Named after the debut single by Teenage Fanclub. 1,000+ blogs! This blog is all about being a music lover in Glasgow; reviews, interviews, memories, old faves, new discoveries (past & present) and more. Thanks for visiting - I hope you discover something amazing you have never heard before, or that you rediscover an old favourite. Regular features/playlists; Never Ending Mixtape / Cover Version of the Month/ Trust Me. Insta - @everythingflowsglasgow E - murrayeaston{AT}gmail{DOT}com
Showing posts with label Supergrass. Show all posts
Showing posts with label Supergrass. Show all posts
Friday, 21 February 2020
Supergrass at The Barrowland Ballroom
10-years after they had said goodbye to their fans in the Barrowland Ballroom, Supergrass returned to say hello and remind people what a fantastic catalogue of songs they had produced, by delivering a blistering high-energy pop punk show from start to finish.
A short promo film of homemade video footage from the bands career played on a big screen and then before we knew it, the band were onstage and ripping and roaring through Caught By The Fuzz. Gaz Coombes on guitar and lead vocals, Mick Quinn on bass and backing vocals and Danny Goffney on drums and backing vocals sounded superb as they blitzed their debut single.
Joined for much of the set by Rob Coombes on piano and keyboards, the band clearly enjoyed themselves and the youthful energy of their songs, many from their teenage years and early 20's, sounded blissful.
The guitar riff of Diamond Hoo Ha Man backed with a kick drum kept the pace up as the crowd clapped along. The stoned melodic groove of Mary slowed things down briefly and if you needed reminding of how easily Supergrass could throw in little hooks then you had received a lesson in 3 songs.
Moving was a real highlight, it seemed to be really beefed up for the got a low, low feeling around me section, the place erupted. I said to my brother several times through the show that the sound was incredible, the sound engineer had really nailed it.
After another few songs including a romp through Mansize Rooster, the band departed the stage and another short film was shown before the band came back on and launched into In It For The Money from their 1997 album of the same name.
The way Supergrass gel guitars, bass and drums is thrilling, especially on songs like Richard III and the band fizzed through it, leading to a glorious keyboard solo and Gaz sceaming trying to get at you, trying to get at you, trying to get at you.
Supergrass make so much sense live, Danny Goffney was whirling like Keith Moon on the drums, Coombes was sounding great on guitar and vocals and Mick Quinn thundered through some bass riffs. They looked and sounded magnificent.
Going Out was sublime, even without the horns, running into a nice little jam at the end, then Lose It, She's So Loose and into Alright, the band were on fire. And then Sun Hits The Sky was another real highlight for me, so powerful and again the band jammed on at the end.
The throbbing riff to Lenny swiftly followed and the crowd and band were going for it as Coombes led us through I've been around and around but I got nowhere to go now
Strange Ones, Bad Blood and a huge Pumping On Your Stereo, which the crowd started singing before the band started, ended a really cracking show.
Coombes highlighted the bands love for the Barrowland a couple of times. I hope they will be back.
Labels:
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blog,
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Friday, 13 February 2015
Matador by Gaz Coombes
I bought some cracking new albums in January - but one in particular really stood out. Matador by Gaz Coombes. I never expected to be buying an album from Gaz Coombes in 2015 but I was blown away when I heard lead single 20/20 on 6 Music. The album features inventive Radiohead/Massive Attack style riffs, songs that swoop and soar, huge choruses, stunning production, arrangements and vocals. The cover and the song The Girl Who Fell To Earth tip more than a nod to Bowie.
I wasn't the only one to fall for Matador. My good friend Craig from the band Flash Talk was also on to it and he asked if he could write a guest blog on it. So here it is...
Guest blog by Craig Douglas
The fucking 90's!!
With Matador, his second solo album, Gaz Coombes has (I'm a big enough boy to admit this) proved me wrong. Opening track Buffalo switches from sparse piano led verse to a menacing chorus filled with yearning lyrics, ethereal backing vocals and thunderous drums. A compelling start which leads into one of the albums (and the artist's) highlights, 20/20 is an epic piece of songwriting with a truly soulful vocal and a melody that Brian Wilson's dad would give him a slap for.. a total journey of a record with the perfect mix of light and shade.
I wasn't the only one to fall for Matador. My good friend Craig from the band Flash Talk was also on to it and he asked if he could write a guest blog on it. So here it is...
Guest blog by Craig Douglas
The fucking 90's!!
- A time of endless possibility.
- A time before smart phones.
- A time when you had to wear shirts ten times too big for you because they didn't make cool clothes for teenagers.
- A time when the NME seemed to bring news of a new music revolution weekly.
- A time for hero's: Blur, Oasis, Nirvana, Radiohead
- A time for pure shite: Northen Uproar, Kula Shaker and fucking Menswear!
And a time for Supergrass. Supergrass where right up my street. They where young, free they kept their teeth nice and clean and they produced some truly great pop singles over a period of 17 years:
Alright , Moving, Pumping on your Stereo, Richard III.. all classics and there is a lot more where that came from...Just like Queen or the Who though, their greatest hits collection is far superior to any of the albums they have produced.
When they split in 2010 I thought we'd sadly seen the last of one of Britain's most naturally talented frontmen and after hearing his first solo album Here comes the Bombs in 2012 which was decent at best (White Noise was a highlight), I was of the opinion that we wouldn't ever hear a great album from Gaz Coombes.
With Matador, his second solo album, Gaz Coombes has (I'm a big enough boy to admit this) proved me wrong. Opening track Buffalo switches from sparse piano led verse to a menacing chorus filled with yearning lyrics, ethereal backing vocals and thunderous drums. A compelling start which leads into one of the albums (and the artist's) highlights, 20/20 is an epic piece of songwriting with a truly soulful vocal and a melody that Brian Wilson's dad would give him a slap for.. a total journey of a record with the perfect mix of light and shade.
The English Ruse repetitive riff and rhythm is irresistible with sci-fi lyrics, a middle section out of nowhere filled with angelic voices and a guitar solo that sounds as if it's being played by a Martian in a K-HOLE! It's the audio equivalent of inter dimensional travel.
Next up is The Girl Who Fell To Earth... What a title! How has no one come up with that before?! My first reaction was "You bastard" but it's hard to stay mad at him once you hear this song.
First you cry and then you laugh, you're like a circle cut in half
A truly beautiful three and a half minute pop song that Ray Davies or McCartney would have been proud of.
Track 5 in my opinion should always be a belter, it's a hallowed position on any album and Mr Coombes clearly agrees. Detroit has a scuzzy swagger to it, a sort of lackadaisical menace that is intoxicating. There is a moment at the end of this track after a brief respite of the beat where Gary says "OK" and the beat kicks back in....For some reason this really floats my fucking boat and I find myself pressing repeat to listen to this wee magic moment over and over again.
As you may have gleaned.. I love this album with a passion which has been reserved for 'Arcade Fire' of late. You could put the first 5 songs on this album up against the first 5 songs of all the LP's in Q fucking magazines(monthly) 100 GREATEST ALBUMS OF ALL TIME, they would stand proudly next to the best of them and tower above the majority.
The rest of the album is just as strong but I'm not going to sit here and describe the whole fucking thing to you.. I will say that the penultimate track To the Wire is seismic and the closing lyric of the title track shows a man who has faced adversity and has maintained a pleasant fuck you attitude.
I'll take all the pain and the scars of war,
cause I've faced the beast and fight like a matador
With Matador it becomes apparent that Gaz Coombes is not only a great songwriter that should be cherished far beyond that Troll like,garbage pail kid Ed Sheeran but also a tremendous singer whose voice is the main instrument throughout this wonderful Album.
In my books Gaz can take his seat along side Damon Albarn and Thom Yorke as the only artistically relevant survivors of the last great musically creative period in rock and roll history. A time when men wore Wallabees. A time before internet porn. A time....
Come to think of it.... the 90's where shite. x
Labels:
2015,
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MASSIVE ATTACK,
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Tuesday, 3 February 2015
King Tut's Wah Wah Hut - 25th anniversary
King Tut's Wah Wah Hut is celebrating its 25th anniversary this month with a series of shows from established acts like The Cribs, legendary maverick Julian Cope and up and coming acts like Vigo Thieves.
I've spent an incredible amount of time in this venue over the years since I first visited as an 18-year old back in 1994, especially through my 20's and into my early 30's before I 'settled down'. I worked across the road for Abbey National at 301 St Vincent Street for 7-years so I would be a regular at the bar downstairs as well as attending a number of gigs a month up the stairs.
I have fond memories of running across the road at 5pm to get a table with my mates for happy hour. They had £1 a bottle of Stella for several years - dangerous stuff! If it was sunny and you were especially sharp from work, you could get a table outside in the sunshine - glorious.
The jukebox was (and is) brilliant and I have met some incredible people through going to King Tut's for beers and gigs.
Confession - I once devised a scheme (that I honestly only used twice) for getting into sold out shows. Back in the 90's you had to keep your ticket stub for getting out to the toilets downstairs. So I would go upstairs with mates, get the ticket stubs off them, then go back downstairs to sort out mates that didn't have tickets. I'm probably not the only person to ever have done that as health and safety wasn't quite as strict as it is now!
There are many reasons I love King Tut's; the size, vibe, sound, crowd and the opportunity to see live music in a great setting just make it perfect, for me and many, many others. Tut's regularly wins awards for being the best small venue in the UK. No wonder.
I've been looking through old ticket stubs and I've attempted to reminisce about 25 gigs at Tut's to celebrate their 25th anniversary.
1. Beck
Beck dropped Loser in 1994 and everything and everyone went crazy for him. He played Top of the Pops with a bunch of old guys backing him and then I caught him at King Tut's. I still have very fond memories of this gig. This was pre health and safety. My memory is of Tut's being absolutely rammed and sweat dripping off the roof. I was right down the front, squeezing in and dancing and pogo-ing with the crowd to ensure I didn't lose my place. Beck was electric, a clear star; playing material from his debut major album Mellow Gold but also lofi acoustic gems from One Foot In The Grave (also released in 1994) One of my all-time favourite gigs, if a little hazy 20+years down the line.
2. Arthur Lee and Love
I caught Arthur Lee and the modern day Love (Baby Lemonade) at Tut's 3-times. The first time was not long after he had been released from prison. People wondered if his voice would be shot from years of drug abuse...it didn't take long for Arthur to prove he still had it in abundance. Playing with equipment borrowed from Belle and Sebastian, Arthur and his band charged through a set that had people in genuine awe, you could have heard a pin drop during You Set The Scene.
They returned to play a secret set one time under the guise of Baby Lemonade and then played another secret show during the Forever Changes tour and Arthur responded to my shout for You Set The Scene. Well they were playing the album in order!
Arthur was a one-off, he looked cool, he sounded like a God and his backing band were sensational.
3. The White Stripes
This was an electric performance. Meg's kit was to one side and Jack leapt between a couple of mics playing a guitar that looked like it had seen better days. Pretty Good Looking For A Girl was a punk pop romp and the spine tingling version of Jolene lives with me to this day. As does the call from the crowd between songs; 'I love you Meg' to which Meg and Jack smiled, before the heckler added 'I want to f**k you'. Causing Meg to flip the bird and Jack to scowl and launch into another song.
4. Ben Folds Five
This may well have been my drunkest moment in King Tut's and there have been a fair few! I met my mate Reddy after I finished work and he finished uni and we proceeded to drink non-stop. During the show we were jumping around, dancing and playing air piano along with Ben, causing the audience to form a bit of a circle around us!
A few years later we were in New York and Ben Folds was playing Central Park so we got tickets. We got exceedingly drunk again and I persuaded Reddy that we could get back stage by saying we were from King Tut's in Glasgow - we were hastily ejected from back stage after we climbed a fence - and promptly slept through most of the gig in a drunken stupor! Oh to be young again!
5. John Squire
I went to King Tut's a lot in my younger days! One Friday I was in after work for the £1 bottle of Stella happy hours (5-7pm) when the new Tut's flyers were being handed around. John Squire was playing!!! This was how it was being announced. I immediately went up to the bar and asked if tickets were available - they were so I got 4.
Squire was incredible, coming on to the stage to an almighty cheer looking effortlessly cool with a great jacket and mop top hair. He opened with the closing instrumental of I Am The Resurrection! The place went banana's and i ran down the front from my usual place by the sound desk to jump around like crazy. Squire followed that up with She Bangs The Drums and Waterfall! It was sensational to see one of my all-time hero's up close.
6. Teenage Fanclub
Teenage Fanclub decided to do a tour to promote their Mellow Doubt single - a tour of Glasgow venues! One of them was Tut's and I have fond memories of going with my brother who was maybe 16 at the time. The bouncer took one look at his fake ID and laughed and said 'on you go up son'. (bit stricter these days I am sure!)
The band were in great form, totally at ease with the intimate crowd and in typically brilliant Fanclub humour as they played songs from the exquisite Grand Prix album and earlier faves. The cheer for Norman's whistling solo during Mellow Doubt was fantastic and happens to this day when the song is played live.
7. Ash
I drove me, my brother and at least 3-mates to this gig in my Mum's tiny Fiat Panda. I think it was 900cc or something! I think someone may have tried to crowd surf from the back of the care into the front on the way home while I was driving!
Catching Ash as they were breaking was quite something as they were the same age as us, if not younger. They charged through a pop punk set and just looked like they were having the time of their lives. Jack Names The Planets was a big tune in Carluke back in the day.
8. Arab Strap
There was one month where I was at King Tut's at least once a week to see some incredible bands just as they were breaking. Arab Strap were riding high on the success of First Big Weekend and watching them live in Tut's was quite the experience. There was an air of mystery about the band and also one of tension in the venue. A girl was invited on stage to duet with Aiden and she gave a shout out to the Uddingston Young Team! The chemistry between Aidan and Malcolm was incredible - they were unique and earned a place in the hearts of many Scottish music fans and all around the world for their honesty, humour and take on life.
9. Embrace
Embrace played All You Good Good People second song in and I remember turning to my friend and saying 'that is as good as The Beatles!' This was before their album had been released and I had discovered them through their Fireworks EP. They had a bit of northern swagger and some beautiful ballads. They have played Tut's a number of times through the years and some very memorable shows at the Barrowland.
10. Menswear
The hype around Menswear was ridiculous; signed when they had one song on the strength of them looking good, drinking in the right pubs and clubs and their guitarist dealing to journalists - those were the days.
This was an outrageous show that I went to with my brother. They absolutely smashed it. The crowd went nuts. They more than lived up to the hype with brilliant songs like Daydreamer. My brother and I stood on the seats at the back and took it all in - a crazy show.
11. Money Mark
One of the coolest shows I have been to at Tut's. Money Mark entered through the crowd whilst beatboxing and proceeded to take the crowd on an eclectic journey, showcasing his outrageous musical and songwriting talent in style. His Push The Button was a favourite of mine for a number of years.
12. Tanya Donnelly with support by The Walkmen
My mate Reddy was working through in Edinburgh and it was chucking it. Something was up with transport and I couldn't get anyone else to go so I went on my own. The Walkmen were supporting and to this day I regret not offering my flat up to the band when the singer said 'Hi we're The Walkmen from New York City, we don't have anywhere to stay tonight, does anyone have a floor we could crash on?'
I did speak to the guitarist at the bar afterwards and told him that The Rat was better than anything The Strokes have. He seemed pretty pleased. I hope they found a place to crash!
Being on my own, I ended up quite pissed drinking pints and watching the gorgeous Tanya Donnelly and being delighted when she played a couple of Belly songs.
13. Bluetones and Supergrass
Not a bad double bill! The melodic gorgeous tunes of Bluetones and the pop punk charm of Supergrass. Both bands made splashes with their debut singles and had a real buzz about them. Mark Morriss and Gaz Coombes looked and sounded fantastic.
14. Cast
Cast released some brilliant singles back in the day which caused me to go and see them at Tut's. It must have been well before their album came out as I remember the venue being pretty empty but John Power was in charming form, eyes twinkling as he exchanged banter with the crowd in one of the most scouse accents I have ever heard. Fine Time was, and is still, a brilliant guitar pop song.
I vividly remember this show as my sister had fallen and cracked her skull that afternoon and I wasn't sure if I would go to the gig or not. There used to be a phone box across the road from Tut's and i remember phoning my Mum to see how she was. Thankfully she was OK.
15. Har Mar Superstar
I can't remember who he was supporting, he was first on a bill of 3, but Har Mar Superstar played like ....well a superstar to a pretty small audience, most people were still in the bar downstairs. He stripped to his underwear and had a ridiculously long mic lead to walk into the audience to generate a reaction. He wandered right up the stairs and past the sound desk to the spot I tend to stand if possible, and then I almost tripped him down the stairs - accidentally of course! His set was incredible -Prince style pop funk. Despite enjoying him live, I don't recall buying any of his albums.
16. Futuristic Retro Champions
My sisters first band played Tut's in the summer of 2007 - just ten days before my girlfriend (now wife) and I were due to head off travelling around the world for a year. Good timing! This was a great drunken night of pop with loads of friends and family in one of my favourite places in the world. I was very proud of my wee sister.
17. Mylo
Mylo's Destroy Rock n Roll went mental in Glasgow and then all over the world. He spray painted the title all over Glasgow and released some ltd edition singles on local Breastfed Records. The album went massive. I remember running out the door after this gig to get down to the Subclub for the aftershow. The show (and aftershow) were a real celebration. Songs from that album would be played in pubs, clubs, pre-club parties and house parties after the clubs shut. An incredible album.
I will be blogging about the album later in the year as it celebrates it's 10th anniversary. Mylo hasn't released any new material since.
18. Vigo Thieves
I was managing Vigo Thieves when they became the first unsigned band to play 2-nights back-to-back at King Tut's Wah Wah Hut. It was a very exciting time for the band as they went from playing to their mates to playing shows in their hometown (well pretty close to Wishaw) where they didn't know who was in the audience. They upped their game and slated Tut's both nights. Hearing songs like Heartbeats being sung back by the audience was a spine tingling
19. Tim Burgess
I am a huge fan of The Charlatans and when lead singer announced he was playing Tuts to tour his debut solo album I had to be there. It was a brilliant gig, Tim had a stunning backing band and he was in great form, playing to the audience as he romped through the pop soul of I Believe.
20. The Magic Numbers
Their eponymous debut album was utterly gorgeous. Melodic, stunning harmonies, catchy choruses, brilliant breakdowns and a beautiful mix of male and female vocals. I first caught them in the old Barfly down by the Clyde, by the time they played Tuts the word was out. That debut album was a beauty and the live shows surrounding it were full of love, the band developed a special relationship with Glasgow and I always remember this show and one they played at the Barrowland when they were just blown away by the crowd singing the album back to them.
21. Gomez
Looking back through ticket stubs, I caught Gomez, Money Mark and Arab Strap within 2-weeks of each other at King Tuts back in 1998. Three very different bands, three utterly incredible gigs. That is the beauty of the venue, they embrace every kind of music, try things out and many times the acts they put on will go on to play bigger venues and have long careers making music.
Gomez sounded sensational. They didn't look that good though! We saw them huddled together over beers in the downstairs bar and they seemed impressed by the DJ playing McLemore Avenue by Booker T and the MGs - a should instrumental version of Abbey Road by The Beatles. (strange I remember that so well!).
They were brilliant on stage, a real wild mix of styles and influences; soul, country, a bit of a dance vibe at times - just like nothing else and that is what made them so good. Ben Ottewell's voice was deep and soulful and it really caught me by surprise.
22. Astral
Astral were a local band that my mate Mark Falconer was in - playing bass. There was a real buzz about them, they sold out Sleazys and played a totally triumphant set - coming on late when everyone was drunk and whipped up by a great pre gig playlist/DJ. They got played on the Evening Session and seemed set to get signed; Steve Lamaq was a huge fan of debut single Come and Go and the instrumental b-side Caribou remains a favourite of mine.
They got a support slot at Tuts and word was that scouts were coming to see them. It all went wrong though, they didn't get a proper soundcheck, the lead guitar wasn't being heard through the speakers at all.
I remember being really worried for them and between songs I went up to the stage to tell Mark that we couldn't hear the lead guitar. He said they couldn't hear much on stage.
I don't remember much else, but it is a King Tuts memory that always stands out - things don't always go to plan. Astral gave it a good shot but broke up before an album was released. I can't remember if they recorded one or not.
23. Hot Chip
I went mad for Hot Chip. Lynn and I stumbled across them in a tent at Benicassim when we went over in 2005. Their album The Warning was coming out and they had loads of hit singles on it. Tuts was sold out but I went along to try and buy a ticket. This was one show I didn't want to miss out on.
As luck would have it, my friend Mark (mentioned above) was there with a writer from Clash Magazine. Their photographer hadn't shown up so they had a spare guest pass so I got in.
Hot Chip played a blinder and remain one of my favourite bands to this day. And I Was A Boy From School was absolutely class, Joe and Alexis' voices blended superbly, Colours was sublime and Over and Over a riot.
24. The Pastels
April 1994, pre-internet, pre-mobiles (unless you were a stockbroker). Rumours always happened at gigs and festivals but this one seemed to be sadly true by the way people were talking. Kurt Cobain had taken his own life. I had queued for ages one day at the old Virgin in Union Street to buy tickets for Nirvana at the SECC, I couldn't believe it.
It was true, The Pastels came on stage and dedicated the show to Kurt before playing a brilliant guitar pop punk set including one of my favourite songs of all time Thank You For Being You.
I had driven in with my friend Grant and we ran outside afterwards to turn on to the John Peel show. Only Peel wasn't on, it was just Nirvana Peel Session tracks and the odd announcement to say that the show was cancelled in memory of Kurt and they were playing his music.
18-years old - we were a little heartbroken. One of the strangest car journeys i have ever taken.
25. Rae and Christian
Rae and Christian were Mark Rae and Steve Christian, 2 producers from Manchester with impeccable taste, style and talent. Their Sleepwalking album from 2001 was a big favourite of mine - guests included the late great Bobby Womack and hip hop act The Pharcyde. The closing track Salvation is absolutely stunning
Their live show superb, a big bank of electric equipment and a sh*t hot band and vocalists. I also remember the support act Fingathing, also from Manchester and based around the talents of a guy called Peter Parker. It was one of those great nights at Tut's where the music sounded incredible and the talent on stage was unique and just totally on it.
I've spent an incredible amount of time in this venue over the years since I first visited as an 18-year old back in 1994, especially through my 20's and into my early 30's before I 'settled down'. I worked across the road for Abbey National at 301 St Vincent Street for 7-years so I would be a regular at the bar downstairs as well as attending a number of gigs a month up the stairs.
I have fond memories of running across the road at 5pm to get a table with my mates for happy hour. They had £1 a bottle of Stella for several years - dangerous stuff! If it was sunny and you were especially sharp from work, you could get a table outside in the sunshine - glorious.
The jukebox was (and is) brilliant and I have met some incredible people through going to King Tut's for beers and gigs.
Confession - I once devised a scheme (that I honestly only used twice) for getting into sold out shows. Back in the 90's you had to keep your ticket stub for getting out to the toilets downstairs. So I would go upstairs with mates, get the ticket stubs off them, then go back downstairs to sort out mates that didn't have tickets. I'm probably not the only person to ever have done that as health and safety wasn't quite as strict as it is now!
There are many reasons I love King Tut's; the size, vibe, sound, crowd and the opportunity to see live music in a great setting just make it perfect, for me and many, many others. Tut's regularly wins awards for being the best small venue in the UK. No wonder.
I've been looking through old ticket stubs and I've attempted to reminisce about 25 gigs at Tut's to celebrate their 25th anniversary.
Beck dropped Loser in 1994 and everything and everyone went crazy for him. He played Top of the Pops with a bunch of old guys backing him and then I caught him at King Tut's. I still have very fond memories of this gig. This was pre health and safety. My memory is of Tut's being absolutely rammed and sweat dripping off the roof. I was right down the front, squeezing in and dancing and pogo-ing with the crowd to ensure I didn't lose my place. Beck was electric, a clear star; playing material from his debut major album Mellow Gold but also lofi acoustic gems from One Foot In The Grave (also released in 1994) One of my all-time favourite gigs, if a little hazy 20+years down the line.
2. Arthur Lee and Love
I caught Arthur Lee and the modern day Love (Baby Lemonade) at Tut's 3-times. The first time was not long after he had been released from prison. People wondered if his voice would be shot from years of drug abuse...it didn't take long for Arthur to prove he still had it in abundance. Playing with equipment borrowed from Belle and Sebastian, Arthur and his band charged through a set that had people in genuine awe, you could have heard a pin drop during You Set The Scene.
You look so lovely
You with that same old smile
Stay for a while
They returned to play a secret set one time under the guise of Baby Lemonade and then played another secret show during the Forever Changes tour and Arthur responded to my shout for You Set The Scene. Well they were playing the album in order!
Arthur was a one-off, he looked cool, he sounded like a God and his backing band were sensational.
3. The White Stripes
This was an electric performance. Meg's kit was to one side and Jack leapt between a couple of mics playing a guitar that looked like it had seen better days. Pretty Good Looking For A Girl was a punk pop romp and the spine tingling version of Jolene lives with me to this day. As does the call from the crowd between songs; 'I love you Meg' to which Meg and Jack smiled, before the heckler added 'I want to f**k you'. Causing Meg to flip the bird and Jack to scowl and launch into another song.
4. Ben Folds Five
This may well have been my drunkest moment in King Tut's and there have been a fair few! I met my mate Reddy after I finished work and he finished uni and we proceeded to drink non-stop. During the show we were jumping around, dancing and playing air piano along with Ben, causing the audience to form a bit of a circle around us!
A few years later we were in New York and Ben Folds was playing Central Park so we got tickets. We got exceedingly drunk again and I persuaded Reddy that we could get back stage by saying we were from King Tut's in Glasgow - we were hastily ejected from back stage after we climbed a fence - and promptly slept through most of the gig in a drunken stupor! Oh to be young again!
5. John Squire
I went to King Tut's a lot in my younger days! One Friday I was in after work for the £1 bottle of Stella happy hours (5-7pm) when the new Tut's flyers were being handed around. John Squire was playing!!! This was how it was being announced. I immediately went up to the bar and asked if tickets were available - they were so I got 4.
Squire was incredible, coming on to the stage to an almighty cheer looking effortlessly cool with a great jacket and mop top hair. He opened with the closing instrumental of I Am The Resurrection! The place went banana's and i ran down the front from my usual place by the sound desk to jump around like crazy. Squire followed that up with She Bangs The Drums and Waterfall! It was sensational to see one of my all-time hero's up close.
6. Teenage Fanclub
Teenage Fanclub decided to do a tour to promote their Mellow Doubt single - a tour of Glasgow venues! One of them was Tut's and I have fond memories of going with my brother who was maybe 16 at the time. The bouncer took one look at his fake ID and laughed and said 'on you go up son'. (bit stricter these days I am sure!)
The band were in great form, totally at ease with the intimate crowd and in typically brilliant Fanclub humour as they played songs from the exquisite Grand Prix album and earlier faves. The cheer for Norman's whistling solo during Mellow Doubt was fantastic and happens to this day when the song is played live.
7. Ash
I drove me, my brother and at least 3-mates to this gig in my Mum's tiny Fiat Panda. I think it was 900cc or something! I think someone may have tried to crowd surf from the back of the care into the front on the way home while I was driving!
Catching Ash as they were breaking was quite something as they were the same age as us, if not younger. They charged through a pop punk set and just looked like they were having the time of their lives. Jack Names The Planets was a big tune in Carluke back in the day.
Photographed from behind a my framed ticket collage -hence the blur
8. Arab Strap
There was one month where I was at King Tut's at least once a week to see some incredible bands just as they were breaking. Arab Strap were riding high on the success of First Big Weekend and watching them live in Tut's was quite the experience. There was an air of mystery about the band and also one of tension in the venue. A girl was invited on stage to duet with Aiden and she gave a shout out to the Uddingston Young Team! The chemistry between Aidan and Malcolm was incredible - they were unique and earned a place in the hearts of many Scottish music fans and all around the world for their honesty, humour and take on life.
9. Embrace
Embrace played All You Good Good People second song in and I remember turning to my friend and saying 'that is as good as The Beatles!' This was before their album had been released and I had discovered them through their Fireworks EP. They had a bit of northern swagger and some beautiful ballads. They have played Tut's a number of times through the years and some very memorable shows at the Barrowland.
The hype around Menswear was ridiculous; signed when they had one song on the strength of them looking good, drinking in the right pubs and clubs and their guitarist dealing to journalists - those were the days.
This was an outrageous show that I went to with my brother. They absolutely smashed it. The crowd went nuts. They more than lived up to the hype with brilliant songs like Daydreamer. My brother and I stood on the seats at the back and took it all in - a crazy show.
11. Money Mark
One of the coolest shows I have been to at Tut's. Money Mark entered through the crowd whilst beatboxing and proceeded to take the crowd on an eclectic journey, showcasing his outrageous musical and songwriting talent in style. His Push The Button was a favourite of mine for a number of years.
12. Tanya Donnelly with support by The Walkmen
My mate Reddy was working through in Edinburgh and it was chucking it. Something was up with transport and I couldn't get anyone else to go so I went on my own. The Walkmen were supporting and to this day I regret not offering my flat up to the band when the singer said 'Hi we're The Walkmen from New York City, we don't have anywhere to stay tonight, does anyone have a floor we could crash on?'
I did speak to the guitarist at the bar afterwards and told him that The Rat was better than anything The Strokes have. He seemed pretty pleased. I hope they found a place to crash!
Being on my own, I ended up quite pissed drinking pints and watching the gorgeous Tanya Donnelly and being delighted when she played a couple of Belly songs.
13. Bluetones and Supergrass
Not a bad double bill! The melodic gorgeous tunes of Bluetones and the pop punk charm of Supergrass. Both bands made splashes with their debut singles and had a real buzz about them. Mark Morriss and Gaz Coombes looked and sounded fantastic.
14. Cast
Cast released some brilliant singles back in the day which caused me to go and see them at Tut's. It must have been well before their album came out as I remember the venue being pretty empty but John Power was in charming form, eyes twinkling as he exchanged banter with the crowd in one of the most scouse accents I have ever heard. Fine Time was, and is still, a brilliant guitar pop song.
I vividly remember this show as my sister had fallen and cracked her skull that afternoon and I wasn't sure if I would go to the gig or not. There used to be a phone box across the road from Tut's and i remember phoning my Mum to see how she was. Thankfully she was OK.
15. Har Mar Superstar
I can't remember who he was supporting, he was first on a bill of 3, but Har Mar Superstar played like ....well a superstar to a pretty small audience, most people were still in the bar downstairs. He stripped to his underwear and had a ridiculously long mic lead to walk into the audience to generate a reaction. He wandered right up the stairs and past the sound desk to the spot I tend to stand if possible, and then I almost tripped him down the stairs - accidentally of course! His set was incredible -Prince style pop funk. Despite enjoying him live, I don't recall buying any of his albums.
16. Futuristic Retro Champions
My sisters first band played Tut's in the summer of 2007 - just ten days before my girlfriend (now wife) and I were due to head off travelling around the world for a year. Good timing! This was a great drunken night of pop with loads of friends and family in one of my favourite places in the world. I was very proud of my wee sister.
Me and my sister in 2007
17. Mylo
Mylo's Destroy Rock n Roll went mental in Glasgow and then all over the world. He spray painted the title all over Glasgow and released some ltd edition singles on local Breastfed Records. The album went massive. I remember running out the door after this gig to get down to the Subclub for the aftershow. The show (and aftershow) were a real celebration. Songs from that album would be played in pubs, clubs, pre-club parties and house parties after the clubs shut. An incredible album.
I will be blogging about the album later in the year as it celebrates it's 10th anniversary. Mylo hasn't released any new material since.
18. Vigo Thieves
I was managing Vigo Thieves when they became the first unsigned band to play 2-nights back-to-back at King Tut's Wah Wah Hut. It was a very exciting time for the band as they went from playing to their mates to playing shows in their hometown (well pretty close to Wishaw) where they didn't know who was in the audience. They upped their game and slated Tut's both nights. Hearing songs like Heartbeats being sung back by the audience was a spine tingling
19. Tim Burgess
I am a huge fan of The Charlatans and when lead singer announced he was playing Tuts to tour his debut solo album I had to be there. It was a brilliant gig, Tim had a stunning backing band and he was in great form, playing to the audience as he romped through the pop soul of I Believe.
20. The Magic Numbers
Their eponymous debut album was utterly gorgeous. Melodic, stunning harmonies, catchy choruses, brilliant breakdowns and a beautiful mix of male and female vocals. I first caught them in the old Barfly down by the Clyde, by the time they played Tuts the word was out. That debut album was a beauty and the live shows surrounding it were full of love, the band developed a special relationship with Glasgow and I always remember this show and one they played at the Barrowland when they were just blown away by the crowd singing the album back to them.
21. Gomez
Looking back through ticket stubs, I caught Gomez, Money Mark and Arab Strap within 2-weeks of each other at King Tuts back in 1998. Three very different bands, three utterly incredible gigs. That is the beauty of the venue, they embrace every kind of music, try things out and many times the acts they put on will go on to play bigger venues and have long careers making music.
Gomez sounded sensational. They didn't look that good though! We saw them huddled together over beers in the downstairs bar and they seemed impressed by the DJ playing McLemore Avenue by Booker T and the MGs - a should instrumental version of Abbey Road by The Beatles. (strange I remember that so well!).
They were brilliant on stage, a real wild mix of styles and influences; soul, country, a bit of a dance vibe at times - just like nothing else and that is what made them so good. Ben Ottewell's voice was deep and soulful and it really caught me by surprise.
22. Astral
Astral were a local band that my mate Mark Falconer was in - playing bass. There was a real buzz about them, they sold out Sleazys and played a totally triumphant set - coming on late when everyone was drunk and whipped up by a great pre gig playlist/DJ. They got played on the Evening Session and seemed set to get signed; Steve Lamaq was a huge fan of debut single Come and Go and the instrumental b-side Caribou remains a favourite of mine.
They got a support slot at Tuts and word was that scouts were coming to see them. It all went wrong though, they didn't get a proper soundcheck, the lead guitar wasn't being heard through the speakers at all.
I remember being really worried for them and between songs I went up to the stage to tell Mark that we couldn't hear the lead guitar. He said they couldn't hear much on stage.
I don't remember much else, but it is a King Tuts memory that always stands out - things don't always go to plan. Astral gave it a good shot but broke up before an album was released. I can't remember if they recorded one or not.
23. Hot Chip
I went mad for Hot Chip. Lynn and I stumbled across them in a tent at Benicassim when we went over in 2005. Their album The Warning was coming out and they had loads of hit singles on it. Tuts was sold out but I went along to try and buy a ticket. This was one show I didn't want to miss out on.
As luck would have it, my friend Mark (mentioned above) was there with a writer from Clash Magazine. Their photographer hadn't shown up so they had a spare guest pass so I got in.
Hot Chip played a blinder and remain one of my favourite bands to this day. And I Was A Boy From School was absolutely class, Joe and Alexis' voices blended superbly, Colours was sublime and Over and Over a riot.
24. The Pastels
April 1994, pre-internet, pre-mobiles (unless you were a stockbroker). Rumours always happened at gigs and festivals but this one seemed to be sadly true by the way people were talking. Kurt Cobain had taken his own life. I had queued for ages one day at the old Virgin in Union Street to buy tickets for Nirvana at the SECC, I couldn't believe it.
It was true, The Pastels came on stage and dedicated the show to Kurt before playing a brilliant guitar pop punk set including one of my favourite songs of all time Thank You For Being You.
I had driven in with my friend Grant and we ran outside afterwards to turn on to the John Peel show. Only Peel wasn't on, it was just Nirvana Peel Session tracks and the odd announcement to say that the show was cancelled in memory of Kurt and they were playing his music.
18-years old - we were a little heartbroken. One of the strangest car journeys i have ever taken.
25. Rae and Christian
Rae and Christian were Mark Rae and Steve Christian, 2 producers from Manchester with impeccable taste, style and talent. Their Sleepwalking album from 2001 was a big favourite of mine - guests included the late great Bobby Womack and hip hop act The Pharcyde. The closing track Salvation is absolutely stunning
Their live show superb, a big bank of electric equipment and a sh*t hot band and vocalists. I also remember the support act Fingathing, also from Manchester and based around the talents of a guy called Peter Parker. It was one of those great nights at Tut's where the music sounded incredible and the talent on stage was unique and just totally on it.
Sunday, 7 December 2014
2014 review by Crash Club
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One of Neal McHarg's favourite albums of 2014 from one of his favourite bands |
I first met Neal McHarg when Nevada Base ventured out to Ayrshire to play with Neal's band Crash Club. I admired the way he played the bass, there was real attitude. We got talking, discovered we shared similar taste in music and have talked on and off ever since and when I got tickets to Primal Scream's secret show at the Poetry Club last year, Neal was one person I knew that would truly appreciate a ticket.
Neal's passion for music is clearly evident to anyone who has ever met him. He has a thirst for new music and a desire to delve back into musical history to discover all kinds of stuff.
Crash Club have really kicked on in 2014 and 2015 is shaping up to be a big year for them. They play King Tut's on New Year's Eve with Medicine Men and Tijuana Bibles.
I caught up with Neal to find out what he had been listening to through 2014. I'm sure you'll agree that it is a superbly eclectic mix. I hope Neal dj's sometime!
1. What singles/songs that have been released in 2014 have stood out for you?
Neal's passion for music is clearly evident to anyone who has ever met him. He has a thirst for new music and a desire to delve back into musical history to discover all kinds of stuff.
Crash Club have really kicked on in 2014 and 2015 is shaping up to be a big year for them. They play King Tut's on New Year's Eve with Medicine Men and Tijuana Bibles.
I caught up with Neal to find out what he had been listening to through 2014. I'm sure you'll agree that it is a superbly eclectic mix. I hope Neal dj's sometime!
1. What singles/songs that have been released in 2014 have stood out for you?
the war on drugs - red eyes
I remember hearing about them for a while and never really getting excited then I heard the new album and being blown away, this is the stand out for me.
Todd terje - Delorean Dynamite
thanks to a night out with Nevada base’s calum muir I discovered this track, the drive of the track just caught me straight away, yet parts of it sound so chilled, amazing mixture.
Medicine Men – Show What You're Made Of
Can’t get enough of this, tho big Ian defo gets enough of me telling him how much I love it ha. Brilliant groove and it just gets big as it goes on. Live wise its just unreal.
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Medicine Men |
Tijuana bibles – Crucifixion
Dirty sleazy rock and roll at its finest, fat fuzzy bass line to tony’s husky vocal this is how rock n roll should sound.
Vigo Thieves – This Love
Remember hearing this for the first time on my way to Ayrshire and just feeling uplifted and having to listen to it over and over again, ridiculously catchy.
black angels – clear lake forest
they really can’t do anything wrong in my eyes, yet another great explain of why their one of my favourite bands ever.
klaxons – love frequency
was really surprised by this, I wasn’t really a fan of the new rave stuff they done and we I listen to this for the time, I was amazed at how early 90’s influenced it was. Right up my street.
the war on drugs – lost in the dream
as I said earlier, the album is just outstanding.
deathcats - all hail deathcats
got to love james and the boys, one of the hardest working bands in Glasgow and this album is great fuzz rock, Saturday night golden retriever is my personal stand out.
jagwar ma – the time and space machine dub sessions
Jagwar ma are right now my favourite band in the world, the album last year was unbelievable, and tho these sessions appeared on line last year, the vinyl only came out this year, and its so different track remixes yet still brilliant.
3. What old music/bands have you discovered/gone back to in 2014?
the bee gees – first
they get a bad rep for cause of the whole disco stuff, but people forget how good the bee gees actually are! First is a 60’s classic.
john kongos – he’s gonna step on you again
all thanks to the happy Monday doing a cover of this with step on. Love both but hadn’t really listened to the original for a long time.
supergrass – in it for the money
I miss supergrass loads, and with gaz releasing his next solo album, I went back and listened to my favourite supergrass album
Relaxed Muscle - a heavy nite with…
my mate G loves Jarvis cocker during this part of his love, and when it was first out I wasn’t really listening to much of this period, but found my way back to it at the start of this year.
Nirvana- Bleach another album you kinda forget about just because what was to follow blew your mind. brilliant all the same.
4. What has been the musical highlight of 2014 for you?
Seeing nine inch nails at primavera sounds was one hell of an experience so that is definitely a highlight, along with jagwar ma at the art school for stag and dagger.
but being asked to open for the klaxons and to finish of the year playing with 2 bands I love and have worked with in medicine men and Tijuana bibles will be up there as well.
5. What are you plans for 2015?
I miss supergrass loads, and with gaz releasing his next solo album, I went back and listened to my favourite supergrass album
Relaxed Muscle - a heavy nite with…
my mate G loves Jarvis cocker during this part of his love, and when it was first out I wasn’t really listening to much of this period, but found my way back to it at the start of this year.
Nirvana- Bleach another album you kinda forget about just because what was to follow blew your mind. brilliant all the same.
4. What has been the musical highlight of 2014 for you?
Seeing nine inch nails at primavera sounds was one hell of an experience so that is definitely a highlight, along with jagwar ma at the art school for stag and dagger.
but being asked to open for the klaxons and to finish of the year playing with 2 bands I love and have worked with in medicine men and Tijuana bibles will be up there as well.
5. What are you plans for 2015?
We’re going to put out a vinyl with yoko pwno next year which will be brilliant
to do, keep the momentum going for this year and step it up another level with
the live show, introduce some visuals and stuff along with the lights, and target doing some festival shows this year.
Labels:
2014,
bee gees,
crash club,
Jagwar Ma,
Klaxons,
Medicine Men,
music,
Nine Inch Nails,
Nirvana,
review,
Supergrass,
Todd Terje
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