Showing posts with label steve mason. Show all posts
Showing posts with label steve mason. Show all posts

Sunday, 10 December 2023

Albums of the year 2023

2023 was a very good year for music!

As always, I'm sure other end of year lists will lead me to discovering music released in 2023 that passed me by at the time. However, at the time of writing, here are my 10 favourite albums from 2023 with 15 more bubbling under.

Three of my favourite albums find artists in their 50's pouring their hearts out about love, loss and moving  forward, while others by David Holmes and Eyes of Others set controls for the heart of the sun to burn as brightly and vividly as they possibly can, 

Melodies, hooks, storytelling and invention are spread throughout. Whether through pure euphoric pop, or dreamy melancholia. There are glorious grooves, gorgeous guitars, sublime synths and brilliant beats.

Enjoy. 

2023 Albums of the year

The Ballad of Darren by Blur


What is it like to suffer a major break-up in your 50's? Damon Albarn makes it sound heartbreaking, yet beautiful as he pours his heart our across the album. There is reflection, memories, realisation, thoughts of good times, confession (the frank I fucked up starts St. Charles Square ...) and pure heartfelt honesty.

The singles The Narcissist and Barbaric are fantastic, then album cuts like Russian Strings and Goodbye Albert are utterly gorgeous. Albarn is an exceptional talent, in the enviable position of doing whatever he likes with Blur, Gorillaz, solo and in collobaration.


Nothing Lasts Forever by Teenage Fanclub


Nothing Lasts Forever, the 12th Teenage Fanclub album, is a beautiful album containing 10 songs of love, life, loss, hope and light. If Everything Arcade was reflective, then this new album is looking forward, with Norman heading Back to the Light.

Have your tissues ready for Raymond's beautiful I Will Love You that closes the album. The slow burning, near 2-minute, intro is beautifully dreamy, leading to McGinley singing about how his love will last through all that is wrong in the world. Until the end of time. Norman's harmonies on the chorus are gorgeous.

This is Teenage Fanclub at their best - heartfelt emotion, love and hope in the face of racisim, bigotry, pollution, capitalism ... the grim reality of modern day life. Love can help. Love can win


Blind on a Galloping Horse by David Holmes featuring Raven Violet


David Holmes takes us on a beautiful journey on his latest album. Over 14 songs, Holmes creates wonderful sounds; dreamy, dubby, clubby, psychedelic, electro with gorgeous melodic riffs and layers. Raven Violet adds super cool vocals. Love In the Upside Down immediately became one of my favourite songs of the year. 


Sugar Honey by Carla J Easton


My sister has written and released 7 albums since the 2016 release of her debut album Homemade Lemonade. Sugar Honey is her 4th solo album and Carla has also released 2 albums with TeenCanteen and last years Poster Paints LP.

That's pretty prolific by any artist's standards, particularly one who is DIY. Sugar Honey was funded by a fanclub crowdfunder and I'm positive that everyone who generously signed up will be super happy with the results on display.

Self-produced, there is a lovely feel to the whole album with layers of melodic vocals and heartfelt lyrics delivered with bite, humour and soul. The title track talks of feeling scared while walking home at night, You Made Us is a beautiful love letter to Glasgow, One Week is a song about how love can quickly go wrong and Sleepyhead is a gorgeous dreamy lullaby

You Made Us

Sleepyhead

Heavy Heavy by Young Fathers

Young Fathers Heavy Heavy explodes into action with the opening track Rice. The bass is heavy ... heavy, the beats are tribal, the melodies flow and there is a gospel choir.

I Saw has a powerful urgency, the bass is reminiscent of Massive Attack, the groove allowing so much to go on over the top of it. There is a lot going on and it's f**king magical. The layers, the production, the hooks and harmonies. 

Heavy Heavy is 10 songs in under 33-minutes. It delivers so much but leaves you wanting more.

Review

I Saw (live at Glastonbury)

Eyes of Others by Eyes of Others

'Post pub, couldn't get in the club music' is how John Bryden describes his Eyes of Others project and on this evidence I wouldn't mind going back to his place!

Eyes of Others debut album is a joyful, refreshing, delightful and playful melting pot of electronica, dreamy psychedelic melodies, grooves, riffs, humour, synth sounds, effects, beats, lyrics and melodies.

Review

New Hair, New Me 

Brothers and Sisters by Steve Mason

Steve Mason keeps on keepin' on, creating psychedelic and political grooves to move you - on your feet and in your soul. Mason has a natural sing-song voice that comes out on songs like I'm On My Way and he also has an uncanny ability to find a melody and groove, often creating dreamy mantra like chants in the process.
Mason and his band veer from Stones-y, Gospel vibes (check the London Gospel Choir on All Over Again) to the modern day blues title track where Mason pines for nights out, dancing, dealers and DJ's, urging brothers and sisters to pump up the volume.

The People Say

Brothers and Sisters

Council Skies by Noel Gallagher's High Flying Birds


After 3 High Flying Birds albums in 6-years, Noel Gallagher took 6-years to release his 4th. Recorded in his own Lone Star Studio, there is a lovely relaxed and dreamy vibe spread throughout the album. Interviews around release had Noel in typically great form, highlighting how he didn't have to clock watch. 

Like Albarn and Blake, Gallagher has also recently gone through a break up in his mid-50's and Noel talked of Council Skies as being like 'Going back to the beginning. Daydreaming, looking up at the sky and wondering about what life could be ...'

Noel, from the very early days of Oasis, has talked of his love for Burt Bacharach and I think that shines on this album. It's his strongest post-Oasis collection of songs. Noel's voice still has that aching, soulful and melodic quality. But on these songs, backed by sublime string arrangements and melancholic horns, it really comes out.

Gallagher can still write a sky scraping chorus, like he does on Open The Door, See What You Find, but also beautiful daydream songs like Trying To Find A World That's Been And Gone.


Guts by Olivia Rodrigo


My daughters got me into Olivia Rodrigo this year through sensational modern pop songs like Get Him Back and Vampire. Rodrigo is only 20-years old and is clearly a precocious talent with a delightful and exceptional ability to use swear words!

Rodrigo can fly from talking through verses to huge pop choruses with enough hooks to floor Rocky in seconds. Her lyrics are clever, observational and confessional like diary entries with hints of a Taylor Swift influence, but Rodrigo is an absolute star in her own right. 


Salvage Enterprise by The Polyphonic Spree


Released in mid-November, this album caught me at just the right time. I'd had a particularly full on day at work and set out for an evening walk with my headphones on, ready to be transported into the world of Tim DeLaughter and his incredible band. The music in my head was like a warm hug. The lyrics were full of warmth and empathy. There is hope out there, through all the despair. 

DeLaughter wears his heart and soul on his sleeve. You can see it in his eyes, hear it in his voice. He feels it, he means it. 


Bubbling under

The Record by Boygenius

Everything Harmony by The Lemon Twigs

Parallel Lights by Andrew Wasylyk

Javelin by Sufjan Stevens

I Don't Know by bdrmm

Happy Ending by Hifi Sean & David McAlmont

Consciousology by Dot Allison

Hit Parade by Roisin Murphy

For That Beautiful Feeling by The Chemical Brothers

Sea Of Mirrors - The Coral

Tear The Place Up by The Allergies

LaVette! by Betty LaVette

Come Around and Love Me by Jalen Ngonda

Late Developers by Belle and Sebastian

Turn The Car Around by Gaz Coombes


Wednesday, 15 April 2020

I Walk The Earth


Trust Me #11 I Walk The Earth by King Biscuit Time


A funky beat and bass introduce us to I Walk The Earth before Steve Mason's beautiful voice comes in and after the first couple of verses ends we're into a real groove. Mason sings about being taken away and rising higher, this is exactly what the song does to the listener.

It's a beautiful groove and the more I listen to it, the more I appreciate how Mason melds everything together to work. The layers of bass, beats, melodies, backing vocals, bleeps, percussion ... it's incredible.

Mason has recorded and released in various guises post Beta Band, his work under the name of King Biscuit Time was the most immediate after his former band broke up. His work was pretty sporadic until he started releasing under his own name, with 4 fine albums coming in 9-years.

Mason's voice is sublime, his melodies are so natural and his ability to find a groove is uncanny. If you've never heard this song then trust me, it's a cracker.

When I walk through the earth
I get stuck in the middle
I can't see your love
I don't know your love

When I walk through the earth
I get stuck in the middle
I can't see your love
I don't know your love

Why won't you take me away?
Take me a day
Keep on rising higher

Why won't you take me away?
Take me a day
Keep on rising higher

Hey knock me
Picking on your own reality


Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James

Monday, 9 June 2014

SAY Award 2014 shortlist

The Scottish Album of the Year Award (SAY Award) has been a welcome addition to the Scottish music calendar since it was established in 2012.

The Award really highlights the incredible diverse musical and artistic talent throughout Scotland.

The winning artist receives a cheque for £20,000 - a lot of money to some of the artists on this years shortlist and previous winners; RM Hubbert in 2013 for Thirteen Lost and Found and Bill Wells and Aidan Moffat in 2012 for Everything's Getting Older.

I'm surprised albums by Adam Holmes and Adam Stafford didn't make the cut from the long list - two beautiful albums.

The shortlist is below and the winner will be announced at the Barrowland ceremony on 19th June. Good luck to all the artists below and well done for making the shortlist.

Biffy Clyro - Opposites
Starting with a big hitter - the mighty Biffy. A double album that gave them plenty of scope to show how far they have come as a band - musically and lyrically. Biffy have a knack for writing anthems and there are some wonderful warm guitar sounds on Opposites.



Boards Of Canada - Tomorrow's Harvest
Boards Of Canada came back from the wilderness to take everyone by surprise with the release of this album. Another unique talent that produce some beautiful soundscapes that build and take the listener on a journey.



Chvrches - The Bones Of What You Believe
I blogged about this album HERE and if anything my affection for it has grown. In with a real chance and I'm sure it would be a popular choice. Pop with a cutting edge.




Edwyn Collins - Understated
I'm very fond of Edwyn Collins music and the man as an artist. Dilemma is a very strong album taking in Edwyn's fondness for Velvet's style ballads and his love of Northern Soul, also rocking out at times. Too Bad (That's Sad) was one of my faves from 2013.



Hector Bizerk - Nodoby Seen Nothing
The lyrics, humour and social commentary in some of the songs I've listened to are clever. This just isn't for me at all.



Mogwai - Les Revenants
Mogwai are in quite formidable and prolific form at the moment. Their Mogwai play Zidane show was a highlight from last summer and their latest album Rave Tapes and tour saw them in powerful and mesmerising form. They play by their rules and their rules only. Les Revenants finds them in mellow form at times with xylophones and acoustic guitars. What Are They Doing In Heaven Today? is a stunning cover song featuring Stuart Braithwaite delivering a brilliant vocal performance.



RM Hubbert - Breaks Bone
Can Hubbert follow up last years victory? He is certainly in with a chance after delivering a strong and very personal album. Hubbert's guitar playing is wonderful and unique.


Steve Mason - Monkey Minds In The Devil's Time
Following on from the wonderful Boys Outside album, Mason is in typically eclectic form. Mason's voice is lovely, he sounds like he is harmonising with himself. It is just so sing song and likeable. Mason also has a fantastic ear for a tune; be it acoustic or electronic. Monkey.... allows him the space to fully explore his talent; instrumental tracks separate the full songs. Lonely is a standout for me from a brilliant album.

The Pastels - Slow Summits
I would personally be delighted if The Pastels walked away with the prize next week. I've been into them since the early 1990's, discovering them through Teenage Fanclub and enjoying their wonderful contribution to music. The Pastels love of music shines through in their albums and Slow Summits is a real highlight from a long career. From the pure pop of Check My Heart to the melancholy loveliness of Summer Rain, to the stunning largely instrumental title track - The Pastels have produced a brilliant album.



Young Fathers - Tape 2
I bought this album after the journalist Nicola Meighan played a couple of tracks whilst standing in for Vic Galloway on Radio Scotland. They've come a long way since I first saw them playing with my sisters old band Futuristic Retro Champions. There is a real melting pot of influences encompassed in Tape 2; I hear echoes of Marvin Gaye and Massive Attack amongst others. A win for Young Fathers would really make a statement for the wonderfully rich, eclectic music scene that we have in Scotland and that the SAY Awards celebrate.







Friday, 24 May 2013

Lets catch up

It has been a while since my last blog post, I've been pretty busy with my day job, managing Nevada Base and Vigo Thieves and being a Dad.

I've still had time to enjoy lots of music and gigs during that time so I thought I'd write a short blog about some of the stuff I have been enjoying over the last couple of months and then aim to do 3 or 4 blogs a month after that. So here goes....

Collins released an album 'Understated' on his own label back in February and followed that up with a home coming show at the ABC in Glasgow in March. The album rolls back the years, fusing Collins love of Northern Soul with his passion for pop and the Velvets. 

The show at the ABC was utterly sensational. Grown men were in tears as he rolled out a load of Orange Juice classics, although it was a rare performance of his worldwide solo smash 'A Girl Like You' that truly brought the house down as Collins left the stage to leave his exceptional band jamming on.


I will eventually post a review of the album but check out my personal fave 'Too Bad, That's Sad' below.


Former leader of the Beta Band, Steve Mason released 'Monkey Minds in the Devils Time' and showcased his talent in a number of ways through the 20-tracks on the record; playing virtually every instrument (I particularly like his bass grooves), self recorded and produced a large percentage and by using his unique voice to bring politics to the fore.

Every second track is an instrumental recorded in Mason's home studio, flushing out the album and turning it into something you can truly get lost in and enjoy spending time with. 

'Oh My Lord' is sensational while 'Fight Them Back' gets into a Beta Band groove. A cracking follow up to the outstanding 'Boys Outside'. Steve Mason is on a roll.



I started writing a review of Bowie's 'comeback' album 'The Next Day' but I haven't got around to finish it. I will at some point, in many ways I'm still exploring it. 

This album has so much to offer the listener; Bowie is on top form with glam, punk, pop and rock all combining to startling effect. His voice sounds stronger than ever as he pours scorn on rumours surrounding his death and conjours up songs that other acts would give their right arm for with ease.

Somewhere Brett Anderson is wishing that he wrote this number;