May 2016 podcast

Everything Flows Podcast #8 - May 2016

I don’t tend to put a great deal of thought into what I am going to play on my monthly podcast. I tend to have one song in mind and take it from there. I do try and stick in a couple of Scottish artists.

This months podcast all stemmed from Indiepop Ain’t Noise Pollution by The Pooh Sticks (great song title, as is I’m In Love With A Girl Who Doesn’t Know I Exist) that popped up on my iPod when I stuck it on shuffle. The song appears on a brilliant boxset I bought and blogged about back in January 2014 - Scared To Get Happy - a story of indie pop.

That led on to a couple of other songs from the boxset and some classic indie pop by The Pastels, Sebadoh and The Vaselines, along with a classic by The Beach Boys from their Pet Sounds album that celebrates its 50th anniversary.

Enjoy, LISTEN HERE

Indiepop Ain’t Noise Pollution - The Pooh Sticks
This Brilliant Evening - In Embrace
I’m In Love With A Girl Who Doesn’t Know I Exist - Another Sunny Day
Thank You For Being You - The Pastels
Dusseldorf - Teleman
Hang On To Your Ego - The Beach Boys
Different Drum - Stone Poneys
Soul and Fire - Sebadoh
The Day I Was A Horse - The Vaselines
Inky Spies - The Vaselines

Previous Everything Flows Podcasts

Podcast #1 featuring Teenage Fanclub, David Bowie, Dr Cosmos Tape Lab, Brian Wilson, Dennis Wilson, JR Green, The Undertones

Podcast #2 featuring The Troggs, Happy Meals, Rose McDowall, The Frank Popp Ensemble, Fun Boy Three, Jo Mango and The Pictish Trail, Miaoux Miaoux, Yo La Tengo

Podcast #3 featuring Primal Scream, My Bloody Valentine, Sonic Youth, Marlena Shaw, Natalie Prass, November Lights, Molly Nilsson

Podcast #4 featuring The Chemical Brothers with Beck, The Charlatans (Brian Jonestown Massacre mix), BMX Bandits, Edwyn Collins, The Parliaments, K-Klass, White

Podcast #5 -Tim Peaks Electric Fields line-up featuring The Charlatans, Yucatan, Blueprint Blue, Documents, TeenCanteen, Horsebeach, Hot Vestry, Riding the Low, Tim Burgess

Podcast #6 featuring JR Green, Hinds, The Groove, Doug Tuttle, Second Hand Marching Band, Emma Pollok, David Bowie, Lesley Gore

Podcast #7 featuring Catholic Action, Primal Scream, Super Furry Animals, The Supremes, George Carrow, Prophets, LCD Soundsystem

Teleman at King Tuts Wah Wah Hut

Every so often I ask one of my friends to write a guest blog if they are particularly passionate about a band, album, song or show.

Last night my friend Ian Smith went to King Tut’s Wah Wah Hut to see Teleman. Ian waxed so lyrically about them earlier on today that I asked him to write a guest blog....and here it is.

Ian

Every now and then a band stops you dead in your tracks and delivers a performance that makes you not only question what you originally expected of them but of live music as a medium in its entirety. So it was last night at King Tuts Wah Wah Hut, wherein Teleman delivered a performance so driven, so structured and so utterly mind boggling in its command of song structure and set architecture that it leaves you wondering how any other artists could even dream of entering a similar ball park.

Formed in 2012 Teleman a London 4 piece, consisting of brothers Thomas and Johnny Sanders (vocals, guitar) and (keyboards) respectively, Pete Cattermoul (bass) and Hiro Amamiya (drums), have garnered steady critical acclaim, regulars on the Radio 6 play list, they have drawn comparisons with Depeche Mode, OMD and our very own Belle and Sebastian (thanks mainly to Johnny’s fragile vocals and literary writings. “Glasgow has some lovely Buildings but this song is called “English Architecture” “ he announced before delivering another stomping journey through 1970’s krautrock.

The evening began in the unassuming manner I originally expected, little stage chat, simple melodies, fuzzy yet precise guitar work all under pinned by the relentless progression of Hiro’s drumming. The audience swayed and applauded politely, new songs were gradually introduced - their new album is released on Friday and was on sale at the Merch Stand. 

Usually when a band announces a new song in a set you can feel the rumbles of discontent wave through the audience, however after appreciating that the new Teleman were a whole different proposition, anticipation grew with every announcement.

The old songs were greeted with enthusiasm and had been beefed up to allow for their new found love of the guitar as a dominant force in the music, the whole set began to feel like a carefully crafted attempt to waive bye to the old perky Teleman and introduce a new beast, all strobe lights, looping riffs and thumping bass lines. When the main set finished, I looked exhausted, from all the dancing, to my friend Stephen “I thought they might be good” he said “but thats a whole different thing!” 

They returned to an ecstatic crowd and blasted straight into their latest single Dusseldorf imagine Stuart Murdoch duet-ing with Sparks Put On Put On Your Favourite Song he sings before unleashing a guitar riff that Franz Ferdinand would kill to have written. The set finished with 8 epic minutes of loops, feedback and pounding melody - suddenly it felt like 1990, I could have been in a Glasgow Warehouse at 3am, such was the infectious desire to shake loose and lose yourself in the music. 

It’s All In My Mind, It’s All In My Mind, It’s All In My Mind 

I can assure you that the 75 minutes of melody, chaos and control delivered by these folks at the peak of their power will live long in my mind

You can hear Dusseldorf the new singe here