Showing posts with label david holmes. Show all posts
Showing posts with label david holmes. Show all posts

Monday, 9 March 2026

Fatale at McChuills - March 2026

Fatale l-r James, Euan, Oscar (top), Ben, Chris

Saturday nights in McChuills have been the source of much pleasure for me over the years. Old Nick DJ-ing behind the bar early on, DJ's taking to the decks later, playing (or attempting to play in a busy area!) pool, meeting friends, ending the night there after a gig at the Barrowland Ballroom ... It's a wonderful pub full of characters, behind the bar and on the other side. McChuills has soul and strong values. They know what is right and what is wrong. And they love music! Lots of old faces still regularly frequent the bar and the decks. 

McChuills the kind of pub you fall for, dream of and pine for. These days, visiting is more of a treat, but every time I visit I think of my old flat in Dennistoun and times where I'd wander in for a pint after work and stay for a few, or ... wilder weekends.

It's great to see that McChuills still attracts a variety of subcultures of all ages. I mentioned Old Nick (who was DJ-ing before Andrew Divine last night) above and his son young Nick has done a grand job of changing things just ever so slightly, to put on bands and club nights in the side room ... or Acid Arch. Wet Leg (old blog here) and David Holmes are just 2 of the names to have graced the stage through there.

Fatale were back to the venue where they played their first gig in May 2025 - still less than a year ago! The band hang out in McChuills regularly and both are a perfect fit for each other. Fresh/recovered from 3-date tour of Aberdeen, Dundee and Inverness with The Cords and a show with Warren McIntyre and James Kirk in Edinburgh the previous night, the 5-piece were gig fit. 

Taking to the stage at 10pm, Fatale blitzed straight into Moves You, their traditional set closer. It was a bold move and it worked a treat, the place was bouncing. This is a fuzzy punky pop gem with a glorious breakdown, before zipping back to full throttle. Exhilarating!

Fatale have improved every time I've caught them live since last summer; sound, performance and songs. New song Sugar Bowl was melodic with the duelling guitars sounding sublime. Own Embrace and Another Sunrise sound like old friends. I find myself half singing a-long, even though I've only ever heard them live.

A cover version of Buttermilk by Eugenius fitted like a glove. That guitar riff never got the credit it deserves. Winged HorseBy The Tide and September kept things going while allowing Fatale to show different sides to their natural instinct for melodies, guitar sounds and hooks. 

The rhythm section of Oscar (bass) and James (drums) keep things tight, while also driving the sound along, while the guitars of Euan and Chris (also backing vocals) carry the joy of youthful enthusiasm through chords, riffs, solos and the effects they use. Ben Robertson was born to be a front man - conducting band mates and crowd with his on stage moves. All have fantastic hair! 

Wired sounds like a potential single. While Jesus Christ most definitely will be at some point. Beginning with a warm Big Star-esque riff, the song then explodes into life and is like one big chorus, full of infectious energy.

Fatale seem to have a natural feel for songwriting. Their musical knowledge and taste comes across in the songs they have covered since I first caught them last summer. The confidence that comes from playing gigs and generating a buzz from them seems to be lifting them to new levels. Building on the solid foundation they had from the off with early songs like Moves You, Jesus Christ and Another Sunrise.


Speaking of which, the band are clearly taken by new song Saint Mungo - named after the patron saint and founder of the City of Glasgow. It's the title track of their debut EP that is coming out on a limited edition 12-inch. ORDER HERE

Coming on for an encore, Ben announced that this would be the last time they played their cover of The Velvets Femme Fatale, however given the reaction, I'd be surprised if that's the case! They should definitely keep it up their sleeves for their adventures outwith Glasgow.

The band ended as they began, with an even more super charged version of Moves You, starting with Ben crowd surfing, before their good friend Ben Brown took over and somehow managed to stay aloft! Great fun.

Keep an eye on Fatale's Instagram page for news of up coming shows.

Next up is a gig at The Art School as part of the multi-venue House Guest festival on 4th April. The festival also takes in Sleazys and The 1990 (formerly Broadcast).




Wednesday, 6 November 2024

69 Police and Hey Lisa

Trust me #82 & 83
69 Police and Hey Lisa by David Holmes

David Holmes is DJ-ing in McChuills this Friday night ... and I'm not going! I was, but having been a little run down with a bug since last Thursday, I decided to sell my tickets - cost price naturally! At my age, going on a mad night out while not at 100% isn't a good idea!

Holmes is someone I have admired since my friend Reddy introduced me to his debut album This Film's Crap Lets Slash The Seats way back in 1995. Reddy also fell for the 1997 follow up Let's Get Killed which included snippets and samples of audio recordings Holmes made while walking around New York City. It was kind trippy and totally cool.

But it was Holmes 3rd album, Bow Down to the Exit Sign, released in 2000, before I truly fell for the Northern Irish DJ, electronic artist, producer and film composer. 

Two song in particular stood out. 69 Police is flowing gem, layered beautifully to take listeners on a journey. The synth riff is utterly sublime. A couple of year ago I was fortunate to DJ in McChuills on a Sunday evening and this went down a treat.

The production is insane; the spoken word intro is turned up high in the mix, then the synth sounds and beats kick in, leading to the a glorious synth riff with lovely squelchy sounds interspersed. Holmes layers things and keeps it all going. I doubt that David will drop this into his set, but any regrets I have on Saturday night would be considerably multiplied if he did!

The dreamy atmospheric Hey Lisa closes the album to leave you floating, the mellow beats and swirling strings are absolutely gorgeous. Holmes works real magic here, layering guitars, string samples, synth riffs and bubbles, and what sounds like a xylophone ... weaving them in and out of each other beautifully.

Hey Lisa is a piece of music that never fails to move me. What a way to close the album, listen to the strings as the song ebbs towards the end. Majestic.

69 Police and Hey Lisa are both added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE 

And why not check David Holmes incredible Radio 1 Essential Mix from 1997 HERE

Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros





Wednesday, 22 May 2024

10 from LCD Soundsystem

LCD Soundsystem are one of the few post 2000 bands that I really fell in love with. My love was rekindled after watching the excellent Meet Me In The Bathroom documentary based on the 2011 book by Lizzy Godman. This was at the end of 2023, so this blog has been a while in the making!

James Murphy comes across well in the film. A self confessed music geek whose musical boundaries were smashed when he worked as an engineer on David Holmes Bow Down To The Exit Sign in 2000. Holmes was amazed that Murphy had never tried ecstasy and when James finally did, he had an experience that changed the way he listened to and felt about music.

Things moved swiftly as Murphy formed DFA Records with Tim Goldsworthy who co-produced the Holmes album. The duo started releasing records, including The Rapture's seminal House Of The Jealous Lovers, and they put on nights across New York as the city came out of post 9/11 mourning. 

LCD Soundsystem's first single was the sensational Losing My Edge which came out in the summer of 2002. The video, with Murphy singing into the camera with a spotlight behind him and someone routinely slapping him quickly gained traction. The song and video (see below) were super cool, like nothing else out there.

Murphy talks about the inspiration behind the song in the film. How he was worried that all the cool kids could suddenly access all the music online that he spent years discovering and collecting. The 8-minute electro punk tune created enough of an impression for booking requests to come through. LCD Soundsystem suddenly became a real band. 

The 2002-2005 early period of LCD Soundsystem was extraordinarily prolific as Murphy dove headfirst into ecstasy and creating electronic music, releasing a string of singles that led to a double album coming out in early 2005. 

I first caught the band around this time when they supported Too Many DJ's at the Barrowland. LCD had a bank of equipment, loads of percussion and cowbells and Murphy sang into an old crooners style microphone. They were electrifying.

That summer my girlfriend (now wife) and I went to the Benicassim Festival in Spain. LCD Soundsystem came on stage around 2 or 3 in the morning and the place went crazy. It remains one of my all-time favourite festival sets; a band breaking through from the underground playing a late night set to a party crowd. Check this electrifying 52 second crowd footage.

Murphy and LCD kept creating, releasing, playing and partying. Something had to give and it did in 2010 following the release of the This Is Happening album. Murphy said it would be the bands last album and that their last show would be at Madison Square Garden, where the band played an epic 4-hour set.

In some ways it was perfect. 10-years on from working on the Holmes album. Murphy talked of writing songs as good as he was going to and not wanting to carry on with the purpose of becoming bigger, or to earn more money. In other interviews, Murphy hinted that he might go back to creating music and releasing 12-inch singles, but he had to get away from LCD being so large.

Rather incredibly, David Bowie was one of the people to encourage Murphy to get the band back together. James played on Bowie's Blackstar album. The comeback grew arms and legs and before LCD knew it,they were once again travelling round the world to promote an album - 2017's American Dream.

Now, in 2024, LCD Soundsystem are kind of operating on their terms. Tours have been replaced with residencies in their favourite cities and the band can pick and choose what festivals they want to play. Surely there will be a Barrowland residency at some point?! Murphy has always been quick to acknowledge the importance of the venue, Glasgow as a city and the Subclub.

LCD Soundsystem play Glastonbury and All Points East in London this summer. 

UPDATE - LCD Soundsystem now play the Barrowland and tickets are on sale this Friday - 24th May!

Anyway, I've gone off on a tangent. Watching Meet Me In The Bathroom caused me to go down a rabbit hole and I thought I would write a blog on 10 of my favourite songs by LCD Soundsystem. OK 11 - I;ve included both versions of Yeah!

I've finally finished the blog and I've compiled the songs into a playlist that you can check HERE

At the time of writing, I chose;

1. Losing My Edge

I blogged on Losing My Edge for my Trust Me series back in April 2022 (read here) and declared that everything about this song is cool, clever and funny. A paranoid Murphy wonders if he is losing his edge to kids from London, Berlin, France and Tokyo. I love the way the song veers off to the glorious you don't know what you really want hook at the end. One of the best debut singles of all-time.

Check the incredible performance from their debut show at Trash in London in 2002. Jammed and rammed together on a tiny stage, creating a brilliant vibe and sound.

2. Great Release

Murphy strips things back to a drum machine and big gospel house piano notes before coming in with potentially his best vocal - wracked with emotion. 

Official audio

Live on Austin City Limits

3. Yeah (Crass version) + (Yeah Pretentious Version)

OK I'm cheating, I've included both versions of Yeah. Originally released as a 12-inch single in January 2004, both versions made it on to CD version of the bands debut album. Outrageous electronic excellence.

Yeah (Crass version) live in Brussells 2010

Yeah (Pretentious version)

4. Us v Them

Us v Them was a real highlight from the Sound of Silver tour when I caught them at the Barrowland. Thinking back, it was monsterous. This could be LCD Soundsystem's most powerful song, it builds into a mantra; us and them, over and over again ...

You were on Murphy's side for sure. Fantastic use of cowbell and just listen to the little riff going on in the background around 6-minutes over the scratchy Chic punk guitar riff.

Live at Madison Square Garden

5. All My Friends

To my ears, in my mind and in my heart, this is an absolutely perfect song. All My Friends gives me all the feels ... the long 82-second intro with Murphy reminiscing about going back to someone's house to check the charts - pop or astrological? I've always thought pop.

And now I wonder if Murphy is reminiscing? Or is he talking about checking to see where LCD are in the charts? As he then goes on to talk about partying, ageing, touring, giving it his all and questioning if he wants to keep it going.

To tell the truth

This could be the last time

And in the end Murphy is ranting and questioning himself - where are you friends tonight?

He goes on and you're left in no doubt that he wants to be home to see his friends.

One of LCD's most melodic songs that builds and builds over a repetitive riff. Also contains one of my favourite lines that always makes me think of Glasgow/Scotland.

If you're worried about the weather

Then you picked the wrong place to stay

6. Someone Great

Electronic soul. Possibly the best song Murphy has composed and written. The electronic symphony drips with emotion, the bass synth in particular, while all kinds of gorgeous noises and beeps play over the top. 

I wish that we could talk about it

But then that's the problem

Murphy starts to pour his heart out and bare his soul, with his vocal melody just about matched to an xylophone, ending the first verse by singing I miss the way we used to argue.

This is a very different LCD Soundsystem, Murphy is singing about a break up and it's heartbreakingly beautiful; to tell the truth I saw it coming, the way that you were breathing

Is it a break up, or is it loss? It could be either. When Murphy sings when someone great is gone you really feel his grief.

Official video

Austin City Limits

7. I Can Change

Murphy aims straight for our hearts again and scores a bullseye with this gem. Urging his lover to never change, never change, this is why I fell in love and then going on to say promise I can change, I can change if it helps you fall in love.

No bullshit, this is love, warts and all. It's not perfect, but it is love. Murphy is in for the long haul.

Live at T In The Park (2016)

8. 45:33


Part 1 - Intro
Part 2 - You Can't Hide/Shame On You
Part 3 - Someone Great (instrumemtal)
Part 4 - Out In Space
Part 5 - Ships Talking
Part 6 - Outro

Following the release of their debut album, LCD Soundsystem then teamed up with Nike to record 45:33, seemingly designed to soundtrack jogging workouts. Regardless of the origins, the concept allowed Murphy to work his magic across 45-minutes, even longer than his usual 8 or 9 minutes per track.

A continuous piece of music, it was composed in 6 parts with part 2 being the outstanding You Can't Hide/Shame On You that is one of many highlights on the The Long Goodbye (Madison Square Garden) live album. What a tune! Riding in on house piano chords over a what sounds like a synth being tuned, the song develops into a huge vocal anthem, the kind you can sing-a-long to on first listen. The kind of song that causes a dance floor to erupt as people punch the air, dance and sing. Super cool.

It's also worth noting that Someone Great first appeared as part 3 in instrumental form and it sounds blissful, developing into part 4, an electro funk workout with some Stevie Wonder influenced sounds over slowed down vocals. We're way into the mix, way into the trip now and it is magical. Or well into the jog/run!

Disco diva vocals come in, give me love, before Murphy's slowed down voice comes back in, super trippy synths are layered over the constant disco electro groove, then everything cuts back to the groove before the female vocal comes back in, singing your'e out in space, you need some loooooovvvveee. Sublime!

Horns kick in for as the groove turns to a funky bass and then a breakdown, before things finally lead to part 5 and it's quite a change in pace as I feel like I'm transported to Optimo.

There is another change in pace for part 6 - the warmdown part of the jog/run, the comedown part of the nigh out/trip. Beautiful!

Official audio

9. Home

Murphy employs all his favourite tricks on Home, which closes the This Is Happening album. False start, immediate cool groove, quickly adding layers of synth including a delicious bubbling sound, percussion coming to the fore ... then Murphy comes in singing Home before going off on one.

Official audio

10. Oh Baby

This gives me all the feels. Bubbling synths, cool beats, a stronger bass synth riff over the top, Murphy crooning oh baby, you're having a bad dream, here in my arms.

Live on Austin City Limits

Official video





Tuesday, 13 February 2024

Tonight In Belfast


I wanna hold you up so high, you're gonna need a space suit

Trust me #65

Tonight In Belfast - Orbital, David Holmes and Mike Garry

I originally wrote about Belfast back in April 2021, but it has been nice to write about it again following the release of a new version involving David Holmes and the poet Mike Garry..

Belfast is one of the most blissful and sublime electronic songs that I am aware of. Warm synths, bubbling synths, funky cool beats (never overpowering) and a sample of soprano Emily Van Evera performing O Euchari are all blended together to create something truly magical. 

And, oh, what about those heavenly chords that have helped thousands of dancers and ravers put their hands in the air over the years?! Swoon!

The layers of the song are utterly gorgeous and the way things slow down to sheer bliss towards the end is like ecstasy on record. Belfast is spine tinglingly incredible. It gives me all the feels.

David Holmes booked Orbital to play the Art College in Belfast after falling for their debut single Chime. The Hartnoll brothers left a demo tape of a new song which they subsequently named Belfast after enjoying themselves so much in the city.

Many years later, Orbital invited their old friend David Holmes to remix Belfast for their hits/compilation album 30 Something to mark 3 decades since their debut single.

Holmes treats it with the tender love and care you would imagine, stretching it out to 12-minutes, allowing even more time to get lost in the synths, grooves and beats. I get tingles and rushes listening to this.

Is it just me, or do I hear Holmes hinting at Joy Divisions's Atmosphere at times? I can imagine this being mixed in perfectly.

Belfast is still inspiring and now the song has taken on another direction after DJ Helen suggested to the poet Mike Garry (who previously  came to my attention with his poem An Ode to Anthony H Wilson) that his poem Tonight would sit perfectly over Holmes remix.

Top suggestion! It fits like a glove!

Garry's Mancunian soul pours out over the top of Holmes and the Hartnoll brothers electronic magic, coming in just after 2-minutes with the opening verse.

Tonight, I just wanna paint pictures of you

Write poems and songs and novels, all about you

I wanna hold you up so high, you're gonna need a space suit

Mike (and DJ Helen) know when to let the music take hold, letting everything go at 3 minutes 45 seconds into sheer bliss before beats kick back in. Then when Garry comes back in a minute late, he sounds as lost in the music as I have been many, many times.

And we can build new mountains for us to climb is my favourite line. Garry sounds beautifully loved up (he originally wrote the poem to read at his wedding)

Tonight, you're gonna need a space suit

I wanna hold you up so high, you're gonna need a space suit

What a romantic genius! What a brilliant collaboration.

Enjoy!

Tonight In Belfast (official video)

Tonight In Belfast is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify , or CLICK HERE 

Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses


Sunday, 10 December 2023

Albums of the year 2023

2023 was a very good year for music!

As always, I'm sure other end of year lists will lead me to discovering music released in 2023 that passed me by at the time. However, at the time of writing, here are my 10 favourite albums from 2023 with 15 more bubbling under.

Three of my favourite albums find artists in their 50's pouring their hearts out about love, loss and moving  forward, while others by David Holmes and Eyes of Others set controls for the heart of the sun to burn as brightly and vividly as they possibly can, 

Melodies, hooks, storytelling and invention are spread throughout. Whether through pure euphoric pop, or dreamy melancholia. There are glorious grooves, gorgeous guitars, sublime synths and brilliant beats.

Enjoy. 

2023 Albums of the year

The Ballad of Darren by Blur


What is it like to suffer a major break-up in your 50's? Damon Albarn makes it sound heartbreaking, yet beautiful as he pours his heart our across the album. There is reflection, memories, realisation, thoughts of good times, confession (the frank I fucked up starts St. Charles Square ...) and pure heartfelt honesty.

The singles The Narcissist and Barbaric are fantastic, then album cuts like Russian Strings and Goodbye Albert are utterly gorgeous. Albarn is an exceptional talent, in the enviable position of doing whatever he likes with Blur, Gorillaz, solo and in collobaration.


Nothing Lasts Forever by Teenage Fanclub


Nothing Lasts Forever, the 12th Teenage Fanclub album, is a beautiful album containing 10 songs of love, life, loss, hope and light. If Everything Arcade was reflective, then this new album is looking forward, with Norman heading Back to the Light.

Have your tissues ready for Raymond's beautiful I Will Love You that closes the album. The slow burning, near 2-minute, intro is beautifully dreamy, leading to McGinley singing about how his love will last through all that is wrong in the world. Until the end of time. Norman's harmonies on the chorus are gorgeous.

This is Teenage Fanclub at their best - heartfelt emotion, love and hope in the face of racisim, bigotry, pollution, capitalism ... the grim reality of modern day life. Love can help. Love can win


Blind on a Galloping Horse by David Holmes featuring Raven Violet


David Holmes takes us on a beautiful journey on his latest album. Over 14 songs, Holmes creates wonderful sounds; dreamy, dubby, clubby, psychedelic, electro with gorgeous melodic riffs and layers. Raven Violet adds super cool vocals. Love In the Upside Down immediately became one of my favourite songs of the year. 


Sugar Honey by Carla J Easton


My sister has written and released 7 albums since the 2016 release of her debut album Homemade Lemonade. Sugar Honey is her 4th solo album and Carla has also released 2 albums with TeenCanteen and last years Poster Paints LP.

That's pretty prolific by any artist's standards, particularly one who is DIY. Sugar Honey was funded by a fanclub crowdfunder and I'm positive that everyone who generously signed up will be super happy with the results on display.

Self-produced, there is a lovely feel to the whole album with layers of melodic vocals and heartfelt lyrics delivered with bite, humour and soul. The title track talks of feeling scared while walking home at night, You Made Us is a beautiful love letter to Glasgow, One Week is a song about how love can quickly go wrong and Sleepyhead is a gorgeous dreamy lullaby

You Made Us

Sleepyhead

Heavy Heavy by Young Fathers

Young Fathers Heavy Heavy explodes into action with the opening track Rice. The bass is heavy ... heavy, the beats are tribal, the melodies flow and there is a gospel choir.

I Saw has a powerful urgency, the bass is reminiscent of Massive Attack, the groove allowing so much to go on over the top of it. There is a lot going on and it's f**king magical. The layers, the production, the hooks and harmonies. 

Heavy Heavy is 10 songs in under 33-minutes. It delivers so much but leaves you wanting more.

Review

I Saw (live at Glastonbury)

Eyes of Others by Eyes of Others

'Post pub, couldn't get in the club music' is how John Bryden describes his Eyes of Others project and on this evidence I wouldn't mind going back to his place!

Eyes of Others debut album is a joyful, refreshing, delightful and playful melting pot of electronica, dreamy psychedelic melodies, grooves, riffs, humour, synth sounds, effects, beats, lyrics and melodies.

Review

New Hair, New Me 

Brothers and Sisters by Steve Mason

Steve Mason keeps on keepin' on, creating psychedelic and political grooves to move you - on your feet and in your soul. Mason has a natural sing-song voice that comes out on songs like I'm On My Way and he also has an uncanny ability to find a melody and groove, often creating dreamy mantra like chants in the process.
Mason and his band veer from Stones-y, Gospel vibes (check the London Gospel Choir on All Over Again) to the modern day blues title track where Mason pines for nights out, dancing, dealers and DJ's, urging brothers and sisters to pump up the volume.

The People Say

Brothers and Sisters

Council Skies by Noel Gallagher's High Flying Birds


After 3 High Flying Birds albums in 6-years, Noel Gallagher took 6-years to release his 4th. Recorded in his own Lone Star Studio, there is a lovely relaxed and dreamy vibe spread throughout the album. Interviews around release had Noel in typically great form, highlighting how he didn't have to clock watch. 

Like Albarn and Blake, Gallagher has also recently gone through a break up in his mid-50's and Noel talked of Council Skies as being like 'Going back to the beginning. Daydreaming, looking up at the sky and wondering about what life could be ...'

Noel, from the very early days of Oasis, has talked of his love for Burt Bacharach and I think that shines on this album. It's his strongest post-Oasis collection of songs. Noel's voice still has that aching, soulful and melodic quality. But on these songs, backed by sublime string arrangements and melancholic horns, it really comes out.

Gallagher can still write a sky scraping chorus, like he does on Open The Door, See What You Find, but also beautiful daydream songs like Trying To Find A World That's Been And Gone.


Guts by Olivia Rodrigo


My daughters got me into Olivia Rodrigo this year through sensational modern pop songs like Get Him Back and Vampire. Rodrigo is only 20-years old and is clearly a precocious talent with a delightful and exceptional ability to use swear words!

Rodrigo can fly from talking through verses to huge pop choruses with enough hooks to floor Rocky in seconds. Her lyrics are clever, observational and confessional like diary entries with hints of a Taylor Swift influence, but Rodrigo is an absolute star in her own right. 


Salvage Enterprise by The Polyphonic Spree


Released in mid-November, this album caught me at just the right time. I'd had a particularly full on day at work and set out for an evening walk with my headphones on, ready to be transported into the world of Tim DeLaughter and his incredible band. The music in my head was like a warm hug. The lyrics were full of warmth and empathy. There is hope out there, through all the despair. 

DeLaughter wears his heart and soul on his sleeve. You can see it in his eyes, hear it in his voice. He feels it, he means it. 


Bubbling under

The Record by Boygenius

Everything Harmony by The Lemon Twigs

Parallel Lights by Andrew Wasylyk

Javelin by Sufjan Stevens

I Don't Know by bdrmm

Happy Ending by Hifi Sean & David McAlmont

Consciousology by Dot Allison

Hit Parade by Roisin Murphy

For That Beautiful Feeling by The Chemical Brothers

Sea Of Mirrors - The Coral

Tear The Place Up by The Allergies

LaVette! by Betty LaVette

Come Around and Love Me by Jalen Ngonda

Late Developers by Belle and Sebastian

Turn The Car Around by Gaz Coombes


Wednesday, 7 April 2021

Belfast by Orbital

Trust Me # 23

After 3-months of featuring Teenage Fanclub songs by Norman Blake, Gerry Love and Raymond McGinley, the monthly Trust Me feature in my blog veers off into wildly different territory courtesy of Orbital and their song Belfast, one of the most sublime, blissful, dreamy and euphoric tunes I have had the pleasure of hearing and experiencing. 

I say experience, as watching Orbital perform Belfast in the Barrowland to a sea of saucer eyed fans with hands in the air, or in a sweaty tent at T in the Park, or listening to it in a pub/club or post club party was always an experience. 

Belfast is a song that cuts through the air like a knife, it makes you stop in your tracks. If you've heard it before then a broad smile will begin to plaster itself across your face. If you're hearing it for the first time then you may well ask 'what the f**k is that?'

I think the first time I heard it was in O'Henry's Bar (now the Yes Bar) in Drury Street in Glasgow, across from the famous Horseshoe Bar. Some friends and I used to book the downstairs basement, set up decks and play an eclectic mix of music. It was usually me, my friend's Reddy, Phil and Chris. 

Chris played a great mix which took in everything from Candy Flip covering Strawberry Fields Forever to crazy techno. But the end of his set was one he stuck with for at least a couple of years - Orbital and Underworld. Chris ended the night by playing Orbital's Chime into Rez by Underworld, into Belfast - heaven on earth! 

Orbital's III EP, released in January 1991
Tracklisting - Satan, LC1, Belfast

Still sounding fresh, vital and futuristic 30-years since it was released, Belfast begins like a cinema soundtrack, as if you know something important is going to happen ... something is!

Synths begin to bubble, the chords become warmer, then we are introduced to the fantastic use of a sample of soprano Emily Van Evera performing O Euchari that heightens the senses and really starts to take the listener off on a beautiful dreamy journey.

Loads of synth sounds are introduced, beats become heavier, there are multiple layers and then a riff comes in to whisk you higher still.

The sounds, the layers, the production, the way everything is pieced so beautifully and so perfectly together is just sublime.

At 3 minutes 30 seconds everything cuts to beats, it's only for a mere 19 seconds, enough for you to catch your breath, before the synths start bubbling again and we're in for another 4-minute ride to the stars.

This is electronic psychedelia, created in a cupboard at the top of the stairs (see link below to Paul Hartnoll's story). Kind of punk, kind of crazy, all kinds of amazing, sheer bliss! 

Orbital - brothers Phil & Paul Hartnoll

Around 6-minutes things start to slow down gradually, this is when Belfast reaches peak bliss (at least for me), things slow, leaving you kind of hanging in a higher state of consciousness as the song edges towards conclusion at 8-minutes 10 seconds.

This epic slice of electronic heaven received the title Belfast after Orbital played the Art College in Belfast in May 1990. The duo had been booked by David Holmes and Alan Simms, leaving behind a demo tape which included the track subsequently named Belfast in recognition of the positive experience they'd had in the city.

Trust me - this is as good as it gets. Even if electronic music isn't normally your thing, try this out with your headphones on and your eyes closed. 

Check the original demo Belfast - the original jam

Read the story behind Belfast by Paul Hartnoll

And below you'll find the released version in all it's ecstatic, euphoric, electronic splendour + a live version from one of the many incredible sets that Orbital have played at Glastonbury over the years.

You can find a playlist of songs in my Trust Me series by searching for Everything Flows Trust Me on Spotify, or CLICK HERE You'll also find links to all previous blogs in the series below.


Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub


Monday, 6 November 2017

Never Ending Mixtape Part 16

The latest section of the mixtape is wildly eclectic; taking in the pure pop euphoria of Robyn, a crazy song title by Nina Simone, a song by Bob Dylan that I hadn't heard before (well he has plenty!), a couple of cool cover versions, a little nod to David Holmes, some beauties by Death In Vegas, the giants of Marley, Hendrix and Brown and plenty more besides.

I add to the Never Ending Mixtape, my Spotify playlist on a monthly basis and blog about it here. There are now almost 350 songs on the playlist; dig in and enjoy. You'll need to scroll down to play the latest additions that are listed below.

Search for Everything Flows Never Ending Mixtape or click HERE.


 

Dancing On My Own - Robyn
Shhhhh (For A Little While) - James Brown
Cissy Strut - The Meters
Dancing Drums - Ananda Shankar
Crosstown Traffic - Jimi Hendrix
Funkier Than A Mosquito's Tweeter - Nina Simone
Higher Ground - Ellen McIlwaine
Tom Cat - Muddy Waters
Holiday Girl - Arab Strap (David Holmes remix)
Take Another Little Piece Of My Heart - Dusty Springfield
Sacrilege - Yeah Yeah Yeah's
Little Green Bag - George Baker Selection
The Man In Me - Bob Dylan
Just Dropped In (To See What Condition My Condition Was In) - Sharon Jones and the Dap Kings
I Heard Wonders (Andrew Weatherall mix) - David Holmes
69 Police - David Holmes
23 Lies - Death In Vegas w/ Susan Dilate
Help Yourself - Death In Vegas w/ Hope Sandoval
Could You Be Loved - Bob Marley