Showing posts with label Hal David. Show all posts
Showing posts with label Hal David. Show all posts

Friday, 25 June 2021

Walk On By

 


Cover version of the month #68

Isaac Hayes and The Stranglers cover Dionne Warwick

I've recently been enjoying listening to the lush arrangements of Isaac Hayes, digging into his back catalogue and marvelling at his exceptional recordings, style and delivery. In addition, I've also been making a series of 60-minute playlists/mixes and one that I'm working on opens with his sensational version of Walk On By

We'll come back to that though, lets get back to the original. Composed by the legendary partnership of Burt Bacharach and Hal David in 1963, Dionne Warwick recorded the song in the December of that year, releasing it in 1964.

It's a stunning example of what can be delivered through a 3-minute pop song. Warwick begins singing in 5-seconds and by the end of the first delivery we know exactly what the song is about - a broken heart, someone who hasn't got over it.

If you see me walking down the street

And I start to cry each time we meet

Walk on by, walk on by

Heart strings are tugged on the second verse


Make believe, that you don't see the tears

Just let me grieve

In private, cause each time I see you

I break down and cry

The piano melody introduced as Warwick sings cry is just simply sublime. Strings are then introduced for the third verse

I just can't get over losing you

And so if I seem, broken and blue

Walk on by, walk on by

Bacharach really does conjure a masterpiece with his arrangement,  the little (don't stop) backing vocals that he brings in after each walk on by as the song develops. David matches it with his lyrics.

There is a short instrumental from 1 minute 43 seconds to 1-minute 56 seconds, that almost fades to nothing, then Warwick comes back in singing like an angel foolish pride, that's all I have left, so let me hide, the tears and the sadness you gave me, when you said goodbye.

Warwick lifts the song for the closing section, as she twists the melody beautifully, injecting more pace in between the glorious don't stop backing vocals.

Walk On By is an absolute masterpiece of a song, pop perfection. Check the live version below - Warwick looks incredible, oozing confidence and belief.

Dionne Warwick - Walk On By

Live in 1964

5-years later, in 1969, Isaac Hayes chose Walk On By to open his Hot Buttered Soul LP, an album that came to my attention in my younger days as artists like Massive Attack and Portishead would rave about it (and mine it and other Hayes songs for samples). 

Hayes quadruples the length of the song! So he has plenty of time to stamp his own mark on it!

The instrumental intro is over 2-minutes long, the strings pull you in immediately, like your heart strings are actually being played. Hayes and his band slow things down to bass and drums, there is fuzzy electric guitar piercing the air, leading to psychedelic sounds, all over a heavy funk bass and groove.

Things build again before Hayes begin singing in a hushed voice, changing the melody to suit him, he really does sound broken-hearted.

Heavenly backing vocals are introduced, the guitar could cut the air like a knife at times, it's lovingly fuzzy at others, strings are punchy at times, soaring at others. If Warwick's version is a 3-minute pop masterpiece, then Hayes cover is an impeccable example of what you can do if you have the space, time and budget to let your imagination run wild.

Hayes sings with such care, I particularly love his vocals when he sings of tears and the sadness, backed by his glorious backing singers, who are just as important to this song as Isaac himself.

You think it's coming to an end at 7-minutes and then it is lifted, the strings take centre stage, the drums pick up the pace and Hayes begins to play with the walk on by melody.

A hammond organ is introduced to the jam after 9-minutes as the strings are eased out, the guitar kicks in, it's simply wonderful music. I imagine this was all cut live and the tape just kept rolling - sublime.

Isaac Hayes - Walk On By (full length)

Live from Montreux 2005

In 1978 The Stranglers covered the song, stamping their own take on things by speeding and (post) punking things up, injecting a sense of urgency through Hugh Cornwell's vocals before taking the song on a completely different direction thanks to an extended instrumental section, pinned down by a throbbing bass that allows keyboard and then guitar to go a little crazy.

This lasts from 1-minute 26 seconds when, after the last walk on by, Cornwell ad-libs I'm just going for a stroll in the trees, through to 5-minutes 34 seconds. I love the harmonies The Stranglers introduce at all the right times. It's an outstanding cover version, there is a real edge to it

Check below for a full list of songs to feature in my cover version of the month blogs. You can also search for Everything Flows Cool Cover Versions for my Spotify playlist or CLICK HERE.

The Stranglers full length version

The Stranglers on Top of the Pops

Previous covers of the month

13. Hurt

Sunday, 18 April 2021

My Little Red Book

Cover version of the month #66

Love cover Manfred Mann

The genius partnership of composer Burt Bacharach and lyricist Hal David combined to write My Little Red Book for Manfred Mann and the song featured in the 1965 film What's New Pussycat?  

Los Angeles psychedelic pop group Love then covered the song in 1966 for their eponymous debut album (it was also their debut single) and it was through Love that I was introduced to the song many years later.

Love's 3rd album, 1967's Forever Changes was an album that I felt I had to own after reading so many of my favourite groups mention it during interviews. So, from memory, I bought that first and then worked back through their catalogue, helped by the fact that FOPP were selling Love albums on CD for a fiver!

A lot of bands I fell for talked of the way Love looked as well as the way they sounded

Then, somewhat remarkably, Arthur Lee and a modern day incarnation of Love (the band Baby Lemonade) were announced as playing King Tuts Wah Wah Hut! Arthur was fresh out of prison and thanks to having an incredibly loyal fanbase in the UK (Liverpool and Glasgow in particular) he was on tour. Would he show up? How would he sound after years/decades of substance abuse?

It's safe to say that there was a buzz in King Tuts that night. It wasn't sold out, I recall people sitting on the floor before the band came on stage. Arthur looked strong and tall, he sounded magnificent, within seconds everyone knew they were witnessing something special. You could have heard a pin drop during You Set The Scene, my favourite Love song, I still think of Arthur singing as the band dropped down to a low groove I see your picture, it's in the same old frame ... his voice was wonderful.

Arthur announced that customs had lost their equipment so they were playing with instruments borrowed from Belle and Sebastian. I was transfixed and caught them a number of times over the years at the Liquid Room, Usher Hall, Academy and I'm sure I saw them 3 times at Tuts. Certainly twice.

Arthur Lee and Love at King Tuts
This is from a 'secret' Forever Changes show they played

Watching Arthur and his band live made me appreciate his catalogue of songs all the more. I always find that when I see a band in person. One song that stood out was My Little Red Book. A shake of Arthur's tambourine set off a throbbing bass, drums and guitar and then the voice!

The energy that leaps out of the song is spine tingling. The way Arthur adds in an extra talk in all I did was talk, talk about you gets me every time. The band are locked in a groove, the relentless guitar and bass riffs and beats behind Arthur's strong voice creates an urgency that still captivates 55-years after release. 

Arthur tell the tale of getting out his little red book the minute he is ditched by his girlfriend, determined not to sit crying and nursing a broken heart, he goes out dancing with as many girls as he can, but he just can't get over his loss.

I went from A to Z
I took out every pretty girl in town
They danced with me and when I held them

All I did was talk about you
Hear your name and I'd start to cry
There's just no getting over you 

Love's My Little Red Book is two-and-a-half minutes of garage pop perfection. I love when Arthur hums in the short instrumental. You believe him every time he sings there's just no getting over you, oh no. The whole song aches with passion, regret and soul.

Manfred Mann's version is tame in comparison. It's the same song, but the urgency isn't there, it's more theatrical. It's just not quite right. Bacharach himself has been quoted as saying "It's just a very nervous sounding record. They were uncomfortable with that song." (Record Collector)

I count myself extremely fortunate that I got to see the maestro Burt Bacharach at the Kelvingrove Bandstand in the summer of 2019. He was grateful that Love recorded the song and breathed new life into it and he was impressed by the cheer of the crowd when he mentioned Love.

So although Love's version is a cover, in this case, they most definitely make My Little Red Book their own. 

You can check Bacharach's own version along with that of Love's and Manfred Mann's below. They have also been added to my Spotify playlist.

Burt Bacharach plays his hits

Love - stereo version from their eponymous debut album

Love - TV American Bandstand version

Manfred Mann version

Click (or search for) Everything Flows cool cover versions on Spotify for a playlist of the covers I have blogged about and read on for a full list and links to previous cover of the month blogs. 

Previous covers of the month

13. Hurt


Friday, 15 July 2016

This Guy's In Love With You

Cover version of the month #14


Noel Gallagher covers Burt Bacharach - This Guy's In Love With You


I wasn't intending for this to be cover of the month for July, however earlier on this morning I was driven to listening to Burt Bacharach's beautiful What The World Needs Now after turning on the news to learn of the terrible attack on France last night.

Friends of ours have just returned from Nice. With two daughters, I imagine that if they had been there an extra week, then they would have been out to enjoy the Bastille celebrations. It makes you think.

I let Burt play on and YouTube returned a cover of Noel Gallagher covering Burt Bacharach....with Burt Bacharach at the height of Britpop. I remember reading about this in an old NME.


Noel was never one to shy away from talking about his influences; The Beatles, The Jam and Johnny Marr in The Smiths were often mentioned in his interviews. Yet Noel also talked of This Guy's In Love With You being one of his all-time favourite songs.

Noel has good taste and he has an exceptional ear. Listen to Bacharach's This Guy's In Love With You and then listen to Noel's Half The World Away.

Gallagher senior shaped his songwriting style and structure from the masters; verses, bridges, choruses, middle eights....

This Guy's In Love With You is a beauty of a song and Noel singing it with Bacharach at piano, backed by strings, at the Royal Albert Hall is two genius songwriters coming together. Gallagher's voice is rich and tender.


The way the song rises, falls and soars is something Gallagher mastered in songs like Don't Look Back In Anger, The Masterplan and Stop Crying Your Heart Out.

The song was written by Bacharach and Hal David and sung by Herb Alpert.

Alpert has to take a great deal of credit as Bacharach has recalled that Alpert asked him if he had any old compositions lying around that he hadn't used. Burt brought out This Guy's In Love With You that had been lying around gathering dust!

The song has been covered by everyone from The Supremes and The Temptations, Dusty Springfield, to (first and hopefully only mention in this blog) Des O'Connor!

Listen to the original HERE and the Noel version with Burt and an orchestra HERE

You see this guy, this guy's in love with you
Yes I'm in love, who looks at you the way I do?
When you smile I can tell, 
We know each other, very well.

How can, I show you, 
I'm glad I got to know you cause

I heard some talk, they say you think I'm fine
This guy's in love and what I'd do, to make you mine
Tell me now, is it so 
Don't let me be the last to know

My hands are shaking
Don't let my heart keep breaking

Cause I need your love
I want your love
Say you're in love, in love with this guy
If not I'll just die

Tel me now, is it so
Don't let me be the last to know

My hands are shaking'
Don't let my heart keep breaking'

Cause I need your love
I want your love
Say you're in love, in love with this guy
If not I'll just die

Previous covers of the month