Showing posts with label The Fall. Show all posts
Showing posts with label The Fall. Show all posts

Thursday, 11 March 2021

Lost In Music

Cover version of the month #65
The Fall cover Sister Sledge

I recently read Renegade, Mark E Smith's autobiography. I'm not a huge fan of the band by any means, but I did take some time to try a little bit more of their back catalogue as a result of reading the book.

And I discovered a number of cover versions that they have recorded, including an outrageous version of Lost In Music by Sister Sledge from their monumental 1979 album We Are Family.

Written by Nile Rodgers and Bernard Edwards of Chic, this sublime slice of disco house heaven was produced during a period where the duo could literally do no wrong. Everything they touched turned to gold. Check what they were involved with in the late 70's with Chic and Sister Sledge, it is just insane, then through to working with Bowie, Diana Ross and Madonna (among others) in the 80's.

Lost In Music is utterly stunning pop music. The song stretches out to 4 minutes 40 seconds, allowing Rodgers and Edwards to pull every kind of trick they have learned to create something magical. 

What are their tricks? Well there is a teasing 30-second intro, then we're straight into a double chorus that you can sing after only one listen. And there are plenty of other opportunities through the rest of the song to do just that.

The vocals and production are crystal clear, the stabbing piano/keys sounds instantly familiar and Rodgers just grooves along in his unique style, somehow playing lead and rhythm guitar simultaneously.

I've been in a club when this song has come on, if played at the precise moment, then there is nothing better, the crowd are lost in music and singing-a-long, meaning and believing every sing word they sing. It is absolutely perfect for a club.

We're lost in music, feel so alive

I quit my nine to five

We're lost in music

Rodgers & Edwards captured the NYC disco and club scene perfectly in so many of their finely crafted songs. No wonder, if you read Rodgers autobiography it sounds like he pretty much lived in some of the clubs! He certainly lived for clubbing, lived for music. He still lives for music. I've caught his Nile Rodgers and Chic shows a couple of times and I think they may well be the most uplifting shows I have ever experienced.


In 1993 The Fall decided to cover Lost In Music. They rip through it, with Mark E Smith adding his own little twist by declaring I'm Lost In Music. That simple shift from we're to I'm just personalises the song.

I'm no expert on Smith and The Fall, but I know how prolific he was and from what I have heard and read, he was lost in his own world, his own music, his own vision and dreams for The Fall.

Smith snaps, snarls and drawls his way through the song. When he half sings, half shouts I'm so alive, he actually sounds like he couldn't give a flying f**k. When he sings caught in a trap, no looking back it sounds like he is resigned to recording the cover version, rather than enjoying it.

Yet I'm strangely drawn to it. It's got a raw punk edge, it is a strange and brave song to cover. Why did they cover it? I haven't been able to track that down.

Anyway, I enjoy it and it is cover version of the month #65. Check the original, a sublime re-edit by Dimtri From Paris, the cover by The Fall and also a live version.

Lost In Music by Sister Sledge

Lost In Music, Dimitri From Paris extended re-edit

Lost In Music by The Fall

Lost In Music by The Fall, live on The Beat

And after posting this blog Duglas T Stewart of the BMX Bandits kindly tipped me off on this very atmospheric version by Anita Lane

Click (or search for) Everything Flows cool cover versions on Spotify for a playlist of the covers I have blogged about and read on for a full list and links to previous cover of the month blogs. 

Previous covers of the month

13. Hurt


Monday, 26 February 2018

Baby Honey

Last week I enjoyed reading some tweets from Allan Hutton, a fellow music fan that I follow on Twitter, about tracking down a vinyl copy of The Pastels Baby Honey.

I tweeted Allan, we exchanged some messages and then Allan kindly agreed to write a guest blog for me. I'm glad I asked!

The great thing about this blog is that it highlights how some bands will always be mentioned and handed down. Some will pass people by - but bands like The Pastels will always be recommended in some shape or form - be that from bands, fans, labels, journalists or record shops.

Read on....

Baby Honey by The Pastels
Guest blog by Allan Hutton



I have to admit I was late to the party with regards to the Pastels.

I'd never been an Indie Kid, My Youth Culture rite of passage was via Punk then Mod in the late 70's and very early 80's.

Music was then and always has been a big part of my life.

I was blissfully unaware of The Pastels in the 80's as I was mourning the end of The Jam and into the Style Council, Aztec Camera, The Bunnymen and The Teardrop Explodes to name but a few.

By the time the 90's arrived I started hearing great things about Teenage Fanclub and was getting into them. Through them I got to know about the Pastels and BMX Bandits etc.

I'm not exactly sure where I first heard the Pastels it might have been on Peel, I was intrigued by them but never owned any of their stuff until the late 90's when I got a hold of Illumination.

I really liked that album and decided to seek out their earlier stuff which had passed me by.

Among the Pastels melodic shambling clang, there was a B-side that shone like a beacon in the night for me! The jaw dropping and mesmerising, psychedelic Baby Honey. It is just one of those songs that you really get into and feel connected with. It has the deadpan coolness of the Velvet Underground and the repetition of The Fall which climaxes into a crescendo of beautiful and intense noise that you never want to end!

For me this song is and always will be the Pastels finest moment.

When I first heard it that song must have been about 14 or 15 years old therefore a vinyl copy of Million Tears with the spellbinding flip side was hard to find. I searched everywhere for a copy all to no avail.

As the years rolled by I succumbed to CD's and downloads and  kind of gave up on ever acquiring a vinyl copy and settled for the digital version on Up for a Bit!

However, the resurgence of vinyl four or five years ago rekindled my interest in records and once again I was on the hunt. However I still couldn't turn up Baby Honey! Until last week!

As I routinely searched Discogs of an evening, to my astonishment a near mint 12" copy was available. I was gonna have to pay a bit more than I would have liked, but I just bit the bullet and clicked that button! 

Two days later it was spinning on my record player and it hadn't aged one single bit as Baby Honey still sounded as enthralling now as when I first heard it all those years ago!

There is magic in her fingertips
There is magic in the lips I kiss
There is magic in her beautiful eyes
To justify the tears I've cried

The Pastels in November 2017 at the Concert for Stewart Cruickshank