Bandwagonesque at 30

My battered and worn 30-year copy of Bandwagonesque

30-years ago I was a 15-year old developing a healthy obsession for music. Raiding my parents record collection, buying the NME and Melody Maker every week, listening to Peel occasionally, the Evening Session a lot and making trips to Missing Records in Glasgow or Impulse Records in Hamilton. 

But arguably my biggest musical education stemmed from conversations and mixtapes at school. I distinctly remember a tape my friend Grant Mitchell made me containing Everything Flows and Don’t Need A Drum by Teenage Fanclub.

Living in the Lanarkshire backwater of Carluke, I was intrigued that this band from Bellshill, a 20-minute car/train ride away, were generating such a buzz. Then all of a sudden there were new singles; the blitz of Star Sign and the impeccable The Concept. Teenage Fanclub were a band happening NOW! I was falling for The Beatles and there is never a bad time to fall for The Beatles, but I was 30-years too late. I'd fallen heavily for the Stone Roses, but I was playing catch up on all their singles and I was 2-years too late, 2-years too young to get into them at their peak.

Bandwagonesque might have been the first album I really looked forward to buying upon release as a teenager, certainly the first from a band so close to home.

This wasn't Manchester, London or Seattle. This was 4 guys from Bellshill, just up the road from me in Carluke. They were playing London, going to America, in the NME, the Melody Maker, recording a Peel Session, they were on MTV and December was even background music for a hot air balloon feature on Blue Peter!

Teenage Fanclub felt like the perfect band, at just the perfect time and Bandwagonesque was the perfect album. They felt real, within touching distance.

Why was it the right album? For all the reasons it still is.

The humour, or at times just blatant cheek. The star kissing harmonies, the glorious guitar sounds, the brilliant use of swearing in Alcoholiday, the kind of cool but also kind of sh*tty sleeve. 3 different songwriters and singers, a crazy drummer. The innocent lyrics in songs like Sidewinder  ‘saw you there with long blonde hair, eyes of blue, oh baby, I love you’ that fitted in so perfectly for young teenage boys (like me) who fell in love with a different girl every day.

Yeah Teenage Fanclub were special, Bandwagonesque was special. They both still are.

The intro lyrics to opening song The Concept still make me smile and tell you so much about the bands humour;

She wears denim wherever she goes

Says she’s gonna get some records by the Status Quo

Oh yeah, oh yeah

I could be jumping around my bedroom singing yeah, yeah, yeah to The Beatles or oh yeah, oh yeah to Teenage Fanclub. The closing extended outro of The Concept gets better with age. The guitars, the harmonies, I'd be happy if it went on forever.

The riff of Satan always makes me reminisce about the band breaking into it live, the chiming guitar of December and Gerry Love singing she don’t even care, but I would die for her love struck a chord as a teenager, now it’s like a symphony, just perfect. 

What You Do To Me is 2-minutes of guitar pop perfection. So simple, so sublime, so pure, so perfect for fitting on to either side of a C90 mixtape you were making for your friend, or to now bring a burst of sunshine to a playlist. McGinley’s guitar on I Don’t Know mesmerises, Star Sign shimmers beautifully and bursts into life in a way that still makes me want to pogo and I don't think I'll ever lose that feeling.

Flip to side 2, Metal Baby still makes me smile, Pet Rock and the aforementioned Sidewinder echo of young innocent love and infatuation, while Alcoholiday is another song that ages like a fine wine, the guitars sound more glorious, Blake singing ‘there are things I want to do, but I don’t know if they will be with you’ tugs on heartstrings. And the last 80 odd seconds of guitar - swoon! 

Guiding Star is so blissfully dreamy and Is This Music? allows you to get lost in the hypnotic riffs and answer - yeah, yeah it is music. And it’s by Teenage Fanclub, my favourite band in 1991 and my favourite band in 2021. Still creating brilliant albums with guitars, harmonies and full of songs to soundtrack my life.

Everything Flows TV - Episode 2 - Teenage Fanclub

Welcome to Episode 2 of Everything Flows TV.

This episode is dedicated to my favourite band and features footage from the early 1990's through to present day.

Enjoy some wonderful performances which capture the talent, personality and joy that Teenage Fanclub brings to people across the world.

'Bandwagonesque, the best album of 1991, they come from Scotland, performing What You Do To Me, Teenage Fanclub' 

Teenage Fanclub, riding high after Spin Magazine voted Bandwagonesque the best album of 1991, beating the likes of Screamadelica, Loveless and Nevermind, romp through the melodic pop of What You Do To Me and then tear into Pet Rock with Norman pulling his hood up and rocking out on guitar with Raymond. I love Pet Rock in particular, there is a special energy in their performance!

Channel 4's The White Room, presented by Mark Radcliffe, was essential viewing in the 1990's. A kind of Britpop twist on Later With Jools with 100% less likelihood of Radcliffe joining in to jam with a band on 'the old Joanna'. 

This clip kind of encapsulates everything I love about Teenage Fanclub. Melodies, harmonies, incredible songwriting, a choice cover version, the band clearly having fun on stage and just generally displaying how brilliant they are with no fuss at all.

Live from the Reading Festival in 1992, Teenage Fanclub are flying. We have a relatively quick The Concept before a glorious 6-minute + version of Everything Flows with Brendan O'Hare in sensational form on drums and the band looking like they are having the time of their lives.

Live on Oddball TV in 1997, the band romp through the power pop perfection that is Take The Long Way Round

Live on the Conan O'Brien Show in 1993 with Escher

Live on Later With Jools performing Radio and their cover of Older Guys.

Snub TV - a short interview and Everything Flows

Live  Alcoholiday - always one to cherish when they play it live.

Live at T in the Park in 1996 with Neil Jung

Teenage Fanclub live at BBC Scotland HQ - I was fortunate to be in the audience just a few feet from the band.

Guiding Star

Cover of the month #11

Guiding Star - The Pastels

Katrina and Stephen, New York City, 1995

Don’t you think you’ve heard this song before?

So sings Katrina Mitchell, drummer and co-singer from The Pastels. As Guiding Star is a cover version of West Coast of Scotland contemporaries Teenage Fanclub, the chances are/were that a lot of their own fans will/would have.

The line has added irony due to the fact that Gerry Love (who wrote the song and sang the original on Bandwagonesque) from Teenage Fanclub plays and sings backing vocals on The Pastels version. I can imagine there were a few smiles in the studio as Katrina was singing that line.

Bandwagonesque came out in 1991, with Spin magazine declaring it album of the year ahead of the likes of Nevermind, Screamadelica, Out Of Time, Blue Lines and Loveless.

Guiding Star was the penultimate song on a glorious album of guitar music. Fuzzy and controlled distorted guitars are played over a warm acoustic, Fanclub voices combine to create a sense of dreamy, psychedelic calmness as the album heads towards conclusion with Is This Music?

The Pastels version (below) has a different kind of calmness to it - a velvet-y (underground) lullaby with Katrina’s pure vocals, raw guitars and the melody picked out on a glockenspiel (?).

Stephen Pastel had this to say on their Facebook page very recently (pushing the cover of the month I had planned back to next month);

‘We recorded it in Stuffhouse Studio, off Great Western Road, Glasgow in 1994 or 1995. We rehearsed there often - mainly Annabel, Katrina and me, but sometimes with David (Keegan) or Jonathan (Kilgour) or Gerard (Love). We would get a sandwich from Bakehaus on the way to the studio, so it always felt like a conceptualised event although our playing was often the opposite. The guys who ran it were brilliant and had a group called The Ocean who could properly play their instruments. They seemed to like us too and painted a room for us and encouraged us to record there. We started Mobile Safari there before moving on to CaVa which was very plush in comparison. I can’t remember why we recorded this but it sounds nice and Gerard is obviously playing and singing too. It’s been out of print for too long, a definite contender for inclusion on a retrospective.’

This follows on from Stephen confirming that The Pastels would be working on archive project this year when I spoke with him a couple of months ago in Mono. As someone who discovered The Pastels in the early 1990’s, I’m excited by the prospect of gems like this receiving a welcome issue alongside songs like early Creation singles Something’s Going On and the quite stunning Million Tears that I sadly only discovered via YouTube earlier this year.

I’ve read a lot of books on alternative Scottish music and The Pastels (and Stephen in particular) is a name that crops up regularly. They actively encouraged and supported countless bands back in the day (The Vaselines, Teenage Fanclub and Jesus and Marychain to name but 3) and that still happens today through their Geographic label and over the counter and across cups of coffee in Monorail/Mono.

An archive project/anthology/re-releases will be very welcome, highlighting the incredible output of The Pastels and I’m sure the blogs and articles that come out of the project will also highlight the bands importance in indie/alternative music.

This is a beautiful heartfelt cover version. Enjoy.

Previous covers of the month

1. You've Lost That Lovin' Feelin' 

2. Going Back To My Roots

3. Nirvana play The Vaselines

4. Slip Inside This House

5. Top 10 covers by Teenage Fanclub

6. Only Love Can Break Your Heart

7. Time For Livin' 
8. Sound and Vision 
9. All Along The Watchtower
10. I Am The Walrus