Glasgow is quite a small city, it's almost like a large town. I think that this is one of the main reasons that, as a music fan, I honestly believe there can't be many better cities in the world to live in. London will always have more going on due to it's size, but travelling from one side to another can take hours. New York City will always be hip and happening, but are the crowd 'too cool for school?'
Manchester must be near the top of the list as it has spawned at least half a dozen legendary bands and always has loads going in in underground pubs and clubs, idependent labels and it also has the absolutely outstanding Piccadily Records.
In addition to the dozens of venues in Glasgow there are some excellent record shops. FOPP in Byres Road - ideal for building up your cd collection as many are only £5, Mono in Kings Court - a gig venue, bar, vegan restaurant and record shop all rolled into one, Avalanche around the corner from Queen Street Station, Oxfam Records in Byres Road and one that I am very fond of - Mixed Up Records in Otago Lane, next to the funky Tchai Ovna tea house.
This blog will tell tales of music in glasgow, featuring gig reviews, single/album reviews, previews and genreal music musings. Read on to check out some of my all-time favourite gigs.
With a capacity of only 250 King Tuts is an ideal place to catch up and coming bands, as well as the occasional secret gig by an established band or a comeback from a 60's legend. My top 5 favourite gigs at King Tuts would probably be (in no particular order):
Arthur Lee and Love
I was lucky enough to catch Arthur Lee and Love (backing band Baby Lemonade) 3 times at King Tuts. Each time was memorable but I'll never forget the first time. No-one knew what to expect as Arthur was not long out of prison and there were rumours that his voice had been destroyed through years of heroin abuse. Lee quickly out paid to those rumours and soared through classics from the legendary Forever Changes album, holding the audience spellbound with a spine tingling rendition of 'You Set The Scene'.
As a young 18-year old I caught Beck at King Tuts just after he released 'Loser'. To this day I don't think I have seen the venue so packed. People were literally hanging off the ceiling to catch him live, such was the buzz around him. Beck's set didn't disappoint and he romped through tunes that encompassed a variety of styles - hip-hop, lo-fi, acoustic, indie, rock. An amazing night.
An electrifying gig. I hadn't heard much of The White Stripes before this gig. I got tickets for me and my friend on the strength of a John Peel recommendation and an article that either appeared in Mojo or Uncut. Jack White took to the centre of the stage with Meg on drums to his right. He seemd to be playing a beat up old acoustic guitar that was covered in paper and he romped through songs, some lasting a minute or less. Stand out tracks were a McCartney-esque 'Pretty Good Looking (for a girl)' and 'Jolene' with White spitting out every word and sweat dripping from his brow.
The Pastels, April 1994
Another gig when I was 18, mainly remembered for being the night that Kurt Cobain died. Remember, in 1994 no-one had a mobile and there was no internet. As soon as I arrived at Tuts with my friend Grant we heard the rumours that Kurt had shot himself. We didn't know what to believe, no-one could confirm it. I remember a support band called Lungleg being so gloriously shambolic that I nievely asked the singer if it was their first ever gig! She looked quite surprised and soon set me right. The Pastels took to the stage and made some kind of announcement that tonights gig was dedicated to Kurt Cobain, but they didn't mention much else. On the way home the John Peel show had been cancelled and Radio 1 played Nirvana Peel Sessions on loop. That confirmed the rumours but not in so many words. A night I will always remember. I still have my Nirvana ticket for the gig they were meant to be playing at Glasgow's SECC, I couldn't bear to return it for a refund.
I caught Squire twice at Tuts, the second time was a secret gig that I managed to get tickets for as I was in Tuts for a beer when it was announced. I went along with my brother Ross and our friend Dougal and we were lucky to witness one of the best openings to a gig ever. Squire came on stage with his band and immediately launched into the closing instrumental of 'I Am The Resurrection'. I was literally rubbing my eyes in disbelief and recovered in time to jump down the front for Squire bursting straight into 'She Bang The Drums'. No-one can argue that Squire is a good singer, but with the crowd singing along he just played guitar. BRILLIANT!
1994 again and that December I caught Oasis twice. The first time Liam walked off after losing his voice. Noel played on acoustically and then with the band and the band rescheduled fo Boxing Day. It was an electrifying gig with the band tearing through their debut album and bsides and the band singing along word for word. A band truly on top form.
I can't remember what year this was but the Scream were supported by the Jesus & Marychain. They were on top form, rejuvenated by the addition of Mani on bass and they tore through their back catalogue. The highlight was the Farley mix of 'Come Together', totally euphoric. Bobby Gillespe was everything you could want in a front man.
When a band with a back catalogue like New Order play The Barrowlands you know it's going to be a party. With songs like 'Regret', 'Temptation', 'Bizarre Love Triangle' and 'Blue Monday' it was like an old skool rave.
A total and utter party that left me smiling for weeks afterwards. I don't think I will ever experience another ovation like the band got after they played 'Born Slippy'.
The Verve were playing the Barrowlands just after 'Bittersweet Symphony' and I didn't have a ticket. Luck came my way when someone at work advertised a ticket for sale on the day of the gig. I went along myself and was blown away by The Verve who opened with 'A New Decade' before ripping into 'This Is Music' and raising the roof later in the set with 'Bittersweet Symphony'.