Showing posts with label song. Show all posts
Showing posts with label song. Show all posts

Monday, 1 August 2022

Summertime Clothes

Trust me #40

Summertime Clothes by Animal Collective 

Earlier on this year I heard this kind of crazy, yet melodic, synthy, psychedelic sound coming out of my speaker as I listened to Lauren Laverne on 6 Music. The story being told and the hook really got me.

And I want to walk around with you

I want to walk around with you

The song was Summertime Clothes by Animal Collective and I immediately started a draft blog so I could return to the song to write about it in ... the summertime. I should have had it ready to go for the heatwave!

A great big dirty synth kicks things off, joined by bass and a beat, a further synth riff and backing vocals come in. Animal Collective layer things beautifully.

And then the vocals. A fast flowing melody builds to the chorus, harmonies are introduced at all the right times, for a little extra lift and energy. 

The lyrics tell the tale of a baking hot summer night, it's too hot to sleep, so a couple just go out walking through the city, all the way until dawn breaks. 

Summertime Clothes was released back in 2009 as a single and on the bands Merriweather Post Pavillion album. An old friend who I worked with at the time talked about Animal Collective constantly. I don't know why I didn't check them out!

Listening to this song makes me wish I was younger, wandering around in the summer sun with a friend/girlfriend, without a care in the world. I really love the energy, feeling and beautiful psychedelic synth pop vibe Animal Collective created.

When the sun goes down we'll go out again

When the sun goes down we'll go out again

Animal Collective play Saint Luke's in Glasgow on 9th November. TICKETS HERE

Official video

Live on Letterman

A list of all previous songs I've blogged about in my Trust Me feature are listed below, along with links to each blog.

I've also collated them all into a playlist on Spotify that you can find by searching for Everything Flows - Trust Me , or you can CLICK HERE

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.

Friday, 27 May 2022

Rat Trap

Trust Me #36

From 1998 - 2005 I spent a considerable amount of time travelling on the Glasgow Manchester United Supporters bus down to Old Trafford. I was extremely fortunate to see the reds regularly through an unbelievable period in their rich history. Fate played a role. I even managed to get a ticket for the 1999 Champions League Final in Barcelona! I blogged on that HERE back in 2019.

Beckham, Scholes, Keane, Giggs, Ole, Ruud, Ronaldo's debut (first time round) and some incredible games ... what a time to be alive! I had a League Match Ticket book and thought I would have it forever. But things change, I fell in love and we were extremely fortunate to go travelling around the world for a year, before getting married and settling down to have kids. The trips to Manchester became less and less frequent.

I met loads of great people that became (and remain) friends. As well as bonding over football and United, there were loads of serious music fans on the bus. So I was delighted to be encouraged to make mixtapes for the bus, leading on to CD's. They now have a portable bluetooth amp up the back of the bus!

Dave Sharkey, an exiled Mancunian who runs the bus, would always say 'get the punk tape on' when we were travelling back up to Glasgow and I discovered some cracking tunes as a result of it.

One of them really blew me away, Rat Trap by Bob Geldof's Boomtown Rats. I remember buying their Greatest Hits on CD the week after hearing this song on the bus.

Rat Trap by The Boomtown Rats is simply perfect. There is romance, realism, social commentary, cultural references (Top of the Pops), hooks, horns and vivid lyrics that paint a picture just flow effortlessly out of Geldof throughout.

The bass groove, the keyboards, the developing story, the way the song rises and falls. Rat Trap is the sublime sound of a band in full flight. 

Upon writing this blog I learned that it was the first punk/new wave song to reach number 1. It replaced Summer Night's by John Travolta & Olivia Newton John's which had been number 1 for 16-weeks. Geldof and his band ripped up pictures of the duo to signal change. 

Enjoy.

Top of the Pops 1978

Live at Hammersmith Odeon 1978

A list of all previous songs I've blogged about in my Trust Me feature are listed below, along with links to each blog.

I've also collated them all into a playlist on Spotify that you can find by searching for Everything Flows - Trust Me , or you can CLICK HERE

There was a lot of rocking going on that night

Cruising time for the young bright lights

Just down past the gasworks, by the meat factory door

The five lamp boys were coming on strong


The Saturday night city beat had already started

And the, the pulse of the corner boys just sprang into action

And young Billy watched it all under the yellow street light

And said "tonight of all nights, there's gonna be a fight"


Billy don't like it living here in this town

(He says) the traps have been spring long before he was born

(He says) "hope bites the dust behind all the closed doors"

And pus and grime ooze from its scab crusted sores


There's screaming and crying in the high-rise blocks

It's a rat trap Billy, but you're already caught

And you can make it if you wanna or you need it bad enough

You're young and good-looking and you're acting kind of tough

Anyway it's Saturday night time to see what's going down

Put on the bright suit Billy, head for the right side of town

It's only 8 o'clock but you're already bored

You don't know what it is but there's gotta be more

You'd better find a way out, hey kick down that door

It's a rat trap and you've been caught


In this town Billy says "everybody's trying to tell you what to do"

In this town Billy says "everybody says you gotta follow rules"

You walk up to those traffic lights

You switch from your left to right

You push in that button and that button comes alight

And hits you


Walk, don't walk, walk, don't walk

Talk, don't talk, talk, don't talk

Walk, don't walk, walk, don't walk

Talk, don't talk, talk, don't talk


Hey Billy take a walk, take a walk, take a walk

Billy take a walk, take a walk, take a walk

Billy take a walk, take a walk, take a walk

Hey Billy, take a walk with me


Take a walk that leads to me

Sweet high school blues


Oh little Judy's trying to watch Top of the Pops

But Mum and Dad are fighting don't they ever stop?

She takes off her coat and walks down into the street

It's cold on that road, but it's got that home beat

Deep down in her pockets she finds 50p

Hey is that any way for a young girl to be?

I'm gonna get out of school, work in some factory

Work all the hours God gave me, get myself a little easy money

Now, now, now na na


Her min's made up, she walks down the road

Her hands in her pockets, coat buttoned 'gainst the cold

She finds Billy down at the Italian cafe

And when he's drunk it's hard to understand what Billy says

But then he mumbles in his coffee and he suddenly roars

"It's a rat trap Judy, and we've been caught"


Rat trap, you've been caught

In a rat rap, you've been caught

In a rat rap, you've been caught

In a rat rap, you've been caught


Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton


Tuesday, 9 March 2021

Your Love Is The Place Where I Come From

 

Raymond McGinley, Teenage Fanclub

Trust Me #22

After blogging on Norman Blake's Did I Say in January and Gerard Love's Don't Look Back in February, it is the turn of Raymond McGinley to feature in my Trust Me series.

And trust me, Raymond's Your Love Is The Place Where I Come From is a beautiful song that could melt the coldest of hearts.

One of the things I love and appreciate about Raymond's songwriting is his heart on sleeve honesty and directness. His songs regularly start with him confessing directly to the listener. Check back through his Fanclub songs to see how many start with I ...

This time McGinley starts as if he is singing to someone with the beautiful lines your sadness don't lie, your feelings can't hide, initially just him with his acoustic guitar, pouring his heart out. It takes until the bridge to the chorus for Raymond to directly talk about his feelings with the staggering lyric I, I disappear when you're not here, in my life

Into the chorus and Raymond has realised that he is in a much better place when he is with his love; when I'm on my own I'm lost in space, my freedoms a delusion, your love is the place where I come from.

In under 90 seconds McGinley has told us so much! Listening back to this song so many times over the course of a week to prepare for this blog has led to me having a new found appreciation for the song and the author. It is absolutely outstanding songwriting and the way it is delivered with real feeling in the vocals, playing and production leads to a song that is spine tinglingly good.

Listen to the little crack in Raymond's voice in away as he sings I can't slip away .... goosebumps. And listen to Norman's beautiful harmonies. Stunning.

After the delivery of the chorus, there is a second verse that leads to a glorious instrumental with the band crashing beautifully together as Raymond coaxes stunning sounds from his electric guitar.

The instrumental lifts the song into a final double run of the chorus where Raymond and Norman's voices gel effortlessly together, while little flourishes of impeccable guitar playing continue throughout and the song just flows with ease. McGinley has a real knack for finding a hook / refrain and running with it. 

Live, this is a long term fan favourite and set staple. A favourite not only because of the genius songwriting, feel and delivery, but for Norman playing his glockenspiel to huge cheers. You can check a couple of examples in the videos from Benicassim 2004 and the bands Electric Ballroom show from 2018.

Read on for some comments from the Teenage Fanclub Fanclub on the song.

Your Love Is The Place Where I Come From album version

Benicassim 2004 

Electric Ballroom 2018 

You can find a playlist of songs in my Trust Me series by searching for Everything Flows Trust Me on Spotify, or CLICK HERE

The Teenage Fanclub Fanclub on Your Love Is The Place Where I Come From

Kevin Robertson

To be lost in a void when you're without the love of your life, then the joy when together. True melancholy. On the face of it, it seems a straightforward song, but it's never easy to find that true emotion in both the music and the lyrics. Raymond and the lads get it spot on here.

Gerry Weir

That bit live when Norman goes for the glock and you know it's coming. That bit!

A well known fact, but in Nick Hornby's book 31 Songs, the only artist with two entries is our beloved Fannies, this being one of them.

Paul Quinn

A  *****  song.

Valterri Virtanen

It's my favourite of all of their songs. Special mention to the electric guitar playing during the last chorus.

Frank Livingston

A genius song.

Glyn Trevor

Masterpiece ...

Matt Moir

Always the xylophone.

Lauren Bacall

The absence of an intro to this song reveals a tiny touch that I always really like with Raymond's songs. Right at the beginning, in the silence just before Raymond sings Your sadness don't lie , there is a tiny audible intake of breath.

The inclusion of this sound on the record suits the song's initial simplicity. It's just Raymond strumming along on his guitar as he sings. At the beginning, it could be an acoustic song, but it isn't, so then everything else happens.

A live favourite and rightly so, but I always feel slightly sorry for Raymond being upstaged by a glock.

Your sadness don't lie

Your feelings can't hide

You always know why

But your reasons are sly

You never deny

What you feel inside


I, I disappear, when you're not here

In my life


I can't slip away when I see your face

I lose my confusion

Your love is the place where I come from

When I'm on my own I'm lost in space

My freedoms a delusion

Your love is the place where I come from


My sadness don't lie

My feelings can't hide

I just can't deny

What I feel inside


I can't slip away when I see your face

I lose my confusion

Your love is the place where I come from

When I'm on my own I'm lost in space

My freedoms a delusion

Your love is the place where I come from


I can't slip away when I see your face

I lose my confusion

Your love is the place where I come from

When I'm on my own I'm lost in space

My freedoms a delusion

Your love is the place where I come from

Written by Raymond McGinley


Wednesday, 25 September 2019

If You Could Read My Mind

Trust Me #4
If You Could Read My Mind by Gordon Lighfoot


The 4th in a series. Where I simply ask you to to trust me and check out the song and lyrics.

This is a masterclass in songwriting - enjoy.


If you could read my mind love
What a tale my thoughts could tell
Just like an old time movie
About a ghost from a wishing well
In a castle dark or a fortress strong
With chains upon my feet
You know that ghost is me
And I will never be set free
As long as I'm a ghost you can see

If I could read your mind love
What a tale your thoughts could tell
Just like a paperback novel
The kind that drugstores sell
When you reach the part where the heartaches come
The hero would be me
Heroes often fail
And you won't read that book again
Because the endings just to hard to take

I walk away like a movie star
Who gets burned in a three way script
Enter number two, a movie queen
To play the scene of bringing all the good things out in me
But for now love let's be real

I never thought I could act this way
And I've got to say that I just don't get it
I don't know where we went wrong
But the feelings gone
And I just can't get it back

If you could read my mind love
What a tale my thoughts could tell
Just like an old time movie 
About a ghost from a wishing well
In a castle dark or a fortress strong
With chains upon my feet
The story always ends
And if you read between the lines
You'll know that I'm just trying to understand
The feeling that you left

I never thought I could feel this way
And I've got to say that I just don't get it
I don't know where we went wrong
But the feeling's gone
And I just can't get it back



Friday, 21 October 2016

The Darkest Part Of The Night


My daughter Zoe seems to have inherited my love of a good pop song with a memorable chorus that you can sing on first listen.  We have 3 CD's of mixes for the car featuring artists as diverse as Little Mix, Taylor Swift, Carly Rae Jepsen, Kim Wilde, Kylie, Madonna, the dreaded All About The Bass by Meaghan Trainer (Zoe's first pop song), Whitney Houston..... great fun pop songs that we enjoy listening to, dancing to (not in the car!) and singing a-long with.

I have to admit to trying to get her into a few of my favourite bands and this hasn't really worked. Zoe definitely has her own taste! Although last year The Charlatans Come Home Baby with its huge and uplifting chorus quickly became 'our song'.

Whitney Houston's 80's classic I Wanna Dance With Somebody came on Radio 2 on the way to Zoe's nursery earlier on this year. She immediately picked up on it and asked me to turn it up and I was thrilled to oblige - it is pure pop gold. The song led to Zoe becoming aware of other Whitney classics like How Will I Know? 

We had Taylor Swift's 1989 album on heavy rotation in our car for ages. It was the first album that Zoe ever bought and for that it will always remain an album dear to our hearts. Memories of driving along singing to Shake It Off and Style will always bring a smile to my face. And Carly Rae Jepsen has two bona fide pop classics in Call Me Maybe and I Really Like You.

And then, earlier this month I burned the new Teenage Fanclub album on to a CD so I could listen to it in the car - we have an old car!

On the 4th song in Zoe asked me to turn it up. She then called from the back to say she had heard the song before - the album was only just out - she hadn't.

In the same way that Zoe instantly fell for the chorus of Call Me Maybe or pop genius of Little Mix's Black Magic, she fell for the flow and hooks of Teenage Fanclub's The Darkest Part Of The Night! The song felt familiar.


I never got to finish the album on that car journey; as soon as the song was finished I had to play it again....and again.

A month after the release of the album and it remains a firm favourite in our car and house. Yesterday Zoe's friend Orla came round to play and they were dancing to Little Mix and then Zoe asked if I could put on Darkest Part Of The Night! I duly obliged, although I'm not sure what Orla made of it! Little Mix had to go back on afterwards.

And then today we drove into Glasgow to pick up a present for my brothers birthday on Sunday and  Zoe asked for Teenage Fanclub. We must have listened to The Darkest Part Of The Night a dozen times, both singing a-long and playing air guitar. A memory I will cherish. On around the tenth listen Zoe was even singing a-long to Raymond's guitar solo - a great moment!

Thankfully I'm In Love and Thin Air are also getting some play. The rest of the album and back catalogue will come!

The Darkest Part Of The Night is quite a deep song for a 5-year old to get into and be singing a-long to in full voice. Yet the simplicity with which it is delivered - melody, flow and the lift of the chorus - make it brilliant guitar pop. Something the Fanclub have a real knack for.

Fingers crossed for a Fanclub festival appearance in 2017 that I can take Zoe to. She has already seen Edwin Collins live and her first ever gig was Duglas T Stewart singing with Stevie Jackson's Disco Sharks! Oh and she loves her Aunt Carla's songs with TeenCanteen and Ette and has designed the 7-inch of TC's You're Still Mine, featured in their video for How We Met (Cherry Pie) and has an engineer credit on the album! And is also the cover star of the Ette album!

Zoe, Carla and Duglas - 3 people I love who love pop music







Tuesday, 12 January 2016

Sound and Vision

COVER OF THE MONTH #8

Sound and Vision - Beck


Beck does Bowie, boy does Beck do Bowie. Beck does Bowie with a 157 piece orchestra. Beck conducts them throughout, spinning on stage with his acoustic guitar, a finger wag here, a gesture with his arms there.

Listen with your headphones on when you get to the video below.

The start is incredible as Beck wanders around conducting the orchestra and generating noises that switch from your left ear to your right (microphones were suspended above). This goes on for an intoxicating 3-minutes before Beck and practically everyone burst into life with the classic Sound and Vision riff.

Beck's Dad conducts the orchestra which contained 2 choirs, xylophones, Chinese percussion, vintage electronic equipment, marching band drummers, samba players, heavy metal guitarists and loads, loads more.

There is brilliant bit where everything stops leaving Beck strumming his acoustic guitar backed only by handclaps and the choir. It then builds up to a collage of noise before Beck returns the song to something that wouldn't sound out of place on his Morning Phase album. Beck then takes things on a funky cinematic trip for the duration of the song during which he really stamps his mark on the song, it absolutely soars, it is brilliant to watch and to listen.

Waiting, for the gift of sound and vision

It is 9-minutes of magic, made possible by the Lincoln Car Company who told Beck he could do something with no limitations or restrictions. 

Beck shows that like Bowie, he has the gift of sound and vision. Astounding.

Previous covers of the month