Showing posts with label Edie Sedgwick. Show all posts
Showing posts with label Edie Sedgwick. Show all posts

Wednesday, 4 March 2026

Femme Fatale

Cover version of the month #117
Big Star cover The Velvet Underground

The Velvet Underground and Big Star are two majestical, mythical and magical bands that have influenced (and have been consistently highlighted by) Scottish bands like Orange Juice and Teenage Fanclub through to bands bursting on to the scene at present. 

Art-rock NYC cool, melodic vulnerability, quintessential guitar power pop and vocal harmonies. You could easily argue that the two bands stand as the ultimate patron saints to the Glasgow independent guitar pop scene. Throw in Love, The Byrds, punk bands like Buzzcocks, The Clash and Subway Sect and that's the bones of your top 10.

One song that links both of these legendary bands is Femme Fatale, written by Lou Reed and inspired by a throwaway Andy Warhol comment about Factory 'it-girl' Edie Sedgwick. New info for me - I always thought it was about (and for) Nico!

"Oh, don't you think she's a Femme Fatale, Lou?"

The Velvets recorded the song in 1966 and it was released as the b-side to Sunday Morning in December of that year and then as the third track on their debut album, the mind blowing The Velvet Underground & Nico in March 1967. It's an album that everyone with a vested interest in the history of guitar music seems to be magnetically drawn to as a teenager.

It's well documented that the album was a flop, entering the charts at number 199 upon release and then leaving the month afterwards. Check this excellent feature article by Scottish writer Grant McPhee for Into Creative.

McPhee takes a deep dive into the myth of The Velvet Underground and Nico, particularly around the sales figures, stemming from a famous quote by Brian Eno about the album only selling 30,000 copies in its first five years.

... everyone who bought one of those 30,000 copies started a band. Brian Eno

Enjoy Grant's blog. But back to Femme Fatale. Listening again, I can't help but wonder who (if anyone) Nico was thinking of whilst singing the song. Edie? Or herself? 

Here she comes

You'd better watch your step

She's going to break your heart in two

It's true

The Velvets recording is icy cool. Nico’s vocals are famously flat, off-key and the way she pronounces clown as clun at the end of the second verse is quite funny. Funny, but ridiculously cool!

She'll build you up just to put you down

What a clown

Almost 60-years on and The Velvet Underground remain a blueprint for independent guitar music. Femme Fatale is a prime example why. Short (2-minutes 39 seconds), seemingly simple, impossibly cool and utterly beautiful. Pop music can be both a hook and a heartbreak simultaneously.

Lou Reed's NYC drawl in response to Nico's rise for the chorus is sublime.

Cause everybody knows, (She's a femme fatale)

The things she does to me, (She's a femme fatale)

She's just a little tease, (She's a femme fatale)

The closing two lines of the chorus are left to Nico, over the chiming guitar riff. They are, for me, the two coolest lines of the song, sung as if Nico is in admiration of the girl she is singing of.

See the way she walks

Hear the way she talks

In the next verses, Nico (using Lou's words of course) is clearer about her warning. The guy is merely number thirty-seven in her book. She's from the street, so already has all the guys beat and is going to play you for a fool.

Alex Chilton recorded his version for the legendary Third/Sister Lovers album sessions. The Big Star version is stripped back and fragile. Chilton sounds like he is singing from the experience of having his heart broken by the femme fatale, warning others, yet still infatuated.

Big Star are in no rush here, everything is slow, the intro longer, it all feels darker, as if Chilton is barely holding it together. It's beautiful.

Others have covered this gem of a song too. Among them - I've just found the Duran Duran version ... and ... I'm not a fan! Teenage Fanclub covered it with tender care on the b-side of Ain't That Enough. And Fatale, who I have written about a number of times over the last 6-months or so, took their name from the song and recorded it as their first demo. The way the crowd sing-a-long with Lou's she's a femme fatale line at the Fatale gigs is incredible - like they are breathing new life into the song and turning it into an anthem.

Fatale - Femme Fatale (demo)

The Velvet Underground & Nico original and the Big Star cover of Femme Fatale are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!


Saturday, 20 April 2019

Velocity Girl

Edie Sedgwick, inspiration for Velocity Girl

33-years after its original release in as the b-side to Crystal Crescent, Primal Scream's Velocity Girl is as pure and as perfect as ever. In the same year it was released the song would open the NME's seminal C86 cassette compilation, going on to inspire bands to pick up guitars and let them jangle and chime.

Early Primals

Somewhere in Manchester, a young John Squire picked up a copy and it is notable how the Stone Roses sound changed from the punk debut So Young b/w Tell Me in 1985 and the songs collected on the Garage Flower compilation to 1987's Sally Cinnamon.

It is easy to hear why the song inspires. Velocity Girl is 82-seconds of a sugar pop rush, a guitar is strummed and a beat kicks in with Bobby Gillespe singing about a girl he is seemingly infatuated by but also aware of how much she could hurt him.

The vocals are over in under a minute following a plea of leave me alone, allowing time for the chiming guitars to take centre stage to drive the song to conclusion.

Velocity Girl is short, but it packs a perfect knockout punch.

Here she comes again, with vodka in her veins
Been playing with a spike, she couldn't get it right

Spelndour in silver dress, velocity possessed
The world was hers against fell apart again

I don't need anyone to hurt me, no not anyone at all
Cause my so called friends have left me
And I don't care at all

Leave me alone, leave me alone, leave me alone

Remastered ahead of its inclusion on Primal Scream's forthcoming singles compilation Maximum Rock N Roll, the single is out now digitally before a limited 7-inch is released on 24th May, it's first repress since 1986.

The video featuring a modern Bobby Gillespe spliced with footage of Edie Sedgwick (Andy Warhol) from the film Ciao! Manhattan.

I had an Edie Sedgwick type character in mind when I wrote Velocity Girl. I read Jean Stein's biography about her and I wanted to meet a girl like that. Hanging out with Warhol, The Velvet Underground, Bob Dylan and shooting speed while looking absolutely fabulous. Super hip and beautiful. She was the muse. I love her.

Bobby Gillespe