Showing posts with label Beck. Show all posts
Showing posts with label Beck. Show all posts

Saturday, 11 February 2023

Loser


Trust me #49 Loser by Beck

I remember adverts in the NME and Melody Maker with the line I'm a loser baby so why don't you kill me and a release date. The lyric intrigued me. This was a time where singles were promoted for a good couple of months before their release. 

And then I heard it. Loser by Beck was like nothing I had ever heard before. And the video was like nothing I had ever seen before.

Opening with a dirty slide guitar riff over funky hip hop beats, we're then introduced to Beck through the opening line.

In the time of chimpanzees I was a monkey

Beck doesn't let up, letting loose with an incredible flow of stream of conciousness/oddball lyrics.

The chorus begins with soy un perdedor which literally translates (in Spanish and Portuguese if my googling skills are up  to scratch) to I'm a loser. The chorus is repeated twice with Beck throwing in ad libs in between -  double barrel buckshot / get crazy with the cheese whiz

Soy un perdedor

I'm a loser baby, so why don't you kill me?

I was very fortuantate to see Beck play King Tuts in Glasgow in November 1994 (I have ticket number 4) and I have vague (but fond) memories of being right down the front. Tuts was absolutely rammed. Health and safety wasn't a common phrase back in 1994! People seemed to be literally hanging from the ceiling.

Subsequent trips to Tuts would lead me to discover the bench along the far side that people would use to stand on for a better view. But the 18-year old me was right down in the mix.

Beck danced, breakdanced and generally just looked super cool. I'm not sure if I have experienced anything quite like it since. 

I went with my old friend Grant Mitchell who was deeply into American independent music. From memory he had some of Beck's pre Mellow Gold releases. I distinctly remember a mixtape he made me with a great song It's All In Your Mind which came out on his One Foot In The Grave album. It was completely acoustic and raw. Really beautiful. Beck had been around for a while on the anti-folk scene before breaking through. I'm not sure if this was before or after Tuts.

Loser was a complete breakthrough single for Beck. It was everywhere. He just didn't seem to give a flying f**k about things which made him even cooler. One of the b-sides was a song called MTV Makes Me Want To Smoke Crack, but he was on MTV all the time.

It's 30-years since the small label Bong Load had 500 copies of Loser pressed as a 12-inch single for released in Mach 1993. It blew up an major labels were soon chasing Beck's signature. 

Re-released in January 94 in the USA and February 94 in the UK and Europe, Loser blew up and things were never the same for Beck again. 

Loser official video

Loser on Top of the Pops 

Loser live at Reading Festival 1995

MTV Makes Me Want To Smoke Crack

A list of all previous songs I've blogged about in my Trust Me feature are listed below, along with links to each blog. Loser join them.

I've also collated them all into a playlist on Spotify that you can find by searching for Everything Flows - Trust Me , or you can CLICK HERE

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados



Wednesday, 27 September 2017

Chemical Brothers collaborations


I was driving around the other day with my Never Ending Mixtape on shuffle and all of a sudden Wide Open by The Chemical Brothers with Beck came blasting out of my car speakers.

I marvelled at the song and, not for the first time in relation to a Chemical Brothers collaboration, questioned 'what if?'

What if Beck and The Chemical Brothers had got together for an album?

It is something I have thought about many times in relation to Chemical collaborations, particularly in relation to the mesmerising, pulsating, modern psychedelic masterpiece The Golden Path, their work with The Flaming Lips from their Singles 93-03 compilation in 2003.

What if some bright spark had suggested - that really is incredible, lets get together for a week or so and see what we can come up with? I suppose at that time that both the Chems and the Lips were riding high and touring constantly on the back of their success, so that option never materialised. What if?

A full list of Chemical Brothers collaborations is listed below. Here are my own top 5;

1. The Golden Path
Wayne Coyne from The Flaming Lips takes on lead vocals with bandmate Steve Drozd on backing vocals. The song flows superbly and takes the listener on a trip, much like the dreary office worker living in a grey world and dreaming in technicolour glory. Coyne and Drozd apparently sent the Chems a demo thinking they would get another chance to improve on it, but the Chems called them back ecstatic - and that was that.

2. Life Is Sweet
Tim Burgess was into the Chemical Brothers from the off, partying at the Heavenly Social and getting them to remix and produce some Charlatans tunes; Patrol, Nine Acre Court and the Time For Livin' cover being those I remember off the top of my head.

Life Is Sweet is a match made in heaven. The beats and groove suit Burgess, his vocals, melody and style are perfect for The Chemicals. The beats, synths and bass combine in a funky flowing way

I'm driving in the sun
It's a hell of a way down south
Bring me back my love


3. Out Of Control
Bernard Sumner is someone who responds very well to opportunities to work with others. He is a bit of a studio boffin and I love his work with Electronic and more recently a collaboration with Hot Chip on the brilliant Didn't Know What Love Was - check the video to that HERE.

As for Out Of Control, it surges, soars, floats - the guitar break is pure New Order with fizzing laser synth sounds - and then it surges some more. Sumner is in great form and he's joined by Primal Scream's Bobby Gillespie on backing vocals.

Maybe I'm just scared of losin' you
Or maybe it's the things you make me do


4. Where Do I Begin?
Beth Orton was crowned the 'comedown Queen' back in the day. She collaborated with the Chems on a number of occasions and I was torn between this and the glorious The State We're In, but this just wins for me.

It really is a comedown tune. A lovely riff is picked out with all kinds of psychedelic effects in the background. Orion's voice is whispery and gorgeous.

Sunday morning I'm waking up
Can't even focus on a coffee cup
Don't even know whose bed I'm in
Where do I stop, where do I begin

And then the beats come in and it all kicks off in a typically frantic and glorious Chemical Brothers fashion. The video below is an edited version. You can check the full 7-minute album version HERE.




5. Wide Open
The song that prompted this blog. It's sublime, it really is outstanding. The beat that comes in with the synth bass is instantly cool, Beck's vocal is one of his best.

I'm wide open
But don't I please you anymore?
You're slipping away from me
You're drifting away from me

If you haven't heard it then stick your headphones on and drift away in a song that flows superbly. There are little twists and turns along the way; the one day just gonna see me section is stunning, the bass really kick in at one point and the song just keeps flowing and building.


Chemical collaborations

Life Is Sweet - Tim Burgess (Charlatans)
Alive Alone - Beth Orton
Setting Sun - Noel Gallagher (Oasis)
Where Do I Begin? - Beth Orton
Out Of Control - Bernard Sumner (New Order)
Let Forever Be - Noel Gallagher (Oasis)
Asleep from Day - Hope Sandoval (Mazzy Star)
Dream On - Jonathan Donahue (Mercury Rev)
The State We're In - Beth Orton
The Test - Richard Ashcroft (The Verve)
Galvanize - Q-Tip
The Boxer - Tim Burgess (Charlatans)
Believe - Kele Okereke (Bloc Party)
Hold Tight London - Anna-Lynne Williams
Left Right - Anwar Superstar
Close Your Eyes - The Magic Numbers
No Path to Follow - Willy Mason
All Rights Reversed - Klaxons and Lightspeed Champion
Do It Again - Ali Love
The Salmon Dance - Fatlip
Battle Scars - Willy Mason
The Pills Won't Help You - Tim Smith (Midlake)
Wide Open - Beck
Born in the Echoes - Cate Le Bon
Neon Lights - Annie Clark
EML Ritual - Ali Love
Go - Q-Tip
The Golden Path - The Flaming Lips

Friday, 5 February 2016

Everything Flows Podcast 4

Everything Flows Podcast #4


The Chemical Brothers at their best with Beck, a lysergic lullaby remix of The Charlatans by Brian Jonestown Massacre, heartfelt emotion by the BMX Bandits, sublime songwriting and performance by Edwyn Collins, raw soul from the summer of love, a classic from the Hacienda and art school guitar pop by White. LISTEN HERE.

Wide Open - The Chemical Brothers featuring Beck
So (Brian Jonestown Massacre remix) - The Charlatans
The Unforgiven - BMX Bandits
Make Me Feel Again - Edwyn Collins
I Wanna Testify - The Parliaments
Rhythm Is A Mystery - K-Klass
Living Fiction - White

Previous Everything Flows Podcasts

Podcast #1 featuring Teenage Fanclub, David Bowie, Dr Cosmos Tape Lab, Brian Wilson, Dennis Wilson, JR Green, The Undertones

Podcast #2 featuring The Troggs, Happy Meals, Rose McDowall, The Frank Popp Ensemble, Fun Boy Three, Jo Mango and The Pictish Trail, Miaoux Miaoux, Yo La Tengo

Podcast #3 featuring Primal Scream, My Bloody Valentine, Sonic Youth, Marlena Shaw, Natalie Prass, November Lights, Molly Nilsson

Tuesday, 12 January 2016

Sound and Vision

COVER OF THE MONTH #8

Sound and Vision - Beck


Beck does Bowie, boy does Beck do Bowie. Beck does Bowie with a 157 piece orchestra. Beck conducts them throughout, spinning on stage with his acoustic guitar, a finger wag here, a gesture with his arms there.

Listen with your headphones on when you get to the video below.

The start is incredible as Beck wanders around conducting the orchestra and generating noises that switch from your left ear to your right (microphones were suspended above). This goes on for an intoxicating 3-minutes before Beck and practically everyone burst into life with the classic Sound and Vision riff.

Beck's Dad conducts the orchestra which contained 2 choirs, xylophones, Chinese percussion, vintage electronic equipment, marching band drummers, samba players, heavy metal guitarists and loads, loads more.

There is brilliant bit where everything stops leaving Beck strumming his acoustic guitar backed only by handclaps and the choir. It then builds up to a collage of noise before Beck returns the song to something that wouldn't sound out of place on his Morning Phase album. Beck then takes things on a funky cinematic trip for the duration of the song during which he really stamps his mark on the song, it absolutely soars, it is brilliant to watch and to listen.

Waiting, for the gift of sound and vision

It is 9-minutes of magic, made possible by the Lincoln Car Company who told Beck he could do something with no limitations or restrictions. 

Beck shows that like Bowie, he has the gift of sound and vision. Astounding.

Previous covers of the month

Tuesday, 3 February 2015

King Tut's Wah Wah Hut - 25th anniversary

King Tut's Wah Wah Hut is celebrating its 25th anniversary this month with a series of shows from established acts like The Cribs, legendary maverick Julian Cope and up and coming acts like Vigo Thieves.

I've spent an incredible amount of time in this venue over the years since I first visited as an 18-year old back in 1994, especially through my 20's and into my early 30's before I 'settled down'. I worked across the road for Abbey National at 301 St Vincent Street for 7-years so I would be a regular at the bar downstairs as well as attending a number of gigs a month up the stairs.

I have fond memories of running across the road at 5pm to get a table with my mates for happy hour. They had £1 a bottle of Stella for several years - dangerous stuff! If it was sunny and you were especially sharp from work, you could get a table outside in the sunshine - glorious.

 The jukebox was (and is) brilliant and I have met some incredible people through going to King Tut's for beers and gigs.


Confession - I once devised a scheme (that I honestly only used twice) for getting into sold out shows. Back in the 90's you had to keep your ticket stub for getting out to the toilets downstairs. So I would go upstairs with mates, get the ticket stubs off them, then go back downstairs to sort out mates that didn't have tickets. I'm probably not the only person to ever have done that as health and safety wasn't quite as strict as it is now!

There are many reasons I love King Tut's; the size, vibe, sound, crowd and the opportunity to see live music in a great setting just make it perfect, for me and many, many others. Tut's regularly wins awards for being the best small venue in the UK. No wonder.

I've been looking through old ticket stubs and I've attempted to reminisce about 25 gigs at Tut's to celebrate their 25th anniversary.

1. Beck
Beck dropped Loser in 1994 and everything and everyone went crazy for him. He played Top of the Pops with a bunch of old guys backing him and then I caught him at King Tut's. I still have very fond memories of this gig. This was pre health and safety. My memory is of Tut's being absolutely rammed and sweat dripping off the roof. I was right down the front, squeezing in and dancing and pogo-ing with the crowd to ensure I didn't lose my place. Beck was electric, a clear star; playing material from his debut major album Mellow Gold but also lofi acoustic gems from One Foot In The Grave (also released in 1994)  One of my all-time favourite gigs, if a little hazy 20+years down the line.


2. Arthur Lee and Love
I caught Arthur Lee and the modern day Love (Baby Lemonade) at Tut's 3-times. The first time was not long after he had been released from prison. People wondered if his voice would be shot from years of drug abuse...it didn't take long for Arthur to prove he still had it in abundance. Playing with equipment borrowed from Belle and Sebastian, Arthur and his band charged through a set that had people in genuine awe, you could have heard a pin drop during You Set The Scene.

You look so lovely
You with that same old smile
Stay for a while


They returned to play a secret set one time under the guise of Baby Lemonade and then played another secret show during the Forever Changes tour and Arthur responded to my shout for You Set The Scene. Well they were playing the album in order!

Arthur was a one-off, he looked cool, he sounded like a God and his backing band were sensational.


3. The White Stripes
This was an electric performance. Meg's kit was to one side and Jack leapt between a couple of mics playing a guitar that looked like it had seen better days. Pretty Good Looking For A Girl was a punk pop romp and the spine tingling version of Jolene lives with me to this day. As does the call from the crowd between songs; 'I love you Meg' to which Meg and Jack smiled, before the heckler added 'I want to f**k you'. Causing Meg to flip the bird and Jack to scowl and launch into another song.

4. Ben Folds Five
This may well have been my drunkest moment in King Tut's and there have been a fair few! I met my mate Reddy after I finished work and he finished uni and we proceeded to drink non-stop. During the show we were jumping around, dancing and playing air piano along with Ben, causing the audience to form a bit of a circle around us!



A few years later we were in New York and Ben Folds was playing Central Park so we got tickets. We got exceedingly drunk again and I persuaded Reddy that we could get back stage by saying we were from King Tut's in Glasgow - we were hastily ejected from back stage after we climbed a fence - and promptly slept through most of the gig in a drunken stupor! Oh to be young again!

5. John Squire
I went to King Tut's a lot in my younger days! One Friday I was in after work for the £1 bottle of Stella happy hours (5-7pm) when the new Tut's flyers were being handed around. John Squire was playing!!! This was how it was being announced. I immediately went up to the bar and asked if tickets were available - they were so I got 4.

Squire was incredible, coming on to the stage to an almighty cheer looking effortlessly cool with a great jacket and mop top hair. He opened with the closing instrumental of I Am The Resurrection! The place went banana's and i ran down the front from my usual place by the sound desk to jump around like crazy. Squire followed that up with She Bangs The Drums and Waterfall! It was sensational to see one of my all-time hero's up close.

6. Teenage Fanclub
Teenage Fanclub decided to do a tour to promote their Mellow Doubt single - a tour of Glasgow venues! One of them was Tut's and I have fond memories of going with my brother who was maybe 16 at the time. The bouncer took one look at his fake ID and laughed and said 'on you go up son'. (bit stricter these days I am sure!)

The band were in great form, totally at ease with the intimate crowd and in typically brilliant Fanclub humour as they played songs from the exquisite Grand Prix album and earlier faves. The cheer for Norman's whistling solo during Mellow Doubt was fantastic and happens to this day when the song is played live.

7. Ash
I drove me, my brother and at least 3-mates to this gig in my Mum's tiny Fiat Panda. I think it was 900cc or something! I think someone may have tried to crowd surf from the back of the care into the front on the way home while I was driving!

Catching Ash as they were breaking was quite something as they were the same age as us, if not younger. They charged through a pop punk set and just looked like they were having the time of their lives. Jack Names The Planets was a big tune in Carluke back in the day.

Photographed from behind a my framed ticket collage -hence the blur

8. Arab Strap
There was one month where I was at King Tut's at least once a week to see some incredible bands just as they were breaking. Arab Strap were riding high on the success of First Big Weekend and watching them live in Tut's was quite the experience. There was an air of mystery about the band and also one of tension in the venue. A girl was invited on stage to duet with Aiden and she gave a shout out to the Uddingston Young Team! The chemistry between Aidan and Malcolm was incredible - they were unique and earned a place in the hearts of many Scottish music fans and all around the world for their honesty, humour and take on life.


9. Embrace
Embrace played All You Good Good People second song in and I remember turning to my friend and saying 'that is as good as The Beatles!' This was before their album had been released and I had discovered them through their Fireworks EP. They had a bit of northern swagger and some beautiful ballads. They have played Tut's a number of times through the years and some very memorable shows at the Barrowland.



10. Menswear
The hype around Menswear was ridiculous; signed when they had one song on the strength of them looking good, drinking in the right pubs and clubs and their guitarist dealing to journalists - those were the days.

This was an outrageous show that I went to with my brother. They absolutely smashed it. The crowd went nuts. They more than lived up to the hype with brilliant songs like Daydreamer. My brother and I stood on the seats at the back and took it all in - a crazy show.


11. Money Mark
One of the coolest shows I have been to at Tut's. Money Mark entered through the crowd whilst beatboxing and proceeded to take the crowd on an eclectic journey, showcasing his outrageous musical and songwriting talent in style. His Push The Button was a favourite of mine for a number of years.



12. Tanya Donnelly with support by The Walkmen
My mate Reddy was working through in Edinburgh and it was chucking it. Something was up with transport and I couldn't get anyone else to go so I went on my own. The Walkmen were supporting and to this day I regret not offering my flat up to the band when the singer said 'Hi we're The Walkmen from New York City, we don't have anywhere to stay tonight, does anyone have a floor we could crash on?'

I did speak to the guitarist at the bar afterwards and told him that The Rat was better than anything The Strokes have. He seemed pretty pleased. I hope they found a place to crash!

Being on my own, I ended up quite pissed drinking pints and watching the gorgeous Tanya Donnelly and being delighted when she played a couple of Belly songs.


13. Bluetones and Supergrass
Not a bad double bill! The melodic gorgeous tunes of Bluetones and the pop punk charm of Supergrass. Both bands made splashes with their debut singles and had a real buzz about them. Mark Morriss and Gaz Coombes looked and sounded fantastic.



14. Cast
Cast released some brilliant singles back in the day which caused me to go and see them at Tut's. It must have been well before their album came out as I remember the venue being pretty empty but John Power was in charming form, eyes twinkling as he exchanged banter with the crowd in one of the most scouse accents I have ever heard. Fine Time was, and is still, a brilliant guitar pop song.

I vividly remember this show as my sister had fallen and cracked her skull that afternoon and I wasn't sure if I would go to the gig or not. There used to be a phone box across the road from Tut's and i remember phoning my Mum to see how she was. Thankfully she was OK.

15. Har Mar Superstar
I can't remember who he was supporting, he was first on a bill of 3, but Har Mar Superstar played like ....well a superstar to a pretty small audience, most people were still in the bar downstairs. He stripped to his underwear and had a ridiculously long mic lead to walk into the audience to generate a reaction. He wandered right up the stairs and past the sound desk to the spot I tend to stand if possible, and then I almost tripped him down the stairs - accidentally of course! His set was incredible -Prince style pop funk. Despite enjoying him live, I don't recall buying any of his albums.


16. Futuristic Retro Champions
My sisters first band played Tut's in the summer of 2007 - just ten days before my girlfriend (now wife) and I were due to head off travelling around the world for a year. Good timing! This was a great drunken night of pop with loads of friends and family in one of my favourite places in the world. I was very proud of my wee sister.

 Me and my sister in 2007

17. Mylo
Mylo's Destroy Rock n Roll went mental in Glasgow and then all over the world. He spray painted the title all over Glasgow and released some ltd edition singles on local Breastfed Records. The album went massive. I remember running out the door after this gig to get down to the Subclub for the aftershow. The show (and aftershow) were a real celebration. Songs from that album would be played in pubs, clubs, pre-club parties and house parties after the clubs shut. An incredible album.

I will be blogging about the album later in the year as it celebrates it's 10th anniversary. Mylo hasn't released any new material since.

18. Vigo Thieves
I was managing Vigo Thieves when they became the first unsigned band to play 2-nights back-to-back at King Tut's Wah Wah Hut. It was a very exciting time for the band as they went from playing to their mates to playing shows in their hometown (well pretty close to Wishaw) where they didn't know who was in the audience. They upped their game and slated Tut's both nights. Hearing songs like Heartbeats being sung back by the audience was a spine tingling


19. Tim Burgess
I am a huge fan of The Charlatans and when lead singer announced he was playing Tuts to tour his debut solo album I had to be there. It was a brilliant gig, Tim had a stunning backing band and he was in great form, playing to the audience as he romped through the pop soul of I Believe.



20. The Magic Numbers
Their eponymous debut album was utterly gorgeous. Melodic, stunning harmonies, catchy choruses, brilliant breakdowns and a beautiful mix of male and female vocals. I first caught them in the old Barfly down by the Clyde, by the time they played Tuts the word was out. That debut album was a beauty and the live shows surrounding it were full of love, the band developed a special relationship with Glasgow and I always remember this show and one they played at the Barrowland when they were just blown away by the crowd singing the album back to them.


21. Gomez
Looking back through ticket stubs, I caught Gomez, Money Mark and Arab Strap within 2-weeks of each other at King Tuts back in 1998. Three very different bands, three utterly incredible gigs. That is the beauty of the venue, they embrace every kind of music, try things out and many times the acts they put on will go on to play bigger venues and have long careers making music.

Gomez sounded sensational. They didn't look that good though! We saw them huddled together over beers in the downstairs bar and they seemed impressed by the DJ playing McLemore Avenue by Booker T and the MGs - a should instrumental version of Abbey Road by The Beatles. (strange I remember that so well!).

They were brilliant on stage, a real wild mix of styles and influences; soul, country, a bit of a dance vibe at times - just like nothing else and that is what made them so good. Ben Ottewell's voice was deep and soulful and it really caught me by surprise.


22. Astral
Astral were a local band that my mate Mark Falconer was in - playing bass. There was a real buzz about them, they sold out Sleazys and played a totally triumphant set - coming on late when everyone was drunk and whipped up by a great pre gig playlist/DJ. They got played on the Evening Session and seemed set to get signed; Steve Lamaq was a huge fan of debut single Come and Go and the instrumental b-side Caribou remains a favourite of mine.

They got a support slot at Tuts and word was that scouts were coming to see them. It all went wrong though, they didn't get a proper soundcheck, the lead guitar wasn't being heard through the speakers at all.

I remember being really worried for them and between songs I went up to the stage to tell Mark that we couldn't hear the lead guitar. He said they couldn't hear much on stage.

I don't remember much else, but it is a King Tuts memory that always stands out - things don't always go to plan. Astral gave it a good shot but broke up before an album was released. I can't remember if they recorded one or not.


23. Hot Chip
I went mad for Hot Chip. Lynn and I stumbled across them in a tent at Benicassim when we went over in 2005. Their album The Warning was coming out and they had loads of hit singles on it. Tuts was sold out but I went along to try and buy a ticket. This was one show I didn't want to miss out on.

As luck would have it, my friend Mark (mentioned above) was there with a writer from Clash Magazine. Their photographer hadn't shown up so they had a spare guest pass so I got in.

Hot Chip played a blinder and remain one of my favourite bands to this day. And I Was A Boy From School was absolutely class, Joe and Alexis' voices blended superbly, Colours was sublime and Over and Over a riot.

24. The Pastels
April 1994, pre-internet, pre-mobiles (unless you were a stockbroker). Rumours always happened at gigs and festivals but this one seemed to be sadly true by the way people were talking. Kurt Cobain had taken his own life. I had queued for ages one day at the old Virgin in Union Street to buy tickets for Nirvana at the SECC, I couldn't believe it.

It was true, The Pastels came on stage and dedicated the show to Kurt before playing a brilliant guitar pop punk set including one of my favourite songs of all time Thank You For Being You.

I had driven in with my friend Grant and we ran outside afterwards to turn on to the John Peel show. Only Peel wasn't on, it was just Nirvana Peel Session tracks and the odd announcement to say that the show was cancelled in memory of Kurt and they were playing his music.

18-years old - we were a little heartbroken. One of the strangest car journeys i have ever taken.


25. Rae and Christian
Rae and Christian were Mark Rae and Steve Christian, 2 producers from Manchester with impeccable taste, style and talent. Their Sleepwalking album from 2001 was a big favourite of mine - guests included the late great Bobby Womack and hip hop act The Pharcyde. The closing track Salvation is absolutely stunning

Their live show superb, a big bank of electric equipment and a sh*t hot band and vocalists. I also remember the support act Fingathing, also from Manchester and based around the talents of a guy called Peter Parker. It was one of those great nights at Tut's where the music sounded incredible and the talent on stage was unique and just totally on it.


Friday, 28 November 2014

2014 review by Everything Flows

I started 2014 by buying quite a lot of new music, then tended to delve back into a lot of older music as nothing new was exciting me enough to buy it. Just when I was feeling a little downhearted I got into the albums by War On Drugs and First Aid Kit.

There are songs and albums that have been released in 2014 that I will discover years down the line and kick myself for not buying them at the time and seeing the act live - so I thought that I would use my blog to ask bands, artists, labels, writers, fellow bloggers and friends to do their own mini-review of 2014 so I might discover some music released in 2014 that I might have missed.

So throughout December you can expect to read mini-reviews from Vigo Thieves, Kevin Harper, Olive Grove Records, Skinny Dipper, Woodenbox, Crash Club, TeenCanteen, Model Aeroplanes, Duglas T Stewart, Hot Gem Records, Atom Tree, Machines In Heaven and more.

In the meantime - here is my own mini-review.

1. Singles/songs that have been released in 2014 have stood out for me

Seasons - Future Islands

I'm not the only person who fell for this after seeing the Letterman performance on YouTube. A brilliant song performed with real passion and panache.




You're Still Mine - TeenCanteen
Vagabond (live) - TeenCanteen
You're still mine is Phil Spector mixed with New Order, whilst the live video of Vagabond is jaw droopingly gorgeous 3-part harmonies and heartfelt lyrics.

This Love - Vigo Thieves
Epic anthem from Vigo Thieves, a taster of the epic new material they have been working on this year. I have been fortunate to hear some demos, 2015 will be their year.

Desired Effect - Atom Tree
Ones to watch in 2015, building a superb collection of songs. Electronic wonder.

Blue Moon - Beck 
Heart Is A Drum - Beck
2-tracks from Beck's beautiful album. Melodies delivered in real style and with true soul.

The Secret Of The Tibetan Grapefruit Is...? - Dr Cosmo's Tape Lab
(Return To) Nineteen Canteen - Dr Cosmo's Tape Lab
2-tracks also from Glasgow's Dr Cosmo's Tape Lab. The first is pure Beta Band while the second is rammed full of McCartney melodies



Sweet Discontent - Tuff Love
I loved this track on first listen and still do, great guitars and soft melodic vocals.

My Girl Midge - BMX Bandits
Duglas T Stewart comes up with a real heart breaker. Soulful vocals and Stewart always has a knack for a melody.

Single Spies - The Vaselines
This is a real stand out from The Vaselines album. The melody flows superbly. 

My Silver Lining - First Aid Kit
The gorgeous First Aid Kit won my heart this year with their album and live show at the Old Fruitmarket. This is stunning, check them out and they may win your heart too.



Inspector Norse - Todd Terje
Strandbar - Todd Terje
Playful and melodic electronica. This album was on in my car for ages and these 2-tracks in particular.

An Ocean In Between The Waves - The War On Drugs
Under The Pressure - The War On Drugs
2-tracks from one of my albums of the year, it is so easy to get lost in this album. 

Tears of Joy - Slow Club
The opening track from their fantastic album, modern day soul.

I've also fallen for the Frozen soundtrack and whilst my daughter Zoe's fave track is Let It Go, I 
absolutely love Do You Wanna Build A Snowman? Genius.

2. Albums released in 2014 I have enjoyed

Morning Phase - Beck

Beautiful on first listen, loads of depth to come back to, an exceptional album.



Stay Gold - First Aid Kit
Stunning harmonies and melodies, First Aid Kit have raised the bar for themselves. An exhaustive tour has taken them around the world and won them many new fans. 

Lost In The Dream - War on Drugs
Springsteen fed through a reverb machine with echoes of Dylan as well. This blew me away.

Ever Evolving Lounge - Dr Cosmos Tape Lab
Home grown psychedelia - two friends in Glasgow get together and record on an old fashioned 4-track and produce staggering tunes that recall the Beatles and the Beta Band amongst others.

It's Album Time -Todd Terje
Superb electronic melodies and a guest appearance from Bryan Ferry. This album was on in my car for about a month.

V for Vaselines - The Vaselines
Raw guitars, hooks and melodies are all over V for Vaselines. It sounds like the band enjoyed making it and that transfers with ease to the listener.

Tied To A Star -J Mascis
We get to hear the mellow side of Dinosaur Jr's J Masic on this gorgeous solo album. The guitar playing is still exceptional, Mascis' vocals still strain, and with J Mascis you are always going to get some majestic moments. 

Complete Surrender - Slow Club
I was late getting into this album so I'm kicking myself for missing live shows this year. Slow Club come of age with a beautiful soulful album. Fantastic song-writing and they've found a producer who has brought out a whole new side of them.




3. Old music/bands I have discovered/gone back to in 2014

I still have loads of CD's that I haven't transferred on to iTunes, so I'll still wander in to look at my collection and pick an album to play in the car. I was amazed that I hadn't transferred Flaming Lips Yoshimi album, so I dug it out and played it for about a week.

Earlier on this year I discovered Controversy by Prince after a friend made me a mix. It is an incredible song and I have played it regularly through the year.


I've discovered loads of good stuff through the DJ Greg Wilson who regularly posts his mixes on his sound cloud page. He'll play anything from The Smiths to disco, house, electro and gospel - basically anything good. His taste is impeccable and his re-edits are sublime.



Summer shows by Belle and Sebastian and Teenage Fanclub caused me to delve into their extensive back catalogues (not that I need much excuse). 

I enjoy buying Northern Soul compilations and discovering some classic tracks via friends who are part of the scene in Scotland.

I've been listening to a lot of Chic since watching them at Wickerman in summer 2013. I can't believe no-one has brought them to Glasgow other than for a Ryder Cup Gala performance!


4. Musical highlight of 2014?

Teenage Fanclub at Kelvingrove Bandstand was just perfect - sunshine, friends, beer and a trawl through the Fannies extensive back catalogue. The mass outbreak of pogo-ing down the front was brilliant.





5. Plans for 2015


I'm looking forward to Teenage Fanclub and The Charlatans releasing new albums and playing live. These bands have been helping to soundtrack my life since 1991.

I hope to get to at least one festival, attend gigs as often as possible and to discover brilliant music - be it stuff from the 60's or brand new bands.

I'd love to see Vigo Thieves get the record contract they deserve and go on to release a brilliant album  and smash it. They have the songs up their sleeves, their progression over the last 2-years has been staggering.

My sisters band TeenCanteen are going into record some songs in the new year and I hope they can get enough money together to finance a full album, then hopefully get someone to release it.

Elsewhere on the Scottish music scene I think Atom Tree have all the makings of a good album and Dr Cosmo's Tape Lab have already announced their second album will come out in March.




Thursday, 27 February 2014

Morning Phase by Beck

Beck's back with an absolutely stunning new album to fall in love with. It is safe to say that 'Morning Phase' will be one of my album's of 2014 and I would bet money on it being included near the top of a lot of critics/media lists at the end of the year.

Why is it so good?

'Morning Phase' is one of those albums that comes along every so often; you sit up a little sharper on first listen, it draws you in, you know there is plenty of depth to come back for more.


'Cycle', a brief instrumental, opens the album before 'Morning' sets the tone. Lazy and mellow, but with urgency and passion. Many interviews and reviews have mentioned or asked whether 'Morning Phase' could be interpreted as 'Mourning Phase'. There is certainly a sense of loss and longing on this song.

'Morning' is beautifully written and captured, setting the tone for much of the album. Beck sounds fantastic.

Woke up this morning
From a long night in the storm
Looked up this morning
Saw the roses full of thorns

The outro is gorgeous, lazy and flowing, extremely enjoyable.

Beck creates some lovely melodies and harmonies throughout the album (with various people on backing vocals) and the wonderfully titled 'Heart Is A Drum' is a first class example of just how 'on form' Beck is.

Your heart is a drum, keeping time with everyone

'Say Goodbye' highlights that this is an album of songs from someone moving on.

'Blue Moon' was my immediate highlight on first listen. A delicate riff is picked out on ukelele, the melodies and harmonies are stunning and there are beautiful moments when the songs rises or falls, when beats kick in, or when Beck strips it bear.

You can't see the wounds you caught in battle
Oh don't leave me on my own


The playing throughout the album is just exemplary, the pace matches the mood and production (self produced by Beck). It all comes together on the heart tugging 'Unforgiven'.

Just let the engine run
Till there's nothing left
Except the damage done
Somewhere unforgiven
I will wait for you

The strings add to the emotion of the song. Stunning, this reminds me of Lennon, laying his emotions on the line.

'Wave' features more strings, tugging further on those heartstrings. This is cinematic music that should come with a box of tissues to mop of the tears.

If I surrender
And I don't fight this wave
I won't go under
I'll only be carried away

Wave, wave, isolation, isolation, isolation

Man, I am feeling for Beck!

'Don't Let It Go' reminded me a little of Steve Mason/Beta Band in the melody and vocal. 'Blackbird Chain' is mellow an dreamy, while 'Phase' is the instrumental companion to the opener, more heart tugging/breaking strings.

'Turn Away' has echoes of Simon and Garfunkel/Fleet Foxes. Acoustic and dreamy with beautiful harmonies.


Pedal Steel Guitar and harmonica are musical highlights in 'Country Down', combining with ease on the instrumental.

The section beginning 'You could wake up on a lifeboat 'neath the sun' is fantastic, Beck in full flow.

In many ways, album closer 'Waking Light' reflects the whole album. Beck is contemplative and poetic,  the music is emotional and soaring, yet gentle and delicate.

'Morning Phase' is an exceptional album that I've had on pretty much constant rotation since buying it on Monday. There is a lot to get lost in.

I hope Beck tours and comes to Scotland. To see and hear him play this album in full would be a joy.