Named after the debut single by Teenage Fanclub.
This blog is all about being a music lover in Glasgow; reviews, interviews, memories, old faves, new discoveries (past and present), playlists and more. Thanks for visiting - I hope you discover something amazing you have never heard before, or that you rediscover an old favourite.
Regular features/playlists; Never Ending Mixtape / Cover Version of the Month/ Trust Me.
Insta - @everythingflowsglasgow
When The Stone Roses broke up in 1996, things didn't exactly go quiet. By that time, the band had left a huge legacy through their music, art, personalities and style. Post 1996, there is plenty to discuss and debate around; drugs, guitars, vocals, Mani joining Primal Scream, Squire at Knebworth, Reni's brief flirtation with The Rub, the sad fact that Reni hasn't drummed on enough recorded and released music, Brown's solo work and collaborations (especially Be There with UNKLE), Squire's solo work, the band reforming - touring the world and releasing 2 new singles, Squire's album with Liam ...
I really loved Ian Brown's burst of solo output post Roses. Three albums and a steady stream of singles from 1998-2001 evidenced a creative energy that had been built up over the years and was now exploding into life with a huge sense of freedom. It was cool, different, but still Ian Brown. Check my 2024 blog on Ian's debut solo album, 1998's Unfinished Monkey Business.
Thirty years ago, on 17th September 2001, Ian Brown released F.E.A.R. , an absolute gem. Unique and cool, drenched in cinematic strings and a lesson in lyrical architecture.
Released as the lead single from his third solo album, Music of the Spheres, F.E.A.R. is, at least for me, the pinnacle of Brown’s solo output. Inspired by his reading of The Autobiography of Malcolm X, specifically the study of etymology and how language can be used to control or empower, Brown set out to reclaim the word "fear."
The result is a song where every single verse is an acrostic. It’s a brilliant piece of wordplay that manages to feel effortless. Although listening back, I do wonder how long Brown had to spend piecing them all together! The end result flows beautifully.
For each a road
For every man a religion
The production on F.E.A.R. is beautifully lush, a super cool trip-hop groove with gorgeous sweeping orchestral strings over the top. The video, directed by Ian himself, features Brown cycling backwards through the streets of Soho, London, in the rain, looking moody and cool. The Roses experimented with backwards tapes through their career, now Brown was doing it with film.
Forget everything and remember
For everything a reason
Brown hasn't released an album since 2019's Ripples, although he did release a single, Rules, in 2023. It's probably safe to say that the world isn't waiting for new Ian Brown material, but listening back to his early solo albums and looking at his singles discography, maybe it is time for a few live dates.
Of course Brown is perfectly entitled to just chill and is certainly able to do so on the back of the hugely successful Stone Roses reunion shows. This is an artist who once described the music business as the filthiest business in the universe. Whether he ever releases anything again or not, Brown has produced a beautifully eclectic discography.
F.E.A.R. is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for all previous blogs in my Trust Me series.
105-107. Wigan Casino - Three Before Eight - Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, I'm On My Way by Dean Parrish
Norman Blake's Did I Say, was released on Teenage Fanclub's Four Thousand Seven Hundred And Sixty Six Seconds greatest hits/best of compilation from 2003. A limited edition 7-inch was also released.
Did I Say is a song that Norman was rightly proud of from the off. I remember catching Norman playing a show with David Scott in Blackfrairs in the Merchant City of Glasgow. The audience literally sat around Norman's feet as he played a beautiful acoustic set of Fanclub favourites and choice covers. I always remember that particular performance of Did I Say, the response was just incredible; smiles, jaws dropping ... to hear such a beautiful song by its author in such an intimate setting was a real joy. We knew Norman was good, but this was special!
Norman, in my opinion, has written a number of absolute masterpieces over the years. I consider Did I Say to be one of his very best.
Opening with Norman singing over a piano, the band crash in beautifully after the line no you don't have to travel alone, the beat is almost Motown-esque, there is a guitar chiming. Listen on headphones and you'll get a really rich experience.
Strings come in, you can hear the sound of someone moving up their fretboard at 1 minute 18, the beat kicks harder at 1-minute 30 as Blake sings of the sun beating down.
The instrumental section, beginning with a delightful roll of the drums; has strings soaring, there is a glockenspiel in there, a beautiful riff being picked on guitar and it is the sound of a band in full flow, playing and gelling perfectly. The melody flows so naturally throughout Did I Say, it's such a gorgeous song.
Throughout, Norman sings like an angel. There are times I've caught him playing solo when I've looked around to see who he is harmonising with. And there is no-one there, his voice is just that good, that beautiful.
In previous Teenage Fanclub blogs I have mentioned the Teenage Fanclub Fanclub, a community that originated on the forum section of the bands website before modernising on a Facebook Group. I've met fellow fans from across the world via the group, arranging meet ups before Glasgow shows and also when I have travelled further afield.
I thought I would ask them for their thoughts and memories on Did I Say. There are 3 videos at the end of the blog; the studio version, Norman solo in Oslo and a performance from the Creation Years tour.
Thanks to everyone for contributing.
Photo by Mathew Parri Thomas
Hugh Haggerty
I remember upon first hearing it and thinking it was subtly romantic and beautiful and then trying to play it and finding the rhythm changes at different times totally confusing me.
So while Norman sings this beautiful love song, with a sweet melancholy element, my version is a spluttering tune with confusion and twisty fingers!
Ronan Barrett
Hey, did I say, that I smiled when I first hear your name is a wonderful romantic line that wouldn't be out of place in one of Jimmy Webb's finest.
Des Foley
I love that line too, especially when it goes to fell in love, and I still feel the same way now - blub central!!!! Such a fantastic song.
Ruthie Blaney
Live - the almost whispered first few lines with Norman and Gerry harmonising used to give me goosebumps.
Paul Quinn
I wished he'd written it when I was in the band. It's an absolutely amazing song. Incredible songwriting by a master of his art.
Mark Gallagher
It's on my running playlist. Running through the hills in a groove with no people in sight with that song playing is rather transcendental.
Des Foley
I love the way that it is a hugely emotional song, yet without the lyric being that specific; it's also completely cliche free. We don't know exactly what he's singing about, but we kinda do, and so we can feel the emotion in the song and can relate to it. It's a love song but a very non-obvious love song. Sheer brilliance.
Adrian Gent
It was the first dance at our wedding and I sent a pleading messagenger to the TFC page a few weeks before their gig at the Trades Club in 2015 asking if they would play it as it was 3 days before our 10th Wedding Anniversary. Play it they indeed did - and maybe it was just a coincidence - but the fact they did made a brilliant night perfect and I admit we were both in tears when they started playing it.
Kostas Vasiliadis
Never been to Scotland but I've swum in that lake so many times that it feels like my own memory.
Matt Woollatt
As well as being absolutely spellbinding I just love the time signature changes from mostly 5/4 to 3/4 and 4/4. It's amazing!
Leigh McDiarmid
One of their best by far, only heard them play it live once but it gave me shivers ... a perfect, short, melodic masterpiece. Possibly my favourite, never tire of listening to it ... the song that has everything.
Neil Pernham
We had it played at our wedding as we walked back down the aisle. Such an amazing song.
Finlay Macdonald
I played the piano on this song. The band invited me down to Liverpool Parr Street studio to add keyboards to 3 new songs for the compilation album. It's a really cool studio and in those major label days you could spend a week in a plush residential studio (Coldplay were recording their second album in the other room) to work on only three songs. So work generally stopped around 8.30pm and merged into party mode. Gerry plated fine cuts every night on the deck through the ginormous reference monitors. Digital Love by Daft Punk was enjoyed. A lot!
Ian Cretney
There is something about the combo of lyrics and melody that creates a real emotional resonance. It's not not necessarily a specific lyric that does it for me, and it's not like it's an uber sad song or anything but it gives me a lump in my throat for reasons unknown.
Danielle Doherty
Hey, did I say ... I was staying with anold bouyfriend and his two friends came over one evening. One friend was arriving from another country and another was arriving after work - Tomtom.
I won't say who, but somebody had blagged a listen of the 2 new tracks recorded for the A Shortcut To album. After food, over beers and wine much was enthusiastically discussed (and smoked!) around the table - bad Tomtom! Great memory.
Last year was Tom's 10th anniversary and hearing these songs remind me of trekking along to the HMV in London to see them with Tom around that time.
Wendy Taylor
Beautiful song through and through. I love how it sounds so confident yet at the same time asks were/are you waiting for me?
Kevin Robertson
It is a pure love song. Back in time with you, moving forward with you, wherever you want to go I'm with you. It's classic and beautiful songwriting from Norman as always.
Anne-Marie Feeney
I'm an old cynic but it's really just the perfect "love song" - forgive the cliched term. That line sun, beating down, on your back is just so evocative. It just takes you to that place - sun, love, freedom. You can actually FEEL the sun on your back listening to it. In these times, who doesn't want someone to be there for you?
You can listen to a playlist of all the songs from the Trust Me series via THIS PLAYLIST
Hey, did I say, I don't mind if you want to go home
Take me there, no you don't, have to travel alone
Through the night, cross the sea, going back in time
Here, for you now, were you waiting for me?
Hey, did I say, that I smiled when I first heard your name
Fell in love, and I still, feel the same way now, far
Through the night, watch the light, fall away from you
Here, for you now, were you waiting for me?
Hey, did I say, I don't mind, if you want to go back
To the lake, where you learned how to swim with the sun
Beating down, on your back, in the morning I'll come
For you girl, are you waiting for me?
Sun, beating down, on your back, in the morning I'll come
