Showing posts with label Here. Show all posts
Showing posts with label Here. Show all posts

Tuesday, 30 May 2017

Teenage Fanclub at CCA Glasgow

On Monday 22nd May I was supposedly having a day of not checking Facebook. Something (possibly addiction) made me log on. The top story on my news feed had been posted a few minutes earlier by my favourite band - they were playing a Primavera warm up show the following week at the the CCA (Centre for Contemporary Art) in Glasgow, tickets were on sale immediately.

The post only had a few likes and comments at that point, I acted quickly, logging on and buying 3 tickets at £20 each. It was only then (selfish I know) that I shared the information on my own Facebook page, on Twitter and on the Teenage Fanclub Fanclub page.

Things went a little crazy, the CCA website went down, their phonelines were engaged, they were receiving tweets and posts from people desperately trying to get tickets. Thankfully a lot of local Teenage Fanclub Fanclub members I know were successful, but others were not.

On to the show itself.


After dinner and some pre show beers my friends and I wandered into the CCA shortly after 8pm to make sure we caught most of the support band Elephant Stone. I wondered if they were Stone Roses fans. That remains unclear, but they are definitely fans of chiming guitars, grooves and psychedelia - they had one song that involved the lead vocalist swapping his guitar for a sitar and sitting cross legged and getting lost in a sensational groove with his band mates. The 4-piece had enough about them to make me want to check them out further and they generated a great response from the crowd - there was no polite applause here, genuine appreciation and curiosity with many craning to find out how they were creating their sounds and grooves.

Elephant Stone were then hot footing it across town to Mono to play their own headline show. They couldn't thank Teenage Fanclub enough for allowing them to support them on home turf and the Fanclub's generosity certainly won them some new fans. Check one of their tunes below;


On to the Fanclub themselves. They hadn't played live for around a couple of months, so this hastily arranged warm-up show had been booked to scrape off any rust ahead of forthcoming festival appearances. Based on the evidence of last night, there was no real need - they were far from rusty, not that anyone was complaining.

The CCA capacity is only 250, so it was a real thrill to see the band in such an intimate venue and an added bonus that we were right down the front to experience it.

There was no need for fancy lights or any kind of intro, this was Teenage Fanclub plugging in and playing - Blake, Love, McGinley, MacDonald and McGowan; 2 guitars, bass, drums and keys. They sounded absolutely sublime.


Start Again got things off to a flyer, but it was Gerry's Sometimes I Don't Need To Believe In Anything that was an early highlight - being so close to the stage meant that you could see, hear and feel everything and it was Francis' drumming that caught the ear and the eye, he was in simply sensational form, all over his kit and knocking seven shades of sh** out of it. Gerry was laid back, creating bass grooves and painting a picture of an autumn sunset.

Norman was his usual cheerful self, talking of his need for a haircut, jet lag and how this was the bands 76th show since November last year, prompting one die hard next to me to say 'yeah but what about the 5-year gap?' It was all good natured, but hopefully it won't be so long before the band record and tour again. Norman's voice gets better every time I hear it - angelic.

The setlist was largely the one that had been used for the majority of the aformentioned tour dates; new songs from the Here album sat easily alongside bonafide Fanclub classics. Hold On, Thin Air, Darkest Part Of The Night, a rip roaring I'm In Love and I Was Beautiful were the chosen ones from the latest LP.


There was one false start, but apart from that this was a cracking Fanclub set in a relaxed and friendly environment; Norman sang like an angel as always, Gerry was laid back cool, Raymond fired off riffs and solos for fun, it was a delight to watch Francis drum up close and Dave McGowan holds and boosts it all whether on keys or guitar.

Don't Look Back received a great reception, one of Gerry's masterpieces; but then messrs Blake, Love and McGinley have so many. From the power pop of About You, to the euphoric chorus of Ain't That Enough, to the blast of pop brilliance that is Sparky's Dream, the Fanclub ticked all the boxes and more last night.

The Concept was particularly glorious, the second section took me somewhere; the guitars chimed and combined and the bands voices sound sublime, it was glorious.

Star Sign and Everything Flows continued in that vein, the guitars sounded rich and true and even in a tightly packed venue there was room for a few of us to pogo down the front.

Teenage Fanclub are a special band, it was great to see them kick up a storm by announcing a show at short notice in such an intimate venue and a genuine pleasure to see and hear them at such close quarters. Their last show is currently scheduled for 21st July - it would be amazing if they could squeeze in another few summer shows.




Friday, 21 October 2016

The Darkest Part Of The Night


My daughter Zoe seems to have inherited my love of a good pop song with a memorable chorus that you can sing on first listen.  We have 3 CD's of mixes for the car featuring artists as diverse as Little Mix, Taylor Swift, Carly Rae Jepsen, Kim Wilde, Kylie, Madonna, the dreaded All About The Bass by Meaghan Trainer (Zoe's first pop song), Whitney Houston..... great fun pop songs that we enjoy listening to, dancing to (not in the car!) and singing a-long with.

I have to admit to trying to get her into a few of my favourite bands and this hasn't really worked. Zoe definitely has her own taste! Although last year The Charlatans Come Home Baby with its huge and uplifting chorus quickly became 'our song'.

Whitney Houston's 80's classic I Wanna Dance With Somebody came on Radio 2 on the way to Zoe's nursery earlier on this year. She immediately picked up on it and asked me to turn it up and I was thrilled to oblige - it is pure pop gold. The song led to Zoe becoming aware of other Whitney classics like How Will I Know? 

We had Taylor Swift's 1989 album on heavy rotation in our car for ages. It was the first album that Zoe ever bought and for that it will always remain an album dear to our hearts. Memories of driving along singing to Shake It Off and Style will always bring a smile to my face. And Carly Rae Jepsen has two bona fide pop classics in Call Me Maybe and I Really Like You.

And then, earlier this month I burned the new Teenage Fanclub album on to a CD so I could listen to it in the car - we have an old car!

On the 4th song in Zoe asked me to turn it up. She then called from the back to say she had heard the song before - the album was only just out - she hadn't.

In the same way that Zoe instantly fell for the chorus of Call Me Maybe or pop genius of Little Mix's Black Magic, she fell for the flow and hooks of Teenage Fanclub's The Darkest Part Of The Night! The song felt familiar.


I never got to finish the album on that car journey; as soon as the song was finished I had to play it again....and again.

A month after the release of the album and it remains a firm favourite in our car and house. Yesterday Zoe's friend Orla came round to play and they were dancing to Little Mix and then Zoe asked if I could put on Darkest Part Of The Night! I duly obliged, although I'm not sure what Orla made of it! Little Mix had to go back on afterwards.

And then today we drove into Glasgow to pick up a present for my brothers birthday on Sunday and  Zoe asked for Teenage Fanclub. We must have listened to The Darkest Part Of The Night a dozen times, both singing a-long and playing air guitar. A memory I will cherish. On around the tenth listen Zoe was even singing a-long to Raymond's guitar solo - a great moment!

Thankfully I'm In Love and Thin Air are also getting some play. The rest of the album and back catalogue will come!

The Darkest Part Of The Night is quite a deep song for a 5-year old to get into and be singing a-long to in full voice. Yet the simplicity with which it is delivered - melody, flow and the lift of the chorus - make it brilliant guitar pop. Something the Fanclub have a real knack for.

Fingers crossed for a Fanclub festival appearance in 2017 that I can take Zoe to. She has already seen Edwin Collins live and her first ever gig was Duglas T Stewart singing with Stevie Jackson's Disco Sharks! Oh and she loves her Aunt Carla's songs with TeenCanteen and Ette and has designed the 7-inch of TC's You're Still Mine, featured in their video for How We Met (Cherry Pie) and has an engineer credit on the album! And is also the cover star of the Ette album!

Zoe, Carla and Duglas - 3 people I love who love pop music







Tuesday, 6 September 2016

Teenage Fanclub at Islington Academy

Considering their lack of game/stage time over the last few years, it hasn't taken long for Teenage Fanclub to get ring ready again. Last night, in the beautiful setting of the intimate Islington Assembly Halls, they delivered a blistering set of old faves mixed in with some choice cuts from their new album Here, out on Friday and reviewed HERE.

Start Again got things flowing, Don't Look Back was dropped in early to a great reception, the band were gelling, smiling and having fun....as were the audience.

The setlist was fantastic; Norman, Gerry and Raymond taking it in turns to sing one of their songs like they were almost trying to top trump each other. About You was as glorious as ever, so simple, so pure. I Don't Want Control Of You brought a tear to my eyes as I thought of my daughters back home.

Every day I look at a different face
This feelings getting stronger with every embrace

The new songs held up well, slotting in with ease. Raymond's Hold On and Norman's Darkest Part Of The Night sounded fantastic.

Ain't That Enough generated a huge reception, arms were aloft and the chorus was being bellowed back at the band. It was fantastic to see the band away from home and to witness the response they were receiving from adoring fans. There were people with their kids, it was great to see.



Thin Air and I'm In Love sounded sublime and Raymond's Your Love Is The Place Where I Come From just gets better with each and every passing year. Some of the songs are like warm blankets, comforting and soothing.

Sparky's Dream had an urgency to it while The Concept was glorious. Dave McGowan was behind keys/hammond most of the night but when he came down to join Norman, Gerry and Raymond he helped to create a wonderful 3 pronged guitar sound.

Watching and listening to Norman and Gerry singing together, Raymond stretching and bending notes, listening to the extended harmonious outro, I felt a sense of pride in my favourite band, the boys from Bellshill coming down and smashing London, Everything I love and have loved about Teenage Fanclub was on display and the new songs only deepen the love. 25-years and counting.

ENCORE- I Need Direction, a fast flowing Can't Feel My Soul with Dave taking centre stage as Norman went to play keys and then of course, the incredible Everything Flows.

If you're going to Edinburgh or Manchester this week then you are in for a treat. If you don't have a ticket for the winter tour yet, then get one.

Special thanks to Terje, Ruthy, Denver and team - fellow Teenage Fanclub Fanclub members, for their company and stories. See you at the Barrowland Ballroom and the ABC!





Sunday, 4 September 2016

Here by Teenage Fanclub


It's here, well almost, Here, the new album by Teenage Fanclub is out on Friday 9th September and it is gorgeous; as positive, reflective, life affirming and heart warming as you would hope. What's more, it's bursting with energy, harmonies and guitars. Here is all the things you may already love about Teenage Fanclub and more.

Absence makes the heart grow fonder and I am delighted the band are back. In many ways, as a devoted fan of the band, it also feels like they are back and on a mission. A single, video, promo, lengthy tours....

Getting back to work , even after all these years, does feel a lot like coming home. 
Thinking about it now, we really should get together a bit more often.
Norman Blake

Here was recorded in 3 locations; initially at Vega in rural Provence, then Raymond's home in Glasgow before mixing at Cloud Hills in the industrial heart of Hamburg. Messrs Blake, Love and McGinley each have 4-songs across the album.

Lead single I'm In Love opens the album. I originally blogged about it HERE and over the last month or so I have grown even fonder about the song. In well under 3-minutes the Fannies reminded us all why we love them so much. Norman is fine form, reflecting and realising what is important with melodies flowing over urgent guitars. The promo film is stunning.

There is pain in this world
I can see it in your eyes
It's so hard, to stay alive
At the edge of the knife

But it feels good, when you're close to me
That's enough, that's enough
We will fade into history
I'm in love, with you love


Gerry Love's Thin Air bursts into life and gives you a warm shot to the heart. A smile spread across my face within seconds. Gerry Love is like a fine wine, getting better with each album. The chorus is pure Love; heartfelt romance, guitars and the sound of a trumpet somewhere in the background.

The subsequent McGinley guitar solo is a joy. Is Here his best album for guitar playing? The subsequent breakdown showcases how all the band can play. It is a joy to listen to.


Let the future open up its mystery
Feel the change in my heart and soul



Raymond's guitar playing is outstanding throughout Here. His playful lyrical ability is at its best on Hold On with all kinds of simple philosophy and advice.

Think of the ones you love
And what they want and what they need
Run away from the misery
Of those who flatter to mislead

Hold on to your life, to your dreams
Don't get lost in the schemes
Just hold on to your dreams
Hold on to your head, to your heart
Never stop, you can start
Just hold on to your heart

The Darkest Part Of The Night is a Blake beauty that you'll find yourself singing on first listen thanks to a flowing melody and chorus. There is a blistering McGinley guitar solo before we return to the chorus - twice for good measure. Norman's voice is beautifully soulful and true and he has the listener hanging on every word.

I long to see the sparkle in your eyes

You've been living in a bad dream baby I know
Lost to the light
You've been living in the darkest part of the night

I think in your twenties and thirties, you fear middle age; you fear becoming older. Maybe you can fight it and try to stay as an internal teenager. 
I like to think we play to our strengths, to our understanding of life. Folk music, blues, it's not necessarily made by young people. A lot of music I find myself drawn to is made by people over 40 years old. It might not be on the cover of the NME but it can still deliver a truth.
Gerry Love

Did Gerry Love warm your heart with Thin Air? Expect that warm feeling to be extended with the gorgeous I Have Nothing More To Say; a song that is perfectly formed. The riffs, the effects, the hushed vocals, another great McGinley solo over a gorgeous flowing groove. Love's work with Lightships extends to Teenage Fanclub - stunning.

I need dawn I need assurance
I have nothing more to say
In the morning I'll be brighter
If I leave my ways beside her

I Was Beautiful When I Was Alive is a dreamy McGinley piece that takes off 3-minutes in with McGinley repeatedly asking What are you gonna do, what are you gonna do about about it? as the beat comes in along with psychedelic backing vocals. Really look forward to hearing this live.

We all write individually, there's no formal discussion about what we're writing. 
I always like to think anything's possible when we make a new record but because of who we are and how we work, there's always going to be a strong continuity.
Raymond McGinley

The First Sight is more Gerry Love genius. It has a kind of French/Euro feel to it, the beat and the flow of the music, exploding into the chorus. McGinley delivers a searing and soaring solo before the band get into what sounds like a gloriously complex groove. Horns make their appearance again, lifting things even higher - will they have a horn section on the live dates? That would be amazing!

Today I'll rise to the clearest light of the sun
To simpler ways I'll return
I'll return

Will I ever get to see, will I ever get to see first sight of a heart that's true

At 5 minutes and 9 seconds long there is time for another McGinley solo at the end, just when you think the song might be coming to a conclusion he takes it to a glorious extended climax.

Norman's Live In The Moment has a real zip and zest to it, with the chorus containing a beautiful fast flowing vocal melody. It is fantastic to hear the band in truly outstanding form.

Live in the moment
You know that nothing this good could last forever
Embrace the here and now
For now we're here and now together
Feel good not knowing
About tomorrow and what's following may bring
We only think about today

Possibly the album seems like it's all about life. Gerry's not quite 50; both myself and Raymond are now. You do start to focus on mortality a bit more as you get older.
Norman Blake

Steady State is a slow paced dreamy Raymond song that begins with a riff that sounds really familiar and then beautiful lyrics.

Wake my love, we've dreamt enough
So wake my love the steady state of life is calling

It's A Sign is the sound of upbeat summer pop. There are doo wops and ba ba na's and the sound like they are having real fun with the backing vocals. It's a Gerry number and has many of his hallmarks stamped all over it.

Raymond McGinley's With You is quite simply beautiful. The first verse is reflection and pondering before a chorus full of the recognition of true love and need. The breakdown after the short second verse into a glorious instrumental complete with organ is sensational.

The world is wrong, the world is right
And you are right when you are wrong
Life is short, life is long
With you I'll see it

I find that as you get older, everything expands. When you start out, the nucleus of the band is so tightly bound, you're living in each other's pockets. Later on, you move away from each other and then everything around you - distance and time - just expands. Life gets in the way.
Gerry Love

Connected To Life brings the album to a reflective conclusion. You could initially mistake this for a Raymond song. It is actually Norman and in many ways the lyrics reflect the entire album - love and life.

Once in a while I can see you
Looking so young in your eyes
My darling I just want to see you
Connected to life

Raymond goes for for sounds rather than riffs during the instrumental section here, enhancing the dreamy and moody feel to the song. The closing section takes it even further.

I will not deceive you
I only want to please you
I hope I'll never see you disappear 
Into shadows into night
Disappear into shadows, into night

So there you have it; Teenage Fanclub in 2016. A truly brilliant album. I'll be blogging about the bands London show next week.