Oasis - the reunion

The only way to keep them together?

And so ... it's on.

Oasis are back and their reunion will make a lot of people extremely happy, some very rich, some fans very poor (tickets won't be cheap - prices are notably not being announced in advance of tickets going on sale!) and it will no doubt piss off a few people as well. 

I have mixed feelings about it. I always thought that Noel would adopt the approach of Paul Weller, his friend and idol, who has passed up numerous offers to reform The Jam.

However, an Oasis reunion is on a completely different scale. In fact, it may well be off the charts. Early indications are that Noel and Liam will each make 50 million in 2025. Noel, as songwriter, will likely make even more from the increase in streaming, radio plays and album sales.

I'll have a look for tickets, but I'm not excited by paying loads of money to stand miles away from them in a stadium or field. Will there be VIP golden circle options?! How much will they be? Will they play warm up shows? 

Truth be told, I found the 8am announcement this morning a little cold. I hope that Liam and Noel will come together for a press conference in advance of tickets going on sale, or issue a full press release with details about how their reunion has come about. The photo (below) to accompany tour dates being announced looked photo-shopped. It turns out that the brothers were in the same room for a shoot. Hopefully they smiled at some point!

The contrast between the Roses press conference to announce their reunion and the accompanying Penny Smith photos of them hugging and laughing is stark. I was also super excited about the Roses reunion, but that was due to the fact that I never caught them live. I kind of did Oasis and got the t-shirt; the small shows, breakthrough shows and Knebworth. 

So, while I'm pleased that Liam and Noel are getting together again, I'm not excited ... yet. I suspect that will change when I see them together, laughing, joking, vibing off each other.  

Why are people excited by an Oasis reunion? It's the question that TV channels, radio shows and countless social media accounts have been asking.

Well, here are 6 immediate reasons;

• Passion and Personality

Liam and Noel kicked down doors that were (and are) very much barricaded to working class kids from a council estate. They had a label (Creation) who believed in them and encouraged them to be true to themselves and their roots. Indeed, Alan McGee wanted their debut single to be Bring It On Down rather than Supersonic. He loved the Pistols punk vibe and the lyrics;

You're the outcast

You're the underclass

But you don't care

Because you're living fast

The Gallagher brothers were up for it, in more ways than one. They gigged relentlessly, took all the drugs they could get their hands on, did all the media going and kept on partying.

Their interviews were hilarious. They spoke like normal people! They'd slag off other bands, talk about girls they fancied, big themselves up, talk about their love of The Beatles, Adidas trainers, Clarks desert boots and their Mam. They wore 'normal' clothes, which Noel beautifully reflects on in the Supersonic documentary when they arrive at Knebworth virtually wearing the same clothes they had on when they started the band. They regularly shopped at M&S!

Oasis were a different world to 'indie' bands or grunge. They were real, authentic, very funny and soulful. 

• Escapism

The world is a pretty f**ked up place at the moment. Losing yourself in music and songs is arguably even more important than ever. Oasis songs, especially the early ones, were all about dreams and escapism. It's why they have stood the test of time. 

Live Forever - Cause I just wanna fly

Fade Away - Fantasy was real, now I know much about the way I feel

Rock n Roll Star - In my mind my dreams are real

Slide Away - We'll find a way, of chasing the sun

Sad Song - Cause it's all just the same at the end of the day

Noel could write something off the cuff that became vital and anthemic, whether the dreamy lyrics of above, or something like stand up beside the fireplace, take that look from off your face line from Don't Look Back In Anger, something his Mum used to say to him. That line is immediately followed by the beautiful;

You ain't ever gonna burn my heart out

As Noel said in an early interview; "It's about the man in the street. When the milkman is whistling your tune, you know you've done it."

We didn't really know what a Wonderwall was, or what it meant to be walking down the hall, faster than a cannonball, or what a champagne supernova was. It didn't matter. When Liam sang, we knew, we connected.

• Those songs, that voice

You can wait for a lifetime, to spend your days in the sunssshhhiiiiiinnnnneeee

In his recent interview with John Robb, Noel memorably describes his own voice as being like a half pint of Guinness on a Tuesday afternoon. While Liam's is like 10 shots of Tequila on a Friday night!

Liam Gallagher's voice was remarkable. Oasis played 288 gigs across 1994, 1995 and 1996 and Liam's voice just got stronger and stronger, despite his appetite for drugs and alcohol. 

When Liam sings lines like; I only wanna see the light that shines behind your eyes it's spine tingling. He looked incredible and he sounded even better. Like no-one before or since. 

Liam did become a bit of a caricature of himself, in appearance and voice. In later years his voice seemed shot, but he has worked hard on his lifestyle to get it back, he sounded great on the DM30 tour.

Of course, 30-years on, it is different, but Liam singing Noel's songs is very much the main reason that people are excited by the reunion.

• The brothers gonna work it out

I'd love Oasis to walk on stage to The Chemical Brothers Leave Home with the refrain the brothers gonna work it out blasting from the speakers. 

Oasis fans worldwide are thrilled that the two Gallagher brothers are speaking to each other again. Never mind the fact that we will undoubtedly have hilarious press conferences and interviews, they will be rehearsing, there might be small and intimate warm up shows (they won't immediately go and play a stadium ... will they?!) and the concerts. 

They will also be delighted for their Mum Peggy. Noel and Liam have always spoken so fondly of their Mum, from their very first interviews. It must have been heartbreaking for her not to see them getting on.

Blood's thicker than mud, it's a family affair 

• The tension

Noel and Liam's relationship has a lot of tension in it! Even the new photos show that! Are they happy about this?! For all that these shows have been booked and tickets are going on sale, the fact is - the relationship will be tested between now and next summer! They will be in the same room A LOT and they are bound to have arguments at times. That's just Liam's nature, he can't help himself. How will Noel react? How will Liam react to Noel's reaction?! Will they make it to next summer? Will it all implode?

But ... that's all part of the charm and attraction.  When it comes to the Gallagher brothers, and Liam in particular, you just don't know what is going to happen!

But with tens of millions of pounds at stake, I'm sure the shows will go ahead by hook or by crook!

• The first time - a new generation

Lets not forget that for many, this will be their first choice to see Oasis. Many will have seen the brother doing their thing, but not together.

Many people of my age (and older) have introduced younger people to Oasis. Liam's shows attract scores of teenagers pining for Oasis songs. DM30 gave them a a healthy taste, now for the main course!

Pete MacLeod recording with Youth

Scottish artist Pete MacLeod is currently recording his second album, with legendary producer Youth at the helm!

With Alan McGee as his manager, this album could lead to a real breakthrough for the hard working artist who is always willing to help younger artists trying to break through.

Youth has worked with artists ranging from Paul McCartney and The Verve through to Crowded House with quite a diverse range in between including Blue Pearl (who he formed) who had the massive hit Naked In The Rain. His taste and ear for sound has led to remixes for artists like the Sugarcubes and U2.

Pete's debut Rolling Stone displayed a real ear for melody, honesty and soul. It will be interesting to see how Youth helps him to develop his songwriting talents on his follow up. 

Pete kindly answered a few questions on what it is like to work with Youth and his future plans.

1. So - you are recording with the legendary producer Youth. How did you feel when you first heard of this possibility? Were you aware of his work?

Yes it's great. It feels like I've been working towards this point the whole time I've been involved with music. I'm a big fan of his work. Youth helps create timeless music. He has the gift. A lovely man too may I add. An artist in every way of life.

2. What has Youth brought to the table? Has he turned you on to any new music? Taught you some new tricks? 

Well, we are probably about a quarter the way through the LP at the moment and the table is round with colours. As I say, he's an artist and I respect artists. I would like to think I create art...so we both have that same mind set if that makes sense? I don't want to disappear up on my own arse or anything but if I was doing music for money then I'd have quit a long time ago. I do it to be creative. That's always been my angle. Youth get's that. In respect of learning from the man....yes, every day's a school day as soon as you wake up eh?

3. What did you learn from releasing Rolling Stone? What was the highlight?

Eh...I learned that I can do this. I learned that some will grudge you the time they have and others won't but overall I think I've been fortunate to connect with many who appreciate what I do. That's been my highlight so far. The connection through my music with others. It's a healthy circle if people are as willing. But I have no expectations. I do music because it's my passion. Anything else would depress me to be honest. I learned that through my 20's.

4. You are in exceptional company in working with Alan McGee - what is the best advice he has given you?

Yes Alan is a believer. It's great to be working together with him and Youth. It's kinda like a dream team for me I suppose. I couldn't be in better position. We'll make a record that we like and if others connect then brilliant. Best advice from Alan? I'm not sure...we are really close so we talk to each other so often it's like, when he's not around I subconsciously kinda do what he would do...maybe? I don't know...we give each other advice with our lives and certain situations. He respects my opinion as much as I do with what he has to say. It's very much a 50/50 friendship. I don't think I need a baby sitter. Just people I trust. And I trust Alan. 

5. Will the new album be coming out on 359 music? Do you know when it will come out?

No. I am glad to have been a part of 359 and I truly wish each artist signed to the label all the very best in the music industry. It's not an easy trade what we try and do. It's tough man...I like to see everyone doing well...especially if they work hard and are genuine. Music isn't a competition. I'm not into competing with music. That's bullshit. That's not why I love music. I'm not sure when my album will come out? Hopefully before the summer. That would be ideal.

6. What has influenced your new songs? What influence has Youth had on them and your sound?

Well, a lot of people don't really know the music that I listen to a lot. And I listen to it a lot! I suppose my close friends know. I listen to it to relax and step away from everyone and everything. It's just where my heads been at for a long time now. Like I've needed it. It's like my meditation. I guess I've been traumatised by shit in my life...some things out with my control and others being my own doing...I think Youth is a perfect partnership for the songs that have came out of these experiences. Like a soundtrack to my thoughts/words and voice. Alan and I had a chat about what we wanted to do with this album...we met Youth and explained the direction...he was intrigued and then we gave it a go in the studio. It's exceeded my expectations...and they were already pretty high. So it's exciting now. It's early days though so feet on the ground and all that!

7. Are there any artists trying to break through that you like?

Mmm...well, if I've heard them and I like them they've broken through to me I guess eh? I'm helping a young singer/songwriter just now called Kieran Fisher. He kinda comes from a similar background to me in terms of not having much help around him. Apart from his Father and friends/family but it's still tough man...your kinda looked upon as a weirdo if you want to be an artist or an actor in this country aren't you? That's why I fucked off for 5 years. Sometimes I struggle with others mentality...I just hope these kids don't have to go through that same shit I did to get to this point. Kids like Jamie Reilly, Jamie Coleman and Mark Maclean and his band The Beat Movement. So many of them just want to do music...a system should be set up to encourage aspiring artists...not grudged or set up for them to fail. What the fuck is that? So many young musicians come up to me and contact me. I feel helpless...it's frustrating. What can I do man? I'm skint and I've chosen my path...I wouldn't wish the lack of empathy for that sacrifice on anyone never mind a young kid just wanting to create music! 

8. Do you have an ultimate goal for you and your music?

A goal. Yes, to score! Haha. Good question...my ultimate goal would be to inspire and help anyone going through a shit time or celebrate when they are going through a great time. If I do both with my music then that's an achievement. If one song can do either...that's a result!  

Oasis at King Tut's Wah Wah Hut

February 2015 sees King Tut's Wah Wah Hut celebrate its 25th anniversary. The legendary Glasgow venue has witnessed some incredible bands, artists and shows gracing the hallowed stage over those years. You only need to climb the steps to the gig area to look at some of the names.

However, there is one gig that is associated with the venue more than any other - the night Oasis crashed a bill and were signed to Creation by Alan McGee.

As luck would have it, thanks to a mutual love of Teenage Fanclub, I have got to know the drummer of a band that were on the bill that night - so here is Derek McKee's story of what happened on that famous night.

Derek - I used to play drums in a band called Boyfriend, we were signed to Creation Records offshoot August Records towards the end of 1992. One of the first things that Creation did was buy us all new music equipment then they put us out on the road on a UK tour with Sub Pop rockers The Afghan Whigs at the end of September 1992.

We met up with Debbie Turner and her band Sister Lovers at the Boardwalk, Manchester and promised them a support slot on the next Glasgow gig. We also met up with Mark Coyle who used to be Teenage Fanclub/Inspiral Carpets sound guy. TFC’s guitar tech was our bassist Mark McAvoy, Inspiral Carpets guitar tech was Noel Gallagher. Mark was an old friend and early supporter of our band, he very kindly put us up for the night at his flat after the gig.

Fast forward to May 1993, we were booked to play the last night of Mayfest at King Tuts with fellow label-mates 18 Wheeler. Sister Lovers were booked as the third band on the bill. When Mark Coyle got wind of this, he contacted us to ask if the new group he was working with, his friend Noel’s band could be added to the bill. They were called Oasis. “The more the merrier!” we said but unfortunately we forgot to tell the promoter about the late addition to the night, we didn’t think it would be a big deal!

My memories of the night are that initially the Tuts staff were being a bit arsey about a fourth band on the bill and refused to let them play. Discussions/veiled threats of potential violence and compromise saved the day.

Both Boyfriend and Sister Lovers threatened to cancel the gig but after agreeing to cut short their respective sets, this freed up just enough time for Oasis who went on to play their 4 song set (Rock n Roll Star, Bring It On Down, Up In The Sky, I Am The Walrus). Apart from the Manchester posse, the only others who watched Oasis that night numbered no more than about 12 people. I remember they were very loud and was impressed with their guitarist. The tune that stuck in my mind was their cover of I Am The Walrus, it was fantastic!

Oasis in 1993

Liam looked like a football casual with Adidas gear on, younger than most of us. Like all the young dudes, we thought he was a loveable rogue, cheeky and cocky. His singing was good, he used to have a sweet melodic voice and could certainly hit the notes.

Noel was the big brother, he was the one pulling the strings and he'd been around the block with the Inspiral Carpets, so he knew the score. 

The rest as they say is history! I was given a cassette of their demos, the same one that was given to Alan McGee. I’ve still got it! The Oasis boys were very friendly and appreciative, plans were hatched for Boyfriend to go down to Manchester to play together again. 

After that night, things happened to Oasis very fast but whenever they were in town, we were contacted to go and meet up for drinks/laughs and watch the gig. 

Noel was definitely the chief; very chatty and easy going. I spent a lot of time in his company when they played the Cathouse in 94. Me, Noel and Stephen Jollie from Boyfriend drank a case of Becks and a bottle of Gin between us. I remember saying 'What the f**k you drinking Gin for Noel, it's an old lady's drink?' He took quite a bit of ribbing for it!

This went on throughout their career, right up until they played 2 nights at Loch Lomond. The day before the Loch Lomond gigs, I met up with Liam and his minder in town for some drinks and he sorted me out for tickets for the Sunday gig! One time I remember telling him I thought Patsy had a cracking pair of tits as I'd seen them in Lethal Weapon!

My impression of them was that they were a fine bunch of lads, being in their company was like one long party. We were all in our early twenties, unlimited supply of drink/drugs/women, who wouldn’t “have it””?

Psychocandy

Next weekend The Jesus and Marychain return to Glasgow to play 2-nights at the Barrowland Ballroom. They will be playing their legendary Psychocandy LP, originally released back in 1985.

The title captures the music contained on the record perfectly - gorgeous sugar candy pop melodies drenched in psycho white noise feedback; bringing something new, raw and exciting to students, bedsits and music fans across the country at the time. Their live shows were short and sharp; 20-minutes long and they sparked an infamous riot at the North London Polytechnic in March 1985 - see footage HERE

Psychocandy is one of those landmark albums that inspired kids across the country to pick up guitars and form bands. There are gushing melodies; Cut Dead is pure and true, hard to believe it was written in an East Kilbride council estate. Sowing Seeds flows superbly, the guitars are lovely and raw.

Just Like Honey is the opening song - Spector-esque drums usher the song in, the warm, fuzzy guitars and vocals sound like they are dipped in honey. The way the song builds and then slows down before the big climax is superb; the widescreen potential was used exquisitely in the film Lost In Translation.

Never Understand is brutal white noise feedback while the vocals and melody are pure Ramones. Something's Wrong could be considered an epic at just over 4-minutes long, the majority of songs are under 3-minutes.

Taste Of Cindy is only 1 minute and 42 seconds long - yet the Marychain cram in all kinds of guitar pop wonder and goodness.

Some Candy Talking is just sublime - not on the original vinyl release but added to the CD reissue. It is the sound of the Velvet Underground transported to the West of Scotland in the mid-80's.

You Trip Me Up is brilliant, capturing exactly what the band were about. Alan McGee speaks exceptionally fondly of the Marychain in the incredible Creation Records book My Magpie Eyes Are Hungry For The Prize. Recognising that the band were still learning how to play and record, but also that they needed to capture a moment in time on records. That rawness is what has kept Psychocandy fresh almost 30-years on.

It's Not About War! by Chris Grant

It's Not About War! by Chris Grant is one of the first albums to be released on 359 Music, the new label formed by the legendary Alan McGee.

McGee championed Grant back in the heady days of MySpace when Grant went under the name of The Grants. I was surprised that they were never picked up as an early demo of a song called 'I Am The One' was sensational. I'm even more surprised after listening to this album!

The record industry has changed dramatically over the last 5-years, McGee's new label and his interviews to promote it, 'I can run a label from my bedroom in Wales with a mobile and an iPad', are proof. The good news is that Grant has finally released an album, he has bided his time, his time is now.

'It's Not About War!' is a fucking beautiful album. Chris Grant sings from the very bottom of his heart, the passion and truth in his vocals match the open and honest lyrics. The guitar playing is exquisite, the whole record is incredibly pure, beautifully produced.

According to an interview with the excellent Louder Than War blog, Grant recorded the album on an £80 laptop in his garage. If true then the boy is a genius.

'Our Story' opens the album and sets the tone for what is to come; picked guitar riffs, emotional vocals and stunning melodies.

There's nobody that can stop us, can anybody even try?

'I Am The One' should be a number one song across the globe, it is that good. Ripe for use in a film, this is a widescreen love song to die for.

I am the one, the one that you are gonna die for

Could you be the one to set us free

And i am the one, the one that you are gonna hide from

Could you be the one to never run

The vocals and melody (this album is the most melodic I have heard in a long time) are beautiful, the guitar playing sounds simple yet inventive at the same time, the middle eight is just glorious.

Tonight, tonight, tonight

Tonight I'll be the key one,

To walk with you, to talk with you, to dance with you

Tonight, tonight, tonight

Tonight I'll be the key one, the key one

Aren't I the key one?

Play this to the people who say, 'they don't write 'em like they used to'!

Grant follows it with another corker. 'It's You' is Lennon-esque in it's primal honesty, Grant's delivery and vocal is heartfelt, full of emotion.

It's time like this I'm open to believe

Just give us some more room so we can breathe

Live life under your own little rainbow

Don't follow a soul unless it's your own little way...

I hope the girl this was written for has heard it! The song is over 5-minutes in length but I just want to listen to it again, it flows superbly.

'Pretty Mean' keeps things going, a simple beat underpins more simple yet playful and inventive guitar playing (recalling The Police at their best in some places) that is full of feeling and Grant's vocals remain crystal clear as he tells a story about falling in love. There is another glorious middle eight and outro.

This boy can sing, man can he sing. 'Like A 45' is a piano ballad with brass and strings lifting it and Grant's melodies flowing superbly. Absolutely beautiful!

Yes I'd dance with you, if no-one was around

'How Many Times' asks questions like 'how many times can a man fall in love/save himself…' over a simple beat and slightly psychedelic guitar.

'Maybe Now' bursts into life with strings and piano. Grant just tells it like it is and sings beautifully.

I never thought I'd hurt you, but it's the way it had to be

I've tried everything, nothing seems to work

Grant is at his poetic best...

Bought a ticket for the boat ride, on the river, under moonlight, with the stars, in the darkness….

'Moonlit Wall' and 'Too Cool To Die' prove that Grant isn't just all about the ballads (as beautiful as they are) and he has the songs up his sleeve to get a crowd going.

'Baby Pink' is hushed honesty with Grant and his acoustic guitar. The little burst of harmonica just adds to the hints of Dylan.

I was in a bad place and at the time you were so good

'It's Not About War!' is a brilliant album, with several of the songs being truly exceptional. Live dates appear to be sporadic just now. I can't wait for Grant to come to Glasgow. I hope the crowd are quiet for the ballads!

Scotland's Music Hall of Fame

Around 10-days ago I received an email inviting me to come along to King Tut's Wah Wah Hut for some food, beers and the opportunity to meet and chat with a guy called Ewan MacLeod, the curator of Scotland's Music Hall of Fame. They obviously knew how to get me!

The hall aims to open in late 2014 and has come to music fans attention recently thanks to some promo videos from artists like Belle & Sebastian, Franz Ferdinand and Biffy Clyro discussing the three artists they would like to nominate for inclusion.

So last night I was joined by Richy Muirhead from the brilliant Scottish Alternative Music Awards (the SAMA's) and a young girl called Heather who writes for a blog in Edinburgh called Indulge Sound.

The conversation flowed easily form the start, Ewan described his vision for Scotland's Music Hall of Fame with a high level of knowledge and passion. He had the stats, facts and stories about music in Scotland and a clear vision of how the nations love of music and the incredible talent that we have produced should be curated, displayed, honoured and promoted by the Hall.

It made sense in so many ways and as a music fan I quickly became excited about what the Hall could do for music in Scotland. The Hall will open in Glasgow, the UNESCO World Heritage Site for Music. That last sentence alone kind of tells you how silly it is that we don't have something. As someone who has been extremely fortunate to travel extensively, I've been to loads of UNESCO sites and they all seem to have a focal point. We have countless venues ranging from the classic King Tut's and the Barrowland, through to the modern day ABC and the Hydro, with long gone venues like the Apollo in between. But no focal point.

The fact that the SMHoF will have (and indeed already does have) an education wing is also extremely important and after a couple of beers I waxed lyrically about an education officer going into a school and speaking about bands like Orange Juice and Franz Ferdinand and inspiring a young kid to pick up a guitar.

Conversation came round to which 3 people/artists I would nominate for Scotland's Music Hall of Fame, so here they are;

1. Teenage Fanclub

I guess it goes without saying that I would nominate the Fannies. They came into my life when I was 15-years old and they have played a heavy part in the soundtrack of it ever since. They are consistently brilliant and with 3-songwriters in the form of Norman Blake, Gerry Love and Raymond McGinley they have produced some of the best guitar pop music ever. 

The fact that Teenage Fanclub are extremely well respected by journalists, DJ's and other bands all over the world also influences my decision. The band are fantastic ambassadors for Scotland; friendly, passionate and also very knowledgeable about music from all over.

2. Alan McGee

My second choice isn't an artist or a band, although I could certainly argue that Mr Alan McGee is just as creative. Alan is unique, a real one-off, someone who was bitten by the bug of punk music and has never been able to shake it off ever since - despite recently trying, he has come back with a new label 359music, staying true to his punk ethics but having incredible natural entrepreneurial resources.

Alan formed Creation Records and released albums by Scottish artists like Teenage Fanclub, Primal Scream, Jesus & Marychain as well as lesser known artists like The Diggers, Superstar and Momus. Not to mention non Scottish acts like Oasis, Ride and My Bloody Valentine.

Alan gets my nomination as he is a walking talking advert for the DIY punk ethic, someone who had a dream and went for it, someone with balls, someone with true passion and someone who could fill an entire room in the Hall of Fame with his stories.

3. Primal Scream - Bobby Gillespie and Andrew Innes

Primal Scream receive my third vote. The Scream are an incredible example of band who are not afraid to explore new sonic adventures or to work with a variety of different people to enable them to do just that. Andrew Weatherall, George Clinton, Robert Plant, the Chemical Brothers, Kate Moss and Kevin Shields are just a small number of people who have helped inspire the Scream to strive for more.

Like Alan (a dear friend of Bobby and Andrew's) the Scream are pure punk rock, yet they are capable of producing the most gorgeous tender ballads imaginable, blissful electronic music that will send you to a special place, out and out rock'n'roll stompers, psychedelic pop and white noise jazz.

They keep on keepin' on, they keep on keepin' strong. They have lived a life and would thoroughly deserve a place in Scotland's Music Hall of Fame.

Who would you nominate?

Stay tuned for more blogs about the Hall in the future.

Introducing Pete MacLeod

Sometimes the good guys win, sometimes the good guys come through. It doesn't always work out like that, certainly not as much as it should.

One good guy who is coming through is Pete MacLeod who has been working his music hard over the last few years, keeping an exceptionally positive attitude and building up an increasing fanbase. Pete has also been extremely supportive of charity with proceeds from some self releases going to good causes - a good guy.

One fan just happens to be the legendary Alan McGee who credits Pete 'more than anyone' for his return to music with his new label 359 music. It is a welcome return, injecting a much needed sense of energy, urgency and honesty into the music business.

With the release of debut single 'Rolling Stone' coming out in October (on download and ltd cd) it is easy to see why McGee has chosen Pete amongst his first batch of signings (I'll blog on more in the future but I am delighted to see The Grants/Chris Grant is one of them).

'Rolling Stone' starts with chiming Byrds-esque guitars and it remains upbeat from the off with the opening lyric 'what won't kill you only makes you stronger'.

I mentioned energy, urgency and honesty when talking about the return of Alan McGee to the music business. Those words can easily be applied to MacLeod's debut single. His vocals are crisp and clear, with lovely little rises at key moments.

The guitar solo and the strong vocal melody recall Bandwagonesque era Fanclub and there is a lovely undercurrent of hammond introduced during the instrumental and at choruses.

'Rolling Stone' is lovely guitar pop, easy on the ear with melodies that will get you humming along after just one listen. 

'Rolling Stone' is released on 359 Music as a download on 14th October and then as a 7-inch on 28th October. Visit Pete's website for details of live dates in Glasgow and London (and see poster above).

BMX Bandits In Space

BMX Bandits release their latest album 'BMX Bandits In Space' tomorrow (29th October) on Elefant Records. I was lucky enough to get an advance copy and I've had a week with the album, so lets check out what Duglas T Stewart and his band of Bandits have been up to...

Before I go any further I have to say that this is a gorgeous record, following on from the remarkable 'My Chain' and 'Bee Stings' that were released in quick succession back in 2006 and 2007.

'BMX Bandits in Space' tells the story of a man travelling through time and space in search of forgiveness and a way back home. Throughout the trip there are small flashes – some are memories and some are figments of his imagination.

The album opens with 'In Space', and it is quite trippy for the Bandits. There are lush strings and Stewart's voice is layered with effects as he sings about '..drifting in space for so long, endlessly singing the same song...'

For anyone new to the Bandits, Stewart is a romantic who wears his heart on his sleeve and he sounds head over heels on this record.

Where there's love, there is hope

Where there's hope, there is you

It's time to start to live

'Still' bubbles into life with a lovely piano riff, gentle acoustic guitar and Duglas singing with real emotion (as he does throughout). The song is a collaboration with Plectrum from Japan and on the evidence of this tune they should get together more often. The gorgeous outro is hypnotic and you can easily get lost (in space) to it.

'Beautiful Friend' picks up the pace before 'Look At You, Look At Me' continues the dreamy feeling that a lot of the songs (and the brilliant production) bring to the album. The song is another collaboration, this time with Cineplexx from Argentina, it also sees Rachel Allison singing for the first time on the album.

'Like The Morning Sun' is one of my favourites from the album, Allison takes on lead vocals for this one and it sounds like she enjoyed singing the beautiful and clever melody.

The album really starts to come into its own with the brilliant 'Listen To Some Music' with Duglas name-checking some of his favourite songs and artists, wearing his musical influences on his sleeve along with his heart.

God only knows what I'd be without you, Brian and Tony know how I feel

They helped me figure out what I was thinking, in the song they made it real

And if you ever need a friend

Just play that song once again

It is one on which you can depend

For those that have followed Duglas and the Bandits, and especially those that have seen Jim Burns 'Serious Drugs' documentary, this is a song that really sums up Duglas - music is his life and it has seen him through some tough times. The song is playful, melodic and meaningful.

'Elegant Love' is the second collaboration with Cineplexx. A duet with Rachel, it has a great feel to it with an uplifting chorus.

'And It's You' hit me instantly, it is totally gorgeous and incredibly catchy.

And if I live to 103

You're still gonna be

A big part of me

The chorus is pop perfection.

And it's you

And it's me

It's a complicated story like the best ones can be

Bandits songs have that instant appeal but they also have an incredible amount of depth, especially when Stewart is on top form and he is on form on this album; lyrically and in voice. The Bandits he has assembled are also on their game and the production is sublime.

'You Disappointed Me' has Rachel singing of a lost love that led her on, she fell for him, believed in him but was ultimately rejected and hurt. The melody is almost nursery like at times.

'Fucked Up This Time' takes the album to a darker place after the head over heels love songs like 'And It's You'. It has a great groove to it and although Stewart's vocals continue to be hushed and considered, there is clear hurt, regret and perhaps a bit of menace in his performance here.

'Fireworks' is a pretty special song for me as it was written by my wee sister! That's right, my wee sister has a song on an album by a band I have been following for a couple of decades. It is rather surreal and Duglas has been exceptionally supportive of Carla and her band TeenCanteen.

The melody flows easily, the lyrics are funny and moving and it is just lovely to hear the care that the Bandits have put into the recording and performance.

'All Around The World' tells of the search for hope and how there has to be something out there.

I believe in beauty, I believe in it and where ever it leads me, that’s where I’ll go

You must believe in something, cause if there's really nothing, then there is no hope

'And While We're Dancing' is a slow waltz style song, Stewart's vocal is especially considerate for this number, beautifully fragile, combining in stunning fashion with Rachel.

Now close your eyes and maybe you'll see

An older you dancing with an old me

Our friends and family will all smile to see

Us dancing our waltz of love

'The Unforgiven' has another stunning vocal performance from Duglas, only accompanied by piano at the start. This has to be a career highlight for the BMX Bandits, if they can swear in one of their song titles then I am going to say that this is fucking brilliant, the closing half of the song flows superbly and the backing vocals are beautiful. Listen to this on headphones. I can't wait to see and hear this performed live.

'In Space (End Theme)' has some lush strings to end the trip.

In the aforementioned documentary 'Serious Drugs' there are a couple of mentions about how BMX Bandits are perceived - perhaps not taking things too seriously (or being taken seriously), Alan McGee even mentioning that some people think (or thought) they are (were) a joke band.

I hope these people listen to BMX Bandits In Space (as well as the previous two albums) as they will discover an artist who pours his heart and soul into his work. Love and hope are out there, you just have to look hard enough, it can be tough at times, but keep at it. It is all worth it in the end.

Duglas T Stewart is in the best form of his career, reaching new heights and creating some wonderful, wonderful moments.

Check the album out, there are some signed copied in Monorail in Glasgow and there are only 500 vinyl copies (pictured above).

18-years since Definitely Maybe by Oasis

Definitely Maybe by Oasis was released on Creation Records 18-years ago today. Half a lifetime ago for me, half a world away.

1994 was a glorious summer, Oasis came along at exactly the right moment for me. I was 18-years old and looking for a band to fall in love with. Oasis stole my heart.

The live reviews in the NME, the songs given away on cassettes on NME and Select Magazine,  the interviews, taping sessions off the radio....it was a blast. The 94-96 era of Oasis just completely smashed everything else into oblivion. Noel Gallagher had a plan, tons of great songs, a great front man and the right record label to just go for it.

I caught Oasis in April 1994 just before the release of their debut single 'Supersonic'. They supported The Boo Radleys at the Tramway for Glasgow Sound City. The gig was recorded for Radio 1 and you can hear me and my mates shouting the very uncool chant 'Oasis...barmy army'. Hey, we were 18!

Then it was a stunning gig at the old Cathouse. Oasis came on late after the full Best of Sly & the Family Stone album was played. That was followed by one of my all-time fave gigs in a tent at T in the Park with Liam and Noel playing football on stage. I didn't want it to end. Then in December Liam stormed out the Barrowlands after his voice went a few songs in and Noel finished the gig, telling us to keep our ticket stubs and they would be back. They did come back and they were incredible. Oasis in 1994 were my dream band.

So the album, 18-years on, how does it stand up?

To start with, the cover is a classic. Designed by Brian Cannon from Microdot (Definitely Maybe is in his handwriting) it just looks great.

'Rock'n'Roll Star' is a total statement of intent. It explodes into life, searing and soaring guitars and a young Liam Gallagher (he was 21 for most of 94) singing his heart and lungs out.

I need some time in the sunsheeeee-iinnnne

That Lydon-esque delivery had kids all over the UK hooked from first listen. Noel's lyrics of dreaming of a better life are throughout the album and the b-sides from the time. 

I live my life for the stars that shine, people say it's just a waste of time

Anyone who says that Oasis lyrics don't mean anything hasn't bellowed this out as a youngster. 

The Gallagher's had the cheek and confidence to even deliver

Look at you all you're all in my hands tonight

I'm a Rock'n'Roll star

Believe me, in 1994 I was in the palm of the Gallaghers hand. The power they displayed live was incredible.

'Shaker Maker' was a real live favourite, from memory they opened with it quite a bit in 1994. The 'shake along with me' section was brilliant live, Liam sneering the vocal down the mic.

'Live Forever' is just majestic. Listening to it just now on headphones, it still sends a shiver down my spine. Noel Gallagher laid a marker down with this song and you could question if anyone ever came close to it.

The song flows beautifully, the chords, the simple drums, Liam's voice is perfect and then Noel's guitar solo just lifts things even more.

The double chorus is just sensational, incredibly uplifting.

Maybe I just wanna fly

Wanna live I don't wanna die

Maybe I just wanna breathe

Maybe I just don't believe

Maybe you're the same as me

We see things they'll never see

You and I are gonna live forever

I believed every word as an 18-year old in 1994. Listening back to it now, I still do.

'Up In The Sky' was another live favourite. I remember bouncing like a loony to this at the Cathouse. The bit where it all breaks down other than Noel's guitar and Liam singing 'I can feel you, can you feel me' was a total hands in the air moment before it all kicked in again. That sense of euphoria was all through the album, a pure rush.

'Columbia' always reminds me of Knebworth when it opened the show. I still kick myself for not buying a white label 12-inch of it in Missing Records for £20. That was a lot of money for me back then, it fetches £200 now.

When the groove kicks in it just doesn't stop. The beat is the 'danciest' on the album. Liam is at his sneering best, his voice is truly remarkable on this album, one of the great rock vocal performances.

I can't tell you the way I feel, cause the way I feel is oh so new to me

I mentioned a sense of euphoria for 'Up In The Sky' but 'Columbia' multiplies that by 100.

'Supersonic', the debut single. The power is there, almost punk like, the production from Owen Morris is exceptional. Noel said he wanted it to be louder than anything else being released so it stood out if it was played by a DJ or on a jukebox. Morris delivered...and then some. 

OK some of the lyrics are complete nonsense, but there are also gems of Gallagher philosophy in there that really spoke to me as an 18-year old.

You need to be yourself, you can't be no-one else

and

You need to find a way for what you wanna say, but before tomorrow

Tony McCarroll was booted out Oasis for his limited ability on the drums but I think that was to Oasis advantage back then. Simple beats, toes tapping, people bouncing. Let Liam and Noel take over.

'Bring It On Down' was Alan McGee's choice for the debut single and you can understand why. It is punk rock, 100mph. Liam in full on Lydon mode.

You're the outcast, you're the underclass

This song is over 4-minutes long. Played live, Oasis probably took a good 30-seconds off it!

'Cigarettes & Alcohol'. A total anthem! Noel used to hammer out the starting riff to this at gigs in 1994 to get people excited and then go and play something else, a total tease.

The riff is T-Rex x 100. Hammered out. But for me, this song is all about Liam Gallagher. His vocals are exceptional for a 21-year old. 

Is it worth the aggrevation to find yourself a job 

when there's nothing worth working for?

You could wait for a lifetime

To spend your days in the sunshine

You might as well do the white line

Cause when it comes on top

You gotta make it happen

Liam's delivery of sunshine was just top; ssssuunnnnsheeeeeyyyiiiinneeee. Brilliant, the energy in this song just leaps off the vinyl.

'Digsy's Dinner' is a laugh. I would much rather 'Fade Away' was on the album. Again it does contain a great line for an 18-year old;

These could be the best days of our lives

But I don't think we've been living very wise

'Slide Away' might just be my favourite Oasis song. It is sheer beauty, it tugs on heartstrings, it makes you punch the air, sing from the top of your lungs, hug your mate, hug strangers....it is stunning

The middle eight lifts things and then the chorus just takes off for the sun.

Slide in baby and together we'll fly

I try praying but I don't know what you're saying to me

Now that you're mine

We'll find a way of chasing the sun

Let me be the one who shines with you

And we can slide away

Noel's guitar is melodic and soaring, Liam's vocal delivery is the most soulful on the album. This is Oasis at their very best.

At the time Noel described 'Definitely Maybe' as 10 singles and a nice corny track at the end. That sums it up very nicely. A mate of mine has just posted on Facebook that in 1994 we all wanted to live forever and now we are all 'Married With Children'!

So there you have it, except that on the vinyl edition you had the bonus of 'Sad Song', surely one of Noel's best ever songs, certainly one of my faves.

Sung by Noel, this is incredible, highlighting how good a songwriter he was and capable of becoming with future anthems like 'Wonderwall'.

18-years on, it is like it was yesterday. This album is one of the real soundtracks to my life, it came along at the perfect time and will always remind me of those times.