Showing posts with label Bob Stanley. Show all posts
Showing posts with label Bob Stanley. Show all posts

Sunday, 22 March 2020

Who Do You Think You Are

Cover version of the month #53

Saint Etienne cover Jigsaw



Back in 1993 I was 17, spending pretty much all my money on either going out or buying records. I've got quite a few Saint Etienne singles on vinyl from this time and looking back at their discography I'm reflecting on what an incredible run of singles they had through the 1990's, particularly in the first half.

In 93 the band released a double a-side single on Heavenly Recordings; Hobart Paving b/w Who Do You Think You Are. I have to admit, I was, and still am, rather captivated by Saint Etienne singer Sarah Cracknell and oh how she smoulders in the video!

Pete Wiggs, Sarah Cracknell and Bob Stanley

I always thought that this was a Saint Etienne song, it was only many years later when I met Duglas T Stewart to record podcast (that you can listen to here) and he selected the q version of the song by a band called Jigsaw back in 1974.

Who Do You Think You Are is pop perfection. Oh my, it really is perfect. The verse flows, builds, there is a bridge and then a glorious sky scraping chorus.

Written by Des Dyer and Clive Scott, the song was first released by the band Candlewick Green in 1973, before Dyer and Scott recorded and released their own version with their band Jigsaw the following year. The song travelled to America that year with the band Bo Donaldson and the Heywoods also recording a version.



As Dyer and Scott wrote the song, I'm going to concentrate on their version with Jigsaw.

The Jigsaw version begins with an upbeat piano riff before a beat and groove kick in. The chorus soars and the vocals are slightly strained to generate that little lift, just perfect. I love the backing vocals coming in towards the end, leaving the lead singer to just keep singing who do you think you are?


The Saint Etienne version adds in a funky drumbeat, changes the piano to keys/synths and Sarah Cracknell's voice is like honey dripped all over it. The strings help the chorus soar and the short instrumental is just pure Saint Etienne, pure pop. The extended bridge to the chorus is outstanding, lifting things ready for the take off.

Saint Etienne have always demonstrated impeccable taste in music. Bob Stanley has brought out some outstanding compilation albums over the years. The band have already featured in this feature with their transformative cover of Neil Young's Only Love Can Break Your Heart. You can find links to all the previous 52 cover version of the month blogs below.

You'll also find the video of Who Do You Think You Are? alongside appearances on Top of the Pop and The Beat.

Who do you think you are?
You tried to push me a bit too far
And every day sees another scar
Oh tell me who do you think you are
If you want me there
You gotta care, oh tell me

Who do you think you are
Taking advantage of me this way?
Tell me who do you think you are
Hurting me more with the things you say
It's not fair, you don't care
Who do you really think that you are?





Previous covers of the month
13. Hurt

Friday, 6 December 2019

The Music Box by Ruth Copeland


Trust me #8
The Music Box by Ruth Copeland

In the summer of 2004 I bought a compilation album called Songs for Mario's Cafe by Saint Etienne. Well before then, I had learned that Bob Stanley from the band had exceptional taste in music that was matched by his knowledge and thirst for more.

Every single song on this compilation was like finding treasure. I hadn't heard any of them before! I'll be blogging on some of my favourite compilation albums in 2020.

One of the songs that stood out from this particular compilation was a song called The Music Box by an artist called Ruth Copeland. I was blown away by the music, production, voice and raw emotion that leapt out of this song.


Starting with a children's choir singing a la la la la la la la melody, that you can instantly sing-a-long to, The Music Box makes use of the choir throughout, with Copeland singing in a crystal clear voice over a funky Motown style beat.

Copeland is on a plane to meet a lost love who has written to say he is marrying and has a child. In her pocket she carries the letter and a music box that her lost love had given her. Reading between the lines, the music box kept the flame alive. Now, Copeland feels she has to return the music box which plays their song.

The second verse is heartbreaking, Copeland meets he lost love, hands him the music box and walks away, hearing him open the box and play their song.

I could only hand to him the music box and turn away
And as I walked away from all our love I heard him play

The la la la la la la la melody is what the music box plays, leading to an incredible section of the choir singing the melody and Copeland breaking down, literally sobbing along over a beat that is crying out to be sampled, if it hasn't been already.

Trust me, this is a gem. Check it out below and dig into her limited back catalogue that includes a sensational 8-minute cover of Gimme Shelter.



Previous Trust Me blogs

1. Something On Your Mind by Karen Dalton
1A. Crimson and Clover by Tommy James and the Shondells
2. I Am, I Said  by Neil Diamond
3. Where's The Playground Susie?   by Glen Campbell
4. If You Could Read My Mind by Gordon Lighfoot
5. Gimme Some Truth by John Lennon
6. Gone With The Wind Is My Love by Rita and the Tiaras
7. In The Year 2525 by Zager and Evans

Friday, 24 June 2016

Saint Etienne and The Pastels at the Art School


Last night The Pastels and Saint Etienne clearly nailed their REMAIN EU colours to the mast and they were all too aware that they were playing a show as voting around the UK came to a close. Sadly that flag is flying at half-mast today.

Things were running late as Saint Etienne’s train up to Scotland had been hugely delayed, meaning they only arrived into Central Station at 6pm. Load-in, soundcheck.....

The Pastels took to the stage to cheers and Stephen Pastel was quick to thank people for coming and then voice that the referendum results were weighing heavily on his mind.

The 6-piece line-up (two guitars, bass, drums, keys and flute) started with the (largely) instrumental Slow Summits, the title track from their latest album. The contemplative and reflective song was a perfect opener, certainly giving the audience a chance to think about the night and decision ahead as The Pastels weaved their magic.

Songs from the album made up the majority of the set, Night Time Made Us was a particular highlight with the band gelling together to create something quite gorgeous.

The 6-piece became an 8-piece when they were joined by an extra guitarist and Tracy Anne from Camera Obscura for a delicious romp through Nothing To Be Done. The pace quickened and it sounded sublime.

When I was young
I used to sing
I didn’t care for anything

Tracy Anne departed and Stephen strapped his guitar back on (after a little mis-hap) and the 7-piece line-up of The Pastels had 3 guitars creating a wonderful Velvets meets Spector wall of sound for a stunning version of Baby Honey. Originally released in 1984, the song zips with zest and an electric energy. It was great to see the band play again.


Saint Etienne were a 7-piece for the night. Pete and Bob were set up behind banks of equipment at the back, someone on keys was at one side of the stage, then there was someone on viola, a backing singer, guitarist and multi-instrumentalist. And then the gorgeous Sarah Cracknell on vocals.

Nothing Can Stop Us opened the show and the band were sounding good. There was a slight technical glitch afterwards, Sarah engaged with the audience but as it dragged on she ended up in fits of giggles before we were back on the way.

The set mixed classic singles with some new(er) album cuts and singles. The audience lapped it up as the band showcased their fantastic mix of pure, melodic, catchy, clubby and cinematic pop.


You’re In A Bad Way was the very first Saint Etienne 7-inch record that I bought, away back in 1993. It still sounds fresh, fun and joyous.  Tonight was a highlight from later day Saint Etienne that will definitely see me delving into some of their more recent albums. It was glorious.


The acidic pop of Like A Motorway was probably my highlight of the night, bubbling synths, beats and a dreamy Sarah Cracknell vocal - sublime.

The Saint Etienne cover version of Neil Young’s Only Love Can Break Your Heart (that I previously blogged about here) was just perfect, the old synth sounds still sound timeless, futuristic and Young’s lyrics will always ring true.

The encore started with a beautiful rendition of Hobart Paving, with Sarah Cracknell in fine voice. The poetic lyrics paint picture and it was a stunning performance with Sarah really shining.

Pete and Bob came back on and then it was on to pure pop with He’s On The Phone with the seemingly never-ending chorus that flowed and flowed and flowed, as we all danced, sung and raised our hands in the air. The blissful pop removing the referendum result from our minds.....for a while...





Sunday, 13 March 2016

Songs for the Carnegie Deli

There is a blog title I bet you never thought I would be posting!

Saint Etienne presents Songs for the Carnegie Deli is the full title for a new compilation album that yet again showcases and highlights the impeccable taste and knowledge of St Etienne's Bob Stanley and Pete Wiggs.

Stanley's sleevenotes are fantastic, setting the scene, the mood, the atmosphere and location - a diner in New York City - that inspired him to compile an incredible selection of songs.


Stanley has previous - Songs from Mario's Cafe and The Trip are two of my all-time favourite compilation albums, turning me on to songs like All Our Dreams Are Coming True - an instrumental that my wife walked down the aisle to when we got married, Shooting Star by The Mama's and The Papa's shoots for the stars and succeeds in reaching them, the glorious My Love Is Your Love by the Isley Brothers, the heart on the sleeve It Must Be Love Coming Down by Major Lance, the magnificent Music Box by Ruth Copeland and the stunning I Love You For All Seasons by The Fuzz.....and many more.

5 standouts for me;

Night Hawk by The Valli Boys opens the album, a slow instrumental groove (after a short spoken word intro) builds and just draws you in. Funky brilliance.


Summer's Comin' In by Little Anthony and the Imperials sounds exotic - the little instrumental at the start, the slightly raspy vocal and the dreamy and uplifting lyrics are a delight, the melodies are
playful and seductive.

Love (It's Getting Better) by The Groove bursts into life full of love and soul, heartfelt words are sung with real emotion and gusto, the music and production has a lovely uplifting feel to it.


Lover's Melody by Dawn does everything it says on the tin. A beautiful sunshine melody and vocal as pure as you will find.

I'm Fallin' Down (version 2) by Lesley Gore is the kind of song that you know Bob Stanley will adore - it is a particular standout, the surge and flow into the euphoric double chorus is incredible.

Far away from somewhere
Reaching the heights of nowhere
I'm down
I'm fallin' down

Long ago from sometime
Counting the hours of lost time
I'm down
I'm fallin' down

The album is released via ACE Records, so help them release more by buying it DIRECT


Thursday, 10 March 2016

March 2015 Podcast

Everything Flows - March 2016 Podcast


Welcome to the March 2016 podcast which rounds up music from albums that I have bought and enjoyed to date in 2016. 3 Scottish artists feature alongside the legendary David Bowie, some choice cuts from a Bob Stanley compilation, Spanish girl band Hinds and Doug Tuttle. 

Listen HERE

They All Know Something
- JR Green
Garden - Hinds
Love (It's Getting Better) - The Groove
Saturday - Sunday - Doug Tuttle
Shipcracks - The Second Hand Marching Band and Benni Hemm Hemm
Dark Skies - Emma Pollok
I Can't Give Everything Away - David Bowie
I'm Fallin' Down (version 2) - Lesley Gore

Previous Everything Flows Podcasts

Podcast #1 featuring Teenage Fanclub, David Bowie, Dr Cosmos Tape Lab, Brian Wilson, Dennis Wilson, JR Green, The Undertones

Podcast #2 featuring The Troggs, Happy Meals, Rose McDowall, The Frank Popp Ensemble, Fun Boy Three, Jo Mango and The Pictish Trail, Miaoux Miaoux, Yo La Tengo

Podcast #3 featuring Primal Scream, My Bloody Valentine, Sonic Youth, Marlena Shaw, Natalie Prass, November Lights, Molly Nilsson

Podcast #4 featuring The Chemical Brothers with Beck, The Charlatans (Brian Jonestown Massacre mix), BMX Bandits, Edwyn Collins, The Parliaments, K-Klass, White

Podcast #5 -Tim Peaks Electric Fields line-up featuring The Charlatans, Yucatan, Blueprint Blue, Documents, TeenCanteen, Horsebeach, Hot Vestry, Riding the Low, Tim Burgess

Tuesday, 24 November 2015

Only Love Can Break Your Heart

Cover version of the month #6


St Etienne (with Moira Lambert on vocals pre Sarah Cracknell) transform Neil Young's beautiful Only Love Can Break Your Heart - modernising it, taking it into the future, making it timeless.

Of course Young's version remains timeless, its rustic, simplistic acoustic chords and Young's aching, breaking voice singing;

I was always thinking of games that I was playing
Trying to make the best of my time

But only love can break your heart
Try to be sure right from the start
Yes only love can break your heart
What if your world should fall apart


Yet, for me, St Etienne arguably improve upon Young's genius, taking the song to new places that just so happened to fit in with the Acid House and ecstasy scene that was gripping the nation at the time.

Released in 1990, Only Love Can Break Your Heart remains a pre and post club favourite, also sounding superb in clubs. This was recently played at Everything Shakes at The Admiral in Glasgow and it was probably the song of the night.

The song was recorded in 2-hours in a makeshift bedroom studio - it has that raw, unpolished quality and it remains a true gem that will continue to captivate audiences for years to come.


There are a raft of remixes to explore;

Remixes

Andrew Weatherall a mix in two halves

Masters at Work dub remix

Richard X remix

Kenlou B Boy New mix

Fox Base Beta mix

Flowered Up remix