park
The film closes with footage of an extraordinary performance of ‘Fools Gold’. The sound of the crowd is cut off, so all that you are hearing is the sound of Brown, Squire, Mani and Reni as they lock into a groove before Squire unleashes psychedelic fireworks from his guitar. It is an astonishing display from the band and it is captured beautifully by the film crew (38 cameras). Mani and Reni are tight and loose all at once while Squire just goes mental and lets his inner Hendrix run wild.
Brown strolls down the front again as the film ends the way it began.
The ‘Waterfall’ rehearsal
There is some great footage from the Roses secret rehearsal location. It is pretty rusty at first as they feel their way through ‘Something’s Burning’ 10-weeks from Heaton Park, the old magic is there, it just needs polished. 6-weeks to Heaton Park flashes up on screen as the band kick in with ‘Waterfall’ and it is magical. The closing outro instrumental is fired off in double quick time as the band share grins and knowing glances that they have found their groove.
Shane and Mark arrive at the rehearsal location
Shane and Mark arrive at a country farm that has become the Roses secret lair. Their love for the band is clearly evident as they enter the room and look at Mani’s bass, Squire’s guitar and Shane discovers a letter from Reni on his drums and immediately says ‘that’s going in the scrapbook’. They then find two big boards with a list of Roses songs that they are considering for the setlist and pour over them like excited school kids; ‘what a set, can you imagine that?’ They have the golden ticket!
What becomes clear (at least to me) during the film is the fact that Reni is the glue that holds the Roses together, his natural talent is a joy to watch, he makes it look ridiculously easy; all over his drum kit but doing little shrugs and pulling faces to the camera and the band. All this while singing backing vocals. All of the band seem to buzz off his talent and feel more assured with the knowledge he is behind them. Even the footage from the reunion press conference highlights his wit, charm and how he unites the band.
All of the band have qualities that they bring to the table; they are stronger as people and as artists when they are together, but that backbeat, those drum rolls, the high hat action, the way his fellow band members look at him in awe and astonishment – Reni is the glue.
'It takes time for people to fall in love with you, but it's inevitable.' Ian Brown
It has been a while since my last blog post, I've been pretty busy with my day job, managing Nevada Base and Vigo Thieves and being a Dad.
I've still had time to enjoy lots of music and gigs during that time so I thought I'd write a short blog about some of the stuff I have been enjoying over the last couple of months and then aim to do 3 or 4 blogs a month after that. So here goes....
Collins released an album 'Understated' on his own label back in February and followed that up with a home coming show at the ABC in Glasgow in March. The album rolls back the years, fusing Collins love of Northern Soul with his passion for pop and the Velvets.
The show at the ABC was utterly sensational. Grown men were in tears as he rolled out a load of Orange Juice classics, although it was a rare performance of his worldwide solo smash 'A Girl Like You' that truly brought the house down as Collins left the stage to leave his exceptional band jamming on.
I will eventually post a review of the album but check out my personal fave 'Too Bad, That's Sad' below.
Former leader of the Beta Band, Steve Mason released 'Monkey Minds in the Devils Time' and showcased his talent in a number of ways through the 20-tracks on the record; playing virtually every instrument (I particularly like his bass grooves), self recorded and produced a large percentage and by using his unique voice to bring politics to the fore.
Every second track is an instrumental recorded in Mason's home studio, flushing out the album and turning it into something you can truly get lost in and enjoy spending time with.
'Oh My Lord' is sensational while 'Fight Them Back' gets into a Beta Band groove. A cracking follow up to the outstanding 'Boys Outside'. Steve Mason is on a roll.
I started writing a review of Bowie's 'comeback' album 'The Next Day' but I haven't got around to finish it. I will at some point, in many ways I'm still exploring it.
This album has so much to offer the listener; Bowie is on top form with glam, punk, pop and rock all combining to startling effect. His voice sounds stronger than ever as he pours scorn on rumours surrounding his death and conjours up songs that other acts would give their right arm for with ease.
Somewhere Brett Anderson is wishing that he wrote this number;