Ahead of the release of their debut, vinyl only, EP entitled Saint Mungo, I caught up with Fatale guitarist and songwriter Christopher Jollie to find out how things are going.
Fatale only played their first gig back in May 2025 and have had quite a year since! A recent highlight being airplay for their song Jesus Christ on 6Music, BBC Radio Scotland and Amazing Radio.
Read on for reflections, producers, guitar pedals and sounds, plans, gigs Chris has been to and what he is listening to - including a playlist.
Look out for a blog on Fatale's Saint Mungo EP at the start of August.
Visit Fatales linktr.ee for news on forthcoming gigs and to sign up for their enewsletter.
It's been a year since we first spoke for this blog. How has it been for you and the band? Any personal highlights?Young folk aren’t getting handed any hope just now, and I think - subconsciously or not - the songs have always reflected a refusal to accept that you have to live accordingly. Songwriting wise, I’ve found a more distinct identity in the lyrics, but the music is always the first port of call. We’ve all come along a great deal in musicianship, and the live & studio performances are evidence of this.
How important for you is it to get your songs out into the world on vinyl?
Ever since our first gig, we’ve wanted to have songs out. Looking back now, we’re all glad we’ve held off. To have an EP full of songs we wouldn’t change for the world is a beautiful feeling and the first time we lay our hands on the record will be emotional.
Any plans to release digitally for now?There’s currently nothing in the works to release these tracks on streaming, which is all the more incentive to get the record.
What was the recording process like for you guys? How important was it to find the right producer?We recorded Moves You four times before it ever felt right, which proves the importance of the right producer. Chris McCrory is full of ideas and gets the music. As soon as we decided to do the EP to tape, the live energy came across as if we were playing to the Barras.
Recording was surreal. We’ve sat with these songs for some time, so to have them realised was a beautiful experience. Hearing the songs back, out the blaring speakers, made us realise we had a proper record on our hands.
The guitar sounds are fantastic, super warm and feel natural. Did it you have to work hard to find that sound, or did it all happen quite quickly and organically?Feedback and overdrive make our hearts race, so that’s always been at the core of the sound. My guitar rig on the record consists of a cheap Jazzmaster, a Vox AC15, and an OCD pedal. Kevin Shields read and weep. Euan, on the other hand, was far more adventurous. I shall pass my phone to Euan for his rundown.
Euan - Thank you Chris. My rig on the record was what the boys would describe as prog, which in reality is 5 pedals. I used a Fulltone boost pedal that the Fanclub use, cranked to the max, to get a natural distortion from my Vox AC15. Sorry if this is too nerdy. Also, a random VHS reverb and an MXR delay are very important to my lead tones. I think what I learned though, is that it’s really important to get the dynamics on the guitar, and on the EP it’s basically a lot of hitting the strings as hard as possible.
We’re trying to get the time to go in with a few cool people, but we’re just focused on getting as many new songs, which are coming faster than ever. They’re feeling like an evolution from Saint Mungo which is always good.
What do you have coming up in the months ahead?We’ve got a few multi venue festivals lined up for October which should be a good laugh. The next year will be focused on getting us a good deal of live shows, with the intention of getting ourselves in front of as many people as possible.
Been to any good gigs lately?Geese were a standout. The lights, the Primal’s cover, the band, all phenomenal. Westside Cowboy (pictured below), who we caught at TRNSMT, were another magical experience, helped by coming out to the The Concept. Ended up chatting to them after the gig about all the bands we were into, which was surreal. The next time we’ll be in the Barra’s green room it’ll be ours, hopefully.
Jacob Alon is one of Scotland’s finest just now, so ethereal and inspiring. Seeing them at TRNSMT, backed by a great band, was enough to make you reconsider whether you should even bother making music. Brogeal, our mates, played two raucous nights at the Art School earlier this year which we all enjoyed. Radhika with The Cords and Stone Anthem at Mono was another fantastic show.
Outside of that, the Cabbage, and the bands that are associated, have all made us proud to be a part of it all. Bogle, The Floor Dwellers, Lupercalia, Supersun (self indulgent of me, I know), and The Violets, are all some of the most exciting bands coming out of Scotland just now.
What are you listening to at present?
I’ve been listening to a lot of Sebadoh as of late. Soul and Fire is such a beautifully written song. There’s also a fantastic cover of the Velvet’s Heroin, by Thurston Moore & Bobby Gillespie that I stumbled upon recently, which has made a walk down Buchanan Street into something else entirely. We made up a playlist (Saint Mungo's Star Children) full of the songs that inspired the making of the record which is linked on the website. As a last aside, I’ve got really into 60’s French Pop, Roller Girl by Anna Karina (video below) being a standout.
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