Friday, 7 March 2025

Never Ending Mixtape part 98

 

Welcome to part 98 of my Never Ending Mixtape!

I started this blog/playlist/mixtape back in October 2016 with the simple intention of creating a playlist that I would add songs to on a regular basis and then blog about the latest additions every month.

There would be no thought to the structure of the playlist, unlike the mixtapes and CD's I would make in my younger days. I'd just add songs when I felt like it, depending on what I was listening to.

As a result, my Never Ending Mixtape now has 4,269 songs! It's an eclectic and eccentric mix that I regularly play on shuffle.

We jump from 4,217 songs to 4,269 with the additions of the original demo for The House Song by The Beta Band and then the version that ended up on their Patty Patty Sound EP. Last month I mentioned how the band were teasing their reunion. I'm delighted that I'll be going to see them at The Barrowland this September!

Check this early Tiny Desk Concert by Edward Sharp & The Magnetic Zeros. I love the Tiny Desk YouTube channel. Their performance of Home at 4-minutes 30-seconds is magical!

Thank you so much if you are one of the 361 people following the playlist.

Thanks also if you dive in now and again. As always, I hope you discover an incredible song you've never heard before, or that you rediscover an old favourite you haven't heard in some time. 

Search for Everything Flows Never Ending Mixtape on Spotify or CLICK HERE

Here are a few of the latest additions;

Recent discoveries

Home - Edward Sharp & The Magnetic Zeros

Bye Bye Badman (demo) by The Stone Roses

Army Dreamers by Kate Bush

Sang & Dance by The Bar-Kays (infectious energetic soul, pictured below)

Coffee Cold by Galt McDermott (check the drumming on this!)

New releases

L.O.V.E. by Jessica Winter (cool pop I heard on 6Music, pictured above)

The Heart Is A Foolish Little Thing by Edwyn Collins

apple green u.f.o. by Andy Bell

Old favourites

L.A. Woman by The Doors
What Is Life by George Harrison
Out Of Space by The Prodigy
Praise You by Fatboy Slim
Make Me Feel Again by Edwyn Collins
Slight Return by The Bluetones
Sliver by Nirvana



Thursday, 6 March 2025

Louie Louie

 

Cover version of the month #106
The Kingsmen cover Louie Louie by Richard Berry and The Pharaohs

I recently watched the magnificent 24-Hour Party People film for the first time in ages. Steve Coogan is outstanding as Tony Wilson (with a little dash of Partridge) while the formation of Factory Records, development of Joy Division, Ian Curtis' suicide, opening and mismanagement of the Hacienda, reliance/total piss-take on New Order's money and chaos of the Happy Mondays are portrayed with the right levels of honesty, empathy, bemusement and humour.

In the film, local punk fan Jon the Postman regularly gets up at the end of gigs to sing the evergreen garage band anthem Louie Louie, determined to keep the party going and sing his favourite song. Jon would go on to form a band and often guest with others. This led to him appearing with The Fall on Live 1977 album singing a ramshackle version. 

Louie Louie is a song I most definitely heard for the first time in McChuills. It was, and still is, regularly played by Old Nick in the bar. Probably by most DJ's at some point as well!

Covered by well over 1,000 bands/artists, including The Sonics, Iggy Pop, Motorhead and The Clash, I was convinced that the original was by The Kingsmen, as that was the version referenced by the bands and in the numerous articles I had read over the decades. However, it turns out that a guy called Richard Berry wrote and recorded the song with his band The Pharaohs back in 1955.

I'd never heard the original until I started researching the song for this blog. On first listen, I have to admit to finding it pretty uninspiring. I guess I'm used to the rawness of The Kingsmen and The Sonics, while The Pharaohs version is slower and smoother.

But the laid-back groove did grab me on second listen. It is undeniably catchy, allegedly inspired by Latin rhythms, particularly RenĂ© Touzet’s El Loco Cha Cha. Berry crafted a story about a sailor longing for his love while stranded on a foreign shore. 

The story of the song, author, rights, publishing and ownership are quite something! There is a book in there for someone! A few google searches will direct you to some cracking articles.

By the mid-80's Berry was living on welfare and then the drinks company California Cooler used the song in a commercial. Despite the fact Berry had sold the rights to the song almost immediately after writing it, he still owned the radio and TV performance rights. He became a millionaire!

Richard Berry & The Pharaohs version

Lets travel back to 1963 though, when a young band from Portland, Oregon, called The Kingsmen took a raw, raucous approach to Louie Louie, generating immediate ripples and recording something so important that it has left a permanent mark on guitar music, stamping their name into rock history. 

This could well be the most important cover version of all-time.

Apparently The Kingsmen played a 90-minute version at a teen club the night before recording. Can you imagine if that was unearthed?! What I find remarkable is how they create such a dirty sound when they look so clean cut! 

Louie Louie by The Kingsmen is gloriously messy—recorded in one take with a distorted, almost unintelligible vocal from singer Jack Ely, who had to stand awkwardly to sing into a microphone hanging from the ceiling (they were essentially recording in a radio studio), resulting in a primal energy that would define garage guitar music for generations. It's so pure and real that it is completely timeless.

Beginning with an organ riff, everything else falls in behind and the energy grabs you immediately as Ely goes straight to the chorus, his words tumbling and stumbling into each other as he flies through the you take me to where you gotta go in double quick time.

Louie, Louie, oh no, you take me to where you gotta go

Yeah, yeah, yeah, yeah, yeah baby

Louie, Louie, take me to where you gotta go

Ely is like the original Julian Casablancas of The Strokes. Sounding like he is making it up as he goes along, a detached cool don't give a f**k attitude. You can just about make out what he is saying, although the lyrics would be the subject of much debate among teenagers in America who would speculate and write their own on pieces of paper and pass them round. Amazingly, and brilliantly, this led to the FBI were investigating the song! Lets just say that the lyrics that kids were passing around were not exactly clean! Rock n roll!

A fine little girl, she waits for me

Me catch a ship across the sea

Me sailed that ship all alone

Me never think I'll make it home

After a second chorus there is an audible shout of fuck from someone somewhere (believed to be the drummer)  on the recording and Ely continues to tell his tale of sailing across the seas to his girl.

Following the second verse and another chorus, Ely screams OK, lets give it to 'em right now leading to an outstanding 30-second guitar solo over the simple and sublime organ riff. It is electrifying! The Kingsmen are in the zone, lost in the moment and no matter how many times you listen, they draw you in with them.

There is a false start before the next verse, beautifully covered with a beautiful roll by drummer Lynn Easton (my wife's name!) and then they go into it for real. This just adds to the cool, raw, unpolished, urgent vibe. The energy. You can't teach this. You can't produce this or arrange it. If you're lucky, you might capture it.

Louie Louie by The Kingsmen got off to a slow start, just 1,000 copies were initially pressed by Jerden Records, then it got picked up by a larger label, Wand Records. Remarkably, things picked up after a DJ played it as his worst record of the week! 

Sometimes, the best songs are the simplest ones, built on passion rather than perfection. The infectious energy created from Louie Louie is still being felt today. It's a classic three-chord wonder that has been covered by everyone from The Sonics to Iggy Pop, The Beach Boys to Otis Redding, The Kinks to The Clash. 

The Richard Berry original and the landmark cover version by The Kingsmen of Louie Louie are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Richard Berry original

The Kingsmen version

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!



Tuesday, 4 March 2025

Give Peace A Chance

 

Trust me #88
Give Peace A Chance by John Lennon / Plastic Ono Band



Released in July 1969, John Lennon's Give Peace A Chance created worldwide headlines as the Beatle wrote and recorded the song during a 'Bed-In' held with his wife Yoko for their honeymoon in Montreal.

Capturing the times, the song quickly became the anthem for the anti-Vietnam war movement and was sung by 500,000 demonstrators, led by Pete Seeger, at a protest in Washington that year.

Sitting cross-legged on his bed, Lennon leads his audience backed with acoustic guitars, handclaps and stomps through a string of verses beginning with everybody's talking about ... before going on to list a series of words that are equally relevant, nonsense, funny and cool. 

Each verse leads to the chorus (which becomes a mantra by the end);

all we are saying is give peace a chance


Isn't the footage extraordinary? 

Lennon's relationship with Ono led to bursts of spontaneous music and art with love and/or social/political commentary at the heart of them. The Unfinished Music albums (incredible that these were released when The Beatles were still going!) are absolutely crazy but document one of the most important nights of Lennon's life, when Ono came over and stayed the night while Cynthia was away. They made love and they made music. Well, the latter might be debatable. Good luck getting through the album!

I love that Lennon returned his MBE to Buckingham Palace with the note;

I am returning this MBE in protest against Britain's involvement in the Nigeria-Biafra thing, against our support of America in Vietnam and against Cold Turkey slipping down the charts. 
With love, John Lennon of Bag.

Instant Karma was recorded and released in days and Lennon would go on to write songs of peace and protest; Power To The People, Imagine and Happy Xmas (War Is Over)

Yoko and I are quite willing to be the world's clowns if by doing so it will do some good. 
I know I'm one of these 'famous personalities'. 
For reasons only known to themselves, people do print what I say. 
And I'm saying peace. John Lennon

Give Peace A Chance simple, pure, soulful and a message that we all need to be singing in these troubled times. Where are the figureheads of Lennon's stature in these troubled times? 


Give Peace A Chance is added to my Trust Me playlist. Search for Everything Flows - Trust Me on Spotify or CLICK HERE. Check below for blogs on previous songs to feature in this series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT
87. Slight Return by The Bluetones





Monday, 24 February 2025

Hinds at Saint Lukes Glasgow

I listed Viva Hinds by Hinds in my albums of the year blog at the end of 2024, describing it as; dreamy, treashy, thrashy, brashy garage guitar pop with dashes of shoegaze and psychedelia. I can't wait to see them in February. I actually think the album will make even more sense after seeing them live.

Well, I've now seen Hinds live and I can confirm that both the album and the band themselves make more sense and I've really fallen for them. The gorgeous pull of The Bed, The Room, The Rain and You, the coolness of Superstar, charm of Hi, How Are You?, their taste in covering Charli xcx and The Clash and the undeniable passion and energy they bring to live shows.

Saint Luke's was sold out, the final tickets snapped up on the back of the previous days 6Music session with Craig Charles. 

The 4-piece bounded on to the stage, Carlotta Cosials and Ana Garcia Perrote on guitars and vocals, with friends playing bass and drums. The next 80-minutes or so were a delightful blur of guitars, hooks, accents and energy. The crowd all fell for the band big time.

Carlotta was super cool with hair tied high, khaki top and black flares, leading the band through a sublime set of garage guitar pop. Hinds are super tight but beautifully raw and catchy with it. The dual vocals can harmonise or egg each other on, upping the level of excitement.

Ana was a bundle of energy, fizzing left and right to literally bounce off Carlotta or their bass player, jumping, playing synth at times and generally looking like she was having the night of her life. That really is the vibe that Hinds give off. 

During the encore Carlotta and Ana recruited a fan to play guitar, then cleared a space in the venue, before jumping down into the crowd for a dance routine and then a huge pogo session and I totally wished we'd gone downstairs rather than up! See the video below!

My mates and I left super energised and checking where they were playing next to see if we could travel down! Hopefully Hinds will be back in Glasgow before too long.



Saturday, 22 February 2025

Slight Return

 

Trust me #87
Slight Return by The Bluetones

30-years ago, on 22nd February 1995 I visited King Tuts Wah Wah Hut to catch a couple of hotly tipped bands - Supergrass and The Bluetones. Exceptional value for a fiver!

Supergrass were building towards the release of debut album I Should Coco and had made waves with debut single Caught By The Fuzz in late October 1994.

Meanwhile, The Bluetones were being spoken of in hushed tones by the NME and Melody Maker. A 4-piece who had been holed up in a garage crafting melodic guitar pop songs inspired by the Roses. I can't remember where I bought it, possibly at the gig or maybe in HMV Sauchiehall Street, but I managed to get my hands on their debut single, a beautiful blue limited edition 7-inch of Slight Return b/w The Fountainhead.

Despite being such an incredible double header, I really don't remember too much about this gig! That could be down to the fact that it was 30-years ago, or be down to the fact that I probably had 3 or 4 beers as I do distinctly remember my friend Scott driving. 

My memories of those heady Britpop days may be a little hazey at times, but Slight Return still sounds as fresh and effortless as the first time I heard it. Cool, melodic and full of charm, The Bluetones re-released it in January 1996 and it reached number 2 in the charts.

The Roses influence was clear from the off with Adam Devlin playing a beautifully warm guitar chord to allow Mark Morris to come in with the opening lines

Where did you go?

When things went wrong for you

When the knives came out for you

Devlin begins to riff after the delivery of the opening line with a tight yet loose rhythm section coming in alongside him. There is plenty of space throughout Slight Return, a purity that ensures it has a timeless quality, unlike many of the songs from around this time that could easily be identified as mi-90's Britpop wannabe's. It doesn’t try too hard; it just flows. The rhythm section, led by Scott Morriss on bass and Eds Chesters on drums, keeps things tight but never overpowering, allowing the song’s melody and atmosphere to shine through. There’s an understated confidence to it—a song that doesn’t need to shout to be heard.

You don't have to have the solution

You've got to understand the problem

And don't go hoping for a miracle

All this will fade away

So I'm coming home, I'm coming home

Around 10 or so years later, Mark Morriss played at Maggie's London Night Hike as a lovely colleague of mine at the time (Claire) was friends with him through being a bit of a superfan. Mark was absolutely lovely and played a cracking acoustic set as hundreds of people arrived to hike through the night. Claire also managed to get me backstage at a Bluetones gig at the QMU - good times.

30-years on from seeing The Bluetones for the first time and buying their debut single, the band are playing in my home town of Uddingston. Almost literally in my Mum's back garden! I must message Claire!

Musicfest Mainstage has a line-up of The Bluetones, Echobelly & The Supernaturals with more to be announced. It's a brilliant family-friendly event, held at Uddingston Cricket & Hockey Club, 10-15 minutes walk from the train station. That in itself is a mere 14-minute train ride from Glasgow Central.

MUSICFEST MAINSTAGE - INFO & TICKETS
Slight Return - original video 

Slight Return - Later with Jools, 1996

Slight Return is added to my Trust Me playlist; search for Everything Flows - Trust Me on Spotify or CLICK HERE  Check below for all previous blogs in my Trust Me series.

Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans
8. The Music Box by Ruth Copeland
9. The Ship Song by Nick Cave
10. Sometimes by James
11. I Walk The Earth by King Biscuit Time
12. Didn't Know What I Was In For by Better Oblivion Community Centre
13. When My Boy Walks Down The Street by The Magnetic Fields
14. The Man Don't Give A F**k by Super Furry Animals
15. All Flowers In Time Bend Towards The Sun by Jeff Buckley and Liz Fraser
16. Are You Lookin' by The Tymes
17. A Real Hero by College & Electric Youth
18. Feelings Gone by Callum Easter
19. Sunday Morning by The Velvet Underground
20. Did I Say by Teenage Fanclub
21. Don't Look Back by Teenage Fanclub
23. Belfast by Orbital
24. Clouds by The Jayhawks
25. Dreaming Of You by The Coral
26. Everlasting Love by Love Affair
27. Walk Away Renee by The Left Banke
28. Teenage Kicks by The Undertones
29. Shaky Ground by Sneeze
29. Rill Rill by Sleigh Bells
30. I Can Feel Your Love by Felice Taylor
31. The State We're In by The Chemical Brothers w/ Beth Orton
32. Sunshine After The Rain by Ellie Greenwich
33. Losing My Edge by LCD Soundsystem
34. Mondo 77 by Looper
35. Les Fleurs by Minnie Riperton
36. Rat Trap by The Boomtown Rats
37. How High by The Charlatans
38. I Can't Let Go by Evie Sands
39. Pop Song 89 by R.E.M.
40. Summertime Clothes by Animal Collective
41. There She Goes by The Las
42. We're Going To Be Friends by White Stripes
43. Autumn Sweater by Yo La Tengo
44. Sister Rena by Lomond Campbell
45. Revolution by The Beatles
46. Lazarus by The Boo Radleys
47. Wrote For Luck by Happy Mondays
48. American Trilogy by The Delgados
49. Loser by Beck 
50. Silent Sigh by Badly Drawn Boy
51. Comedy by Shack
52. Take The Skinheads Bowling by Camper Van Beethoven
53. Freakscene by Dinosaur Jr
54. Thank You For Being You by The Pastels
55. I Think I'm In Love by Spiritualized
56. Chestnut Mare by The Byrds
57. Cannonball by The Breeders
58. Like A Rolling Stone by Bob Dylan
59. You Make Me Weak At The Knees by Electrelane
60. Lucky by Radiohead
61. Strange Currencies by R.E.M.
61. I Am The Cosmos by Chris Bell
62. Like A Ship (Without A Sail) by Pastor TL Barrett and the Youth for Christ Choir
63. Nothing But A Heartache by The Flirtations
64. Made of Stone by The Stone Roses
65. Tonight In Belfast by Orbital, David Holmes, DJ Helen and Mike Garry
66. Anything by Adrianne Lenker
67. I Hold Something In My Hand by Bill Ryder-Jones
68. I Meant Every Word by Burnett Sisters
69. Dream Baby Dream by Suicide
70. Stove by The Lemonheads
71. Red Lady by Phil Cordell
72. Little Fluffy Clouds by The Orb
73. I Can Do It With A Broken Heart by Taylor Swift
74. Turnin' My Heartbeat Up by The M.V.P.'s
75. Razzle Dazzle Rose by Camera Obscura
76. Such Great Heights by The Postal Service
77. The Rat by The Walkmen
78. My God Has A Telephone by Aaron Frazer
79. Unfinished Sympathy by Massive Attack
80. Sweet and Tender Romance by The McKinleys
81. Hoppipolla by Sigur Ros
82. 69 Police by David Holmes
83. Hey Lisa by David Holmes
84. I Am A Rock by Simon & Garfunkel
85. Kung Fu by Ash
86. Kids by MGMT



Saturday, 15 February 2025

The Pains of Being Pure at Heart

The sheer number of live shows, cost of tickets and the expense of a night out, plus, undoubtedly - old age, mean that I am a lot more particular about the shows I buy tickets for these days.

That said, I still do pretty well and probably average 2-3/month. Not bad going for a 49-year old!

When 432 Presents announced The Pains of Being Pure at Heart would be playing Stereo in Glasgow to celebrate the 15th anniversary of their eponymous debut album, I knew I'd be buying a ticket as soon as they went on sale.

Hailing from New York City, The Pains of Being Pure at Heart seemed to arrive fully formed, a fuzzy dream of youthful longing, distortion, blurred melodies and all kinds of indie cool. They had a (non-album) single in 2008 called Kurt Cobain's Cardigan. This was a band who proudly wore their influences, JAMC, MBV and Ride, on their (cardigan) sleeves.

I can't remember exactly, but I'm pretty sure it was Monorail that turned me on to the band and I bought this album on CD. I wish I'd bought it on vinyl!

Revisiting the record feels both deeply nostalgic and effortlessly fresh—like rediscovering an old mixtape filled with fuzzed-out guitars, aching melodies, and the whispered promise of escape.

From the moment Contender kicks in with its shimmering guitars and Kip Berman’s soft, yearning vocals, you’re transported to a world of wide-eyed romance, heartache, and the unshakeable feeling that music might just save your life ... or at least help you escape for a while.

At just 34 minutes, The Pains of Being Pure at Heart is a rush of indie-pop perfection. Come Saturday and Young Adult Friction are urgent and euphoric, driven by walls of guitar and shimmering synths. The breakdown in the latter leading to the boy/girl sung don't check me out mantra that ends the song is magical.

With melodies soaked in reverb and drum beats straight from early Pastels records This Love Is Fucking Right is absolutely glorious. 

Stay Alive is an absolute heartbreaker, like The Sundays jamming with JAMC. Sometimes the quietest moments hit the hardest. 

don't you try to shoot up the sky

tonight we'll stay alive

Dreamy teenage lyrics are almost hidden under the guitars at times. There are harmonies and hooks beneath the scuzzed up guitars of Everything With You.

Tell me it's true
I'm with you
And the stars are crashing through

A Teenager in Love rides in on a riff reminiscent of Bowie's Modern Love as if covered by Orange Juice. Hey Paul turns the fuzz and scuzz on the guitars to max and Gentle Sons tugs on heart strings to close the album.

Now you stand in the rain saying
Nothing has changed at all

Listening back for the first time in years, The Pains of Being Pure at Heart still feels vital. Pardon the pun, but there is a purity to the album and the music. Fragile, melancholic, euphoric and that beautiful raw energy.

Urgent. Fuzzy. Melodic. Perfect. I got properly lost for 34-minutes. This album is a reminder of younger days, simpler times, when music felt like everything. Sometimes, it still does.

The Pains of Being Pure at Heart play Stereo in Glasgow on Saturday 15th November. TICKETS HERE



Thursday, 13 February 2025

Never Ending Mixtape part 97

 

Welcome to part 97 of my Never Ending Mixtape.

Anyway, in my Never Ending Mixtape ... we jump from 4,167 songs to 4,217 with the addition of a handful of songs by The Beta Band amidst rumours that they will be reforming ... watch this space. Dogs Got A Bone from their magical Three EP's album and a some super cool stoned gems and jams from the eponymous debut.

This month I've added a number of Marianne Faithfull songs following her passing at the end of January. I have to confess to never exploring her back catalogue and I've enjoyed delving in. I may well write a future covers of the month blog on some of the many cover versions she recorded over the years.

There are also a load of Waxahatchee songs added, I can't stop listening to Kathryn Crutchfield's band and I am VERY excited to see them play the Barrowland in June.

Thank you so much if you are one of the 361 people following the playlist.

Thanks also if you dive in now and again. As always, I hope you discover an incredible song you've never heard before, or that you rediscover an old favourite you haven't heard in some time. 

Search for Everything Flows Never Ending Mixtape on Spotify or CLICK HERE

Here are a few of the latest additions;

Recent discoveries

I must be doing something right - Irene Reid

Ene Nyame 'A' Mensuro - Ebo Taylor, Pat Thomas & Henrik Schwarz

Sugar On My Tongue - Talking Heads

Under a Rock - Waxahatchee

Silver - Waxahatchee

When I Dance with You - The Pains Of Being Pure At Heart

Heir Ou Demain - Marianne Faithful

I'm A Loser - Marianne Faithful

New releases

It's been a month of previously released music for me!

Old favourites

The Revolution Will Not Be Televised - Gil Scott Heron

Learn to Fly - The Foo Fighters

Dogs Got a Bone - The Beta Band

The Darkest Part Of The Night - Teenage Fanclub


Tuesday, 11 February 2025

How Can You Mend A Broken Heart

 

Cover version of the month #105
Al Green covers The Bee Gees

Are you ready to hear one of the most beautiful songs that you are ever likely to hear?

Al Green's How Can You Mend A Broken Heart, from his phenomenal 1972 album Let's Stay Together, is 6 minutes 23 seconds of bluesy soul goodness; the snare drum cracks, Green's voice is hushed and wonderful over piercing strings, angelic backing vocals are soothingly sublime and the lyrics are just beautiful, with the chorus asking 4 questions in a row.

And how can you mend a broken heart?

How can you stop the rain from falling down?

Tell me, how can you stop the sun from shining?

What makes the world go round?

Al Green begins to improvise a little from around 4-minutes. The pace of the music doesn't change, but the feeling in Green's voice is cranked up a notch, creating something truly magical. The song begins to fade after Al declares;

I've got a feeling that I want to live and live and live

After listening to the song Let's Stay Together recently, I decided to go back and listen to the album of the same name for the first time in ages, probably a good 20-years! This is yet another album I got from FOPP in Glasgow on CD for a fiver. The good old days! I then also bought it on vinyl!

How had I forgotten about this song?! How can you forget a song THIS good?!

OK, the title track stands out, but this stopped me in my tracks and I listened a few times in a row, marvelling at the playing, production and Green's voice.

I decided to write a blog for my regular Trust Me feature, made myself a cuppa and sat down to research the song and the album it is taken from.

Only to notice that the song was written by Barry and Robin Gibb of the Bee Gees! The single, released in 1971, became their first US chart topper! Remarkably, the song didn't chart in the UK.

Bee Gees version is only 3 minutes 57 seconds and while it is undoubtedly brilliant, I have to say that it doesn't move me in the way that Al Green's cover version does. The Gibb brothers original is almost a little too clean.

Sunset Gun, who feature in my sister Carla's Since Yesterday: The Untold Story of Scottish Girl Bands documentary, also covered the song on their 1984 debut album, In An Ideal World.

The Bee Gees original and the sensational Al Green cover version of How Can You Mend A Broken Heart are added to my Everything Flows Cool Cover Versions playlist on Spotify which also features all of the songs listed below. Search for the title or CLICK HERE

Al Green version

Bee Gees original

Previous covers of the month blogs

13. Hurt
39. ABBA-esque
40. Jumpin' Jack Flash
64. Lola
82. Drop
87. Indian Rope Man + bonus Strawberry Fields Forever + This Wheels On Fire
92. Valerie
101. Shout!