Fatale at McChuills

Fatale played their first ever headline show at McChuills on Friday night - Halloween. As singer Ben Robertson pointed out when thanking everyone for coming, it felt like the band had come full circle. McChuills was where they played their first gig, back in May. Now, just shy of 6-months later, they had sold it out.

After playing King Tuts Summer Nights in July, a venture through to Edinburgh in September and then Tenement Trail in October, it definitely feels like Fatale are on the rise.

Tenement Trail was great, but this was the best I have seen the band. A headline slot gave them longer to play with, so a packed McChuills was treated to a 45-minute, 11-song set.

Making the most of the screen behind the stage, Fatale came on and fuzzed up their guitars for opening number September. The visuals of logos behind them added to the vibe and a hyped up, dressed up Halloween crowd were well up for it. There was a definite sense of occasion to the night.

The Vaselines Molly's Lips was played next and they tore through it, Robertson was in the crowd at times, bouncing a-long with them. Another Sunrise, with the brilliant hook I'm going out tonight, is becoming more familiar to me with every gig. Definite future single potential.

Speaking of hooks and single potential, new song By The Tide is another that I look forward to hearing again soon. The hook I don't care about what's going on is one I would have loved to have sung as a teenager, but it feels just as relevant to me now. 

A cover of the Mary Chain's Taste of Cindy was a glorious riot. Scuzzed and fuzzed up guitars. Top marks to the couple (pictured below - parents of Adam from support band Bogle) dressed as Jesus and Mary Chained! 

Bogle were on first and their set mixed songs that sounded like early Pink Floyd with songs that sounded like the early Ride EP's. They can play! I'm way more into Ride than Floyd, so those songs were my personal favourites. I really enjoyed their dreamy shoegazey guitars and harmonies. I'll hopefully write a blog on them sometime soon. Their debut EP Shimmer Guitar Pop was aptly named. Also hailing from Lanarkshire, I hope to catch them again soon.

Speaking of Jesus Christ, Fatale singer Ben Robertson had been wandering around dressed as Christ (or now I come to think of it - was he Caesar?)  earlier. He had changed into stagewear for the show but kept his crown of thorns on. I assumed it was Christ because of Fatale's brilliant song Jesus Christ - a song that left its mark on me after I first heard it back at their Tuts show in the summer.

The guitars of Euan and Christopher collide gloriously, there are more hooks than Rocky Bilbao fighting at his peak. Most bands would love to have the verses to this tunes as choruses! The bridges/pre-chorus are even catchier and then there is the chorus itself;

Jesus Christ knocked on my door

Just let me sleep ten minutes more

Coming out with songs of praise

Righteousness lost in the haze

With Han Solo (James) driving things along furiously and beautifully on drums and bassist Oscar in the groove, this is a delicious slice of guitar punk pop. 

How could I hold my head up when you're down

How can I stand the world when you're not around

The little fuzz bass break after the middle eight is superb. Then it's straight back into the chorus for a final blast. Think God Knows It's True era Fanclub meeting The Undertones for a couple of pints of Guinness and then having a jam. Catchy guitar brilliance.

Ending with their (fast becoming) traditional one-two of their demos (CHECK THEM HERE) and currently the only material they have released.

I'd never have thought that The Velvets Femme Fatale would become a sing-a-long anthem for teenagers in 2025, but Fatale are making it one! Their (largely young) crowd lapped it up.

Ben announced that set closed Moves You will be released as their debut single in the very near future. The band tore through it, slowing things beautifully for a breakdown. 

Understand what I'm going through, tried to paint, but it's never you

Understand what I'm going through, tried to paint, but it's never you

It's never you

After another chorus and searing and soaring guitar solo, it's back into the groove with a verse and the catchy hook that is the chorus.  

Keep an eye on Fatale's Instagram for updates.

The Bellshill Beat - Radio show

“Hey everybody, this is Dave Grohl from The Foo Fighters. You’re about to hear the best documentary the BBC has ever done on Radio 1, The Bellshill Beat.”

So begins a mini-documentary, presented by Steve McKenna and broadcast on Steve Lamaq’s show way back in 1998. LISTEN HERE

Grohl threatens to break into a giggle during his intro and humour is at the heart of this documentary. Bands from Lanarkshire have never taken themselves too seriously, as evidenced by some of the many soundbites sprinkled through the show, with Stuart Braithwaite from Mogwai in particularly fine fettle and Norman Blake from Teenage Fanclub joking about Phil Collins being a fan… 

Ah the bands! Many are name checked at the start; Belle & Sebastian, BMX Bandits, Teenage Fanclub, The Delgados, Superstar, The Yummy Fur, Mogwai, The Pastels, The Soup Dragons…

Not all of these bands are/were technically from Bellshill (or even Lanarkshire), but it is safe to say that Bellshill played a key role in the Scottish music scene.

‘There was never a scene and there never will be, it was just a co-incidence’

Sean Dickson, The Soup Dragons.

Dickson is probably true. It was always more about friendships and a genuine love of music, rather than creating a scene. The ‘original’ Bellshill Beat bands, fantasies and ideas certainly centred around a friendship between Duglas T Stewart (BMX Bandits), Sean Dickson (The Soup Dragons) and Norman Blake (Teenage Fanclub). The trio started releasing music in the mid-80’s and haven’t stopped, occasionally still getting together to play with Duglas in BMX Bandits.

The BMX Bandits family tree

Drawn by Duglas for the Serious Drugs documentary - this will need updated!

In addition to Bellshill, it should also be noted that Glasgow played a key influence in how these friends got to mix with like minded people, with the legendary Splash One club, Stephen Pastel and his seminal label 53rd and 3rd playing major roles.

Back to Bellshill though!

‘I think definitely, a lot of Lanarkshire is quite run down. A lot of the industry has gone.

It’s quite a depressed area in a lot of ways…

There is a need to escape … to escape in your own mind, to somewhere different, to an alternative place, and the rock n roll world is certainly a different place.’

Douglas T Stewart, BMX Bandits

‘Hi this is Norman from Teenage Fanclub.

All I can think of when I think of Lanarkshire is post industrial wasteland.

I grew up in Bellshill, it’s a pretty grim place, there’s not a lot going on there.’

Norman Blake, Teenage Fanclub

Norman and Duglas are sadly pretty accurate regarding Bellshill and Lanarkshire (certainly in relation to 1998 when this show was recorded). Thankfully both, like many others who have gone on to form bands, chose to channel frustrations and imaginations into creating music, drawing great inspiration from classic bands like Love, The Beach Boys, The Velvet Underground and Big Star.

“I think with all of those bands, the most important thing was melody and harmony.

It wasn’t so much musicianship, image or volume.

It was just who could one up the next person on making the sweetest possible melody.

Teenage Fanclub were shameless with some of their melodies and lyrics.

There’s only so many ways you can say ‘I love you’ so many times, but there just didn't seem to be a limit on any of that … and the song stuck in your head for f**king ever.” Dave Grohl.

Grohl hits the nail on the head. Think of the melodies of The Delgados All You Need Is Hate, Belle and Sebastian’s Judy And The Dream Of Horses, The Vaselines Son Of A Gun, Superstar’s Superstar and Teenage Fanclub’s Sparky’s Dream. The melodies, whether psychedelically tinged, or almost nursery rhyme like, are at the heart of everything.

And all of the bands in the documentary have an honesty about them and a punk DIY ethic that serves many of them well to this day. Melodies + honesty + dreams + DIY ethic + hard work … There is no magical formula, but all of these qualities could be applied to the Lanarkshire bands mentioned in the documentary. 

Towards the end of 2021 I blogged on Teenage Fanclub’s breakthrough album, Bandwagonesque, from 1991. A lot of people who are my age and above (mid 40’s) got into independent guitar music through this album and it is safe to say that a lot of people were inspired to go on and form their own bands … and labels.

‘Unashamedly I was a Teenage Fanclub acolyte.’ Stewart Henderson (left), The Delgados

The Delgados played a key role in what was to come in the second half of the 90’s, starting their own Chemikal Underground record label, proving you could do it your own way. Chemikal went on to release a steady stream of eclectic music, including; Mogwai, Arab Strap, BiS and De Rosa.

‘There’s hunners and hunners of brilliant bands have came out of Lanarkshire. My favourite Lanarkshire band is probably The Jesus and Mary Chain, even though William Reid is a wanker. But they’re not really, because I’ve decided my favourite band is actually The Yummy Fur from Blantyre cause they’re absolutely brilliant.’ Stuart Braithwaite, Mogwai. 

‘There’s just a lot of good bands from Lanarkshire, there’s not a scene. In Edinburgh they should stop the sale of musical instruments to the general public.’ Mogwai

The Bellshill Beat Radio 1 documentary is available on YouTube.

You’ll also find a BBC Scotland documentary by Duglas T Stewart under the same name - blog coming on that next month. But check part 1 & part 2

10 records by bands featured on The Bellshill Beat 

(with a few more mentioned for good measure)

1. E102 - BMX Bandits, 1986, 53rd & 3rd

So many people have been in BMX Bandits over the years. In that sense, they have to be considered one of the most influential Scottish bands of all time. So it’s kind of right that this list starts with their 1986 debut single. Ramshackle, loving pop music at its best. It showed others that they could do it. Dreams and fantasies could come true.

2 & 3. Son Of A Gun & Dying For It EP’s - The Vaselines, 1987 & 1988, 53rd & 3rd

Nirvana would cover 3-songs from these very limited release EP’s with Jesus Don’t Want Me For A Sunbeam, from Nirvana’s incredible MTV Unplugged performance really helping on the royalties front for a number of years.

4. I’m Free - The Soup Dragons, 1990, Big Life

Sean Dickson took The Soup Dragons to another level, largely thanks to their indie/dance second summer of love inspired take on The Stones I’m Free. They would follow up the Lovegod album that featured the hit single with 1992’s Hotwired that saw them play huge shows in America and tour the world thanks to songs like Divine Thing.

5. Bandwagonesque - Teenage Fanclub, 1991, Creation Records

A seminal album that Spin Magazine voted album of 1991 over the likes of Nevermind, Screamadelica, Out Of Time and Loveless. Humble as always, Teenage Fanclub were quick to point out that their friend Steven Daly, formerly of Orange Juice, was music editor of Spin at the time. Regardless, this album ages like a fine wine. Check my 30th anniversary blog HERE

6. Serious Drugs - BMX Bandits, 1992, Creation Records

Arguably the finest example of the original Bellshill Beat friendship circle working together. Written by Duglas T Stewart with friends Norman Blake and Joe McAlinden, this melodic, melancholic and reflective song is truly beautiful, with great depth. Blake sings on the released version.

7. Monica Webster/Brand New Car - The Delgados, 1995, Chemikal Underground

I was going to include The Delgados incredible album The Great Eastern, but this is arguably an even more important release - their debut single on their own label that would go on to release records by Arab Strap, BiS (who memorably appeared on Top of the Pops with Kandy Pop) and Mogwai among others. The Delgados learned from the likes of 53rd & 3rd and even Postcard Records before them - they didn’t need to go to London to find a label. They could start their own.

8 & 9. Tigermilk & If You’re Feeling Sinister - Belle & Sebastian, 1996, Electric Honey & Jeepster

Not really a Lanarkshire band, but they're mentioned on this documentary, so ...

Launching with an album on Stow College’s in-house label Electric Honey and then swiftly following it up with their first LP on Jeepster was a mere hint of how prolific Belle & Sebastian were. They would go on to release 3 EP’s the following year and then The Boy With The Arab Strap LP in 1998. They played on the tweeness that others had toyed with, creating their own scene leading to the legendary Bowlie Weekender in 1999 - the bands own festival.

10. Mogwai Young Team - Mogwai, 1997, Chemikal Underground

Mogwai were (and are) a kind of hilarious bunch of young upstarts making at times ferocious, at others euphoric and at others gorgeous music. They were certainly very different from anything else at the time and they still are - unique. They would wear Kappa tracksuits and make for fantastic press with the likes of the Blur: Are Shite t-shirts. Mogwai were quick learners, they would form their own label Rock Action and are fiercely independent - often booking their own shows/tours. Mogwai’s use of song titles to showcase their humour and politics remains to this day.