Conquering Animal Sound at Sneaky Petes

Last night I ventured through to Edinburgh to catch the final show of Conquering Animal Sound's (I'll refer to them as CAS for the rest of this blog) tour to promote their debut album 'Kammerspiel'.

With Miaoux Miaoux and Esperi supporting it was an outstanding line-up that the promoters This Is Music had collated and the Edinburgh music scene was out in force to catch it.

I tend to skip over any Rugby features in the sports section of The Times, so I was quite taken aback by the swarms of Scotland and Wales supporters that were wandering around shouting, pi$$ing in the streets and falling about. There were also the usual groups of stags that congregate in Edinburgh every weekend.

I picked my way through to get to Sneaky Petes just prior to 7pm and met up with Julian (Miaoux Miaoux). I got chatting to Chris who is effectively Esperi and discovered he is a lovely guy. I'd caught one of his shows in Glasgow last year when he played with a guy from Portugal called Noiserv and I had really enjoyed his songs. Esperi's latest single on Olive Grove Records was a cracker and he told me he had plans to record an album with a band, complete with string section and more. Considering the layers of sound that Chris can create on his own, then the album will be interesting to hear.

The venue filled quickly, with the promoters having cupcakes spelling CAS's name for the first folks through the door. Esperi's solo set can be very gentle and quiet at times and it is to his credit that his music captivated the packed venue to the extent where you could hear a pin drop. Top marks to the polite Edinburgh audience. The highlights of Esperi's set was a song I had seen/heard him play the last time I saw him, I did ask him the name of it afterwards but I can't remember! It may have involved the words cats and dogs, but maybe not! Anyway it showcased what he is all about, making something gorgeous out of practically nothing, playing a variety of instruments and looping and layering them into something sublime.

(Esperi)

Miaoux Miaoux was up next and by this point Nick from Sneaky Petes was considering it a sell-out, he did shortly afterwards. Miaoux Miaoux picked up the beat from Esperi and he introduced two new songs into his set, including the future pop-dance smash 'Hey Sound' that Jamie from CAS described as 'song of the year'. 'Hrvatski' was brilliant and Julian's performance of 'Knitted' was the best I have seen to date;

it's too late for you, it's too late for me

Julian looked lost in the music, looping beats and synth riffs and then jamming along on his guitar at times, dancing with a smile on his face at others. With a number of further shows in Glasgow and Edinburgh planned over the next couple of months I would highly recommend checking him out.

So it was on to the headliners CAS, a duo consisting of James Scott and Anneke Kapman. Jamie also records under the guise of Japanese War Effort and also plays in Barn Owl

The duo quickly got into their stride. The rather gorgeous Anneke had two mics on stage to help with her layering vocals and harmonies, while Jamie was busy playing guitar and a bank of electronic equipment. At other times Anneke played what looked like a toy harp.

Their are elements of Bjork and Liz Fraser in Anneke's vocal style and delivery, but she is completely herself, commanding the attention of the crowd, looking confident and stylish. Jamie took the time to thank the crowd on several occasions and his warm persona transferred well to the stage.

CAS are alternative, yet accessible, leftfield yet with a pop edge. I said that Esperi seemed to create songs out of nothing and CAS are similar in a way. They started one song by sampling and looping their finger clicks yet before you new it a beautiful soundscape was being gently lifted towards our ears.

As I only bought the album after the show I didn't know the names of the songs, but after listening to it earlier today I would say that Flinch was my personal highlight from their quite stunning set. A simple 4/4 beat with the aforementioned toy harp and Anneke's dreamy vocals.

I will be you and you will be me

CAS were sublime last night, I went in not knowing what to expect and came away thoroughly impressed. I'm currently on my second listen of the album and I can already tell that it is one that I will return to and discover new sounds and delights time and time again.

Jonny - Jonny (album review)

Jonny are Norman Blake (Teenage Fanclub) and Euros Childs (Gorky's Zygotic Mynci), two friends with a shared love of sunshine, melody, harmony, humour and pop.

I first heard about their collaboration project a few years ago and in 2009 the two of them played the Shoeshine Records night at Celtic Connections, then....nothing, apart from rumours on the Teenage Fanclub forum. Norman had a Fanclub album coming out in 2010, so the project was shelved.

Thankfully the project, now named 'Jonny', has been revisited with the release of an album and a tour.

The opening paragraph is a short summary of the album. When Norman and Euros are at their best, the songs are glorious examples of warm guitar pop. The album also highlights their playful nature and the fact that it came out of jamming sessions.

The opening track 'Wich is Wich' is a play on words and the sound of two friends sharing their sense of humour, a knock out fun jam.

The second song and the debut single 'Candyfloss' lifts the bar considerably as the pair show us what they can really do, a perfect 3-minute sugar coated pop song that is aptly named. Check out the video below;

'Waiting Around For You' sounds like a simple jam, a fairly basic 60's riff with Norman and Euros having fun with the lyrics, hooks and harmonies. 'Goldmine' is more of the same.

'You Was Me' is another simple riff with gorgeous harmonies floating effortlessly over the top. Norman and Euros Celtic voices combine to stunning effect.

'Circling The Sun' is Norman at his best. One of the nice things about this album is its immediacy. You can tell it was written and recorded relatively quickly and simply.

Changing skies

Turning Tides

There's a heartache I can't hide

Winters long

Winters cold

Without you

On first listen I thought my itunes must have skipped to an obscure McCartney track that I didn't remember, however I checked, and it is indeed Norman and Euros with the song 'English Lady'. Punchy, catchy, with real Macca style bass as well as the vocals and the lyrics. 

With 13-tracks on an album coming in at 40-minutes long (despite one song coming in at over 10-minutes) the vast majority of songs come in at around or under the 3-minute mark and the next song up 'The Goodnight' is one of those. There are no drums, just acoustic guitar, keyboard and the two voices combining.

'Bread' by Euros is next and it is a hymn to bakers everywhere, it sounds like it is straight out of the period of the 60's where everything was dipped in LSD.

Hats off to those that make the bread

One night I had a dream

Of a land where things aren't quite what they seem

People young, old, short and tall

They weren't happy, they had no bread at all

'Cave Dance' is just pure Blake and Childs humour. They played it at the previously mentioned Celtic Connections gig and they clearly had a lot of fun doing so. It sounds like they did when they recorded it as well!

It's another basic late 50's/early 60's riff and beat and the lyrics play on the songs that called upon teenagers to 'do a dance'. 

The first two minutes fly by and then the song goes off on a total tangent as everything stops and a synth riff starts and slower vocals come in, taking the listener off on a trip, with a mantra to;

do do do do do do do the cave dance

do the cave dance, my darling, do the cave dance

At 8-minutes in the beat kicks back in with a simple yet gorgeous keyboard riff and lifts the song for a beautiful closing few minutes.

'I Want To Be Around You' is 2-minutes of harmony heaven. Simple guitar pop that leaves me feeling warm inside and with a smile on my face. They make it seem so easy.

'I'll Make Her My Best Friend' is also close to the 2-minute mark and it could be described as a country jaunt, rather apt as the lyric is;

when i get back to the country, i'll make her my best friend

'Never Alone' is quite simply beautiful and a shining example of why I have followed Norman Blake and Teenage Fanclub since 1991 and the release of Bandwagonesque.

It tugs on the heartstrings, 

there's been nights when, I can't sleep

have i fallen, in too deep

come back where my heart is calling you

come back to your home

come back to me now you'll never be

never alone

It is Norman backed only by a keyboard and Euros on harmonies, it is my song of the year to date and it is only 1 minute 50 seconds long.

So, I guess the opening paragraph may well sum up the album. For those unaware of the joy of Norman and Euros' previous work it must seem a strange album. There are some throwaways, some jams, but on tracks like; 'Never Alone', 'I Want To Be Around You', 'Circling The Sun' and 'Candyfloss' the talent of Norman and Euros shines through. The album is only £3.99 on itunes. You can't go wrong with that price.

The remaining dates of the tour are;

11/02             Liverpool Mojo
12/02             Sheffield The Harley
14/02            Manchester Deaf Institute
15/02             Birmingham Glee Club
16/02             York The Basement
18/02            Middlesborough Westgarth SC
19/02             Glasgow Platform
20/02             Newcastle Cluny
21/02             Sunderland Independent Room 2

Vigo Thieves - Love Is Dead

Vigo Thieves are a band that I have been following for the last year or so. Why?

They write songs from the heart, they are hard working, creative with their use of social media and videos and the fact that they are ambitious and seem to improve every few months helps too!

The band are gearing up for the release of their latest single, 'Love Is Dead', set for release on 28th February.

Check it out the great video here and judge it for yourself before you read my review and see if you agree.

The song opens with a simple yet huge synth riff that leaves me wondering why no-one has used it before, maybe they have, but I haven't heard it.

The bass rumbles and the heartfelt and soulful lyrics kick in, with the line 'waiting to see a truth untold' sung with particular feeling before the hook 'forever waiting here, forever more' leads into the chorus as the synths and beats come crashing in.

This love is dead

Feeling that you can’t go on

This love is dead

In the shadows waiting for false dawns

This love is dead

This love is dead

This is a big song and my only constructive criticism is that it could be even bigger if it was recorded in a top studio with a great producer. Budgets don't stretch that far for unsigned bands/very small labels, however the strength of the song is clear to hear.

The verses allow the song to breath, before the soaring chorus and the second verse flows naturally from the fall out of the first chorus.

Cities on fire, we’re half awake

We’re bleeding in the dark, accepting our fate

Starting to feel a love gone cold

Forever waiting here

Forever more

And then it is straight back into the chorus.

(Stevie Jukes, singer with Vigo Thieves)

It's a 3-minute pop tune that makes me want to hear it again immediately and judging from the number of hits on YouTube already, I'm not the only one to feel that way.

Scotland has a history and love of bands that sing from the heart and shoot for the stars and in tough times it could just be that Vigo Thieves are a band that will give people something to look forward to with their gigs and releases. 

So a summary; catchy synth riffs, heartfelt lyrics and singing, epic sound and all in 3-minutes. 

Check out more at www.vigothieves.com

Forever Young - A 70th birthday tribute to Bob Dylan at Celtic Connections

I've just about recovered from a quite sensational concert at the Royal Concert Hall on Monday night. 


Rising Scot's singer-songwriter Roddy Hart curated a magnificent bill of artists to pay tribute to the legendary Bob Dylan as part of Celtic Connections and celebrate the year of his 70th birthday.


At one point during the night, a visibly moved Hart recalled making the pitch for the concert to the Director of Celtic Connections, thinking that he may agree to a venue the size of King Tuts or Nice n Sleazys. However when the Director agreed to the gig, Hart was encouraged to pitch for the Concert Hall and was successful. Hart then set about inviting artists to join him, contacting Roseanne Cash via Twitter and proving successful.


If Hart was surprised by his success, I imagine no-one in the audience would have been. Hart was polite, genuinely passionate, talented, engaging and the perfect host, admirably backed by his band The Lonesome Fire for the night.


With all of the effort and time invested into the concert it was fitting that Roddy and The Lonesome Fire should open proceedings and they did that in fine style, roaring through 'Subterranean Homesick Blues'.

(Roddy Hart & The Lonesome Fire)

If Hart deserves huge credit for the night he put on, so too do the staff at the venue who ensured that the artists got on and off stage to join Roddy and the band for all of the songs.


The show started at 7.30pm sharp and finished at 11pm with a break in between, there was a lot to get through so lets crack on. The fill setlist is above so here we go.


Rab Noakes joined the band for a loving stomp through 'Absolutely Sweet Marie', keeping up the pace set from the opener, before Tim O'Brien and his band took us on a country tip for 'Maggie's Farm' before RH&TLF rejoined them for a gorgeous 'Lay Down Your Weary Tune'.


That was followed by one of my personal highlights of the night, a beautiful solo rendition of 'Buckets Of Rain' by Eddie Reader. Her voice was beautiful and her guitar playing exceptional.


Thea Gilmore then came back on with the boys and sand 'I Pity The Poor Immigrant' before launching into a stunning 'Masters of War', introducing it by saying it is still so meaningful today. It was powerful stuff and she rightly received rapturous applause.

(Thea Gilmore)

Gemma Hayes was up next, an absolutely gorgeous singer from Ireland with an equally gorgeous voice and a nice cheeky smile. The crowd responded warmly to her song choice of 'The Times They Are A Changing' before a beautiful rendition of the modern Dylan classic 'Most of the Time'.

(Gemma Hayes)

Kris Drever was up next with a solo rendition of 'A Hard Rain's A Gonna Fall' before Nell Bryden and the band played a great version of 'Just Like A Woman' and a romp through 'All Along The Watchtower' with James Grant on soaring guitar. Taking us to the break, phew! 


Every artist had a beautiful voice but the power in Nell's voice was something else, powerful and soulful.


Roddy and the band kicked things off with a beautiful take on 'It's Not Dark Yet'. The band were absolutely awesome throughout the night, top marks to them and Roddy for the hours of rehearsal they must have put in.

(Roddy Hart)

Josh Rouse, a funky wee guy, came on for a song I wasn't aware of but I'll be searching for called 'The Man In Me', following it up with a brilliant take on 'Lay Lady Lay'.


The band got a wee break while James Grant returned with a solo take on 'Simple Twist of Fate' before Laura Cantrell wowed the crowd with her takes on 'I Thew It All Away' and 'Mr. Tambourine Man'. She must like the 'Live At Buddokan' album as the rendition of the latter featured the flourishes in that Dylan version.


Young Scot's singer Tommy Reilly came on with his best Dylan impression on'It Ain't Me Babe', looking a bit like a young Dylan, if a little nervous at the size of the crowd.


I was then jealous of Roddy Hart as he got to share the vocal duties with Gemma Hayes on 'Oh Sister', their harmonies combining effortlessly. Rab Noakes then played a fantastic solo version of 'Mississippi'.


And still they kept coming....


'Blowing In The Wind' was a joy before the star of the show (well that was really Roddy Hart & The Lonesome Fire) Roseanne Cash came on, opening with 'License To Kill' before a great version of 'Girl From The North Country' that her Dad had recorded with Dylan.

(Roseanne Cash)

Roseanne was at ease, oozing confidence and personality and she had the crowd singing a long to 'You Ain't Going Nowehere' before Roddy invited all the artists back on for 'My Back Pages' and 'Forever Young'.


After a huge standing ovation Roddy came on solo to play 'It's All Over Now Baby Blue' before everyone joined him for renditions of 'I Shall Be Released' and a romp through 'Like A Rolling Stone'.


This was a great, great night and one I will remember for a long time. Top marks to Roddy for organising such an enjoyable and successful evening.

BMX Bandits 25th anniversary show

Bellshill beat combo the BMX Bandits celebrated 25-years since the release of their debut single with a show at Oran Mor as part of Celtic Connections on Sunday night.

There was an excellent turn out in the venue and it was pleasing that many turned up to see the support acts Randolph’’s Leap and Nick Garrie. Despite wanting to get in to see Randolph’s I unfortunately only caught the last song. I definitely intend to catch them soon as I have been enjoying their music on MySpace.

Nick Garrie was pretty sensational, taking to the stage with his acoustic guitar and a friend on lead acoustic, he had the audience (many of whom (including me), I presume, had never heard of him or his songs before) in the palm of his hand from the first song. According to online research he is best known for his 1969 album ‘The Nightmare of JB Stanislas’ that was out of print and only re-issued in 2005. Raised in France, Nick sang a beautiful duet in French with a girl called Sarah and was at ease talking with the crowd about his memories of writing and recording. I think I will check out the album.

On to the main event, the BMX Bandits. There was a real sense of occasion to the gig and frontman and lead Bandito Duglas T Stewart was in fine form, even more chatty and full of smiles than normal (and that is saying something). The ever-evolving Bandits line-up (with the exception of Duglas) consisted of Rachel (vocals), Jim McCulloch (guitar), Finlay MacDonald (bass), David Scott (keys) and Jim Gash (drums). Throughout the night they were joined by guests and previous Banditos; Norman Blake, Sean Dickson and Gordon Keen, along with Gavin from Randolph’s Leap. 

They opened with ‘Students of Life’ before launching straight into one of my favourite Bandits tunes; ‘Gettin’ Dirty’. Duglas was already in top form with his hand actions, and his energy transferred to the rest of the band with everyone raising their game. The whole set was fantastic, but particular highlights for me included; Norman coming on to sing ‘Serious Drugs’, Duglas introducing us to his apples, a sublime ‘Take Me To Heaven’ and ‘So Many Colours’ off the Bee Stings album, Rachel singing her heart out on ‘I Wanna Fall In Love’, fellow founding Bandit Sean Dickson joining in for the first ever song they wrote ‘The Day Before Tomorrow’ and a stomp through debut single ‘E102’.

A special mention must go to the song ‘Not Knowing You’ that Duglas sang on his own, accompanied only by the extremely talented David Scott from The Pearlfishers on piano. Introduced as a song about someone very special who Duglas used to work with, it really tugged on the heartstrings.

From tugging on the heartstrings with a soulful and emotional ballad, the Bandits were into disco mode with a sensational ‘Sing The Things’, another highlight from the Bee Stings album, complete with handclaps and whistles.

‘Disco Girl’ went back a few years, with Duglas sharing the story of how he had an unfinished song and popped a cassette through his good friend Norman’s door, only to receive a cassette with a start and finish supplied by Norman. I think that short story highlights how people respond to Duglas and his music, with love and support, with the knowledge that it will be returned to them without question. Looking around the venue you could see everyone with smiles on their faces during the songs, singing along with some, clapping to others and laughing at Duglas’ jokes and on stage banter. It was great to see and there can’t be many bands across the world that generate a real feeling of friendship and fun in the audience. Duglas’ natural charm, the loving and hopeful lyrics combined with melodic and warm guitar sounds had the audience at ease, everyone felt at home.

The Bandits left the stage only to be cheered back on for an encore, with Duglas even having time for a quick costume change, returning with a splendid Kermit the Frog green adidas trackie top to match his trainers. The encore was fantastic but over too soon, consisting of a beautiful heartfelt version of Daniel Johnson’s ‘Do You Really Love Me?’ and their traditional closer of ‘Witchi Tai To’ featuring soaring guitar from Gordon Keen. Not one to bask in glory, Duglas left the stage first, leaving an assortment of Bandit brothers and sisters from across the years to finish the song.

Ninety minutes of pure pop with songs about love and hope sent the crowd out into the cold January air with smiles on their faces and a warmth in their heart. BMX Bandits may not have had the record sales or recognition that some of their peers have had, but they have a place in many peoples heart and a documentary film planned for release later this year ‘Serious Drugs: The Story of the BMX Bandits’ could really raise their profile.

Seventeenth Century EP launch at Captain's Rest, 11th January 2011

Last night I headed along to Captain’s Rest for the release of the debut EP by Seventeenth Century. I’ve mentioned them a few times in previous blogs and have been following them for over 2-years, so I was delighted to see their hard work over the last two years resulting in a lovely 10-inch vinyl EP, with the follow up already scheduled for April. I’m also pleased that new Glasgow indie label Electra French have added them to their roster, along with Mitchell Museum. I hope that this is the start of a productive label.

The entrance fee last night was a January friendly £3 and the 10-inch vinyl came with a download code, meaning that those that don’t have record players can have nice bit of art to display in their room and still get the mp3’s to play on whatever gadget they have.

Support for the night came from former De Rosa singer Martin John Henry and it was clearly apparent who in the crowd was there to see him and those that were there for the Seventeenth Century. The first two songs didn’t do it for me and if I hadn’t been driving I would have headed up to the bar for a beer. I’m glad I stayed though as things began to pick up considerably with a beautiful song that contained a lyric something like ‘you know I need a map, I don’t know my way around London’ followed by a song introduced as a rarely performed De Rosa song that had a playful guitar riff.

Henry was certainly warming up, introducing a laptop with beats and samples to accompany him and his acoustic guitar. He seemed genuinely pleased to be playing (I don’t know when he last played) and engaged in witty banter with the older people in the audience, while the young teenage girls sitting at the side looked at their watches wondering when Seventeenth Century were coming on. The last 3 songs were highlights, including a stunning song with a hook that went something like ‘You’re a ribbon and I’m a bow’.

Following a short break Seventeenth Century strode quietly on to the stage and a hush fell over the audience. The band consist of Mark Farmer (lead vocals and violin), Ryan Burns (guitar and vocals), Nicholas Grant (bass and vocals) and brothers Michael and Andrew Truscott on drums and trumpet.

The band quickly demonstrated why there is a bit of a buzz around them by kicking off with a beautiful, short instrumental ‘Amongst Other Things’, allowing them to limber up and it wasn't long before the trumpet and violin began to soar. They then all turned to face the drummer and to those that hadn’t witnessed them live before it must have sounded like they were tuning up, however the melodies and rhythm of ‘Roses In The Park’ appeared, with the band showing off their harmonies and Mark singing with all his heart, as he does every time they play.

The audience were captivated, the teenage girls in front of me mimicked Mark’s flicking of his hair as he got lost in the music. If the NME ever pick up on the band his hairstyle is one that could be replicated around the country. The elder members of the audience nodded approvingly at how tight they were on stage, with one seasoned gig-goer commenting to me at the end ‘they were on the money tonight.’ Nick on bass held things together, allowing vocals, violin, guitar, trumpet and drums to fly upwards and then drop down when required.

From memory there was a song called ‘Bags of Gold’ that I hadn’t heard before, a soaring instrumental, a beautiful ‘Countryside’ and a glorious ‘Young Francis’ that followed, with the last song in particular really demonstrating to any newcomers in the audience how majestic Seventeenth Century can be in full flight. Farmer’s jaw movement as he poured himself into the song with every ounce of soul and emotion in his body reminded me of Kurt Cobain.

During the last song the band jammed furiously with Farmer seemingly hellbent on ripping the strings on his bow to shreds, all of the band roaring along. Having the trumpet, violin and Farmer’s voice on board allows Seventeenth Century to create a unique sound.

Captain’s Rest wasn’t quite full to the brim last night, it being a Tuesday in January after all, but there was a healthy crowd and Electra French will need to start scouting now for a larger venue to accommodate their next EP launch as I expect that the vast majority of people that attended last night will be spreading the word. An outstanding performance.

Celtic Connections - highlights

I was surprised to read that Celtic Connections has been running since 1994, I knew it had been a while but not quite that long. It seems to be getting stronger every year and 2011 will see 1,500 artists play in 14 venues across the city over 18 jam packed days.

So what is there to look forward to? 

Well that answer is going to be different for just about everyone, so I’ll attempt to pick a highlight form each day that may appeal to readers of this site (note I am writing this article for www.glasgowmusic.co.uk ). You can view a complete timetable of all events at www.celticconnections.com

I'll certainly be heading to the BMX Bandits 25th anniversary show, followed by the Dylan birthday celebrations the next night.

It should be noted that the Celtic Connections Late Night Sessions are great fun and are very aptly named, they run every night.

Thursday 13^th January, Torchlight procession from George Square

Celtic Connections kicks off with the traditional torchlight parade from George Square to the Royal Concert Hall. You can take part in this if you visit the website, be quick. It starts at 4.45pm and even if you can’t take part you should make the effort to get along and watch.

Friday 14^th January, Celtic Connections Festival Club, Glasgow School of Art

I had chosen Grant Lee Buffalo at The Old Fruitmarket, but that is now cancelled so head along to the Celtic Connections Festival Club at one of Glasgow’s coolest venues – the Art School. On from 10pm. £8 to get in.

Saturday 15^th January, Giant Sand and The Boy Who Trapped The Sun, ABC

TBWTTS is tipped for big things in 2011, catch him along with the cult legend that is Howe Gelb. Better known as Giant Sand. According to the Boston Globe he is ‘the mythical American cowboy spray-painted in strange, muted shades. Think art-school Neil Young, or Lou Reed wandering the Mojave Desert.”

Sunday 16^th January, The Burns Unit and Broken Records, The Old Fruitmarket

The Burns Unit are a supergroup with no-one that is famous, however Scottish indie music fans will be aware of King Creosote, Karine Polwart, Emma Pollock and Future Pilot AKA. Their latest album is gathering amazing reviews, expect the show to be just as good. Support comes from Broken Records who are well worth catching.

Monday 17^th January, Tom Jones at the Royal Concert Hall

The legend that is Tom Jones will be performing his latest ‘grown-up’ album, so you might want to leave your best knickers at home. However he may well drop in one of his hits if you are good. Support comes from the Glasgow Gospel Choir.

Tuesday 18^th January, Danny Kyles Open Stage at the Royal Concert Hall

You never know who will turn up so pop along at 5pm to see who is on today.

Wednesday 19^th January, Alasdair Roberts at The Tron Theatre

It would have been easy for me to plump for The Walkmen at Oran Mor, however get down the lovely Tron and be pleasantly surprised at the range and depth of Alasdair Roberts songs. He is also a little more 'celtic'. The support act sounds pretty cool too, a young Cameroonian by the name of Muntu Valdo who loops loads of instruments to create his sound.

(Alasdair Roberts, in his Christmas jumper?)

Thursday 20^th January, Ani Di Franco, ABC

The ABC continues its run of great gigs with the prolific Ani DI Franco. I used to fancy her, just so you know!

Friday 21^st January, Celtic Connections Late Night Sessions, Royal Concert Hall from 10pm

Friday night late night sessions are a bit legendary, get down for the craic!

Saturday 22^nd January, Jah Wobble at The Arches

That master of bass Jah Wobble, who has played with PiL, The Orb and Primal Scream amongst others, brings his sound to The Arches. Working with a variety of musicians ensures that this will be an interesting night.

Sunday 23^rd January, BMX Bandits at Oran Mor

Duglas T Stewart celebrates 25-years of writing and singing songs of love and hope with a special gig. Past members of the Bandits have been Norman Blake, Eugene Kelly and Sean Dickson, so keep your eyes peeled for special guests. Get in early for support from Randolphs Leap.

(Duglas T Stewart, BMX Bandits)

Monday 24^th January, Bob Dylan’s 70^th birthday at the Royal Concert Hall

I did hear a rumour that Bob may turn up, you never know with Dylan. However you will be treated to highlights from Dylan’s extensive back catalogue from a wide range of artists including the fantastic Roddy Hart and Roseanne Cash.

(Roddy Hart)

Tuesday 25^th January, Red Hot Chilli Pipers at ABC

The well names Chilli Pipers are in demand throughout the world for their energetic performances. So this gig at the ABC is sure to be jam packed by locals and tourists alike. This is sure to be good fun.

Roseanne Cash is playing City Halls – also worth considering.

Wednesday 26^th January, Seth Lakeman and Fisherman’s Friends, Glasgow Royal Concert Hall

Seth Lakeman goes from strength to strength, described in the programme as the poster boy for the Britfolk generation. Support comes from The Fisherman’s Friends who have apparently just signed a £1 million record deal after a 15-year career!

Thursday 27^th January, Aerials Up at The Arches

I recently caught Aerials Up while I was in London and as I have yet to catch them on their home turf I may well venture down to The Arches on my birthday. The band have already supported Paul Nutini at the Royal Albert Hall and won praise from Gary Lightbody of Snow Patrol fame.

Friday 28^th January, A night of Celtronica at The Old Fruitmarket

This should be an interesting one, with award winning composer Craig Armstrong, PJ Moore from the Blue Nile and Future Pilot AKA and new Chemikal Underground signings FOUND.

Saturday 29^th January, Roddy Woomble and Amelia Curran, St Andrews In The Square

Idlewild’s Roddy Woomble has been playing at Celtic Connections for the last few years in various guises, here he will be playing material from his second solo album but I would imagine he’ll play a few songs from Idlewild’s extensive back catalogue. St Andrews In The Square is a stunning venue, so if you haven’t been before, this could be the perfect excuse. Treat yourself to dinner downstairs in Cafe Source if you do go.

(Roddy Woomble)

Sunday 30^th January, Fran Healy at The Old Fruitmarket

Fran Healy has achieved tremendous success with his band Travis, selling millions of albums around the globe. He is now branching out and going solo. His solo show at Oran Mor last year resulted in mass sing-a-longs of Travis faves, so expect more of the same here.