The reopening of Bar Bloc

The Bloc Party goes on.

Last night I was lucky enough to be invited to the reopening of Bar Bloc on Bath Street.

Innovation, creativity and guerrilla marketing have helped Bloc become an established and vital part of the Glasgow music scene; well loved and recognised by artists such as Louis Abbot (Admiral Fallow) and Glasgow mavericks Detour (Ally McCrae and David Weaver).

An eclectic roster of regular nights is enhanced by Bloc having its own orchestra (Blochestra) and record label.

Bloc's eclectic music policy and reputation for looking after bands and artists has resulted in all kinds of secret shows from big name acts. Before closing for the refurb the venue hosted an incredible last minute show by Paws with their friends We Are Scientists in tow. It has yet to be confirmed if that was the mental night that pushed them into the refurb - although  reports and pictures from that night are pretty damaging!

We Are Scientists at Bar Bloc

Only kidding! But Bloc has been well loved over the years and a refurb had been planned for some time.

Bare brick walls and cool lighting enhance the vibe, moving the bar back a few feet has added more space, a new sound system will only improve Bloc's reputation for live music, the toilets have had a radical overhaul and the nice cobbled effect out the front just helps keep Bloc that little bit different.You step off one of Glasgow's busiest streets and into another little world.

What else has changed?

Well the menu - last night guests were fortunate to sample all kinds of delightful food courtesy of @furiousFoodBloc, the burgers were delicious!

Last night wasn't mental, it was a chance for Bloc to open its doors and show off the look and feel. Regulars that I spoke to were very happy with the improvements and pleased that the vibe was still distinctly 'Bloc'.

The mental night will probably come on Saturday night when Roman Nose bring their electro techno noise to the party crowd.

Bloc did treat guests to 3 fantastic solo performers. Adam Stafford was in excellent form, creating little riffs and noises from his guitar, looping them and flourishing them with all kinds of melodies and noises, looping them too and then singing over the top.

I hadn't seen Adam playing live for a while and he is always astonishing to watch; inventive, creative and most definitely talented. There is no-one else like him. His last two albums (Build A Harbour Immediately and Imaginary Walls Collapse) are pretty incredible and well worth checking out. The song Shot-down You Summer Wannabes is a particular favourite of mine.

I caught up with Adam for a beer after his set and fans of his music and talent will be delighted to know that he is working on his next album. Congratulations to Adam on the birth of his daughter - I am sure that will inspire some excellent new work.

Adam Stafford

Ella the Bird (Siobhan Wilson) was up next and she produced a mesmerising performance; sitting at her keyboard at first and then picking up an electric guitar for the second half of her set. Her voice was utterly gorgeous, dreamy at times and then capable of soaring effortlessly at others.

I thoroughly enjoyed the set and bought her Glorified Demons mini-album afterwards. This is a special talent.

The night was running behind schedule which meant that I was leaving just as Rick Redbeard was starting his set. 

Bloc is back - and it means business. The look, feel, roster and the creative and hard working team at its heart will ensure many more brilliant nights in the future.

Rick Redbeard/Adam Stafford split 7-inch, Gerry Loves Records

So I'd been home for an hour tonight before my wife said 'What have you been buying now?' before she handed a package over. The answer was a t-shirt from Gerry Loves Records and a split 7-inch package containing their most recent release (no.9) Rick Redbead & Adam Stafford and an earlier release that I don't have in my wee Gerry Loves collection by (no.2) Trapped In Kansas and Yahweh.

me breathing in!

Gerry Loves Records could be described as a boutique record label based in Edinburgh, specialising in bringing artists together for split 7-inch singles or 12-inch EP's. I can't remember how I discovered them but I bought their first release and I was then involved through Miaoux Miaoux in their third release, also buying their Paws/Lady North release.


So it is a busy and productive label and owner Andy Lobban clearly has excellent taste in music (Paws have signed to Fat Cat and Miaoux Miaoux to Chemikal for example) and art (the packaging is always fantastic).


I have mentioned Adam Stafford a few times on this blog and his offering of 'Vanishing Tanks' for this split 7-inch is one of the best things (or at least my favourite) I have heard from him. 


The guitar riff sounds pretty familiar and it is really bugging me as to what it sounds like. Adam lays down beats over the guitar and then layers his voice to great effect. The section/chorus/mantra 'won't let you walk away, won't let you walk away, out of here now' is glorious.


Adam is a prolific and talented artist, check out his Wiseblood Industries website to discover his back catalogue. I would highly recommend last years 'Build A Harbour Immediately' album to start with.

I had no idea who Rick Redbeard was when I bought this as I ordered it on the strength of Adam.    It turns out that Rick is the lead singer of The Phantom Band, who are a band I can appreciate but can't get into at all.


I didn't have any problems getting into 'Now We're Dancing' though. The guitar riff is softly picked out over some gentle percussion. Rick's voice is stunning, lifting the song at all the right times. This is one of the most beautiful lyrics of the year for me.

I would love to say your name, if only for the sound

Some bubbling electronica is spliced into the song in the perfect way, as is some melodica. This song just sounds timeless. It is ripe for a film.


If you order the 7-inch it comes with 2 bonus tracks as well! I haven't got to them yet as I keep playing the record!


The Yahweh and Trapped In Kansas 7-inch comes in a handmade fabric sleeve with polaroids stuck on by the bands themselves.

'Make Me Stop' by Yahweh is brilliant. It reminds me of acts like the Postal Service. The vocals are put through some kind of effects, the synths bubble, there is some gentle glockenspiel...its all quite psychedelic in a modern way. I love this. The vocal melody just flows superbly.


So there you go - some new music and a brilliant little label run by someone who, like me, is also madly in love with Teenage Fanclub. Check it all out via the links in this blog.



'Towerblock' by Trapped In Kansas is all chiming guitars and very Scottish sounding vocals. It takes a while to get going and when it does the hook is hammered home.

Fall down, this is like love and I feel lost

There are 2 bonus tracks available via download with this release as well, I'll leave them for you to check out yourself.


So there you go - some new music and a brilliant little label run by someone who, like me, is also madly in love with Teenage Fanclub. Check it all out via the links in this blog.

My albums of 2011

In no particular order (although starting with my sisters band) here are a list of 17 albums that have sound tracked my year. I'm not going to pick my favourite as I think it has been an outstanding year for music and at various times through the course of the last 12-months, all of the albums listed have been a favourite. 


There are still albums from 2011 that I still intend to buy - FOUND, White Heath and Jonnie Common to name a few. Ridiculous considering I was standing next to Jonnie Common at his merch stall a few weeks ago enthusing about his music!


There is a real mix of music below, dig in, each album features a video to one of my favourite tracks from it. 

Love and Lemonade - Futuristic Retro Champions
Futuristic Retro Champions brought an end to almost 5-years of joyous pop music with this staggering 26-track compilation of their releases, demos, and unreleased tracks. Taking influences from the girl bands of the 60's, through to bang up to date electro pop, this is a gem of an album. Only £7.99 on itunes!

Jonny - Jonny

Norman Blake (Teenage Fanclub) and Euros Child (Gorky's) combine their songwriting talents with gorgeous harmonies and a sense of humour to create a wonderful album. Only £3.49 on itunes!!!! 'Never Alone' is also one of my songs of the year, absolutely gorgeous.

Kammerspiel - Conquering Animal Sound

One of my albums of the year and their gig at Sneaky Petes in Edinburgh as part of their launch tour was one of my gigs of the year. CAS provide something genuinely different from anything else going on in the Scottish Music Scene. Anneke's vocals and twisted melodies are a joy. Bear (below) is a prime example of CAS at their best, layering voclas, melodies and sounds to create something truly special.

Build A Rocket Boys - Elbow
Guy Garvey and co returned with more big tunes, reflections on love and life and a warmth that few other bands can even dream about. Whilst not having anything as anthemic as One Day Like This, not many albums released in 2011 can boast two openers like The Birds and Lippy Kids. I love the lyric from the latter, reminiscing of youth 'walking on walls, stealing booze and hour long hungry kisses.'

Ryan Adams - Ashes and Fire
What can you say about Ryan Adams that truly captures his genius? He really is a one off. This is a stunning album that I can imagine myself going back to time and time again to really appreciate the depth of it. Yet in saying that, it is immediately accessible. You need to listen to the album to get the finished version of the song below, but this video is amazing.

Cat's Eyes - Cat's Eyes
Faris Badwan's main band The Horror's turned many heads this year with the release of their 'Skying' album. I liked the reviews, bought the album, but I just can't get into it at all....yet. Faris is clearly a creative guy though and this is his side project with Rachel Zeffira. Bonding over a love of The Shrangri-La's and Phil Spector, they have produced a cracking album. 30-minutes long, well worth investigating. This title track is more Sonic Youth than Spector, I love the groove. 

King Creoste and Jon Hopkins

This could easily be classed as a mini-album, however regardless of the length of the album, the quality is undisputed. Absolutely flawless in terms of the music and production. The lyrics and vocals are pretty incredible, especially on headphones. Gorgeous.

Cut Copy - Zonoscope
I got Cut Copy's debut album back in 2004 and although I haven't bought every album since then, they are certainly a band I have continued to follow. With Zonoscope, their third album, they have reached new heights. There are the synths, the beats, the bleeps, the hooks, the harmonies and all the stardust you associate with Cut Copy...it's just done better. 'Where I'm Going' is pure pop with elements of the Beach Boys, while 'Need You Now' is Cut Copy at their MDMA sprinkled best, taking you on a trip and then releasing the beats. The closing number 'Sun God' lasts for a truly epic 15-minutes.

(I Can't Get No) Stevie Jackson - Stevie Jackson

One of my favourite guitarists released his debut solo album. Stories and reflections from his youth are told with humour and brilliant playing. Try Me is pure Kinksy rock, while the lovely Feel the Morning closes the album in style.

Fleet Foxes - Helplessness Blues
Fleet Foxes debut album was remarkable, it just seemed so perfectly formed. Could they repeat  it? Thankfully they could. They are fast becoming one of my favourite bands; great playing, harmonies to die for and beautiful lyrics and lead vocals.

Bon Iver - Bon Iver
Along with Fleet Foxes, Bon Iver made a mockery of the 'difficult second album syndrome' with the release of his eponymous album earlier this year. He didn't retreat to a log cabin this time, instead he added layer upon layer to produce stunning results. I wish I had gone to see him in Edinburgh.

Player Piano - Memory Tapes
I loved Memory Tapes Seek Magic album from a couple of years ago. Whilst I didn't fall for this in quite the same way, it did soundtrack quite a few summer days. Sadly there isn't any form of video at all on youtube for 'No. 79' which is just pure summer pop. There is for 'Sun Hits' which is just as good.

Stephen Malkmus and the Jicks
Surely his best album since Pavement? It starts with the brilliant 'Tigers' with catchy guitars and hooks and Malkmus rhyming stuff with Birkenstocks. The Jicks playing throughout is tremendous, the production is crisp and clean (by Beck), Malkmus sounds like he is really enjoying himself. 

The Babies - The Babies
I popped into Mono in Glasgow at the start of November and got talking to Dep about his albums of the year and he said that this was probably his favourite. I respect his taste, so I bought it and it is brilliant. Really raw pop. Much of it sounds like it could be live, there is a great feel to it as a result. 'All Things Come To Pass' is one of my highlights, great guitar and an almost nursery rhyme like melody. Just over 2 minutes long.

Adam Stafford - Build A Harbour Immediately
I've caught Adam live quite a few times over the last couple of years and enjoyed his live performances immensley. I've seen him in the small confines of the Captain's Rest, looping and layering his vocals to astonishing effect, on stage at Platform in Easterhouse supporting Jonny and more recently at his album launch at Stereo where he played with guests. Adam has an amazing ear for melodies and is incredibly creative with sound. I like this album so much that I bought it on ltd editon yellow casette as well as on CD. Check Adam's own track-by-track guide at the PEENKO blog. 'Shot Down You Summer Wannabe's' is my personal favourite, sadly that isn't on YouTube but this highlights Adam's talents.

Remember Remember - The Quickening
There are some bands that I keep hearing about, seeing their name and I never get round to checking them out. Remember Remember were one of those bands and how I have kicked myself for not checking them out sooner. They tick so many boxes for me; cool front man, diverse band members, experimental sounds with a pop edge..... They blew me away when they played the Detour night at the Science Centre and I can't wait to see them live again. 'The Quickening is an outstanding record that offers something new with every listen. 'John Candy' is a song that got me immediately on first listen and I never tire of it.

Noel Gallagher and the Flying Birds
Oasis ended in a mess. Liam Gallagher has become a caricature of himself, while Noel seems intent on highlighting that he was the chief all along. It's a sad state of affairs when two brothers are going to court and arguing through the media on a weekly basis (all publicity is good publicity as they say). On to the music though, Noel has produced a good album. Opener 'Everybody's On The Run' is widescreen, a huge song with brilliant strings. 'AKA What A Life' is a brilliant single.  

Adam Stafford, Miaoux Miaoux & Mondegreen at Stereo

Last night I headed down to Stereo for the launch of Adam Stafford's latest album; 'Build A Harbur Immediately'. I had seen Adam on two previous occassions and I had also managed a sneek preview of the album back in March whilst down in London with Miaoux Miaoux.


For those that haven't seen or heard Adam before I would strongly recommend that you check him out. Why? Well he is extremely talented, inventive and original.

The excellent Scottish bloggers Peenko and Aye Tunes were putting on the night. Lloyd and Jim are extremely passionate about independent music in Scotland and if you check Peenko's blog from last week you'll be able to read a brilliant track-by-track guide of the album by Adam himself.


On to the night itself, sadly missing the band Paws who had unfortunately received some of the saddest news you can ever receive during the week; my thoughts go out to them. Check one of my latest blogs for a review of their last single.


Mondegreen opened. A 3-piece band that seemed extremely shy and unprepared with no setlist, so shy that the singer/guitarist stood stage left behind a pillar.


That was all part of their charm though, at times they seemed quite slacker-esque like Pavement, but at their best they ripped into riffs and soaring vocals like The Bends era Radiohead. When they went for it like that they were very impressive.


I was looking forward to hearing Miaoux Miaoux through the excellent Stereo soundsystem and he didn't disappoint. 'Hey Sound' and 'Cloud Computer' were excellent, but it was new songs 'Autopilot' and 'Stop the Clocks' that really benefitted from the sound system. The squelchy bass of the former sounded beautiful, but it is 'Stop the Clocks' that really highlights how strongly Miaoux Miaoux is developing his sound and songwriting. Trust me, this is one of the songs of the year.

On to the headline act (pictured above). Stafford took to the stage looking like he was meaning business with a sharp haircut and dressed in a shirt and tie. Stafford lets his imagination run riot by using vocal loops, layer upon layer of them. At times he must have 6 or 7 different vocal sections going on at once, coming across like a one man band version of the Beach Boys.


'Shot- down you Summer Wannabies' is a song that I would recommend to anyone wishing to check Adam out for the first time. Beautifully atmospheric, passionate and just f**king brilliant. It starts off with a vocal riff like something that wouldn't be out of place in Walt Disney's The Lion King (that is honestly a compliment) before Stafford layers some simple 'CChhh cchhh's' over for a 'beat', some haunting backing vocals and then he sings from the heart.

because you came and you wanted to show the world, 

that you hadn't been swallowed up in the fluttering wind

Stafford is soon dancing around the stage, all Curtis-esque, twitching with the noises he makes, getting lost in the music. Several of the audience were doing exactly the same.

The first half of the show saw Stafford performing on his own, although if you shut your eyes you would be guessing at the number of people that were on stage creating such a wonderful sound.

The second half witnessed the introduction of some guests that had appeared on the album, two femal backing singers, lead guitar and viola. They only enhanced the sound and left me wondering just what it sounds like in Adam Stafford's head. 

The record is on as I type and like the layers that Stafford introduces to so many of the songs, it has a great deal of depth and I imagine I'll be playing it a good few times during my week off that is coming up.

'Frederick Wiseman' is another highlight; really gentle, Stafford's voice is soothing and the introduction of the different layers just leaves you wondering what is coming next. 

I'd highly recommend the album.