Who Do You Think You Are

Cover version of the month #53

Saint Etienne cover Jigsaw

Back in 1993 I was 17, spending pretty much all my money on either going out or buying records. I've got quite a few Saint Etienne singles on vinyl from this time and looking back at their discography I'm reflecting on what an incredible run of singles they had through the 1990's, particularly in the first half.

In 93 the band released a double a-side single on Heavenly Recordings; Hobart Paving b/w Who Do You Think You Are. I have to admit, I was, and still am, rather captivated by Saint Etienne singer Sarah Cracknell and oh how she smoulders in the video!

Pete Wiggs, Sarah Cracknell and Bob Stanley

I always thought that this was a Saint Etienne song, it was only many years later when I met Duglas T Stewart to record podcast (that you can listen to here) and he selected the q version of the song by a band called Jigsaw back in 1974.

Who Do You Think You Are is pop perfection. Oh my, it really is perfect. The verse flows, builds, there is a bridge and then a glorious sky scraping chorus.

Written by Des Dyer and Clive Scott, the song was first released by the band Candlewick Green in 1973, before Dyer and Scott recorded and released their own version with their band Jigsaw the following year. The song travelled to America that year with the band Bo Donaldson and the Heywoods also recording a version.

As Dyer and Scott wrote the song, I'm going to concentrate on their version with Jigsaw.

The Jigsaw version begins with an upbeat piano riff before a beat and groove kick in. The chorus soars and the vocals are slightly strained to generate that little lift, just perfect. I love the backing vocals coming in towards the end, leaving the lead singer to just keep singing who do you think you are?

The Saint Etienne version adds in a funky drumbeat, changes the piano to keys/synths and Sarah Cracknell's voice is like honey dripped all over it. The strings help the chorus soar and the short instrumental is just pure Saint Etienne, pure pop. The extended bridge to the chorus is outstanding, lifting things ready for the take off.

Saint Etienne have always demonstrated impeccable taste in music. Bob Stanley has brought out some outstanding compilation albums over the years. The band have already featured in this feature with their transformative cover of Neil Young's Only Love Can Break Your Heart. You can find links to all the previous 52 cover version of the month blogs below.

You'll also find the video of Who Do You Think You Are? alongside appearances on Top of the Pop and The Beat.

Who do you think you are?

You tried to push me a bit too far

And every day sees another scar

Oh tell me who do you think you are

If you want me there

You gotta care, oh tell me

Who do you think you are

Taking advantage of me this way?

Tell me who do you think you are

Hurting me more with the things you say

It's not fair, you don't care

Who do you really think that you are?

Previous covers of the month

1. You've Lost That Lovin' Feelin' 

2. Going Back To My Roots

3. Nirvana play The Vaselines

4. Slip Inside This House

5. Top 10 covers by Teenage Fanclub

6. Only Love Can Break Your Heart

7. Time For Livin' 

8. Sound and Vision 

9. All Along The Watchtower

10. I Am The Walrus 

11. Guiding Star

12. You’ll Never Walk Alone

13. Hurt

14. This Guy's In Love With You

15. I Wish I Never Saw The Sunshine

16. California Soul

18. Wonder wall 

19. Dancing In The Dark

20. Always On My Mind

21. Ceremony

22. Heroes

23. Different Drum

24. Wild Horses

25. Respect

26. Mr Tambourine Man

27. I Heard It Through The Grapevine

28. Superstar

29. Twist and Shout

30. Purple Rain

31. Baker Street

32. Not Fade Away

33. Stop Your Sobbing

34. I Don't Want To Grow Up

35. Serious Drugs

36. Dancing With Myself

37. How Does It Feel To Feel?

38. Love Buzz

39. ABBA-esque
40. Jumpin' Jack Flash

41. Discoland

42. Varshons 2 by The Lemonheads

43. The Langley Schools Music Project
44. Witchi Tai To
45. Our Lips Are Sealed
46. Sunshine Of Your Love
47. Here Comes The Sun
48. I Think We're Alone Now
49. Don't Let Me Down 
50. It's Oh So Quiet
51. Alcoholiday 
52. Summer Holiday

Saint Etienne and The Pastels at the Art School

Last night The Pastels and Saint Etienne clearly nailed their REMAIN EU colours to the mast and they were all too aware that they were playing a show as voting around the UK came to a close. Sadly that flag is flying at half-mast today.

Things were running late as Saint Etienne’s train up to Scotland had been hugely delayed, meaning they only arrived into Central Station at 6pm. Load-in, soundcheck.....

The Pastels took to the stage to cheers and Stephen Pastel was quick to thank people for coming and then voice that the referendum results were weighing heavily on his mind.

The 6-piece line-up (two guitars, bass, drums, keys and flute) started with the (largely) instrumental Slow Summits, the title track from their latest album. The contemplative and reflective song was a perfect opener, certainly giving the audience a chance to think about the night and decision ahead as The Pastels weaved their magic.

Songs from the album made up the majority of the set, Night Time Made Us was a particular highlight with the band gelling together to create something quite gorgeous.

The 6-piece became an 8-piece when they were joined by an extra guitarist and Tracy Anne from Camera Obscura for a delicious romp through Nothing To Be Done. The pace quickened and it sounded sublime.

When I was young

I used to sing

I didn’t care for anything

Tracy Anne departed and Stephen strapped his guitar back on (after a little mis-hap) and the 7-piece line-up of The Pastels had 3 guitars creating a wonderful Velvets meets Spector wall of sound for a stunning version of Baby Honey. Originally released in 1984, the song zips with zest and an electric energy. It was great to see the band play again.

Saint Etienne were a 7-piece for the night. Pete and Bob were set up behind banks of equipment at the back, someone on keys was at one side of the stage, then there was someone on viola, a backing singer, guitarist and multi-instrumentalist. And then the gorgeous Sarah Cracknell on vocals.

Nothing Can Stop Us opened the show and the band were sounding good. There was a slight technical glitch afterwards, Sarah engaged with the audience but as it dragged on she ended up in fits of giggles before we were back on the way.

The set mixed classic singles with some new(er) album cuts and singles. The audience lapped it up as the band showcased their fantastic mix of pure, melodic, catchy, clubby and cinematic pop.

You’re In A Bad Way was the very first Saint Etienne 7-inch record that I bought, away back in 1993. It still sounds fresh, fun and joyous.  Tonight was a highlight from later day Saint Etienne that will definitely see me delving into some of their more recent albums. It was glorious.

The acidic pop of Like A Motorway was probably my highlight of the night, bubbling synths, beats and a dreamy Sarah Cracknell vocal - sublime.

The Saint Etienne cover version of Neil Young’s Only Love Can Break Your Heart (that I previously blogged about here) was just perfect, the old synth sounds still sound timeless, futuristic and Young’s lyrics will always ring true.

The encore started with a beautiful rendition of Hobart Paving, with Sarah Cracknell in fine voice. The poetic lyrics paint picture and it was a stunning performance with Sarah really shining.

Pete and Bob came back on and then it was on to pure pop with He’s On The Phone with the seemingly never-ending chorus that flowed and flowed and flowed, as we all danced, sung and raised our hands in the air. The blissful pop removing the referendum result from our minds.....for a while...

Only Love Can Break Your Heart

Cover version of the month #6

St Etienne (with Moira Lambert on vocals pre Sarah Cracknell) transform Neil Young's beautiful Only Love Can Break Your Heart - modernising it, taking it into the future, making it timeless.

Of course Young's version remains timeless, its rustic, simplistic acoustic chords and Young's aching, breaking voice singing;

I was always thinking of games that I was playing

Trying to make the best of my time

But only love can break your heart

Try to be sure right from the start

Yes only love can break your heart

What if your world should fall apart

Yet, for me, St Etienne arguably improve upon Young's genius, taking the song to new places that just so happened to fit in with the Acid House and ecstasy scene that was gripping the nation at the time.

Released in 1990, Only Love Can Break Your Heart remains a pre and post club favourite, also sounding superb in clubs. This was recently played at Everything Shakes at The Admiral in Glasgow and it was probably the song of the night.

The song was recorded in 2-hours in a makeshift bedroom studio - it has that raw, unpolished quality and it remains a true gem that will continue to captivate audiences for years to come.

There are a raft of remixes to explore;

Remixes

Andrew Weatherall a mix in two halves

Masters at Work dub remix

Richard X remix

Kenlou B Boy New mix

Fox Base Beta mix

Flowered Up remix