Teenage Fanclub, ABC Glasgow, 2nd June 2010

Ah a sunny night in Glasgow, soundtracked by the sweet harmonies, chiming guitars and the stunning melodies that only Teenage Fanclub can create.


The night started with a pint in the State Bar where I met Lynn, Ian and Lorna before heading along Sauchiehall Street to Nanakusa for some lovely Asian cuisine. We then popped into the Variety Bar for a beer on the way to the ABC only to find Teenage Fanclub keyboard player and slide guitar wizard Dave McGowan at the bar. So at least we knew we wouldn't miss the band!


We did leave shortly after Dave and got the venue for 8.15pm. The hall filled up quickly and before you knew it, just as Ian and I were being served our second beers, the band came on and launched into old fave 'Start Again'.


There were smiles all round and after a Norman song we immediately had a Gerry song, the opener off the new album 'Sometimes I Don't Need To Believe In Anything' before Raymond played 'The Fall'. Gerry's song in particular had a lovely laid back feel to it that suited the summer night.


The Fanclub looked relaxed and Norman joked when he couldn't tune his guitar, eventually giving up and taking another one. The crowd laughed with him, the Fanclub create that kind of vibe. 'It's All In My Mind' was next, it's driving rhythm bringing cheers before Gerry topped that with the classic 'Don't Look Back' off the Grand Prix album.


'Baby Lee' is the first single off of Shadows and it must have received more radio play than any Fanclub single in quite some time. Having seen Norman play solo around Glasgow on a few occasions over the last 18-months, this was a song he played time and time again - he is obviously proud of it and rightly so. The chiming guitars are the Fanclub at their best and from the lyrics (for this and all Norman's songs on the album) he is clearly very much in love.


I'm enchanted, I've fallen under your spell,
How can I resist when you cast them so well,


Baby Lee I'm always trying to remind you,
They had me in mind oh yeah when they designed you,
And baby Lee I'm always watching from a distance,
Oh marry marry me oh baby now I am insisting


Raymond was up next with one of his best, 'Can't Feel My Soul' off of Songs From Northern Britain. I can't remember the Fanclub playing this one live before and it was a real treat. Raymond's guitar playing throughout the gig was impeccable and it was particularly good during this tune.


The next run of songs was a real treat as the Fanclub rolled out long loved tunes alongside more tracks off the new album. Everyone sang along to 'I Don't Want Control Of You' with grins like cheshire cats, Norman brought out his glockenspiel for 'Your Love Is The Place Where I Come From' (Raymond's 'Something') and 'Ain't That Enough' was the perfect song for a sunny summery day in Glasgow.


'Sweet Days Waiting' off the new album is one of my current favourites with a lovely instrumental outro, with Dave McGowan highlighting his skills on the pedal steel guitar.


'The Concept' still sounds fresh and new song 'When I Still Have Thee' is surely destined to be a fan fave for many years to come. Another love song from Norman with an infectious melody - that won't be the first or last time anyone has said that!


'Sparky's Dream' promoted some pogo-ing before a great encore containing 'I Need Direction' - prompting ba-ba-ba-ba's from the crowd and a ferocious 'Everything Flows'. I think it must be 20-years since the Fanclub released their debut single yet they still attach it with a youthful joy that brings something new to it every time they play it.


There was just enough time for a surprise second encore of 'Starsign'.


A great night. It is 17-years since I first caught the Fanclub and I feel lucky to have a band that have soundtracked those years and will soundtrack many more years to come. 

Pooch and Spectrum, Saturday 29th May 2010

After a great night out watching Admiral Fallow on Friday night I was off out again on Saturday night with Lynn to watch Pooch in action at the pre-club band night run by Spectrum at McChuills.

McChuills was already pretty busy when we arrived around 8.30pm and the night got off to a nice started when Steph (one of the 3 brothers that run Spectrum) got on stage to introduce an Aussie he had met in London who is travelling with the ambition to play an acoustic set in every city he visits. As someone who has been travelling, this is something I appreciate and the guy was delighted to be playing to a good sized crowd.

The DJ played a load of great tunes that I have in my own collection; 'I Believe When I Fall In Love (With You It Will Be Forever)' by Stevie Wonder, 'Sweet Harmony' by The Beloved and 'Drunk Girls' by LCD Soundsystem.

Very sadly, Vendor Defender had to pull out of the gig after the singer received some terrible news. My thoughts go out to Zak who is a lovely guy.

So on to Pooch. I last caught Pooch in Maggie's Glasgow when they played a brilliant stripped back set. Tonight was full on electro for a crowd itching to get to Blackfriars to start dancing.

Pooch didn't disappoint. Lead singer Laura Boyd was dressed to kill in a vintage dress, stillettos and with Bowie-esque face paint. They ripped through a 30-minute set full of energy and style. The beats provided by the equally glamorous drummer Kirstin kept the pace up as Boyd played to the crowd, edging ever closer to the front of the stage until she was almost part of the audience.

I'm not fully aware of the titles of the Pooch songs and as the night was young, I don't think I would have remembered them anyway! However 'Masquerade' and 'Lights' are tunes that I know and they went down well with the crowd.

This was a match made in heaven, a party band for a party crowd and Pooch didn't disappoint. Boyd was clearly the star of the show, posing and pouting her way through the set, demanding the attention and affection of the crowd. Judging by the cheers for more at the end, she got it. But full marks to Pooch for finishing with no encore and leaving the crowd wanting more. Something more bands should do.

This was my first time catching Pooch in full on electro mode in quite some time and I will certainly be going to catch them again. I wouldn't be surprised if the Spectrum crowd have them back in the future.

The club itself had a real party atmosphere with the highlight being when the DJ teased in 'Song 2' by Blur for a quite euphoric reaction. A good night all in all. Just about recovered!

Admiral Fallow @ The Buff Club, Glasgow, 28th May 2010

On Friday night I headed along to The Buff Club in Glasgow for an event titled Dusk Til Dawn in aid of Maggie's Cancer Caring Centres. The night was organised by Ken Love and his brother under the banner Together Beat Cancer. Ken's family have been touched by cancer and this is the third musical event they have organised to raise funds for cancer charities. With real enthusiasm and passion, they are doing a great job.

I entered The Buff Club around 5.30pm and this was the first time I had ever been in sober! It seemed a lot bigger, it is usually rammed to the extent that there is no room to dance.

Radio Magnetic dj's played downstairs to greet people coming in, while the bands were playing upstairs. The venue looked fantastic set up for bands and I hope that they do it more often, I notice that the Detour podcast team have booked it out for June.

I didn't catch much of the first band so I'll skip quickly on to Scottish hip-hop artist Loki. Loki took to the stage (floor space) with his b-boy to back him up. I was trying hard not to laugh when he started, my first impression was that he was a total ned (and I might not be wrong). He had brought along some friends (his posse) who all looked like they dressed straight from the hip hop shop under the bridge at Central Station.

Despite my initial reaction I warmed to Loki. It took him a song or two to warm up but once he did he stopped the beats, sent his b-boy packing and told a tale about a night out in Edinburgh acapella. It was funny, entertaining and observant. It drew a great response from the crowd and Loki took great encouragement from it. A different b-boy took to the stage to join him (not as good as the first guy) but the remaining few songs saw the crowd getting into it and Loki introducing a song 'A West End State Of Mind' about drinking Bucki and getting high in the West End of Glasgow.

The line-up for the night was eclectic and next up was Louise McVey & The Cracks In The Concrete. Louise looked stunning in a vintage dress. The band play a leftfield mix of music that immediately had me thinking about the likes of Jefferson Airplance. Her backing band are tight and she can certainly sing. 'Ode' from her current EP was a highlight, although I didn't catch all of the set as I went downstairs to give Ken's brother a break from merchandise duty as he wanted to catch a bit of their set.

On to the headliner, Admiral Fallow (formerly Brother Louise Collective). I have to admit I am quite sceptical about bands that change names but keep the same songs. However it does appear to have given Admiral Fallow a new lease of life and lets be honest, it is a better name!

With an album under their belts confidence is clearly high within the band and that transferred on to the stage at the Buff Club and the audience was treated to an outstanding performance. I had caught Admiral Fallow in their previous guise at Tuts back in December and although it was clear they had talent, the sound on the night didn't do them any favours.

The sound engineer on Friday night did a great job. With a flutist and clarinet player (when he isn't playing keyboards) in their line-up, the band created some wonderful soundscapes. Lead singer/songwriter Louis' lyrics are pretty autobographical and they are certainly very descriptive.

Opener 'Dead Against Smoking' (I think this is what they opened with, but excuse me if I have the order wrong) was quite apt for a cancer benefit gig. 'You smoke when you're hurt, or when you're bored, or other things but I don't mind. Who cares if the big C comes when we're having some lovely times?'

The song flows beautifully and the chorus 'You're like a gasoline, you're like a willow tree, you're like a split screen, you're the green in me' lifts the song at the right times.

'Subbuteo' brought the tone down but maintained the interest of the crowd before 'These Barren Years' took things higher with flowing melodies from the gorgeous Sarah on the flute and Kevin on the clarinet.

The set was one of the best I have seen/heard in Glasgow for a long time and was full of highlights. 'Squealing Pigs' started off quietly before a good old Celtic beat kicked in and stopped the talking at the bar, Louis' singing was complimented by the gentle tones of Sarah Hayes.

The album 'Boots Met My Face' is available now on itunes and check the bands myspace.

A special mention must also go to Jim Gellatly for hosting the night. Well done to Ken for all his hard work.

The Charlatans at Glasgow Barrowlands 14th May 2010

Last night The Charlatans celebrated the 20th anniversary of the release of their debut album Some Friendly with a gig at Glasgow Barrowlands, a venue that they hold close to their hearts.

The night started in one of my favourite bars in Glasgow - McChuills in High Street, where I met my brother and friend Craig. A few weeks previously I had sent Tim Burgess a message asking if he would make a playlist for McChuills, knowing that a lot of Charlatans fans would be going there beforehand.

A cd arrived courtesy of Tim's friend Nick who is also friends with Craig and Dale also showed up, The cd contained tracks from 20-years ago, Loaded by Primal Scream, Groove Is In The Heart by Deelite, Ride On Time by Blackbox and many more besides. A few pints were enjoyed in good company before we headed off to the Barrowlands, meeting Lynn outside, to catch The Ray Summers as support, who Craig just happens to manage.

The band were on at 8pm sharp and played a punchy 25-minute set, high on energy and enthusiasm. The crowd began to fill up after a couple of songs with many taking the time to come down the front to check The Summers out. The third song in was The Valley that immediately caught my attention and must surely feature on a forthcoming release at some point soon. 

It says a lot for The Ray Summers growing confidence that they looked at home on stage at the Barrowlands. They are extremely tight and their ability to twist and turn songs completely around halfway through is pretty unique.

It was then on to the build up to The Charlatans, with the same cd being played that was played in McChuills earlier. The band were in no mood to hang around and took to the stage shortly after 9pm, just after my sister arrived to ensure an Easton family outing!

It may be 20-years since the release of Some Friendly, but Tim Burgess really hasn't aged much at all. He was wearing a 1990-esque style baggy t-shirt and his hairstyle may have changed numerous times over the years, but his cheeky grin and warm enthusiasm remain the same.

You're Not Very Well opened proceedings, a sold out Barrowlands getting into the mood easily and quickly. Next up was a special moment for me as the band went into the pop groove of White Shirt, one of my favourite Charlatans songs, yet one I had never seen them play live before in my 16-years of attending their gigs - 26 by my reckoning!

It's a brilliant song and Tony's hammond riff blasted out effortlessly, Time shimmied like it was 1990 and the band locked into a groove, it was all over too soon.

I was expecting the band to play Some Friendly in order, go off and come back on and do some hits, but The Charlatans are always a band full of surprises. As if to highlight how prolific and consistent they have been through the years and certainly around the period of Some Friendly the band raced through non-album singles, b-sides and EP's alongside album tracks. Playing for a full 90-minutes before going off and returning for an encore.

The highlights were many, with the band looking like they were really enjoying revisiting some songs that they can't have actually played for 20-years or so. Me In Time, Over Rising and Happen To Die stood out, yet it wasn't surprising to see the venue going crazy for Then and The Only One I Know.

In between bouncing about like a loony during the latter I turned around to see the hall lit up and the bouncing and dancing was taking place from front to back. It's a true classic and the chorus 'everyones been burned before, everybody knows the pain' was sung heartily and the band enjoyed a tremendous ovation afterwards.

Flower from the album was another real highlight, slowing the pace down 'don't bring me flower to my bed, she got what she deserved'. Tim was in great form, playing to the crowd, the rhythm section of Martin and Jon were as tight as brothers, Tony was revelling in the hammond orientated material and Mark on guitar was creating soundscapes with his effects.

Can't Even Be Bothered was the only non Some Friendly era track played the entire night, I imagine it must have been written around then. It's slow groove kept everyone dancing, in fact groove is a word you could apply to the vast majority of Charlatans tracks from this (or indeed any other) era. It was a time when people lost their inhibitions and danced.

Sproston Green rounded things off in true style, with the famous sprung dancefloor in the Barrowlands taking a hammering.

Walking towards the train home  my brother and I talked about the consistency of The Charlatans material. To play for so long from one period, with so many good tracks takes some doing. In truth, the band could do this with pretty much any period from their career. A band with a special place in my heart.

RBRBR, Tokyo Knife Attack and Miaoux Miaoux at Captain's Rest

Heavylight Darkbright at Captain's Rest, Glasgow


Featuring - RBRBR, Tokyo Knife Attack and Miaoux Miaoux 

On Saturday night I ventured to Captain's Rest on Great Western Road for the Heavylight Darkbright night. On the bill for a fiver were RBRBR, Tokyo Knife Attack and Miaoux Miaoux.

After being best man at my mate Elliott's wedding on the Friday I opted to drive to the gig, allowing Lynn to have a few pints. It is maybe a sign of age, but I don't mind driving to gigs so much these days. I'm quite happy to get lost in the music.

Heavylight Darkbright is a regular night run by the same guys that put on the excellent Pinup Nights at the Flying Duck. HLDB is a little more low key, left of centre, allowing them to pick the best local acts and also stick on upcoming bands and artists from around the UK. Mercury Prize nominated The Invisible are among the recent guests.

Captain's Rest has established itself as an excellent addition to the live music circuit in Glasgow over the last few years. The upstairs bar provides good music, food, beer and big screens for sport, while downstairs in the basement, the soundsystem and engineers work wonders in such a small space.

First on was Miaoux Miaoux who I had the pleasure of watching for the first time in mid-March. As he began his first tune there was only a handful of people in the room, but the waves of electronica sent people scurrying down the steps, so that there was soon a crowd of 30-40. Miaoux Miaoux (AKA Julian Corrie) transfixed the crowds with his ability to layer melodies, beats and harmonies with his guitar, sampler, synth and some other electro toy.

Halfway through he introduced a new song that he had finished writing the lyrics for that very afternoon and he had to read a couple of the verses off of a sheet of paper. The song was one of many highlights, its beat, feeling and melody seemed more suited to watching the sunset in Ibiza than a basement in Glasgow. All three tracks off the 'Blooms' EP went down well. The shift in music in 'Pixellated' enhanced by Julian's backing vocals was a real standout alongside 'Snow'. I would recommend checking Miaoux Miaoux out.

Next up was another one man band/act going by the name of Tokyo Knife Attack. He surrounded himself with a bank of electrical equipment and proceeded to play a 30-minute set of 80's influenced electro pop. The music was actually pretty good, although I would say that Tokyo Knife Attack is more Chris Lowe than Neil Tenant. He seemed very shy, barely speaking to the crowd, although his confidence did lift the longer the gig went on. He obviously has an ear for a tune, my personal suggestion would be to get a voclaist(s) in to help lift the songs.

Headlining tonight were RBRBR. I have seen them a couple of times before and I had previously been more impressed with one of their dancers who wore a jumpsuit and fighter pilot helmet and shades. He was back tonight, complete with a drummer in a horses head and their dancing ninja, as well as the two frontmen. For me, their two best songs were book ends for the set. 'Maff' - with a repetive hook of 'do the math, do the math, do the math' and 'Masicks Blues' at the end which threatened to veer off into a euphoric electro/techno track at times but didn't quite get there.

The two dancers generated a lot of energy on the stage, but it didn't quite transform to the crowd and for me it didn't hide the fact that a lot of their songs sound incredibly similar. The guy in the jumpsuit looked cool and danced his heart out, but he didn't really do anything else. He had an Apple Mac in front of him, but I don't know what purpose that served. The ninja certainly lost the dancing contest and is definitely no Bez. 

The two frontmen were pretty charming, smiling throughout and obviously enjoying the set. Some more inventive basslines, further use of guitar and synths might transform the band. Despite my criticism I bought their EP at the end of the night, keen to hear what they sound like on record. If I'm honest, they sound better live.

So it was a rather mixed bag of a night but well worth it. 

LCD Soundsystem @ Glasgow Barrowlands, 29th April 2010

This was a gig to savour.

The night started in one of my favourite Glasgow bars - McChuills on High Street. I don't go in nearly as often as I used to but some things never change and that is a good thing. Martin from Figure 5 working behind the bar, old Ted wandering around, good music, Barca v Inter on the TV and a nice couple of pints.

As the second half was kicking off we wandered around to the Barrowlands. Why bands play the soul-less O2 Academy over the Barras I will never know. The Barras combined with an up for it Glasgow crowd make an unrivalled combination.

We'd just got a beer from the can stall (Carlsberg unfortunately) and went down stage right when the lights dimmed and the band walked on stage shortly after 9pm.

The band launched into the funk disco groove of 'Get Innocuous' with James Murphy's cowbells taking an early battering. The line-up consisted of Murphy on vocals (with a nice 1920'2/30's style mic), bass, guitar, drums and keys/synths. With occasional assistance for Murphy on percussion.

Murphy then warmed the Barrowlands audience by saying 'tonight and tomorrows show is dedicated to Optimo' the legendary club night that has just finished at the equally legendary SubClub.

'Us v Them' was next up and the band turned things up a notch. Dry ice filled the stage and there was minimal lighting, the sole light bouncing off the classic Barras disco ball, creating just the right 'warehouse party' vibe. The groove developed into something quite special with Murphy calling out the repetitive 'Us....and them' vocal line as if he was making a political statement.

A fast version of 'Daft Punk Is Playing At My House' followed before 'Yr City's A Sucker' went back into classic LCD disco funk groove territory. Two new songs followed including current single 'Drunk Girls' that sees the band come across like a 60's garage band.

Next up was a real highlight and one of my favourite songs from recent years 'All My Friends'. The crowd responded to this excellent song that dips, flows and soars with an infectious guitar line, and when Murphy sang 'if i could see all my friends tonight, if I could see all my friends tonight' he was quite literally singing to the crowd.

Another new song 'I Can Change' highlighted Murphy's talent for melody and harmony and there was almost a Beach Boys type vibe at times to the song. 'Tribulations' and 'Movement' followed before a ferocious 'Yeah' enveloped the crowd with it's funky groove. Growing and flowing with the crowd bouncing along. This was an epic and we were watching and listening to something truly special.

The cheer and applause afterwards rang out heartily and it wasn't long before the band came back on, Murphy coming on a couple of minutes after them to take the deserved acclaim. 'Someone Great' got the band and crowd quickly back into the swing of things before the outstanding 'Losing My Edge' sent the crowd wild.

Murphy looked visibly moved and said that 'this is the best venue in the world and we'll always play here when we come to Glasgow. It's the right size for a party and if we have to play 3 or 4 nights we will.'

'All I Want' brought the crowd down gently before a gorgeous 'New York I Love You But You're Bringing Me Down' showed that Murphy could right ballads for Sinatra.

A truly special gig.

Set list at http://www.setlist.fm/setlist/lcd-soundsystem/2010/the-barrowland-ballroom-glasgow-scotland-4bd4ef1a.html

Miaoux Miaoux, 13th Note, Glasgow

Glasgow Podcart Session, 22nd April 2010

There is nothing like discovering new music that inspires and makes you smile. In March I saw a poster advertising a gig by an act called Miaoux Miaoux and I immediately thought that was a cool band name, checked them out on MySpace and bought the EP 'Blooms' off his bandcamp page. I also discovered that Miaoux Miaoux had released an album entitled 'Rainbow Bubbles' 2-years ago, before moving down south the very next day and then returning back to Glasgow last year.

The album and EP are excellent examples of creative electronica, at times with an electro edge, others with a twinge of pop, always with sprinkling of melodies to bring a smile to your face. So  I was quite excited about going to see Miaoux Miaoux live at the 13th Note as part of a Glasgow Podcart Session.

Dead Boy Robotics were on first. Two guys, a number of keyboards, synths and laptops, 3 mics, bass, guitar and each with a drum that they occassionally pounded. They were a curious couple, the guy on the left seemed quite 'EMO' (without wanting to put a label on him) with shrieks and screams, while the guy on the left seemed more intent on finding melody and harmony. At times it worked and their second last song flowed into a lovely electronic instrumental, with the guy on the right conjuring up a gorgeous gentle vocal melody. At other times they were lacking a chorus or tune. The drums at the front of the stage seemed more for visual effect, rather than actually serving a musical purpose, with the same beats played several times over a few songs. To end on a positive note they are still a relatively young band and they are not lacking in ideas. From my own personal point of view I'd be curious to see what the guy on the right could do solo, but that is purely in relation to my own taste.

And so on to Miaoux Miaoux, essentially Julian Corrie. Taking to the stage (actually the floor) armed with a guitar, a few pedals, synth and a couple of interesting looking things that provided beats and samples, Miaoux Miaoux had the crowd smiling before he played a note when he realised that a battery had gone flat on his effects pedal. With help from Dead Boy Robotics he was soon creating an elctronic landscape in front of our very eyes and to the pleasure of our ears.

The first song in was the instrumental 'The Colours of Glass' and the melodies, beats and feeling from the song set heads nodding and feet tapping. The size of the crowd (only around 30) and the relaxed environment created by the Podcart team meant that there was no dancing, however I can imagine a packed club dancing away to this tune and others. 'Rainbow Bubbles' was an instrumental album, yet the 3-tracks on the 'Blooms' EP indicate that Miaoux Miaoux is indeed blossoming (pardon the pun) with vocals and a poppier edge (particularly on 'Snow' that features New Order-esque guitar).

'Pixellated' off the album feels it's way, layers are added throughout the song to create something quite special, 'Dream On' continues in a similar vein, while the aforementioned 'Snow' builds from a guitar riff that Bernard Sumner would be proud of into an epic song with the refrain/chorus 'I don't wanna be my own best friend, I don't wanna be my own best friend'.

On stage (the floor) it all looks so easy but the talent and vision required to layer melodies on melodies, change beats and introduce soaring moments that lift you higher in such a natural fashion is immense. Mylo sprung to mind a couple of times during the set, but I don't want to make lazy comparisons.

With another couple of songs from 'Rainbow Bubbles' and a free track 'Hrvatski' (available from www.miaouxmiaoux.com ) it's all over too soon and I'm already looking forward to the next time, just like an early romance, when one date ends you look forward to the next one.

For the record, Miaoux Miaoux will be playing Heavylight Darkbright at Captains Rest on May 8th where there may well be some dancing. And more romancing…