Named after the debut single by Teenage Fanclub. This blog is all about being a music lover in Glasgow; reviews, interviews, memories, old faves, new discoveries (past and present), playlists and more. Thanks for visiting - I hope you discover something amazing you have never heard before, or that you rediscover an old favourite. Regular features/playlists; Never Ending Mixtape / Cover Version of the Month/ Trust Me. Insta - @everythingflowsglasgow E - murrayeaston{AT}gmail{DOT}com
Showing posts with label 2016. Show all posts
Showing posts with label 2016. Show all posts
Friday, 2 September 2016
Electric Fields - Everything Flows DJ set
When is the last time you danced? I mean really danced? Like when you go for it, do the whole big handclaps, hands in the air, singing all the lyrics type dance?
For some people it will have been last Saturday night in the Tim Peaks Diner at Electric Fields when my friend Phil Redfearn played an incredible 70-minute set under the guise of the Everything Flows DJ'S.
The set started with a nice little bit of Bowie before taking in a wildly eclectic mix of disco, funk, punk, rock n roll and soul. It was pretty much 70-minutes of euphoric vocal led upbeat music.
The highlight for me was Atomic by Blondie. The place went absolutely crazy. Then there was the brave choice of Relight My Fire....no not Take That, but a sensational 8-minute Dimitri From Paris reworking of the Dan Hartman and Loretta Holloway version - it sounded incredible. With people starting to head out to see the headliners, the set ended with Primal Scream.
See below for the songs played and a link to the entire mix.
Everything Flows DJ's are available for hire - pubs, clubs, gigs, parties, weddings....
Get us via everythingflows (AT) ymail (DOT) com or via @murrayeaston or @philthedriller
Memory Of A Free Festival (outro) -David Bowie
Backstabber - The O'Jays
Everybody Dance - Chic
I Wanna Be Your Love (live) - Prince
Boogie Oogie Oogie - A Taste Of Honey
Getting Away With It (re-edit) - Electronic
Love Will Tear Us Apart (Drop Out Orchestra mix) - Joy Division
Rock The Casbah (re-edit) - The Clash
September - Earth, Wind and Fire
Dance To The Music - Sly and The Family Stone
Get Off Of My Cloud - The Rolling Stones
Atomic (12-inch) - Blondie
Relight My Fire (Dimitri from Paris remix) - Dan Hartman featuring Loretta Holloway
Ain't No Mountain High Enough (re-edit) - Marvin Gaye and Tammi Terrell
Movin' On Up (extended intro re-edit) - Primal Scream
Monday, 29 August 2016
Electric Fields 2016 review
A beautiful rainbow appeared during Public Service Broadcasting
Glorious sunshine, only a couple of tiny showers, a rainbow, a stunning setting,a friendly and upbeat atmosphere and all kinds of brilliant music ensured that Electric Fields jump up to a 2-day festival was a roaring success.
In only the third year of the festival, it was a considerable leap from a 1-day festival with a 1,000 capacity to a 2-day festival of 5,000. It worked......and then some.
There were 4-stages; the main stage with all kinds of eclectic acts and headlined by The Charlatans and Primal Scream, the Sneaky Pete's dance tent with the likes of Erol Alkan, the Tim Burgess curated Tim Peaks Diner with great coffee, sofa's and bands from Wales, Northern Ireland, England and Scotland and then the Stewart Cruickshanks tent with all kinds of bands and artists including The Go! Team.
The festival site is only 1-hour from Glasgow, in the stunning grounds of Drumlanrig Castle. It is a gorgeous setting for a festival.
Friday
Neon Waltz are a band I've mentioned a few times previously on this blog. I last caught them just over a year ago at the Wickerman Festival and they seemed to have stepped up a gear. A 7-piece band creating some great guitar music with plenty of melodies, gracing the Main Stage with ease.Tuff Love pulled a good crowd to the Stewart Cruickshanks stage where their old school fuzzy upbeat indie guitar tunes will definitely have won them some new fans.
Tim Burgess had curated a real eclectic line-up for his diner. Yucatan were a band I really fell for when I discovered them upon announcement back in February. Think Sigur Ros meets Spiritualized in the Welsh Valleys - beautiful music that can soar and swoop, sung in their native tongue. I spoke to the band and was delighted to hear that they were going off to tour in Germany as their latest album Uwch Gopa'r Mynydd has been received extremely positively over there. It was there first trip to Scotland and for me that summed up the Tim Peaks Diner concept in a nutshell - giving brilliant bands the opportunity to play to new audiences across the UK. I'd love to bring them back to Scotland in the future.
Dillwyn - lead singer from Yucatan
The no-show of Sugarhill Gang left a huge gap on the Main Stage on Friday afternoon. They should have been the act to really kick start the party. As a result, it was slightly postponed until Public Service Broadcasting took to the stage.
Public Service Broadcasting
PSB are the kind of band that would generate a response anywhere. Mixing electronica with old broadcasts from the BBC through to NASA. The Other Side was euphoric, building, building, dropping and then exploding to a rapturous reception.
The Charlatans absolutely smashed it. Opening with a triple blast of Weirdo, North Country Boy and a glorious Just When You're Thinkin' Things Over ensured that the crowd were in full on festival party a mode. If anything, this only helped the band on.
Let The Good Times Be Never Ending was a total groove and then One To Another (being played on the 20th anniversary of its release) sent the field wild. There was plenty more to come; including The Only One I Know that created a festival indie disco. Come Home Baby jettisoned straight into near the top of my favourite Charlatans songs chart upon release. I sang my heart out to the chorus.
How High was delivered in blistering form, Tim Burgess was bounding and dancing across the stage, conducting the crowd and sounding better than ever.
Sproston Green, the traditional set closer for The Charlatans started with a slow, menacing bass and organ groove, exploding into life and not letting up until the band brought it all back down to the start.
It was a stunning set from The Charlatans and it was great to meet some seasoned Scottish music veterans the next day and hear them singing the bands praises and talking of them smashing it out the park.
The Charlatans - picture from the Electric Fields Facebook page
We hot footed it over to the Bowie and Prince disco at the Tim Peaks tent and danced like crazy to I Wanna Be Your Lover and Controversy and reached for the sky and sang like crazy to Starman. What a great end to a brilliant day.
Saturday
The campsite was certainly lively and the ear plugs worked a treat! I felt reasonably fresh and a Tim Peaks coffee and some chat in the early morning sunshine worked wonders.Plenty of others were also feeling fresh, choosing to take part in the Northern Soul dance class that was on at the Tim Peaks Diner. It was great to see people of all ages participating; indeed it was great to see lots of families and young kids at the festival.
Northern Soul dance class in Tim Peaks Diner
There was plenty of things to do. I chose a 10-minute neck, shoulder and back massage and almost fell asleep to the strains of Time Will Pass You by coming from the northern soul class. Along with the coffee, some fresh homemade soup and a cheese and onion toast - I was ready for another day.
The weather on the Saturday was absolutely glorious. The sun broke through what little clouds there were early on and remained out for the rest of the day.
Mix sunshine with a festival and the Colonel Mustard and the Dijon 5 and then you have a winning combination. Despite being a fan of the band, this was actually the first time I had seen them live. There were plenty of fans there to see them, in fancy dress and in loads of band t-shirts. The bands yellow movement is growing with each and every show.
The absolutely nailed it. Coming on stage and turning the festival into a giant party. At one point the good Colonel instructed everyone to go to one side. His compadre David Blair then jumped down with a flag to play lollipop man to a song called Cross the Road with everyone then dancing to the other side. This played out a few times and people were grinning from ear to ear.
We also had a song called Dance Off, with David jumping into the crowd to egg everyone on. They didn't need too much encouragement!
Colonel Mustard and the Dijon 5
Another song had the Colonel instructing everyone to dance to certain moves; drive your car, first pump, hands in the air...... everyone had to join in - security, police and people trying to be cool.
I've blogged about These Are Not The Drugs You Are Looking For before and it was perfect for Electric Fields with the Colonel confirming that peace, love, happiness and friendship are the only drugs we need.
This was a family show, the Colonel had his kids on stage, plenty of the 6th Dijon's had their kids in the crowd and everyone could join in good old fashioned fun.
To say that the crowd was buzzing after this performance was an understatement. I suspect they might be back next year! If so, they should get a later slot and longer time. They play a HUGE hometown show at the ABC in Glasgow on 23rd December. It will be the Christmas party to end all Christmas parties!
The crowd (the 6th Dijon) play a huge part in Colonel Mustard shows
There was time for a laze about in the sunshine before Mark W Georgsson took to the Tim Peaks stage with 5 friends to play songs from his forthcoming debut album that will be released via Last Night From Glasgow Records in January. The warm acoustic country rock/Americana feel to the songs was warmly received by the crowd.
We began the Honeyblood set at the side of the stage in blistering sunshine. We then walked through the site and out the back to wander up towards the castle and rest in the shade under a tree. It was a beautiful half hour listening to the sounds of Honeyblood from the main stage.
By the time we walked back down and in the back of Tim Peaks Diner, Documenta were on stage and creating blissful drone pop. They brought a sizeable crowd and again I thought of how brilliant the concept of Tim Peaks is - bringing this band over to Scotland from Northern Ireland to play to a new crowd.
Documenta from the back of Tim Peaks
Steve Mason was in fine form, dedicating a song to his keyboard player who was married the previous day, joking he was paying him time and a half. Mason's vocals were crystal clear, cutting through the summer sky and captivating the crowd. His bands shuffling laid back grooves were perfect for the weather.
Back at Tim Peaks Diner, TeenCanteen were soundchecking to an already impressive crowd. By the time they were 3-songs in the tent was packed and people were peering in from outside. Sister and Kung Fu Heartbeats were uplifting pop, Roses was Motown updated for 2016 with a dash of C86 thrown in for good measure. The sweetness of Honey drew large cheers and Cherry Pie was delicious. Amanda Williams was back on acoustic guitar after returning from her travels, turning the band into a 5-piece and bolstering their modern Spector-esque wall of sound. It was the best I have seen and heard them, brimming with confidence ahead of the release of debut album Say It All With A Kiss on 9th September. Closing with a brilliant Sirens ahead of their cover of TLC's Waterfall with a slice of All Saints I Know Where It's At left the crowd wanting much more.
TeenCanteen
There was time to catch up with TeenCanteen afterwards and the feeling on stage had been the same as off - quite a show.
We waited for friends as actor Paddy Considine's Riding The Low blasted through a high energy set, although it was their chiming guitar song Rocky 99 that won my heart. Although Paddy definitely won a few girls hearts!
Then it was the turn of Everything Flows DJ's to get the crowd in the mood for Primal Scream. I decided to hand the music duties over to my friend Phil Redfearn and he played an absolute blinder.
Opening with the end of Bowie's Memory Of A Free Festival, Phill packed the tent and generated the best atmosphere of the entire festival. Chic's Everybody Dance got....well everyone dancing. Electronic's Getting Away With It was a delight but Blondie's Atomic was the tune of the night. The place went crazy! A Dimitri from Paris mix of Take That's Relight My Fire was a brave choice but it also kept people dancing. There was room for The Stones Get Off Of My Cloud and an incredible re-edit of Marvin and Tammi singing Ain't No Mountain High Enough into Primal Scream's Movin' On Up before we packed up quickly to get out to see the Scream team.
Thank you to everyone who came to see us (Phil). The atmosphere and reaction in the tent was incredible. Phil has recorded the mix so hopes to get it online soon. You can follow him @philthedriller
Everything Flows DJ Phil Redfearn
Primal Scream came on stage just as we met up with friends near the sounddesk. Bobby Gillespie was moving a little more freely than the Kelvingrove Bandstand show and Movin' On Up was the perfect intro. A blast of Jailbird kept things moving. Gillespie did need to sit down for some of the show but Primal Scream kept the party going with Country Girl going down a storm. Everyone wanted to have a party and Loaded was predictably the song that did it and I doubt there is a better song to end a festival with than Come Together.
Top marks to everyone involved with Electric Fields - stunning site, great line-up, perfect size and that touch of luck with the weather.
Bobby and Simone
Thursday, 4 August 2016
Van Morrison at Kelvingrove Bandstand
Near the end - with my brother Ross down the front
Talk about a game of two halves!
The first half of Van Morrison's set in the stunning setting of the Kelvingrove Bandstand in Glasgow was a little.....bland. Think jazzy lounge band.
He might have opened with Moondance but it was far from marvellous. It was all a bit...well a bit boring and a bit like they were going through the motions.
The Glasgow crowd was polite and seated....that didn't last for long. A few people got up to dance and Van the Man looked noticeably upset, bringing someone on stage to usher the crowd to remain seated.
Walking in just in time for Moondance opening the show
Things changed, a raucous Baby Please Don't Go ignited a previously bog standard set where the band and Van going through the motions. Van and the band kicked on to segue into Don't Start Crying Now and an utterly sensational Here Comes The Night.
The band were all session musicians, as tight as you wanted, but it was later on that they came into their own; cutting loose on some great tracks. The drummer looked like he was 18 or 19, imagine cutting your teeth with a bonfide musical legend!
People started to dance - drunk, stoned or just enjoying the music, the Glasgow crowd started to exert themselves on Van and his band. There was no way on earth they were going to sit down through his show. Sometimes We Cry was a real highlight at this point.
There was also no way on earth that Van was going to smile or remotely look like he was enjoying himself. But he gave us some clues. Brown Eyed Girl is a wedding staple and one of his most famous songs but he rarely plays it live.
After a few words with his band it was trotted out. Van didn't seem to know all the words but it didn't matter, everyone else did! The place erupted. Suddenly everyone was on their feet. Previously it had been a drunken few, now it was the whole amphitheatre and it transformed the show.
Jackie Wilson Said (I'm In Heaven When You Smile) followed and the place was going crazy. I can't imagine Van and his band having a reception like this in a long, long time. The space at the front was filled with people dancing, singing and taking selfies in front of the legend.
Arms were in the air, people were hugging, dancing and singing. This was heaven and we were all smiling!
Real Real Gone followed with Van Morrison singing his heart out. We couldn't see behind his shades but he must have been enjoying the reaction from the Glasgow crowd.
Gloria was the last song of the night. Van Morrison walked off stage still singing and playing his harmonica. The band jammed on......and on......and on......
The crowd kept singing GLORIA and the band kept on playing. Van was long gone but the band responded to the crowd and played their hearts out. Unlike Van, they were smiling! They jammed and raised it, dropped it and gave everyone solo's. It was a great moment.
So yeah, Van Morrison at Kelvingrove Park - memorable. but the second half when Van, band and crowd cut loose was what made it.
Labels:
2016,
Brown Eyed Girl,
Glasgow,
Kelvingrove Bandstand,
live review,
Moondance,
music,
van morrison
Thursday, 28 July 2016
I’m In Love by Teenage Fanclub
I’m In Love is the new single by Teenage Fanclub as the band return following an extended break. Released to radio back in June, a new Brian Sweeney directed video has been released today to gee fellow Fanclub fans up ahead of the new album Here, set for release on 9th September.
The band have all been pretty busy since the release of 2010’s beautiful Shadows album. Norman has toured and released with Jonny, Jad Fair and the New Mendicants, Gerry delivered the summery delight of his Lightships album, Francis has released Building Jerusalem - a classical soundtrack and also an instrumental album, while Raymond has helped out Dave with Snowgoose and Dave has also been busy with Belle and Sebastian.
Naturally, it is a welcome return. Teenage Fanclub’s 2014 summer show at the Kelvingrove Bandstand was proof of the love that exists for this wonderful band. That has been demonstrated by the incredible response to the September warm-up shows and the winter tour, with many shows selling out quickly. I'm particularly looking forward to the Glasgow weekender!
On to I’m In Love. I first heard this song in May 2015 when I gave Norman and his very good friend Duglas a lift back to Bellshill from Edinburgh after they kindly played The Girl Effect charity show organised by my sister. The two were in fantastic form, bouncing off each other and discussing all kinds of music.
I couldn’t resist asking Norman what was happening with Teenage Fanclub and he was only too pleased to let me know, asking if I would like to hear some songs from the album! My wife Lynn is incredibly untechnical and couldn’t get Norman’s phone plugged in, so Norman was leaning over sorting this out as we sped along the M8!
Thankfully Norman got it sorted and we blasted out I’m In Love and a few other tracks, one that may be on the next Jonny album. My wife was a little drunk and commented ‘it’s very Teenage Fanclub’, causing us all to laugh!
I'm In Love is very Teenage Fanclub-y! It’s upbeat, positive, the harmonies sound as good as ever (if not better as I have missed them so much), a great guitar solo and it flows superbly. There is warmth, urgency, soul and it zips along, a 2 minutes and 41 seconds summery guitar pop wonder.
The video fits the song perfectly; showing the band getting together, recording, enjoying the scenery and hospitality offered by Edwyn Collins in Helmsdale. There are smiles, a kick about, the sun shines for TFC and a rainbow even makes an appearance.
Welcome back. Roll on the album and the shows.
You don’t know, what you mean to me
Girl I owe you my life
It feels good
When you're close to me
That’s enough, that’s enough
Isn’t life such a mystery?
I’m in love, with your love
Labels:
2016,
Bellshill,
Francis MacDonald,
Gerry Love,
I’m In Love,
new album,
new single,
Norman Blake,
Raymond McGinley,
review,
Shadows,
Snowgoose,
Teenage Fanclub,
tour,
video
Friday, 8 July 2016
Stone Roses at T in the Park 2016
It's 2am, I'm home from T in the Park and wanted to get some words down.
The Stone Roses were magical tonight. Nothing will match the majestic Sunday at Heaton Park, but that was the best I have heard Ian Brown sing. He was top notch tonight.
Of course he was admirably backed by a truly magnificent band. Reni and Mani were particularly hot tonight. Squire's guitar could have been turned up at times, but all 3 are stunning magicians.
Pre-show tunes included Three Little Birds and Hey Jude, the atmosphere was extremely positive as the Roses came on stage at 2220; flares, cheers, dancing and lots and lots of smiles.
Ian said little throughout, thanking the crowd and waving a Scottish flag at one point.
Adored started with that familiar rumbling bass, a sprinkling of guitar and high hat from Reni and we were off. The chorus was loud and euphoric. The Roses were straight into Elephant Stone, then there was a beautiful mellow early outing for Shoot You Down.
Bye Bye Badman sounded superb. I spent most of the set dancing and singing, but it was great to look up and see Mani looking so happy on the main screen - the biggest Roses fan there is!
Sally Cinnamon was incredible; the band were on fire and this was psychedelic guitar pop heaven being served up. Squire coaxed extra little riffs as he went along.
Waterfall was a highlight and the band jammed into Don't Stop with ease. I was looking forward to Begging You but it didn't quite catch fire and and I think the band cut it short, sure they would have jammed on it for longer.
All For One might not have been the comeback single I was hoping for, but it sounded huge at T in the Park, everyone was into it - band and fans.
Ian patrolled the stage, thanking and encouraging the fans. The chorus of Made Of Stone could have been heard back at the old Balado site. People coming together en masse like one big choir.
Sometimes I fantasise
When the streets are cold and lonely
It was a magical moment and they kept coming. The atmosphere was incredible, there were people of all ages there, including some young kids that had Ian Brown haircuts that were there with their Dads. Must have been 10 or 11 and there was a great moment when Gordon put a young boy up on his shoulders.
Fools Gold was a delight, Reni and Mani were locked in a groove, Squire let leash and Brown looked and sounded fantastic.
Breaking Into Heaven and Love Spreads were superb, Squire's guitars were turned up the max and he just made it all look so easy.
She Bangs The Drums was pure pop heaven and my mate Gordon hoisted me on to his shoulders for an even better view of the T in the Park site going bananas.
This Is The One is probably my favourite Roses song when they play live, it gets me every time and tonight (last night) was no exception. Emotional, soulful and with a huge chorus.
Reni was let loose for a drum solo before leading the band into I Am The Resurrection with the extended outro. It looked like the Roses didn't want to stop...but sadly they did. A great night.
What next for the Roses?
Sunday, 17 April 2016
Record Store Day 2016
Record Store Day 2016
I really enjoyed Record Store Day 2016 in Glasgow. I visited Love Music and Monorail; bought some records, caught some live music, met some friends and also had a great family day out with my wife and 2 daughters. The sunshine even appeared in the afternoon, perfect for a few beers outside Mono.
Zoe and I caught the 1pm train into Glasgow and headed straight to Love Music to look for the Ette album Homemade Lemonade. Not due until July, Olive Grove Records released 10 copies to Love Music for Record Store Day.
The added incentive was that Zoe is on the cover - Ette is the solo project by my sister Carla who is in TeenCanteen.
Zoe and I were filmed in Love Music and you can see us at 40-seconds in, I’m also back in at 2 minutes 20 seconds.
Love Music had wisely decided to put live bands on in The Vale pub, mere yards from the store. While this took some of the buzz away from the shop, it meant that those purely interested in shopping had space (sometimes) to move. The store was busy and the half a dozen staff that were on looked tired but happy.
Space is at a premium in Love Music and putting the bands on in The Vale meant that people could get a drink and catch bands like Man of Moon and hotly tipped artist Be Charlotte alongside DJ’s from Podcart and Scottish Fiction.
We hot footed it over to Monorail and immediately bumped into friends Ben, Matt, Alison, Anissa and young 15-month old Martha sitting outside. Zoe and I attempted to go record shopping, but as it was mobbed we settled for a beer (me) and some chocolate and water (Zoe) and went outside for a natter.
Monorail and Mono Cafe Bar make a real effort to include youngsters and they had face painting and arts and crafts for the kids. Zoe got a fairy tattoo on her arm and I got a RSD16 tattoo!
My wife Lynn and youngest Rosie joined us and I finally got into the record store and bought releases by The Charlatans - Trouble Understanding (Norman Cook remix), Primal Scream - Mantra For A State of Mind - a cover of S-Express with Jason Pierce on guitar and a beautiful 7-inch by Glasgow band Spinning Coin - Albany. (blog coming soon).
I bumped into Greg from Machines In Heaven who will be dropping their new album in May. They’ve already released this gem 20xx and Greg was talking passionately about the album and the process behind the way they recorded it. Expect a blog and interview in the future.
Emma Pollock started a live set at 4pm, playing a beautiful old guitar. I was right down the front with Zoe and I couldn’t help think about how positive it was that Zoe (4) was able to watch Emma playing live at such close proximity and at such a young age. I swapped with Lynn halfway through the set and went outside with Rosie, but was able to bring her in to take this cracking picture.
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