Showing posts with label Carly Rae Jepsen. Show all posts
Showing posts with label Carly Rae Jepsen. Show all posts

Wednesday, 28 June 2023

10 Glastonbury 2023 TV highlights


The crowd for Elton

I caught quite a bit of Glastonbury on the TV over the weekend. The BBC's coverage of the Pyramid Stage, Other Stage, Park Stage, Woodsies and West Holts was incredible. OK, the BBC didn't delve into the side stages, tents and areas that for many are the real Glastonbury, but they did pretty well and they know their audience.

Watching from the comfort of my sofa with easy access to the fridge for beer was just perfect, while my toilet up the stairs was particularly welcome when viewing the crowd for Elton John (above)!!!! In a sign of my age, I immediately wondered (and worried) what people would do if they needed the loo! What a crowd!

Here are 10 of my highlights from my weekend of TV watching. One additional observation was how white and middle class the audience seemed. Did anyone else feel/spot that?

You should get all of these sets on the BBC iPlayer 

You'll find BBC YouTube links to key songs from each artists set after my review. 

1. Young Fathers, Friday, West Holts Stage

Within minutes of taking to the West Holts Stage, with the sun burning bright in the sky in front of them, just before it started setting, Young Fathers performance looked, sounded and felt like a huge moment for them. With Alloysious Massaquoi, Kayus Bankole and Graham 'G' Hastings lining up along the front of the stage alongside 2 female (apologies for not knowing their names) singers, you can't help but be captivated by their presence and impact. Queen Is Dead was loud, proud, cool and bold, while Rice was simply sublime.

Young Fathers - I Saw (Glastonbury 2023)

2. Carly Rae Jepsen, Friday, Other Stage

We're big fans of Carly Rae Jepsen in our house. She has an astonishing run of singles that are sheer pop perfection. The hooks, melodies, beats, riffs and choruses are just incredible. As I was watching I immediately regretted not going to see Carly in Glasgow back in February. I hope she comes back soon. Cut To The Feeling is euphoric, while Call Me Maybe and I Really Like You are timeless pop.

Carly Rae Jepsen - Shy Boy (Glastonbury 2023)

3. Texas, Friday, Pyramid Stage

Sharleen Spiteri and Texas knocked it out the park on Friday, playing hit after hit, generating huge sing-songs in the crowd. Sharleen bounded around stage one minute and strapped on a gorgeous green semi-acoustic the next. Opening with smash debut single I Don't Want A Lover set a tone, then it was into Halo, while later on it was the triple blow of Black Eyed Boy, Inner Smile and Say What You Want. A smash hits of a set!

Texas - Black Eyed Boy (Glastonbury 2023)

4. Hot Chip, Friday, Woodsies

I found myself dancing around the living room on Friday night to the delightful electronic sounds of Hot Chip. I fell for them in 2005 (see my 10 from Hot Chip blog) and they continue to woo me to this day. Alexis Taylor has barely changed in the near 20-years I have been following the band. His voice remains delicately beautiful, his fashion sense is still brilliantly geeky weird, while his band mate Joe Goddard is just the same - with a slightly deeper voice.

The synth sounds they created on stage amped up their studio versions, the light show added to the vibe. From the opener of Huarache Lights to the closing Over and Over, this was a set I cherished.

Hot Chip - Over and Over (Glastonbury 2023)

5. Lewis Capaldi, Saturday, Pyramid Stage

What an emotional performance. After a couple of songs Capaldi was coughing regularly during songs, his throat and voice were going. But he kept going, feeling the love of the audience and not wanting to let them down. His nervous ticks became increasing prominent, but he kept on singing and the crowd sang with him and for him. His self-depreciating humour was apparent throughout and he even took his top off for one song the huge cheers. 

I watched this with my 8-year old daughter Rosie and we were both feeling for Lewis. And we were both moved by the response of the Glastonbury crowd who had his back 100%, singing for all their worth.

Lewis was moved too. Taking several moments to take it all in. Bruises was beautiful, Capldi was visibly bruising on stage, making the song even more poignant. 

Capaldi then said he would try to sing 2 more songs, but after Hold Me While You Wait he was really struggling and the crowd took over for most of his monster hit Someone You Loved. Lewis was apologising one minute and thanking them profusely the next, but he still somehow found the strength from within to sing one final chorus which was spine tingling and exceptionally emotional.

Lewis, with typical transparency, told the crowd and us watching at home that we might not see him for a while, he'd be taking some time out. 

I hope he does and that his family and friends hold him close and protect him from any record company pressures. He just seems a genuinely lovely young guy who wants to write and sing. Maybe, when he returns, he could play some smaller venues, a residency at the Barrowland and/or Concert Hall in Glasgow. So he can stay at home. 

6. Rick Astley and Blossoms, Saturday, Woodsies

I'm not a fan of Astley or Blossoms. So I wasn't intending to check this collaboration out, but a couple of WhatsApp messages from friends alerted me to it, so I did. And i have to admit that they knocked their covers set of Smiths songs out of the park. 

Festivals should be barmy and bonkers. And this was barmy, bonkers and somehow brilliant.

That said, I wouldn't pay to go and see them on tour, but great at a festival.

Rick Astley and Blossoms - There Is A Light That Never Goes Out (Glastonbury 2023)

7. The Pretenders, Saturday, The Park Stage

One of many performances that I watched with one or both of my daughters where they said; 'How old are they?' Then we would guess how old they are against my Mum of 76.

What a beautiful sound The Pretenders created, aided by the introduction of Johnny Marr on guitar, while Macca watching from side-stage must have put a spring in their step. Oh and Dave Grohl popped up to guest on drums for Tattooed Love Boys

Chrissie Hynde was in fine voice,  there was no Brass in Pocket, but there was a magnificent I'll Stand By You and the crowd were loving it.

The Pretenders - Tattooed Love Boys (Glastonbury 2023)

8.  Candi Staton, Sunday, West Holts

At 83-years old and having recently survived breast cancer, this may well have been Candi Staton's last Glastonbury performance. However, I personally wouldn't bet against her returning again. She displayed resilience and strength throughout her set which included In The Ghetto, Suspcious Minds and a euphoric Young Hearts Run Free. But in her lengthy introduction to You Got The Love she bared her heart and soul as she told of her struggles through her treatment and how her faith kept her going. She found herself singing You Got The Love in hospital corridors to keep herself going, finding new meaning in the song.

And then she sang it for Glastonbury, she sang it for her family, us watching at home and she sang it for God and her faith. It was beautiful. A real Glastonbury moment.

Candi Staton - You Got The Love (Glastonbury 2023)

9. Becky Hill, Sunday, Other Stage

My kids love Becky Hill and they've turned me on to her brilliant pop songs like the sublime Remember. In blazing sunshine, Hill's electro pop with a nice clubby feel to it wowed the Glastonbury crowd. And she felt it! Pausing several times to take it all in and highlight how everything felt like it had built to this moment. And she fell for Glastonbury, talking of how she was at Arcadia for The Chemical Brothers and how she would be back next year whether she was playing or not.

On this evidence, she should be booked again. With 4 backing singers, the sound was euphoric and Hill's voice is incredible. Soulful and packed with emotion. She has a clear ear for pop.

Opening with the mighty Crazy What Love Can Do got the crowd on her side and Hill paused several times to stop herself from crying. Her love of dance music came out through cover versions like Heaven and You Make Me Feel (Mighty Real) and her new songs mixed well. Closing with Remember, I wouldn't be surprised if Becky is invited back next year.

Becky Hill - Side Effects (Glastonbury 2023)

10. Elton John, Sunday, Pyramid Stage

What a show! What a band! What a crowd! What a career! From the opening blitz through Pinball Wizard to the emotional finale of Rocket Man with a stunning extended outro, Elton John and his band were on fire. Almost literally at the end as Fireworks exploded overhead and pyrotechnics burst from the stage.

My own highlight (in addition to Rocket Man) was a euphoric blast through Are You Ready For Love? with guest vocalist Jacob Lusk from Gabriels and the London Community Gospel Choir. What a chorus! It was a joyful performance.

Brandon Flowers from The Killers came on for Tiny Dancer, Rina Sawayama joined Elton for Don't Go Breaking My Heart while Stephen Sanchez came on to perform his own song Until I Found You with Elton and his band. John has always promoted and supported new acts.

After somewhat underwhelming headline performances by Artic Monkeys on Friday (tight as f**k but they didn't exactly get the crowd going) and Guns n Roses on Saturday (superb guitars but Axl Rose was barely audible at times and sounded awful when his mic was turned up), Elton John and his band gave Glastonbury a celebratory party goodbye. John signed off his last ever UK performance in the fun and flamboyant style he is famed for.

Elton John - Rocket Man (Glastonbury 2023)



Saturday, 22 April 2017

TeenCanteen - Sirens EP




Released on transparent 10-inch blue and red vinyl with white splatters (each one different) on Record Store Day; TeenCanteen's Sirens EP has 4 songs that will lift you up, make you sing, make you dance and quite possibly bring tears to your eyes.

The title track certainly brought tears to mine. So did Millions once I got through the pop and the melodies to the lyrics. Regular readers will know that Carla (singer-songwriter in the band) is my sister. Both songs are about our Dad who died when I was 24 and Carla was only 15.

The piano version of Sirens is heart stopping; it is tears in the eyes, it is memories, heart break, heart ache, thinking what if? It is the sound of someone pouring their heart out, backed only by harmonies and backing vocals by friends at all the right moments, with only sparse Spector-esque reverb heavy piano for company.

I first heard it in early January in La Chunky studio in Finnieston, Glasgow shortly after completion. Carla asked for the studio lights to be turned off and I sat with the band, producer Stephen Watkins and my wife in total darkness other than the computer screen and the lights on the mixing desk.

It is devastatingly beautiful. When I hear Carla pouring her heart out and singing I wish I had time, I wish I had time in a voice crackling with emotion....it gets me. It may well get you too. Switch your lights off and listen.

The 4 voices combining to sing I want sunshine pouring through my window is just sublime. It gets better, the song flows and rises superbly.

All I've ever wanted was for a bit longer
To be a mans daughter
But some things
Take much more than a 4 leaf clover
To form realities out of dreams
Let the sirens play
Let the sirens play out loud

I wish I had time so I could define
All of the time you've been on my mind
Reminds me of school days and hanging in the park
Remembering to be home before the dark

Sirens is a new version of a song released on Say It All With A Kiss, the debut album that came out in September 2016. The other 3 songs are all brand new. To follow up the album so quickly is testament to the confidence that the band have and the 4 girls each bring something magical to the record.



What You Gonna Do About Me? is an outpouring of emotion, talking of dreaming, stamping feet, spreading roots, seeing friends and confirming independence. All in 2 minutes and 22 seconds!

You make me wanna skip school
Though I don't go to school anymore
What's the point in living for the weekend?
If I wanna see my friends I'll see my friends
Anytime I want to.....

If I want a minute dreaming in my bedroom
I will take a minute dreaming in my bedroom

Can't Go Back (Starry Eyed) is glorious unashamed pop that you could imagine Taylor Swift or Carly Rae Jepsen singing. The breakdown and then rise for the final minute is euphoric.

Millions is the lead single from the EP, picking up airplay on 6Music courtesy of Marc Riley. It's punchy and direct, only 3-minutes long and that includes time for backwards psychedelic guitars and the sound of Sita crying real tears at the end.

You're a million, million, million, million miles away
I still feel you near
Though you've disappeared

Oh come back to me if I call your name



TeenCanteen have a string of dates through the summer months, starting today where they play Monorail Records/Mono Cafe bar at 5pm for free as part of Record Store Day. Keep an eye on their social media for info about Glasgow, Edinburgh, Manchester, Brighton, Norway, The Great Escape and more.

Order an amazing 10-inch vinyl via the Last Night From Glasgow shop.




Friday, 21 October 2016

The Darkest Part Of The Night


My daughter Zoe seems to have inherited my love of a good pop song with a memorable chorus that you can sing on first listen.  We have 3 CD's of mixes for the car featuring artists as diverse as Little Mix, Taylor Swift, Carly Rae Jepsen, Kim Wilde, Kylie, Madonna, the dreaded All About The Bass by Meaghan Trainer (Zoe's first pop song), Whitney Houston..... great fun pop songs that we enjoy listening to, dancing to (not in the car!) and singing a-long with.

I have to admit to trying to get her into a few of my favourite bands and this hasn't really worked. Zoe definitely has her own taste! Although last year The Charlatans Come Home Baby with its huge and uplifting chorus quickly became 'our song'.

Whitney Houston's 80's classic I Wanna Dance With Somebody came on Radio 2 on the way to Zoe's nursery earlier on this year. She immediately picked up on it and asked me to turn it up and I was thrilled to oblige - it is pure pop gold. The song led to Zoe becoming aware of other Whitney classics like How Will I Know? 

We had Taylor Swift's 1989 album on heavy rotation in our car for ages. It was the first album that Zoe ever bought and for that it will always remain an album dear to our hearts. Memories of driving along singing to Shake It Off and Style will always bring a smile to my face. And Carly Rae Jepsen has two bona fide pop classics in Call Me Maybe and I Really Like You.

And then, earlier this month I burned the new Teenage Fanclub album on to a CD so I could listen to it in the car - we have an old car!

On the 4th song in Zoe asked me to turn it up. She then called from the back to say she had heard the song before - the album was only just out - she hadn't.

In the same way that Zoe instantly fell for the chorus of Call Me Maybe or pop genius of Little Mix's Black Magic, she fell for the flow and hooks of Teenage Fanclub's The Darkest Part Of The Night! The song felt familiar.


I never got to finish the album on that car journey; as soon as the song was finished I had to play it again....and again.

A month after the release of the album and it remains a firm favourite in our car and house. Yesterday Zoe's friend Orla came round to play and they were dancing to Little Mix and then Zoe asked if I could put on Darkest Part Of The Night! I duly obliged, although I'm not sure what Orla made of it! Little Mix had to go back on afterwards.

And then today we drove into Glasgow to pick up a present for my brothers birthday on Sunday and  Zoe asked for Teenage Fanclub. We must have listened to The Darkest Part Of The Night a dozen times, both singing a-long and playing air guitar. A memory I will cherish. On around the tenth listen Zoe was even singing a-long to Raymond's guitar solo - a great moment!

Thankfully I'm In Love and Thin Air are also getting some play. The rest of the album and back catalogue will come!

The Darkest Part Of The Night is quite a deep song for a 5-year old to get into and be singing a-long to in full voice. Yet the simplicity with which it is delivered - melody, flow and the lift of the chorus - make it brilliant guitar pop. Something the Fanclub have a real knack for.

Fingers crossed for a Fanclub festival appearance in 2017 that I can take Zoe to. She has already seen Edwin Collins live and her first ever gig was Duglas T Stewart singing with Stevie Jackson's Disco Sharks! Oh and she loves her Aunt Carla's songs with TeenCanteen and Ette and has designed the 7-inch of TC's You're Still Mine, featured in their video for How We Met (Cherry Pie) and has an engineer credit on the album! And is also the cover star of the Ette album!

Zoe, Carla and Duglas - 3 people I love who love pop music