Showing posts with label The Boy Hairdressers. Show all posts
Showing posts with label The Boy Hairdressers. Show all posts

Thursday, 4 September 2025

The Boy Hairdressers

Blake, McGinley, Lambie, McDonald and McAlinden

The Boy Hairdressers were a short lived band from Glasgow who counted Norman Blake, Raymond McGinley, Francis McDonald (all Teenage Fanclub), Joe McAlinden (Superstar/Linden) and Jim Lambie (contemporary artist) as their members. Paul Quinn (Teenage Fanclub) also played some shows.

Blake, McDonald, McAlinden 

The band released their only recordings via Stephen Pastel's seminal 53rd and 3rd label in January 1988. The 3-track 12-inch consisted of A; Golden Shower, B; Tidalwave, B2; The Assumption As An Elevator.

The Boy Hairdressers and their sole release have taken on something as a cult status - given what the members went on to achieve. The recordings (rough and raw, but made with love) are a glimpse of a band developing - not really quite there with their sound/style.


Golden Shower is easily the best song on the record and was shown some love and appreciation when Teenage Fanclub covered/revisited the song when they played The Barrowland in 2022. High pitched harmonies over sparse acoustic guitar start the song. Then, after a brief pause, bass, drums and keys/vibrophone/flute bring things to life. I'm pretty sure Raymond used some of his guitar work in other songs. 

Tidal Wave is like a mock English folk song. I imagine it might sound better as an Irish folk song. Although under two-minutes long, I'm pretty glad when it's finished. I'm not a fan of this one.

On the final song, The Assumption As An Elevator, I find myself asking who is singing. Is it Norman? I like the outro, with some nice guitar noodling from Raymond, while Jim Lambie creates Velvets-y effects.

When you read some quotes from interviews Norman gave following the break up of The Boy Hairdressers, it's no surprise to find him highlighting his relief that his new band (Teenage Fanclub) is just me ... being me

Teenage Fanclub cover an 80's band at the Barrowland

Given that The Boy Hairdressers brief existence was in a pre-internet, pre-mobiles and pre (easily available/affordable) video camera era, there is extremely limited information about the band online.

However ... I did some digging and uncovered interviews, fanzines, photos, (hazy) fan memories and stories from band members, those around the band and fans who caught The Boy Hairdressers and very early Teenage Fanclub.

Photos by Andrew Turner
Horse & Groom pub, Bedford, 17th October 1987

Norman and Raymond were interviewed in a Pastelism fanzine just after they started Teenage Fanclub. Perhaps this section of the Q&A between Stephen and Norman speaks volumes about why Blake broke away with Raymond to form Teenage Fanclub

Patelism: It seems The Boy Hairdressers were just getting a fair amount of interest and then you split up. So what happened?

Norman: The thing about The Boy Hairdressers was that no-one was really motivated to do anything. We were very badly organised ... it ended up that only me and Raymond were putting any effort in. ...

Pastelism (on the song Golden Shower): Do you think it was all a bit naive, all that sex and smutty innuendo stuff? 

Norman: Aye, I'm a bit embarrassed by it now. It was a bit stupid.

Later in the interview;

Norman: ... the new stuff (TFC) reflects more of what we are really about. We feel much more comfortable with Teenage Fanclub ... it's just (me) being me.



In 2021, Raymond and Norman spoke with Ed Nash for a brilliant interview, in The Line Of Best Fit reflecting back on pivotal moments in Teenage Fanclub.

Here is what they had to say about The Boy Hairdressers;

Norman: The Boy Hairdressers had fizzled out and Raymond and myself were the two people left standing. We'd put out a 12 inch on Stephen Pastel's label (53rd & 3rd), so we'd had a taste of what that was like. We wanted to move on and put an album out as soon as we could.

Raymond: People knew who the band were, but it wasn't like we did a lot. We put out one single and played a handful of shows. We were really frustrated by that and once the Boy Hairdressers finished we had this idea that we wanted to make a record before we started talking about what the band was.

Norman: We had a number of songs we planned to work on and that we'd played at the latter end of the Boy Hairdressers. We wanted to do stuff rather than talk about it, so we thought 'Let's put an album out, let's just go for it,' but we couldn't afford to do that. Now you've got Pro Tools on a computer, but a Portastudio was state of the art then. The embryonic part of A Catholic Education was us sat in Raymond's flat recording these very basic demos on a Portastudio. That's where it all started for Teenage Fanclub.

Both of these interviews, although short, probably tell you all you need to know about The Boy Hairdressers. They had fun and a bit of a laugh, played a few gigs, got some attention, put out a record but didn't quite gel and different members of the band perhaps had other priorities/options. 


Raymond and Norman took a few songs into Teenage Fanclub, including Don't Need A Drum and Too Involved, with Raymond funding the recording of debut album A Catholic Education after being left some kitchen appliances (including a fridge) by a neighbour. Check a previous blog on the Fanclub debut HERE

You can listen to The Boy Hairdressers 4-track demo of Don't Need A Drum below. You can instantly hear the move away from the sound of the debut EP - this is cooler and more assured - even as a 4-track recording. This, as highlighted in Norman's interview above, is really a Teenage Fanclub demo. 

Other demos that fans have mentioned (but are currently unavailable online) include Saliva (that went on to become Too Involved) a song called either Flying Helmet or Magic Helmet and a Norman song that BMX Bandits recorded - Let Mother Nature Be Your Guide - LISTEN


I asked a few people in, involved with or around The Boy Hairdressers for some information and (hazy) memories. 

Photo by Kaori Laird

Paul Quinn: It wasn't until I turned up to do the first gig I played with them that I realised Joe McAlinden and Jim Lambie were also in the band! That show was at The Volcano at the bottom of Byres Road where the club scene was filmed for Trainspotting. The 2nd show was at Fury Murry's. After the show, I was asked by Raymond and Norman about what I was planning to do and I stupidly said I was going to continue playing with the guys from Bellshill I was in a band with. I had my reasons for that decision. However, it was a stupid decision as The Boy Hairdressers didn't last long after that. They both went on to form Teenage Fanclub. 

Andrew Turner: It was my brother Nigel who promoted the Bedford (photos from the Horse & Groom above) gig way back in 1987. Norman still remembers the occasion with a certain amount of fondness - he even held up a photo of said gig during the recent (August 2025) Teenage Fanclub show in Bedford.

Duncan Birrell
Pretty sure I caught them live, I think one time may have been on a two-night charity gig for Shelter in Glasgow around 1987 at the old Volcano, at the end of Byres Road. I think the Groovy Little Numbers and The Bandits played one of those nights too - using a lager can as a guitar slide. Heady days!

Joe McAlinden
A review from our first gig. Raymond hadn't joined but was watching in the audience.


Photos from Joe's personal collection

Kevin Francis
Saw them at ULU bottom of the bill below Dinosaur Jr and Primal Scream. All I remember is that someone was sitting down, possibly Norman and there was one song that started with A Capella Beach Boys style harmonies. I loved it!

Brendan O'Hare
They were all from another planet.

Kaori Laird: The voice saying Boy Hairdresser in Japanese at the beginning of the Teenage Fanclub song Speeder - is my voice! It was recorded at Norman's Granny's house. 

After Boy Hairdressers there were rumours circulating that Norman was already working on a new band - who would become Teenage Fanclub. I asked Norman what they would be called and he said Black Watch or Old Grandfather Clock. I knew he was not serious, but it was so Norman (isn't it?).

Fraser Gillespie
The Boy Hairdresser was a terrible novel by Joe Orton and Kenneth Halliwell. I saw them at least twice in Glasgow and also Norman's previous band The Faith Healers. Their keyboard player, Jim Lambie, did posters and filmed for Splash 1. He went on to become a very successful artist. I have a demo of Saliva which became the TFC song Too Involved - was that The Boy Hairdressers? I saw the very first TFC London gig at the Camden Falcon. It was obvious that they were going to be successful.

Graeme Williams
I saw them live supporting The Pastels at The Boardwalk in Manchester - was a great night, quite the shambolic gig to use a well worn trope, but you could tell they had something special. I have the ticket stub still somewhere.

Steph Wood
I put them on once and they slept on my floor - I still occasionally find one of those round blue Golden Showers stickers when I pull a random record out of it's sleeve ...

Antonio Navarro Ros
In Pastelism fanzine appears the first Teenage Fanclub interview ever and Norman and Raymond talk about the disband of The Boy Hairdressers. Here is the link (also see above)




Wednesday, 20 April 2016

Spinning Coin


Spinning Coin are a relatively new band from Glasgow made up of Cal Donnelly, Chris White, Jack Mellin and Sean Armstrong.

The 4-piece have just released Albany on 7-inch via The Pastel’s Geographic Records.


Spinning Coin have produced something that equally sounds like they really care about what they are doing and like they don’t give a f**k and are making music for no-one but themselves. That, at least for me, is usually a good place for a band or artist to be.

In a little over two-and-a-half minutes, Spinning Coin deliver a beautiful, raw gem. The guitars are gloriously scuzzy, fuzzy and soulful, the drums and cymbals keep things going and the vocals are pure, dreamy and true.

There are so many things I’ve never even considered

Stephen Pastel is always good for a quote and has said; ‘Albany reminds me most of a feeling I had at the end of the Boy Hairdressers and the beginning of Teenage Fanclub. There was never enough of that. Spinning Coin, so good.’

Sean Armstrong from the band was kind enough to answer a few questions I emailed over. Read on for a little more info and forthcoming live dates.

Spinning Coin - Interview

1. How did Spinning Coin form?

Spinning Coin formed and mutated from a band billed as 'the sean armstrong experience': a group formed to showcase the songs of one of our members within a bassment gig type scenario.

2. How quickly did you start to write/create songs/music? 

The band very quickly became a collaborative project creatively. We had some things we made up and would play on each other's songs and then we would meet in the middle sometimes.

3. You released some material though Fuzzkill Records who are becoming vital in helping bands develop. How did you get involved with them? 

We met Ross at music shows around Glasgow. We just sort of became friends i guess.

4. What other current bands from Glasgow do you like? 

breakfast muff, seconds, rapid tan, big boys' karaoke, hans greene, smack wizards, sharptooth (rip), anxiety, happy meals, antique pony, chump, in posterface, vital idles, leacher, mordwaffe, sick of talk, the modern institute, the yawns, psychic soviets, the pastels...to name a few. there are so many. glasgow is currently where the magic is at.

5. What kind of stuff are you listening to at present?

Stuff that focuses in on, attempts to explain or accentuates the grey areas in life and the cosmos: I (Sean) have been listening to a lot of friends' music. Also Kate Bush, some Subway Sect...Swell Maps.

6. You’ve just brought out your new single on Geographic/Domino. How much of a step up does that feel like?

Perhaps it feels like a step out rather than just a step up. What we have been doing up til now feels just as important, but it feels like this part of our journey will help us to reach a wider audience.

7. Stephen Pastel has been promoting and helping young bands for over 30-years, including the likes of Jesus and Marychain and Primal Scream. Has he given you any advice? 

Stephen's not really the sort to break out with big rules to live by, or with universal truisms...a calming and nurturing influence for sure. He told me to get a tuner pedal!

8. What’s next for Spinning Coin? Are you working towards an album?

Practice practice practice, with some experimentation thrown in, and some live appearances. We are looking forward to releasing our first album, and have 20 songs recorded, provisionally labeled as demos. For now we are preoccupied in building a rocket to launch ourselves into space.

9. Any shows coming up?

24th April - Glasgow, 13th Note

12th of May - Glasgow, The Poetry Club

13th May - Glasgow,13th Note Restless Natives Festival

14th May - Manchester, Fuel Cafe Bar

15th May - Brighton, Hope and Ruin (matinee gig)

16th May - London, New River Studios

17th May - Cardiff, Joy Collective

4th June - Inverness, Brew at the Bog Festival

25th June - Glasgow, CCA w/ Vic Godard and The Subway Sect

Sunday, 19 August 2012

Linden - Bleached Highlights

Linden is Joe McAlinden, formerly of Superstar, guest on Teenage Fanclub records and very formerly of The Boy Hairdressers.

Linden's debut album 'Bleached Highlights' has just been released on Edwyn Collins new label AED Records

The album is already receiving some excellent reviews;

  • Album of the Week - Scotland On Sunday
  • “A beautiful record” 4/5 - Q Magazine
  • Album of the Week - Alexis Petridis The Guardian
  • “Beautifully assured” - The Scotsman
  • “This album is stunning” - Daily Record
  • Album of the Week - Vic Galloway BBC Radio Scotland
  • Album of the Week - Tom Morton BBC Radio Scotland
  • “Perfect pop moment” 4/5 - Sunday Express
  • “Glorious… A prime contender for Scottish Album of The Year” - The Sun

If I was to add something from this blog to the section above it would be;
  • "Immediate guitar pop with hooks and harmonies. Simple at times, always beautiful." everythingflowsglasgow
 The first four tracks on this album are sublime, as good as anything you will hear all year, or any year. McAlinden has an effortlessly pure voice and he splices it perfectly with chiming and warm fuzzy guitars.

Opener 'Brown Bird Singing' has been released as a limited 7-inch via AED. Upon listening, it is easy to understand why it was chosen as the lead single, although there are a load of potential follow ups.

It is the sound of sunshine, beautifully produced by Edwyn Collins and Sebastian Lewsley. Check out the DIY video below.

The opening four tracks on the album grabbed me; immediate guitar pop with hooks and harmonies. Simple at times, always beautiful.

'I Just Wanna Be Here (When I'm Somewhere Else)' and the title track 'Bleached Highlights' flow beautifully, leaving me wonder if they were written around the same time. 

'Thank You' has a chorus that just lifts the whole song;

I'm never gonna let you down girl, take my hand and welcome me back home
Hey, I'm always gonna be around girl, understand that you're my way back home

The CD (resplendent Jim Lambie print) comes with a lyric book and looking over the lyrics as I listen it is clearly evident that 'Bleached Highlights' is an out and out love album. 

That is hammered home by 'If I Had Wings' which (on only a few listens) is a song that stands out, brilliant guitar work and McAlinden sounding particularly angelic and soulful. At only 2 minutes and 20 seconds long, you'll be playing it several times in a row.

I finally found you
My senses around you
I finally found you

People in love experience all kinds of emotions and 'Written' and 'Hear My Name' highlight insecurities, maintaining the flow of the album but just slowing it down ever so slightly.



'Something Wonderful' is acoustic based until the chorus with McAlinden sounding almost breathless as he is singing his hear out.

Somethings wonderful just got better
And I think of you every day

The album closes with 'Hide Away' with a melody that reminds me of something else but I just can't place it. However that is one of Linden's (and indeed McAlinden's) clear strengths - immediately accessible and understandable guitar pop with melodies and hooks. It is simple and pure, this is not an album that will take you a dozen listens to get into, you either like it and get it or it isn't for you.

I like it and I've got it!