Kerr Mercer at King Tuts

Word of mouth is still the best form of publicity. Word is slowly, but surely and steadily, spreading through the Glasgow and Scottish music scene about young singer-songwriter Kerr Mercer.

I first caught Kerr back in October 2023 when he opened Tenement Trail on a wet and stormy Saturday afternoon. Those of us that were in Saint Luke's early enough were treated to a warm welcome as Mercer played a short set of songs he had been writing and recording.

Still only 17, Kerr is at ease playing both piano and guitar and he has a deep, rich and soulful voice that tugs on heart strings, sends tingles down spines and causes jaws to drop. 

Following the Tenement Trail set, Kerr then picked up a some excellent support slots, including shows with both McFly and Callum Beattie at the Barrowland Ballroom towards the end of the year.

Kerr then kicked off 2024 by playing a sold out headline gig in the intimate and immensely cool setting of The Poetry Club. Attending felt like being let in on a secret. His 9-song set was cool, calm and confident. Mercer was funny while speaking with the crowd, wearing a broad smile as friends sang-along to a couple of songs. Guess I Flew To Close To The Sun was a personal highlight for me. 

Momentum has continued to build, with more support slots, including dates with The Snuts at the Barrowland in the lead up to a sold-out show at King Tuts Wah Wah Hut, the legendary Glasgow venue that has been such an important step in so many careers.

Ahead of the build up, Kerr also announced that he would be playing TRNSMT in the summer - he has a lot going on, even before he has released a single.

Support at King Tuts was a young female singer-songwriter called Abbie Gordon, backed by her friend on acoustic/electric guitar. I could imagine some of her songs drenched in reverb and backed by strings. Gritty at times, more melodic at others, she has a lovely voice.

Kerr Mercer came on stage just after 9pm to a huge reception from the crowd packed into Tuts. I immediately recognised set opener Jealous from the Poetry Club. Mercer started with his deep soulful voice for the verse and then soared effortlessly into a flowing chorus. It was the first of many songs that I could imagine being a single and hearing it on the radio.

Carry Me Home was another. Mercer leaves a lot of space in this song, which, at times, has an almost gospel feel to it. Rich in soul and feeling. With only Mercer's electric piano and voice, it packed a punch and could become a real favourite of mine. 

With no music released online, I'm still getting to know (or guessing) Kerr's song titles. Happy to Hurt was another song that leapt out at me. The recognition from the Poetry Club assisted by the excellent King Tuts sound system.

Kerr's confidence was highlighted when he said he would play a brand new song, Lyla, that he had written only the week before. There was a funny and beautiful moment when he forgot the first line and had to go back to his piano. Thankfully his manager got the demo on his phone and let him hear it, so we could get a song literally hot off the press.

Mercer joked of playing slow ballads and then even sadder slower ballads, but everyone was under his spell. There is a warmth in the melancholy. The lyrics, voice and melodies connected with people. The falls or little drops and pauses followed by soaring rises can be breathtaking, while Kerr's whole down-to-earth manner made us all feel part of a very special evening.

With no music released, Kerr played Thinking Out Loud by Ed Sheeran and encouraged people to sing-a-long if they knew the words. A number of people did and his performance with just piano and vocals was stunning. I wasn't aware of this song and after listening to it today, I was pretty amazed at the way Kerr transformed it. Lyrically, it is a beautiful song, but Mercer added some soul. 

Back to Kerr's own growing collection of songs though! Someone to Miss has a chorus that goes on and on, dropping, then coming back in with extra force. Her aches in all the right ways and the aforementioned Guess I Flew To Close To The Sun was stunning. 

Kerr was able to leave his piano and guitar to the side for closer One In A Million as he was joined by his friend on acoustic guitar. It was another gem, the perfect way to end a show which perfectly encapsulated Mercer's phenomenal talent as a songwriter and performer.

Kerr announced his next headline show during his set. He plays the beautiful Saint Luke's on Tuesday 1st October. Look out for this young talent, he is going places ... fast!

Poster Paints at the Poetry Club

 

God it's so good to be back at gigs. 4 in under a month. Each time I have felt elated from the sounds, the company, the atmosphere, the venues, the little moments of magic, the banter ... 

Through the course of the 4 gigs I've gone from grand (Assembly Rooms) to larger and legendary (Barrowland) to pretty small and legendary (King Tuts) to super cool and intimate - The Poetry Club.

Owned by the artist Jim Lambie, the capacity of The Poetry Club (situated through a blink and you'll miss it door next to SWG3 in an old railway arch) is a mere 120, You walk into a small bar area with a couple of Lambie designs on the walls, then through the to gig venue that somehow incorporates a little balcony due to the high ceilings.

Support on the night was a solo set by Broken Chanter, AKA David MacGregor. In the intimate setting I grew to appreciate his guitar playing and style, songwriting and storytelling, all the more. Should We Be Dancing? from his eponymous 2019 debut album is a gem of a song, as is Don't Move To Denmark which was my favourite of MacGregor's songs on the night, he really got into a flow at the end, repeating the a glorious chorus over and over.

don't move to Denmark, don't stay on my behalf,

the brass on my neck made you laugh all night, all night

what if you stay and I disappoint

thoughts like this keep me up all night, all night

On to Poster Paints, their first headline show after 3 support slots with Teenage Fanclub last month. This time they had their own teenage fanclub with a number of cool young kids standing to my right.

The band played beautifully, full of confidence, unafraid to play slower songs that built, but also playing faster paced songs like their two singles to date; Never Saw It Coming and Number 1. Fall Hard could well be a candidate for single number 3, while the closer My Song is fast becoming a favourite, the way the song develops after a couple of minutes, with new layers being added, the pace picking up, New Order style synths being introduced and the hypnotic guitar riff just keeps playing, backing vocals come in ... sublime. Might be too long to be a single, but for a gig and album closer - perfect!

I gave you the chance to have and to hold me

It turns out, that I got it wrong

Poster Paints invited Broken Chanter up on stage to sing a song called Ribbons in place of Lomond Campbell who co-wrote the song, due to Campbell living in the Highlands. The dreamy psychedelic, reverb-y guitars were sublime. Carla came in to sing the chorus - a gorgeous song.

The song that melted my heart, probably most hearts in the room, was a beautiful ballad called Hard to Sweeten. Callum on drums switched to a mellatron, while the band delivered gentle chords and riffs, while Carla's voice was crystal clear;

Cause I was warned of love like yours

That's hard to sweeten

But I adore a fire that burns

That scars me deeper

A beautiful song, it sounded instantly classic, a beautiful gig. I look forward to seeing what Poster Paints do next.

Photo by Robert Winning

Spinning Coin

Spinning Coin are a relatively new band from Glasgow made up of Cal Donnelly, Chris White, Jack Mellin and Sean Armstrong.

The 4-piece have just released Albany on 7-inch via The Pastel’s Geographic Records.

Spinning Coin have produced something that equally sounds like they really care about what they are doing and like they don’t give a f**k and are making music for no-one but themselves. That, at least for me, is usually a good place for a band or artist to be.

In a little over two-and-a-half minutes, Spinning Coin deliver a beautiful, raw gem. The guitars are gloriously scuzzy, fuzzy and soulful, the drums and cymbals keep things going and the vocals are pure, dreamy and true.

There are so many things I’ve never even considered

Stephen Pastel is always good for a quote and has said; ‘Albany reminds me most of a feeling I had at the end of the Boy Hairdressers and the beginning of Teenage Fanclub. There was never enough of that. Spinning Coin, so good.’

Sean Armstrong from the band was kind enough to answer a few questions I emailed over. Read on for a little more info and forthcoming live dates.

Spinning Coin - Interview

1. How did Spinning Coin form?

Spinning Coin formed and mutated from a band billed as 'the sean armstrong experience': a group formed to showcase the songs of one of our members within a bassment gig type scenario.

2. How quickly did you start to write/create songs/music? 

The band very quickly became a collaborative project creatively. We had some things we made up and would play on each other's songs and then we would meet in the middle sometimes.

3. You released some material though Fuzzkill Records who are becoming vital in helping bands develop. How did you get involved with them? 

We met Ross at music shows around Glasgow. We just sort of became friends i guess.

4. What other current bands from Glasgow do you like? 

breakfast muff, seconds, rapid tan, big boys' karaoke, hans greene, smack wizards, sharptooth (rip), anxiety, happy meals, antique pony, chump, in posterface, vital idles, leacher, mordwaffe, sick of talk, the modern institute, the yawns, psychic soviets, the pastels...to name a few. there are so many. glasgow is currently where the magic is at.

5. What kind of stuff are you listening to at present?

Stuff that focuses in on, attempts to explain or accentuates the grey areas in life and the cosmos: I (Sean) have been listening to a lot of friends' music. Also Kate Bush, some Subway Sect...Swell Maps.

6. You’ve just brought out your new single on Geographic/Domino. How much of a step up does that feel like?

Perhaps it feels like a step out rather than just a step up. What we have been doing up til now feels just as important, but it feels like this part of our journey will help us to reach a wider audience.

7. Stephen Pastel has been promoting and helping young bands for over 30-years, including the likes of Jesus and Marychain and Primal Scream. Has he given you any advice? 

Stephen's not really the sort to break out with big rules to live by, or with universal truisms...a calming and nurturing influence for sure. He told me to get a tuner pedal!

8. What’s next for Spinning Coin? Are you working towards an album?

Practice practice practice, with some experimentation thrown in, and some live appearances. We are looking forward to releasing our first album, and have 20 songs recorded, provisionally labeled as demos. For now we are preoccupied in building a rocket to launch ourselves into space.

9. Any shows coming up?

24th April - Glasgow, 13th Note

12th of May - Glasgow, The Poetry Club

13th May - Glasgow,13th Note Restless Natives Festival

14th May - Manchester, Fuel Cafe Bar

15th May - Brighton, Hope and Ruin (matinee gig)

16th May - London, New River Studios

17th May - Cardiff, Joy Collective

4th June - Inverness, Brew at the Bog Festival

25th June - Glasgow, CCA w/ Vic Godard and The Subway Sect