Showing posts with label Hamilton Leithauser. Show all posts
Showing posts with label Hamilton Leithauser. Show all posts

Monday, 2 September 2024

The Rat

 

Trust me #77

The Rat by The Walkmen

One wet and stormy midweek night, back in 2004 (I reckon), I jumped in a taxi from my flat in Dennistoun to King Tuts in town to see Tanya Donnelly from Belly. I loved Belly's Star album from 1993 and have to admit to having (to this day) a major crush on Donnelly. 

My friend Reddy was meant to be going, but he was stuck on the M8 in a storm and called to say that when he eventually got to Glasgow, he would be going home and staying in.

The rain was utterly relentless. I may well have mused with the idea of staying at home myself. But I was a mere 10-minute taxi ride to the city centre. I was going ... on my own!

A band called The Walkmen had somehow got on the bill. I guess that they either knew Donnelly or someone in her band, or had a cracking booking agent. Their singer, Hamilton Leithauser ,was a good looking frontman and his band all looked like a gang. Early in their set he said something along the lines of; 'We're The Walkmen from New York City, we don't have a lot of money and we don't have a place to stay. If anyone has a floor we could crash on then come and speak to us after.'

The fact that I didn't offer my floor and sofa to The Walkmen remains one of my major gig regrets to this very day! Perhaps the fact that I was there on my own had something to do with it. I seemed to be drinking quicker than normal, probably as I had no-one to talk to. 

However I was hugely impressed by The Walkmen and their short set of energetic, fuzzy and punky guitar pop. I should have offered them a place to crash!

Alcohol probably did fuel one of my few conversations that night. At one point I walked through to the upstairs bar and found Walkmen guitarist Paul Maroon sinking a bottle of beer. 

'Hey, I loved your set. That song The Rat you played is better than anything The Strokes have done!'

Paul said 'thanks' and I don't remember if I said anything else or not. Maybe I might have mumbled 'hope you find a place to stay tonight'. I hope I did! However I never offered Paul and his mates the opportunity to kip on my floor.

Damn! What a missed opportunity!

However, even in my drunken state, I did recognise what an absolutely fantastic song The Rat is. Taken from their second album, Bows + Arrows, the song rides in with fast, furious, driving rhythm guitar and beats. You need to strap yourself in as The Rat doesn't let up. This is relentless! The intro is a glorious 51 seconds long before Hamilton Leithauser comes in, mirroring the energy of the music with an intensely passionate vocal.

You've got a nerve to be asking a favour

You've got a nerve to be calling my number

Leithauser sounds angry, bitter, frustrated and his voice cracks with emotion and desperation as the song drives on.

I know we've been through this before

Can't you hear me I'm, calling out your name?

Can't you see me I'm, pounding on your door?

The Walkmen are locked in their punk groove, the drums crash, the bass is just about holding everything together and after a second verse (virtually the same as the first), things cut, leading to a mini-mantra (that I kind of wish went on a little longer);

When I used to go out, I'd know everyone I saw

Now I go out alone, if I go out at all

Everything kicks back in and we're back into the verse, or is it a chorus?

The Rat is 4 minutes 22 seconds, but, through the intense pace, ferocious guitar and the emotions that pour out in the vocals, it really doesn't feel like it.

Somehow, I doubt The Walkmen will ever need a floor to crash on again if they come back to Glasgow. But if they do, I will offer!

The Rat is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE 

Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service



Wednesday, 30 December 2020

The Loves of Your Life

 Back on 19th December my friend Josh Turner replied to a tweet asking people for their top 3 albums from 2020. Josh tweeted a reply stating Sault's Untitled (Black Is), Andy Bell's A View From Halfway Down and thirdly Hamilton Leithauser with The Loves of Your Life. Josh also highlighted he thought the last one has been criminally ignored by all the critics and that it's a great record.

I'd already been turned on to Sault by previous tweets from Josh, so I immediately decided to check out Hamilton Leithauser and I promptly listened to the album 3-times in a day.

Every so often I ask someone if they would like to write a guest blog. I asked Josh and I'm blown away by his style of writing, his passion and understanding of music shines through.

I hope you enjoy this guest blog and I hope it inspire you to check the album if you haven't already. I need to update my albums of 2020 blog to include this gem!

For those that don’t Know him, Hamilton Leithauser was lead singer for a New York based Indie rock band called the Walkmen, currently on a semi-permanent hiatus. Between 2000- 2013 The Walkmen made a string of consistently strong, critically acclaimed albums & were relatively successful in “indie” terms on both sides of the Atlantic , arguably they never matched the urgency &intensity of their 2004 classic single The Rat ( career high point); consistent themes throughout the Walkmen’s 7 albums were ; atmospheric raw instrumentation , pounding drums and bass , ancient pianos and the focus point , Leithauser’s unique vocal style. However, the evolution of the style & sound of their front man on his 3rd solo outing is both a nice & unexpected surprise. Following on from the 2016 collaborative effort from Leithauser & Rostand Batmanglij (vampire weekend); featuring the classic 1,000 times single we now have The Loves of Your Life...

The album sleeve artwork features a retro 1950’s style  image / photograph of girls in a swimming pool , assumption is these represent significant others from the writers past, while this is not a “concept” album all 11 tracks or songs feature & are themed by significant people from Hamilton’s past , either fact or fiction. The album opens with an understated, slow burning track The Garbage Men, which effortlessly merges into the melodic / instant classic Isabella where Hamilton fondly reflects on a past relationship & sets the tone both lyrically & musically for the next 42 minutes. 

The consistent theme is looking backwards; through a nostalgic lens on past loves, friendships &meaningful relationships, it’s not clear nor does it really matter if these are fact or fiction , but consistently the characters & stories are all crafted with love & accompanied by a classic type of song writing & structure we rarely hear these days.  Hamilton’s distinctive raw, guttural vocals recall some of the greats... ... Instrumentation & musically the production sounds live and authentic and conjures up images of live bands playing in late night bars, impassioned vocals, live pianos, with the drums & bass turned up loud. Hamilton’s instinct for melody is stronger than ever and more direct & instant than we heard in the Walkmen & by the 3rd track Here They Come we’re singing along with all your oldest friends; after too many Guinness.  This record has a distinct quality with classically constructed songs that sound almost familiar on 1st listen & quickly cement themselves into your sub-conscious memory, crafted with love, passion and authenticity & soul….

Side 2 opens with what appears to be the albums central song: Til Your Ship Comes In, the imagery is strong as Hamilton screams “I loved you then .... I love you now” lyrically the album reminds me of a late 60’ s Dylan (think Blonde on Blonde) with an uncanny ability for storytelling effective use of evocative imagery. The album’s final track features Hamilton’s 2 young daughters backing vocals, where he sounds more at peace, lamented & contended and wraps the record up in a similar mode to where we started with The Garbage Men 42 minutes earlier.

The album was released early during the 1st lockdown & for several months became a daily feature on my turntable & stands out as one of my favourites, most memorable releases from the 2020.

Thanks to Murray & his Everything Flows blog for inviting me to review this record, please give it a listen.

Recommended.